new big room house anthem by tristan garner. akils strong vocals are backed by a huge piano/synth hook and a groovy bassline that leaves no wishes left.

amazing limited reissue of an obscure disco synth bomb from the early 80s! the connection between daryl cameron of eye beta rock and 4lux head honcho gerd goes back to the early 90s. at this time gerd was recording for detroits malego records. chicago legend armando toured europe to do dj, set up by ep connection in collaboration with the dutch seesaw crew in 1992. through armando, gerd got acquainted with daryl camerons boogie stuff. daryl was in the mix with loads of chicago producers such as farley jackmaster funk and armando himself. just a 400 copies limited edition run!! no repress on this big 80s synth boogie track!

belgian artist ludwig buez who has worked a long time under the soul preachers nickname is really happy to introduce komplement recordings, his fresh new electro minimal label. for the first release & asked french duo ginos & snake to remix his original track. on the a side, you ll find the original hypnotik electro track called cirkus. dark psychotic synth & great killer break gives to this track all the power & the emotion needed for massive crowd reaction. the remix from ginos & snake is a perfect exemple of how good these 2 guys can work with their gears! they did a more progressive construction, added raw synths & worked the main melody through special effects!

jon cutler and matti heilbronn throw in their take of the modern house sound with a percussive, synth-laden deephouse track

nice price deal !!! narcotica project hooks up with jumpstyle master dj noizer for this brand new detonated jump traxx edition! the result is an outstanding 4 tracker which will be huge in no time... square kickin bassdrums, cool sample use, oldschoolish synth lines and phat editsmake this 12inch an absolute must have for all lovers of this sound, a perfect job by these geezers, do not miss out!!!

for their latest effort, einzelkind aka arno völker and miguel ayala teamed up with douglas greed for ice 1656 ep. in a1 >la belle<, a rolling, woodblock rhythm sets the scene for the abstracted keyboard tones which cluster around the track’s middle, cranking up the drama and throwing the bottom-line bass throb sharp relief, ahead of the dirty, flanged synth line that’ll gleefully force any dancefloor into submission. >la belle<’s beauty lies in its simplicity - einzelkind and douglas greed use a small, well-chosen assortment of percussive and melodic elements to create a wonderfully tense, propulsive club track with not even a hint of flab about it. for b1 >ed the optician<, the trio inject a bit of funk into proceedings. it’s a slinky little number, characterised by an expanding and contracting, analogue-sounding synth-line, woodwind samples and a bouncy, morse-code bassline, together making for a warm, groving track that will work well in warm-up and peak-time sets alike, not to mention at home. b2 >squirls in a bathtub< is a similarly supple, funk-fuelled cut, driven by haunting, almost animal-like noises and which mutate into wiry acid lines while the aquatic bass drum, hissing shaker and press

radio is one of the highlights of felix da housecat fantastic third album, virgo blaktro & the movie disco. its a shimmering three minute synth soul reverie. with its cascading i cant live without my radio chorus and dippy goosebump melody, radio could be a kissing cousin of buggles 80s hit video killed the radio star. needless to say, its tailor made for the airwaves and is already picking up strong support the board.

by now dazzle drums and nite grooves are old friends. this being their 5th release on the label, the beat goes on and carries us with it. gypsyman turns out an organic bent out of shape (we didnt say warped!), percussive, almost dubby, instrumental delight. this is one of the definite moods one would hear at say, the shelter. its got that kind of clubby rhythmic organic vibe. call it what you will, we call it hot. tokyo deep that follows is a more upbeat instrumental full of synth moog sounds and overflowing washes. very car chase or early 80s stalk you cinema, catch the drama while you can!

homewreckers - close your eyes til the morning the amazing success of their last release >its about time< challenged the homewreckers to push their sound a little further out. >close your eyes til the morning< is hardcore groove with a great, burning synth bass that funks along until new york singer dennis legree brings some excitement to the proceedings with his tremendous voice. its pure underground deep house - intense, abstract and dramatic. no wonder that felix da housecat and marshall jefferson supported those guys when they were teenagers! a vital alternative to the melodic clichés and rhythmic orthodoxy of the electronic music mainstream. langenbergs remix gets the b-side under way. backed up by a strong beat it rolls steadily ahead with unflagging propulsion. next up is >hot hot hot<, an exciting up-tempo number which gives kemo another opportunity to show his lyrical feeling while >smile< slows down the pace easing into a down-home hip-hop affair. this is the second of four records representing the vinyl collectors edition of the homewreckers forthcoming album >american ruhr<

no one can resist these massive strings and strong diva vocals!! yomanda/7th heaven mixes - includes free 5 track bonus cd single

eric prydzs pryda label has again delievered some stunning pieces of work this year that have been caned by pretty much everyone. tracks like rymd, armed, ironman, muranyi and maddeferrys have all been licensed to pretty much every compilation out there and have generated quite a stir. this time around europa gets an airing - this is another walloping production that has been doing the rounds with certain djs since the summer. it is a typically enormous club track with its building synth chords and huge breaks and drops. on the flip odyssey is also a killer with its slightly more subtle funky feel. this is another 2 track monster that will not go away!! dj support - pete tong, sasha, jon digweed, sebastian leger, eric prydz

you re the one is the first single taken from his forthcoming album as high as the sky which will be released on wagon repair in may. baby you re the one is fast out of the blocks with racing percussion and a plunging bass loop. a piercing metallic tone encircles a distorted vocal sample as subtle melodies rise to the surface of the mix, steadily intensifying to climax. on the flip side, crackbeat is a darker animal. kindling wild percussion carries an eerily distant key melody that supports a rich synth siren. teeming with activity, the synth melody is trailed by bubbling bass tones as a feral percussive drive chases to close.

tuomi, as well as stefan goldmanns 1st ever production for a band! tuomi is a trio of voice, piano and double bass, lead by singer kristiina tuomi. touring the globe from europe to bahrain to south korea, tuomi perform a unique blend of superb songwriting and acoustic chamber composition. for their macro debut, the trio is joined by live strings and an array of electronics, synths and drum machines, taking their signature concept to the dancefloor in full effect. the result is stunningly adventurous house music. the title track >expense of spirit< comes with a mind blowing bass line, acting as a catchy counterpoint to the deep acoustic chords and strings. the b side also holds a minimalistic dub version. >mourning eyes< and >expense miniature< reach far beyond the dancefloor, being another prime example of macros experimental direction. a pioneering four track ep showcasing what should be possible at the junction of acoustic and electronic music today. tuomi are: kristiina tuomi - voice carsten daerr - piano carlos bica - double bass featuring: margherita biederbick - violin hannah klein - viola stefan goldmann - synth bass, drum machines, processing

let the dance floor ignite with this latest installment on the legendary techno label. gideon fires em up with a set of floor rockin tracks opening up with the uplifting floor filler >sunrising.< a tune sure to reek havoc through its hypnotic synth stabs. on the flip the journey continues with the perfect warm up in >nightfall<, and progresses into a dub fueled chugger in >daybreak<.

classic sounding house gem feat lisa mack on vocals. massive synth riffs backed with great drum programming make this a must have peaktimer

the third release from splitloops second album pleasure machine is another pounding, electro breaks monster. electricity mixes squeaky synths with retro and glitchy vocals. on the flip, release remove, a cheeky little stomper. computerized vocals, and fast paced synth stutters. once again the boys have unleashed a classic!

taken from the aptly titled sacrilege lp of remixes from 1997. here we have a 1-sided 12inch featuring carl craigs bladerunner mix. so hows it sound? well its one of those that never drops, instead building on a rapid fire set of hand-claps, some nice little filtered synth fills, a little bit of vocal. basically those elements twisted, turned and arranged in the way only carl craig can (or did in 97)

amazing dub techno !! (mix by rod modell)(mike huckaby synth mix) ..this is a modern version of a musical detroit-berlin joint venture !

as on his first 12inch hidden structure ep, finland based producer rasmus hedlund is delivering his follow up with uplifting, energetic and ass shakin future electronic music. the opener >tasureitten jaelkeen< is a combination of the deepness of house and the direct drive and aggressiveness of the monetanous techno sound, stirred up with that special, classic and timeless feeling while the a2 takes the vibe harder with layers of pacy minimal soaked rhythms by remixer uemit akauna and his fresh mixing gives this track a real big system bass edge. on the flip we have kolinator, a more percussive tool and the b2 skuuges taas. all four tracks are aimed squarely at the dancefloor, with straight forward 4/4 beats driving through raw synth stabs, minimal percussion and deep bass - a clear-cut killer groove record which nails the crowd to the floor!

energetic electro funk/space disco track with super spacey synth action by michoacan!! must have

as expected, this cool little number is starting to do big things!! kazyo, half of teenage bad girl will take the world by storm with this new, fresh, amazing project. gritty analog synths chugging along to solid jackin backbeats in a very electro flavored style, layering in more synth lines as the track progresses for some abrasive electro techno action. this is an essential release coming out from the new electro scene, do not pass on this!

the 2nd release from this fresh eskimo prodigy, right from the beautiful area of tuscany. choosing vintage analog synthesizers next to real instruments such as guitars and an electric bass, simone manages to perfectly sculpt his deep and original sound, mixing funk, italian disco, house and synth pop.

kicking off 2008 with something fresh and new from a brand new signing to the label. first up this year on re:connect is a full on vocal led breaks monster from the genius pairing of australians karl sav and nikita. the original version is up first, a full-vocal affair with crisp but meaty beats, a tasty buzzing bassline, and searing synth lines. remaining a little more laid back to start with, this one builds and builds throughout and is certainly one to get the ladies moving on the dancefloor. on the flipside comes a stomping 4×4 remix from fellow australian dopamine who strips back the vocal to its main elements, adds a pounding beat and twisting bassline to great effect. this ones for all you crossover breaks/house fans out there!

mantra vibes blatta & inesha deliver a twisted funky breaks track with uplifting synth stabs

finest two tracker full of synth tricks & dynamic percussions !! the german duo of christopher bleckmann and hannes wenner join the hidden agenda family under their main handle misc. best known for their works on sender, klang, kompakt and early asthe alias niederflur this two track ep they offer up is sure not to disappoint fans of their music

o the lead single from jay hazes new album love & beyond, arriving 28 april. o a jacking floor-filler powered by jays previously unknown beatboxing skills. o features exclusive b-side >free ride<, a collaboration with ricardo villalobos. jay hazes upcoming album love & beyond is set to win over new fans, confuse longtime followers, and piss off the haters as jay takes things to the next level. available on 2xcd (digital soul and instrumental beatscapes) and 2xlp (entirely different tracks of dance material), the album is a noticeable departure from his back catalog (which nears 100 releases if you include his numerous aliases and side projects). ass to mouth is the 1stt single, driven by layers of jays own voice - breathing, cooing, and clicking - combined with ominous synth lines, resulting in a bouncy, sweaty workout track. ass to mouth is inspired by classic chicago house, yet wouldnt sound out of place on missy elliotts so addictive or björks medúlla. in addition to a stripped-down a cappella version, this single includes the non-album b-side >free ride,< a 10-minute spacious groove co-produced with his buddy ricardo villalobos, showcasing the synergy between two of the most forward-thinking producers in the global techno/house community

hyperdub kick off 2008 they way they intend to proceed, with new tracks from a new artist. on her debut release, ikonika comes with her own very unique, warped yet soulful bleep sound. with shape shifting beats that switch styles every few bars its hard to pin these two tracks down... cos if it was easy, it just wouldnt be hyperdub. both tunes are one minute minimal, one minute maximal, driven along by ikonikas special combination of wonky synth and deep swingin sub bass melodies that place them somewhere between an early, blocky grime instrumental and the sweeter side of detroit techno ? except with better bass of course! who needs a vocalist when your synth can sing like this? quite how kode9 manages to keep unveiling new producers of such abundant talent is a conun drum, but one to be cracked some other time when we?re not so busy keeping up with his astonishing labels ceaseless march into the future.

second release on the irma slit up comes from ninfa. mixes by pirate robot, en masse, dmt and santorini

dope new highly limited vinyl 7inch of rain forest featuring exclusive mixes of this beautiful psychedelic house tour de force. experimenting with the uncomfortable mixture of dance friendly production and the sternly serious project of psychedelic adventurism!! these mixes are undoubtedly in a more exploratory tone. luscious chords set the framework for this piano led masterpiece, all the while drifting along on perfectly placed synth arrangements. rain forest might appear pretty at first, a closer listen will yield more confusing emotional reaction as the record at once soothes and disorients. of course, anyone experienced in introspective exploration and healing should know nourishment and pain are not mutually exclusive

supported by anthony collins, gregor tresher, sebo k and djinxx. luca bacchetti continues his ascent with his third wagon repair release. the a side >night over kwazulu< stirs together deep african drum patterns, pulsing tech-house percussion and kindling melodic sparks. a haunting chanted vocal and delayed horn melody introduce mystery to a wilderness of echoed tone and chimed synth. b side >rollin brooklyn (lee van dowskis monday turbulence mix 1)< sees the swiss/french techno dj reinvent a track from lucas first wagon repair release

atmospheric minimal techno to techhouse remixes by tom pooks and perc and a great detroitish synth-laden original !!

nice price deal !!! dissident steps out with another new outfit and a tuff jacking old-school chicago house track that runs hand in hand into italo territory with some wild cosmic synth lines, resulting in a rocking dancefloor jam. the should be the first of many from the steppers on dissident

the aa comes with a similar atmospheric intro to the a side but with more steppy beats which take us to the drop, where metallic sounding beats infuse with mid range filter sweeps and a punchy synth bassline.

the rereshingly prodigy esque ripper will ravers old & new quaking in their boots. a short intro gives way to a heavyweight knarly b line & beats combination to knock your head off. not one for the faint hearted. on the flip sees the return of the mighty dopamine for remix duties. warping meaty synth lines & chunky techy beats are the order of the day.

storm system swirls into the mix with a torrent of sweeping pads and brooding synth lines. sultry vocals play off against the pads and set the tempo before the storm comes crashing in with waves of layered percussion and breaks that charge in while the techy bass stabs keep things rolling bouncing off the beat patterns perfectly.

shifting reality is marked by the unique trademark of the advent. this ep has 2 bombastic tracks. the advent s track, tech urbana has an infectious groove which will rock any dance floor on planet earth and beyond. michaelangelo s track, doors of perception is a dark offbeat track layered with tribal rhythms weaving around a modulating filtered synth crescendo...

incl reboot remix !! wareika is the collaboration of henrik raabe and jakob seidensticker, both specialists in dub techniques (voidcom / ministry of sound, jubilee rec., ostwind rec, lebensfreude rec.), jack-of-all-trades florian schirmacher (philpot, cadenza, perlon, poker flat) and michael hank. >men village< – their first production as a collective - comes up with almost 15 minutes afrorelated drums and percussions, accompanied by warm analog-synth raster scanning and highlights, served on a pushing, strong-force but simple beat, that carries one’s body and on and on. reboot – the below and cadenza artist reduced the original to its more rhythm-based elements and added his typical trippin percussion twist

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

on the remix duty probably the two biggest names in electronic music at the moment: danny freakazoid and klaas! the original mixes go out a bit more housy with lovely breaks and catchy vocals that increase into a rocking synth theme. the klaas remix features big guitar breaks including the original vocals and the typical huge and boombastic klaas synths. danny freakazoid as the master of intelligent electro delivers two excellent remixes in full freakazoid effect. nothing more to say - this is a bomb!

the beginning of year three in the adjunct chronicles is marked by a 12inch by our own apendics.shuffle. kenneth james gibson has been bombarding the techno scene consistently for the past few years. u_derline, orac, friends of tomorrow, mos ferry, sunset diskos among other labels have served as the carrier for kens deadly weapons. remix duties are taken on by the one and only mathias schaffhäuser , a renowned techno superstar and the founder of ware records. there couldnt have been a better title than >no reduction< to literary describe this monster of a track - ken has unleashed the entire arsenal of his studio for the creation. stern synth patterns pizzicato their way through the track, deep sea signals ring in the background, distorted vocal snippets insist on taking >all the money<. energetic and magnetic dancefloor number dedicated to the real freaks. mathias approaches the rework with smooth drumming and a velvet bassline. the cheeky cabaret vibe however never settles: the diabolical pizzicato of the original returns and the voices continue their demands for (what all adds up to in the end) >no reduction<. oblivious filth brings yet another layer to this joint. beautifully crafted sounds mingle with electro-mechanical noises, layers of melting textures lure the listener into a late night wonderland

the first various artists project on car belongs to daniel gloomy and lexis. a and b side consist of one lexis and one gloomy track. lexis tracks offer more forward going hard drum line tool tracks with powerful subbass lines as gloomy tracks offer a different approach to hard tech tools with powerful synth themes. all the tracks are peak time material for any hard tech playing dj

sure bomb !! dj support - carl craig, adam beyer, dubfire, monika kruse, shinedoe, christian smith, len faki ... this is the second of 2 fat remix records on drumcode of the 2 most popular tracks taken from the dc10 years album compilation last year. this release sees the truly awe inspiring >do us part< track from par grindvik get 2 classy overhauls from 2 producers of the moment - len faki and 2000 and one. lens remix is a real floor burner cleverly weaving hook parts of the original around a simple driving drum and bassline groove before building cleverly and introducing a harder hook later on to devastating efffect. on the flipside dylan aka 2000 and one adds his typical funky dutch trademark by using the same trippy synth hooks but also adding funky bass patterns and warped synth fx.

eric prydzs pryda label has again delievered some stunning pieces of work this year that have been caned by pretty much everyone. tracks like rymd, armed, ironman, muranyi and maddeferrys have all been licensed to pretty much every compilation out there and have generated quite a stir. this time around europa gets an airing - this is another walloping production that has been doing the rounds with certain djs since the summer. it is a typically enormous club track with its building synth chords and huge breaks and drops. on the flip odyssey is also a killer with its slightly more subtle funky feel. this is another 2 track monster that will not go away!! dj support - pete tong, sasha, jon digweed, sebastian leger, eric prydz

after the dfa mixes (fallout records, 2006), here we have the shelter retreatment for >like a star< by corinne bailey rae. you know the deal, funkish bassline, jazzy heys and an absolutely gorgeous synth solo, everything in its right place

luis radio & raffo drop some serious pumping house and a strong organ/synth which is hypnotizing and rocks the dancefloor. best of seasons limited for a while now this track is essential for the true house sound crowd!

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

played by karotte , reynold... style of eye has delivered one of the most creative dirtybird releases to date. this is a totally fresh sound coming straight out of stockholm, sweden. >the big kazoo< is an epic tech-funk masterpiece that achieves ultimate ass shaking glory while also innovating at the same time. yes, in the past dirtybird has brought you animals, fart noises, bass blips, and strange breakdowns and now a kazoo??? well, all we have to say is that the big kazoo goes a step beyond any gimmicks and brings you the real shit. the beat is solid driving funk just how we like it and the track is destined to be a dirtybird classic. the b-side >hide< aint no slouch either. it mixes in really well with anything you got with congos or any kind of latin shuffle. but hide also has a really hot techno element that makes it very versatile. the beat is rock solid with a strong syncopated pattern and cool synth dropouts that will even bring the socialites and wallflowers to life. check it

rebekahs second instalment on criminal records is a 2 track ep. moving flawlessly into techno with 2 beautifully crafted pieces, freakonomics is a deep work out of sub heavy bongos, a haunting melodic synth line and stripped riding percussion with layers of effects building into an atmospheric breakdown. neo is more up-tempo with shuffling percussion and rolling bass that leads into deep rich synth stabs. radio 1 was quick to pick up neo airing it on mistress de funk s residency show last week and both tracks are gaining huge support from the likes of funk d void, greg vickers, mark knight and yousef

played by funk d void, johh aquaviva, monika kruse and benny rodrigues amongst others. ec076 consists of two different tracks that are both peak time bombs that will set the floor on fire! the a-side holds >positive<, a track with an astonishing flow, solid drum patterns and a lovely synth lead. this track also made it to michel de heys latest mix cd called >recorded in amsterdam<. the b-side holds >changes< and this techhouse monster is also a sure dance floor rocker!