nach dem ueberwaeltigenden erfolg des ersten samplers dirty laundry aus dem jahr 2004 gibts jetzt mehr country songs interpretiert von afroamerikanischen kuenstlern...

smashing latin grooves and fat female vocal swinging this track to the dancefloor! also the patrick lindsey remix is a big smasher!

after a split 12’’ and two eps from its founders, your favourite vinyl-only label welcomes an exciting new artist for its fourth release. hailing from berlin, hunee is a true music lover, a passionate dj and an amazing producer (not to mention a top notch friend). his recent productions on feel music, w.t. records and drumpoet community have caught the ear of many key players and made him one to watch in 2010. needless to say, hunee takes it to a whole other level with his barrio payment trilogy: from soulful house to slow-mo disco via afrobeat, the producer holds nothing back and that’s exactly how we like it at retreat hq. starting off with swinging hi-hats and a wah-wah loop, foundation builds excitement before a killer organ riff and bouncy bassline manage to bring the last non-dancers on the floor. ..

swinging and jackin chicago house tracks - surefire hip shakin bizz!!! cant afford to miss this...

after the great success of >fine mouche piano-tango< (check feedback below) by french chanson legend brigitte fontaine and turkish belly dancer khan we are proud to present a bunch of hyper hip remix kids ready to send you into a groovy indian summer.
parisian dop, known for constant touring, vodka consuming, groupie eating, excellent remixing, and great music, immediately called our offices and offered a remix after hearing a promo of ims006. we are now proud to present one of dops greatest swinging house jacks so far.
norways rather shy and mysterious youngster tobii faxed in a request for the remix parts and delivered a stunning psychedelic deep-house anthem that will sure be part of your 2009 post-summer-vacation-trauma. let the leaves turn red and the disco ballshine!
p.s. we forgot to mention the very talented and handsome pianist boris bergmann, featured on all piano-tango versions.

the voyeurhythm crew from london is doing their first record! ben sun, megadon betamax and hollywood nites deliver some shit hot slo-mo house and disco tracks that go somewhere ugly edits and mark e. crazy stuff that work very well. total killer is the b side cut by ben sun that covers the whole side. a incredible funky and rocking disco funk tune with crunchy 12-bit beats and a soul vocal give way to joyful swinging keys and a driving deep-disco groove. this sounds like one of the best kdj releases! recommended.

played and supported by loco dice, livio & roby, nima gorji, …
new ianus71 introducing new maverick jazzsters autre. >unheard melody<, their 1st ep, is a compelling debut. a viral swinging mix of influences coming straight out of their studio jams, this opus marks again the steady search of ianvs71 for modern and unconventional grooves. from the contagious deepness of the title track, through the latin strokes of >canoa quebrada<, the hypnotic building groove of >masquerade< to the funky subtleties of >mismo< this is infectious material for feet and minds!

big with: luciano, laurent garnier, anja schneider, lauhaus, lee curtiss, slam, jimpster, federico molinari, dyed soundorom, clive henry, sasse, burnski, kiki, rob mello, italoboyz ...
>crewcuts & curls< is the greatest collection of prime productions yet from wales hottest new export, tomdemac. vibrant and dynamic, >crewcuts & curls< engages the listener in the moment. drawing you in with its tauntingvocal, demac creates a youthful sound that is masterfully produced, the product of a gifted musical mind. sweet humming is the haunting close, gradually filling the speakers with deep and prolific doses of swinging chicago-inspired house to create a whirling and effervescent creature. this is the third and most striking package that tom demac has produced for murmur.

peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

the third in struts inspiration information studio collaboration series brings together an intriguing pairing between one of africas great bandleaders, mulatu astatke, with the next level musicianship of the heliocentrics collective from the mighty roster of stones throw / now again. known primarily through the successful ethiopiques album series and the film soundtrack to jim jarmuschs ?broken flowers, mulatu astatke is one of ethiopias foremost musical ambassadors. his selfstyled ethio-jazz sound flourished during the swinging addisÑ era of the late 60s as he successfully fused western jazz and funk with traditional ethiopian folk melodies. the heliocentrics have become known as one of the uks foremost free-thinking collectives of musicians, inspired by a wide palette covering sun ra, james brown, david axelrod and all manner of psych, afro and eastern sounds. the collective have featured on records by madlib and dj shadow. now a fixture within the stones throw / now again roster, they forged their own genre-breaking directions in the astral analogue groove on their 2007 debut album, out there. a number of tour dates around the release and headline slots at festivals throughout 2009 have been confirmed.

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

the flame recordings is proud to announce heimat 35! this is the name of the new ep from the top italian dj and producer andrea fiorito,a lot of experience on stage mixed with a touch of class like few artists untill now. in this work he puted together his passion for swing music from 1920-1940’s with a super house groove.the result is something he likes to call swinging cabaret house in the a side. about b1 side andrea fiorito likes to play with some chicago old school techno elements and jazz organs mixed with strong native percussions. b2: imagine to make a trip in america latina,some strong cuban influences together with funk bassline to let you dance when the sun is shining!

supported by brothers vibe, jamie jones (crosstown rebels), karotte (cocoon / great stuff)... wagon repairs first release past the 50 benchmark offers a look at long time partner hrdvsions latest works of chopped melody and effervescent invention. opener æthe mohana explores a central chord progression with intermittent squeaked melodic static, reverberant pad echoes and crisp swinging percussion. a pragmatic animal, dueling hook lines dance, transform and compete for attention between pounded kick and hat in one of hrdvsions most floor ready tracks to date.

listeners who are familiar with the ex-bizarre inc and chicken lips man s previous material will know exactly what to expect from andy meecham s latest record. the staffordshire-based producer wears his penchant for vintage analogue synthesizers firmly on his sleeve, creating a melange of hard-hitting disco beats and throbbing cosmic melodies. entitled space beyond the egg, the album sees meecham exploring a few new territories, with the swinging kananana even featuring a catchy vocal hook, marking it out from his previously instrumental solo material. prepare yourself for plenty of strutting and shuffling percussion as well as mindbending synth workouts that should send you firmly into space when the record drops in june.

the mysterious yet prolific berliner, lars wickinger, returns to living with this fantastic new ep. three solid yet mesmerising and catchy dancefloor tracks. since his last visit to the label lars has been refining his sound even further. releasing on more trendy labels than you can shake a stick at and even investing in real life hardware! oh yes hardware! remember that? the awkwardly titled alicia @ the wonderland is a tight, rolling, pleasing tease of a song that finally delivers in superb style - one you have to play all the way to the end! when that vocal drops, oh my, dancefloor craziness for sure. greenland is a tight bouncy number with an infectious groove and well placed vocal snatches and more than forgivable sax samples. the swing side of the moon somewhat lives up to its name with it s swinging dark vibe - perfect b2 material. classy stuff all the way through.

blockhead drop the æfunky soul sampler just in time for the summer months featuring some top notch names. australias d-t3ch hits the spot with æswingin for the fences with many djs charting and playing this 1 from the ep. magnus wedberg hails from sweden and has recorded for lables like black vinyl & groove baby. æbrooklyn has had support from the inland knights.the title track from the ep comes from scotlands craig hamilton having had tracks out on tango / greenhouse & flatpack traxx etc. æfunky soul is a wicked rework of the james brown classic, purple musics jamie lewis has picked the track for his new mix cd dj support from giom / dj heather etc. rounding things off we have singapores #1 dj kane ian who takes things a bit techier and finishes the ep rather nicely

title track kananana is a searing pop oddity replete with murmurous vocals and swinging guitar licks. it ebbs bit by bit into the mind of the listener, gradually imbuing a weird sense of vacant bliss alongside a swelling emotional charge - this is a new strain of mutated pop genius!

desolat is proud to announce that desolat x series goes on with livio & roby pres. premiesku, a project from romanian duo livio & roby, in collaboration with their pal george g. solid, swinging four to the floor patterns take inspiration from classic deep house, detroit techno and tech house. switched up and deconstructed, the result is a hypnotic brew that will see them representing desolat for the first time at cocoon at amnesia this year alongside loco dice and martin buttrich. on this release youll hear snippets of a surreal and breathy flute over top of a thudding kick and a bumping bass-line, or fleeting samples of reed pipe, vocals, ragtime piano or brass dancing on top of technotic, simmering loops

mossa shows up with his third release on mos ferry prod. and he demonstrates again that his productions shouldnt be missing in any record case. the title and a1 track ransack holds some solid subs, a nice and kinky drum kit including a petit but also significant drive. right next to it comes the ransack remix by andomat 3000 that pushes the whole theme more towards a swinging and rocking house tune. on the flip dark love reveals - as the name implies - a dark & noisy track topped with a sonorous vocal that shouldnt be ignored. with toms and hats from the music electronics supply store b2 make the noise is an excellent example for controlled rhythm & sound that puts a perfect finishing touch to this release. we love to say: make the noise, please make the noise!

if there s one lesson we have learned from 2008, it s that techno is not nearly creepy enough. on creep ep, germany s kevin over injects pitch-black dread into the heart of his distinct brand of techno. steamrolling bass-lines, droplets of toxic rain, and ghostly sirens all coalesce into swinging, propulsive grooves that stretch into a never-ending night. mr. over demonstrates his knack for creating arrangements that are both melodious and spacious, crafting an almost seven minutes ride through some of the most banging and infectious techno tracks to date, not to mention some dubby business on surge that would leave lee perry envious. at its most compelling, creep ep paints a picture of a raging warehouse party at the edge of your wildest dreams. including killer remixes by pascal vert and john lagora

on his new 12inch >acid oscillations<, antonelli presents two new warehouse movers with raw old-school power. with its core electronic squelch sounds synthesized through experimental use of analog sequencers and the machine-like drums surrounded by swinging basslines, >acid oscillations< revels in a repetitive and hypnotic style. limited to 250 copies !

in its original form, krakatoa is a swinging, percussive tech house groove. a super-heavy kick and spitting hats give this a raw, energetic edge while hypnotic bongo loops and chopped up vocal snippets provide a depth of texture that harks back to the heady days of west coast cuts from the likes of siesta and greyhound records making this a distinctive and refreshing record. swedish techno legend joel mull provides the b side remix!

on the a-side , >brunhilde< the old bitch welcomes us, again completely drunken and swinging to rhythm with her frying pan. the second track is >hip hop chopsui< - a meal which can satiate 500 dance hungry hip swinging ravers without a problem. if you still dont have enough you turn around the record. for here >master mason< shows us, that b-sides can also display their cold-blooded lethal potential. should anyone against your expctation still sit at the bar, nip on his drink uninvolvedly and flirt with the barkeeper, >parcel< will finally make this grumbler let his bar stool stand there and mix into the dance willing crowd.

first part of his debut longplayer ! support from raresh, robert dietz, arnaud le texier, d julz, julien chaptal, catz n dogz, tim xavier, mikael stavostrand, kreon, agnes... anthony collins is one of the safest pair of hands in house right now yet every release he puts out is both high quality and individual, as this new release on freak n chic proves. taken from collins debut long player, the impeccable (and much lauded) >doubts & shouts<, prism is collins at his hip swinging best. deep, yet powerful and driving, >prism< takes in elements of detroit techno, ny house and modern tech house and intertwines them.

ripchord are 2 guys from copenhagen with years of experience with music in its many different forms. in a short period of time ripchord has firmly pushed their way into the danish underground scene. max thelin aka. maximus is the second member of the danish hip-hop producer duo mavix. jesper prehn, old time raver, dj and producer, has a long history in electronic music. their style is dark and original with jazzy swingsets and groovy basslines. thrill cosby is set in a 20 s ballroom jazz club in new orleans. the tempo is high and the people are swinging to the rhythm. the band is jumping and the bourbon is kicking in making the trumpet drowsy. tanzable, is a minimal tune kept in the subsonic layers. it has got a dominating bass line the swirls you into a hypnotic state of mind, encouraging you to move in sexy ways. this remix is conducted by joachim spieth best known for his spiecher series on kompakt.

next in fergies awesome series of remixes comes his classic break out track. here it gets reworked on the b side by the superb echomen. the remix itself is a twisted, swinging bomb with its knarling synths, white noise, catchy stab and driving drums. on the a side we see jus phil and christian hoff do the original justice with a very bass heavy driving feel and spacey synths and percussion. 2 great remixes.

acht electronische techno tracks , gemacht für die hauptzeit im club !!

men in slippers aka kenneth james gibson and mikael stavostandt, both from la. present their fantastic debut on resopal, but it s also their next step to the world wide electronic music scene. this outstanding e.p. contains three tracks with reduced and minimal atmospheres and a lot of electronic funk of the latest techno sound. it s swinging and bouncing and quirling along the sound, which was founded by resopal among others years ago. it s a sweet and nice becoming of forces, it s a sound that transfixes the audience. the ep is completed by vocals from greek dj ane k.atou which sounds like she has given them her inspiration through a morph field!! stunning re-release

after w & p hugg aka hugo giner from valencia had scored a veritable underground hit with >sleep scott heron< the last release on his higly collectable cornuta imprint and after an excellent ep on spains deephouse flagship deep explorer, he know brings more heat on cornuta accompanied by deep explorers dubbyman and his brother above smoke returning the favor on the remix tip. on the self-explaining >funkstart< and the percussive pressure-cooker >basic groove< w & p hugg gloriously displays his great ability to strip down his tracks to the addictive essences of deephouse without unnecessary gadgets or pointless tootling: pure irresistible grooves with classic funk basslines, vocal snippets and simple rhodes keys to warm the heart - straight up heat! dubbyman builds a completely new complex midpaced groove around funkstarts original chords , while above smoke drops the 4/4 drum altogether for a swinging broken beat mix with live bassline and nice jazz guitar licks. absolutely essential release

support comes from steve bug, shinedoe, karotte, james flavour, gruber & nuernberg, paulo olarte !! highgrade goes east! with homm & popoviciu the berlin-gang grows in the eastern direction - to be specific: romania. their musical..output..of both wasn..t hard to spot, because markus homm and mihai popoviciu made a name for themselves for quite a while. no wonder that their output spreads across several..high-class..labels like dj hell..s international deejay gigolos, pascal feos.. non zero records, as well as the british immigrant and the spanish sub conce label. after their first strike - highgrade digital number 009, this is their first vinyl ep on highgrade. without any doubts they take the chance to demonstrate their most.. appreciated.. skills: on the the titletrack >urban ballroom< they send a massive..house-groove..to a trip, alongside with a swinging bassline, decent melodylines and some springy percussions, combining perfectly funkyness and deepness. >contact< and >wipp< on the flipside are convincing in the same versed way. the former slightly more dubby, the latter comes up with a little more speed. all in all forming an ep cast from the same mould, while the title >urban ballroom< says it all. homm & popoviciu are delivering a new housy shade for the labelsound, which suites highgrade perfectly

here we offer two exclusive remixes preceding the djinji brown album release. sweat shop reworked by label mate and upcoming producer, boddhi satva brings africas tribal beats to the floor. swinging beats, electronic synths and pads saturate and transform into a hypnotic treatment. ancestral black gets blessed by mystery man afefe iku. taking djinjis creation to more dynamic and techno realms. with his signature stabs and heavy rhythms, this one demands you to move.

the flame recordings is proud to announce heimat 35! this is the name of the new ep from the top italian dj and producer andrea fiorito, a lot of experience on stage mixed with a touch of class like few artists untill now. in this work he puted together his passion for swing music from 1920-1940s with a super house groove. the result is something he likes to call swinging cabaret house in the a side. about b1 side andrea fiorito likes to play with some chicago old school techno elements and jazz organs mixed with strong native percussions. b2 imagine to make a trip in america latina, some strong cuban influences together with funk bassline to let you dance when the sun is shining!

it hasnt been long time ago since the last coup made by clark and schatz hit the streets but highgrades head-honcho tom clark and the true berlin talent markus schatz allready go for the next round. the original version of >hot choc< makes the start - playfully swinging, the track developes itself into a masterpiece of an easy going groove without being half bad. the french dj and producer tom pooks - well known for this productions on ovum, kompakt and other wellsounding imprints gives >hot choc< a whole lot of jacking energy to take along. he sets the percussive elements free - and rightly so! punch meets hypnotic deepness - perfect! with the hot choc re-edit on the flipside by markus schatz he eventually letting the cat out of the bag. without any detours and in best daniel bell-like mannour he jump into a real inferno made of funky bleeps and weird sounds. delivering with this one more than just another highlight on this release - because last but least it’s the best evidence, you gotta reckon with these two!

lovely tunes by sebastian weber from cologne. swinging, overwound spheres and harmonic heights accompanied with stable underground knarz sounds

sebastien leger continues his rampant return to form which has seen his superbly received cover of nights of the jaguar become one of the biggest tracks of the year and then to progress to the terra 2008 release to this new 2 track monster on his own mistakes music imprint. the a side is a mammoth club banger with builds and synths that just twist you inside out in a monstrous way with their incessant rhythm. the flip side is a perfect compliment being a super funky affair with nice swinging percussion and subtle synths with groovy driving sub bassline. another march upwards for sebastien. expect massive dj support

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

played by afrilounge, chris liebing, d julz, dj emerson, h.o.s.h., holgi star, jesse rose, joel mull, laurent garnier, paco osuna, par grindvik, ripperton, rob mello, solomun, thomas schumacher and others !! alex niggemann has been releasing on labels as diverse as get physical, meerestief, moonpool and sportclub. he impressed the micro.fon guys with his outstanding interpretation of smokemachine, released on the affiliated label freak waves. circles is a wonderful track starting quite easy and developing into a huge anthem with wonderful mars attack sounds and a weird expanding and contracting, analogue-sounding synth-line,...wonderful tune destined to be played out on crazy ibiza partys and drugged-out berlin after hours....cut b1 is the einzelkind (get physical, kindisch, playhouse) rmx, a huge wonderful swinging rhythmic house interpretation fuseing an percussive old school house groove with deep techno chords. b2 comes the funk fueled tech house cut transitions a wonderful late-night-tool with a nice techno appeal and huge soundwork,.... delicate 3 tracker

played by mathias kaden, someone else, tim green, franco cinelli, katzo and many more. minimood redefines minimal once again, this time bringing you yet another unbelievable talent from the bubbling underground tokyo scene: shu okuyama. the weiter ep demonstrates how they do geometry in a beautiful and fresh non euclidean fashion deep down in shibuya! note how the extravagant a1 punkt represents an irresistible example of the hypnotic hip twitching water crunk sound which is fast becoming one of minimoods trademarks. moreover, b1 strich is simply genius as shu completely axes conventionalism, swinging his sword with samurai abandon through jazzy keys, percussive hits, vocal snippets, analog blurps,..., and then re assembles them all to devastating contemporary effect! one ticket to tokyo, please!

dj q is back after a four year break, and he delivers here perhaps some of his finest productions to date. dj q aka paul flynn, turned out some timeless music in the 90s for labels like filter, dance mania and glasgow underground, and was championed by artists such as carl craig and derrick carter. superclique is a refreshingly energetic deep house club track, with swinging beats and lush atmospherics, plus a great little vocal hook. blue chicago combines chi town rhythms and detroit musicality, with a heavy nod to the classic sounds of derrick may and carl craig, with enough wobbly minimalism to keep the, er, minimal massive happy.

for the 15th railyard release, label founder sean palm returns, as new zealand s own simon flower slices a remix juicier than a fresh aotearoaian kiwi. following the licensing of his first solo release to loco dice s timewarp, and with his current work with joel mull under the descent moniker, sean palm continues to display his depth of soul within a >less-is-more< structure. from the title song corian, lush sounds are weaved with hypnotic sustaining melodies into a properly delicate structure. on the flipside, simon flower s forward-thinking talent shines consistent with his 2007 appearances on poker flat, moon harbour and dessous & compost. upbeat funky house meets swinging techno stabs in a mysterious atmosphere of swirling pads. full in energy yet delicate in touch, this versatile compliment will inspire sets either day or night, start or finish

somewhere between detroit, chicago and bologna, it’s giesing. at least in the geomental cosomos of mr. migumatix, who delivers his debut with the recordings on hand at pastamusik. as a resident dj in various munich clubs he has established himself with his energetic swinging stile as a constant player – and now he shows to be by far more then just another jung producer talent, and this is only the beginning.

cool swinging deep detroit influenced tech dub remixes by beat pharmacy

killer modern house from depths of deep space. adam marshalls original mix takes swinging chicago drums and paints them a dark black, while chord stabs morph and evolve in a tough, organic style on this 11-minute journey. mike shannons impressive re-working tightens everything up and funks the hell out of the groove with sizzling dry hats, sub-bass ruminations, and one serious breakdown. one of his best remixes yet by far. both are serious club killers

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

pure hypnotic dope ! the 12inch opens with a blast of superlative dancefloor funk, >u can get sonar<. its immediately obvious that this track is the creation of someone who knows - as a fan, dj, record-seller and musician - what works on the dancefloor, what sounds good, and has endeavoured to make his record satisfy us on all counts. carried along by an unbelievably buoyant bassline, purring, deep house-style chords and crystalline percussion, the track climaxes in waves of synthesized strings. >upad aah< is a vivacious, skippy dancefloor track, its constituent bass and drum elements rounded and smoothed for maximum bounce, sharp, pressurized snares provide a glorious counterpoint, as quasi-tribal percussion, and airy african female vocals are layered over the top. the result is fresh, powerful and eminently danceable. >persuasion< is a deep, swinging club track. once again that warm bass is at the forefront, with clipped yet languid chords building melody around it as

get ready for this summer palate ! laposer have come out of nowhere with the biggest club rocker for us since dubfires and guido schneiders plastikman remixes hits the decks last year.taste this african twist, floor rasing house anthemas it sweeps through momentous build ups and spiced with a touch of outstanding percussion and a whole lotta house and groove for good measure. the b-side is irresistible as well, yet even more modern. no digital sales, no minimal ! pure vinyl! both songs drip of the sweat of the dancefloor -- each swinging with a tight, static afro-beat/house/funk-fused propulsion

incl great remixes by sascha funke and dj koze !! danse avec moi is the first single to be taken from noze s new album, songs on the rocks, the french duo s most surreal and scintillating vision of dance music yet, to be released on get physical music on april 25th. the 12 is equipped with remixes from sascha funke and the inimitable dj koze.>danse avec moi< is a proper love song. it is also noze s first ever song in french, and so with typical perversity, they thought it might be amusing to call upon an american to do the singing - the wonderful dani siciliano, best known for her albums for! k7 and litany of collaborations with matthew herbert. dani duets elegantly with david lafore (who also penned the song s lyrics) over a propulsive, swinging 4x4 drum tattoo, bouncy bassline, rippling harp and lavish string arrangements. as is so often the case with noze, the piano is at the forefront of the arrangement, providing not just straightforward melody and harmony but eminently danceable rhythm. it is an anthem in the making. you should know better than to expect a straightforward remix from kompakt s resident mad scientist, dj koze.

life is long is an opening gate to the world of lithuanian jazzy house. the funky basslines and turntablist stylings, topped with the organic sounds of light, swinging, latin percussion, wailing saxophones, and fluttering flutes forms the distinct sound of jazzus juice. the release includes amazingly frivolous and funky remix crafted by talented mr. rithma (om records).

marset s newest oeuvre, hazard ep, is a trip, starting with drifting techno sounds, through swinging beats into a relaxing springtime track which is predestinated to start or to die away your set. there with he demonstrates how diversified an ep can be