voigtmann�s debut album �sublunary� is assembled from a wealth of elements and directions glued together by claus� own way of sculpting and arranging sounds. in the spirit of a true album he spans an arc of tension from earie ambient via house to techno and breaks under his unique blanket of deepness. �the result is what happens when gentle craziness, selfishness, and honesty meet with unrestricted freedom of producing�

the notorious london white vinyl only project is back. this time round tracks selected by gareth wild. this cut through va sees excellent additions to the series via standout material from gareth wild, sp-x, kessell and exciting london based newcomer end train. tried and tested, dance floor killers.
being played and supported by the likes of: marcel dettmann, jonas kopp, kwartz, dax j, rodhad, etapp kyle, dj pete, aiken, rem co, and peter van hoesen.

der wahnsinn hat methode: neuinterpretation der dub-blaupause -super ape-.
nachdem er sich mit sir coxsone, dem legendären chef des kingstoner labels studio one, zerstritten hatte, gründete lee perry zuerst seine eigene band und dann, 1973, im hinterhof ein eigenes studio. was aus der not geboren wurde, entwickelte sich zu einer einzigartigen erfolgsgeschichte. sowohl mit den upsetters als auch dem black ark schrieb perry musikgeschichte, insbesondere durch das 1976 veröffentlichte -super ape--album, auf dem er gewissermaßen das genre dub auf unbekannte weise aus dem mischpult brodeln ließ. für perry ist das studio wie ein lebewesen. ob er es wirklich so empfindet, oder einfach nur zu viel ganja in rauch aufgehen lässt, aber bei perry ist das equipment organisch, empathisch und intelligent. der clou: so hören sich die resultate auch an! lange bevor man das sampling erfunden hatte, schichtete er tonspuren aus tiefen bässen, echos und hall mit diversen, selbst aufgenommenen, gerne rückwärts laufenden klangsequenzen auf-, in- und übereinander. heißt: perry war der erste produzent, der anstatt der band die musik machte. das brachte ihm unter anderem den titel salvador dalí des dub ein. dass der Über-80-jährige bis heute nichts von seiner experimentierfreude verloren hat, zeigt der mit dem new yorker subatomic sound system besorgte re-edit seines meilensteins.

the final countdown is the third studio album by the swedish hard rock band europe, and one of the most glorious launches in history. released in 1986, the album was a huge commercial success selling over 3 million units in the united states alone, peaking at number 8 on the u.s. billboard 200 chart and reaching high positions in charts worldwide. pressing on 180 gram audiophile vinyl.

the a-side features a set from the miles davis sextet with john coltrane and julian cannonball adderly, recorded live at newport jazz festival in 1958. thelonious monk quartet and pee wee russell�s set recorded live at newport jazz festival in 1963. pressing on 180 gram vinyl.

recorded live at the newport jazz festival on july 3, 1958.

a chance encounter at university during the acid house summer of �88 and subsequent bonding over baby ford�s �oochy koochy� established a life-long friendship between leicester lads, jimi o�callaghan and al green. inspired by the sounds of detroit, early ny house like murk and masters at work and the emerging uk sounds of lfo, orbital and aphex twin, the pair began djing and making music as the wild geese. their first ep, �the wild geese ep�, was released in 1994 on their own giddy goose recordings imprint. the guys pressed 500 copies and, with jimi�s connections made interning with pete tong�s ffrr, sold copies direct to london shops. the record sported packaging designed to look like an american 12� and an accompanying press release attributed the ep to a fictitious dj duo hailing from wisconsin. rave reviews followed and a distribution deal was struck with vital uk, who produced and sold another 500 copies worldwide. another ep followed a year later. sadly, plans for a third ep on the label never materialized, but the pair remain close to this day. 24 years later we are honored to reintroduce this genre-defying, uniquely forward-thinking ep to today�s dance floors.

killer wave / post-punk / techno from jensen interceptor on power station.

a project 18 months in the making, marcel fengler presents a imf10, a three part compilation series detailing the past, present and future of his label index marcel fengler. part 3 focuses on the tougher end of the techno spectrum and features marcel fengler�s first original production in two years, a rare offering from sebastian kramer (aka redshape), a prized luke slater re-work of thomas hessler, while belgian shapeshifter peter van hoesen crafts a powerful production to add to the pot. familiar to fans of the label from his excellent imf09, avion makes a return alongside emerging columbian talent gotshell.

gaining traction, gaining speed, the primaeval ritual reaches its boiling point, melting the borders of mind and flesh: a turgid vortex of unstable potential, constantly mutating and morphing itself. unformed and unstructured morphogenetic flows of matter-energy-information, self-organizing processes constituting a veritable non-organic life: the body without organs, that glacial reality where the alluvions, sedimentations, coagulations, foldings, and recoilings that compose an organism occur, a motherly womb detonating hydrogen bombs in her prefrontal cervix, atomizing the doors of perception with sheer gargantuan sonic tremor.

if there is one album that we would take with us an a desert island its this one. the worst of krtm is one of the most refreshing records we have heard in a long time. perfectly blending industrial techno and hardcore to one unique beautiful/terrifying work of art. we could almost write a book on how unique and great this album is but lets just stop here and let the music do the talking. all hail krtm!

with the introduction of eol soulfrito, upright love has become a sureshot jam, played by many worldwide. now comes soulfrito burnin, with inspirations from groups like war & atlanta is burnin this record is a true dancers record. it embodies the essence of a union dance, whether you play soulfrito chase or soulfrito burnin you are sure to get them sliding and twirling on the floor.

nice price deal !!! detroit techno hero dj bone is ever prolific these days, with his differ-ent alias releasing an epic triple lp release on don t be afraid last year. a piece of beyond marks the second dj bone studio album, and it finds him in an exploratory mood. it begins is a unique exercise in synth wobbles and military drum programming, while the stalker heads into the deepest and farthest corners of the quintessential motor city techno sound. the chase takes on a cosmic, break-infected stance that calls to mind spiritual jazz as much as techno, while theres more classic styles to be enjoyed on dreamers 9 and the absolutely stomping sweat.

june records presents a new compilation with live electronics, featuring music from svengalisghost, manie sans de&#769,lire, newcomer bruce roach, trenton chase, rr hearse + furnace miskin and zodiac free arts club who will release his second lp soon on hvnx.

cassette version of the loch ness videogame soundtrack originally released in 2012 on the legowelt website. made with the mighty haunting sid chip on the commodore 64 computer - remastered and comes with new artwork and extra unreleased tracks!

on �5 star motel�, that younger gitkin (henceforth referred to simply as gitkin) has sought to expand the philosophy he encountered on that tape. the guitar is common thread, the raft to navigate a sun-dappled stream of ideas. it�s an embrace of cultures where folkloric stringed instruments still rule, or where they ve led to a more recent embrace of the electric guitar. he traces the loose, meandering paths which join them together.

a deluxe double lp version of curtis mayfield�s 1972 soundtrack masterpiece.

the 2nd propaganda album, originally released in 1985, now back on 180 gram vinyl with extensive 6 page 12 inch booklet included.

for the second release piramide landed with a va mini compilation including the debut of the mysterious hawaiian chips. xinner opens the scene with a mind-blowing synth journey that makes you lose concept of space and time. autre follows and hooks you up with a hypnotic house beat bringing you in a dance floor dreamy mood. finally hawaiian chips brings you back in the golden age with a proper electro banger made as your favourite 90s idol would have done it. to conclude xinner does the honour and closes the ep with two must have dance floor filler.

hanna is the soundtrack album to the 2011 british-german thriller film of the same name, directed by joe wright. the film stars saoirse ronan as the title character, a girl raised in the wilderness of northern finland by her father, an ex-cia operative (eric bana), who trains her as an assassin. cate blanchett is a senior cia agent who tries to track down and eliminate the girl and her father.
the original score was composed by the british pioneers of big beat the chemical brothers, who had 6 number 1 albums and 13 top 20 singles in the uk. nme ranked the album at number 54 in their list of the -61 of the greatest film soundtracks-.
the soundtrack of hanna was nominated for multiple awards and eventually won an alliance of women film journalists award in the category -best film music or score- and a los angeles film critics association award for -best music-.
limited first pressing of 1500 numbered copies on transparent red 180 gram vinyl.

steeped in the influence of flannery o�connor and tom waits, the album wrong-eyed jesus revealed jim white as a spiritual anatomist of the american south. no such place ups the ante revealing a broader, more diverse collection of songs about rage and redemption, depravity and dreams, dead cars and broken hearts. with tracks produced by morcheeba, sade co-founder andrew hale, and q-burns abstract message, along with stellar remixes by japanese underground guru, sohichiro suzuki of world standard and yellow magic orchestra fame, jim finds himself reveling in the unlikely zeitgeist of the new album. �this is a crackpot love letter to all those lost souls out there like me who won�t settle for wrong, but have no clue how to get to right.�

the legendary 1980 ace of spades album!! fully remastered 180g vinyl release with artworked inner sleeve!! includes the phenomenal (we are) the road crew, love me like a reptile, the hammer...!! a must have!!!

-fee fire- ist der neue film von ben wheatley (-high rise-, -sightseers-, -kill list-, -down terrrace-) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausführendem produzenten. der titel bezieht sich auf den epischen shoot-o

benjamin wallfisch gilt als einer der renommiertesten filmkomponisten seiner generation. seine arbeiten für filme von top-regisseuren wie steven spielberg, rupert wyatt, gore verbinski oder lars von trier erhielten zahlreiche auszeichnungen und nominierungen (oscar, golden globe, emmy, bafta, world soundtrack awards). jetzt liefert er den score zur neuverfilmung des stephen king-klassikers -it- (-es-) ab, der im original 1990 als fernseh-zweiteiler erschien. der film wird bereits seit monaten heftig angetrailert (sein offizieller deutscher youtube-trailer generierte bislang über 2 mio. klicks) und gilt als einer der highlights der kinosaison herbst 2017.

ltd pic disc edition
benjamin wallfisch gilt als einer der renommiertesten filmkomponisten seiner generation. seine arbeiten für filme von top-regisseuren wie steven spielberg, rupert wyatt, gore verbinski oder lars von trier erhielten zahlreiche auszeichnungen und nominierungen (oscar, golden globe, emmy, bafta, world soundtrack awards). jetzt liefert er den score zur neuverfilmung des stephen king-klassikers -it- (-es-) ab, der im original 1990 als fernseh-zweiteiler erschien. der film wird bereits seit monaten heftig angetrailert (sein offizieller deutscher youtube-trailer generierte bislang über 2 mio. klicks) und gilt als einer der highlights der kinosaison herbst 2017.

for the 4th release from our beloved ourselves they ve once again invited a group of friends to serve us up a healthy dose of tasty house and disco. this time, originaltracks from luvless, snacks, siggatunez und jan ketel are on the menu. &#8203,,,, for starters we have luvless from leipzig whose prepared a floor stomper with a side of heavy drums paired with a warm chords- and stringsounds and a groovy bassline...completely love. the berlin duo snacks appear for the first time on ourselves with their track sisters . a delicious disco snack that sounds like an effortless kitchen jam with an extremely funky aftertaste - you re tastebuds will be dancing. hand played bass sprinkled over percussion, guitar licks and building up synths....hopefully you like your snacks authentic...they muste be true musicians...they are!! the one love disco & funk and the other jazz...so does siggatunez. he cuts us up a vibraphonline and sends it on the chase with a chord so delectably deep that not even the side of fat drums can keep up with the bounce and speed it creates but finally gets it and breaks down the club. jan ketel has prepared a desert that at first, tastes like a mere groovy tool but it soon opens up into something bigger and more hectic. it s like you gotta check in at charles de gaulle while in anothher moment the unmistakable flavour of a lush warm rhodes appears...a timeless flavour, and one that you ll never forget.

pre-echo press is pleased to announce beast, a new project & moniker from acclaimed sound/visual artist, koen holtkamp (mountains, thrill jockey). a somewhat radical departure from holtkamp�s previous working modes where sound has typically been treated as an edifice to be sculpted, the works here are far more concerned with the generative possibilities of rhythm. the pieces on beast developed out of holtkamp�s creation last year of an audio-visual performance that centers on the physical properties of light via 3d laser projections.

new york electro residents meet latvia. diverse comp. ep with hot machine-funk tracks for real freaks only. alonzo, a new york resident and miami native brings the sub-bass and pocket calculator sounds. dmitry distant and starpliktuve deliver eastern european hot, traditional electro. new york s chase smith brings back a funky version of late 1990 s electro-disco. new york s kid ginseng brings a combination of mid-1980s new york/la electro to the table. this is a very diversely packed compilation ep with the loudness and depth typical of kraftjerkz.

dmx krew returns for volume 4 of the popular synth funk series with another bumper pack of electro funk jams. pure fire!!!

vinyl only � after four first releases by myself, i invited three of my favorite producers and friends to take part in the first various artist ep of the label called retro future. a1 is provided by stevn.aint.leavn from the beste modus and certain circles camps. i ve been following stefan closely since the release of his big track -precious- and he is now making waves everywhere. for this record he provides -motion- a smashing house track that enlightened every dance floor i dropped it on. then comes alix alvarez, a real underground hero of the new york scene. he s been releasing tunes since more than 15 years, collaborating with mr v and franck roger. alix delivers the tune -no chaser-, a stripped back, deep and driving number that he is known for. the kind of track that made his reputation. on the other side of the record you ll find paolo rocco. he is the man of the moment, fresh from great releases on taverna tracks, rutilance or courtesy of balance to name a few. here we have -7284-, it has been a true favorite of mine over the last months. finally i round up the ep with -belle maison- a new jam i recorded a few months ago featuring an engaging french speech, mpc beats and fb-01 synths. welcome to retro future chapter one.

thus far, 1985 music has boasted a number of releases as the new home of its founder, alix perez. till date, there have been releases from alix and a select few collaborators shades w/ eprom, taso (teklife) and skeptical (exit records). it is with the release of this ep where 1985 music present themselves as a platform for new talent. perez�s vision for 1985 is �...to push and support good, forward thinking music that i believe represents the focus of 1985..�. it is with this in mind that we proudly present the �hold me back� ep from toulouse�s finest - monty. monty has already had support from noisia, kasra and skeptical and can boast releases of singles on critical music and invisible recordings. this 4 track ep is mature and refreshing, and has been received well whenever played out. the music is dark, dynamic, minimal and refreshingly modern.

nachdem temporär die special edition des soundtracks erhältlich war (anderes coverartwork, pink gefärbtes vinyl), kehren invada nun mit dieser neuauflage zu dem ursprünglichen design des soundtracks zurück. sprich es ist auf dem cover wieder die rückenansicht von ray gosling in seiner silberfarbenen skorpion-jacke zu sehen. damit es nicht langweilig wird, ist das 140g schwere vinyl nun so gefärbt: frosted clear with multi-coloured splatter . das gatefold-cover rundet diese edition ab. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex- red hot chilli peppers) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

first of a series of releases defining the boundaries of musical boundaries of wwm. get ready for future retro vol. 02 which is due right after the summer break.

phat detroit deep house vinyl

auf -ennanga vision- begleiten wir den londoner produzenten jesse hacke (owiny sigoma band, elmore judd, gorillaz) auf einer klangreise, die uns von der englischen kapitale nach uganda führt, und damit von der hauptstadt des pop mitten ins herz von afrika. co-steuermann und erster kollaborateur von hacke ist der ugandische sänger und multiinstrumentalist albert ssempeke. bei ihrer eigenwilligen, um nicht zu sagen abenteuerlichen unternehmung erhalten die beiden beistand durch eine reihe von gastsängern aus dem norden ugandas, die unter der dortigen bevölkerung einen legendären ruf genießen. damit setzt sich die formation aus einer runde von experten zusammen, welche die dj-ikone gilles -acid jazz- peterson zu den worten -one of the finest musicians, thinkers and world selectors in the uk- hinriss. sie sorgen für einen hypnotischen sound, der traditionelle ugandische folk-musik mit aktuellem pop der westlichen hemisphäre zu einem organischen ganzen verschmilzt. dabei findet die einsaitige, für afrika so typische geige genauso ihren platz wie eine 200 jahre alte mundharmonika. für das infektiöse klangbild bestimmend sind jedoch in erster linie elektronische instrumente aller art sowie parallel gespielte xylophone.

yan cook makes a stong impression with his debute ep on dynamic reflection. melter ep includes three mesmerizing originals and an outstanding philippe petit remix on top. yan cook shedding his upcoming status more and more and turning himself into an artist which is here to stay. this ep has already did some serious damage on the floors, as expected. >> repress

limited repress !! intensely deadly, ace, outstanding showcase of dvs1s uniquely swinging techno groove science

limited edition of 500 hand numbered copies on 180 grams black vinyl.
the label is called spettro (the word has two meanings in italian, it means spectrum but also ghost) and the releases will be split in two series: spettro library and spettro soundtrack - this is spettro library!

exklusive zusammenstellung und 100. katalognummer von sonorama records � vierzehn unbekannte tracks, aufgenommen 1959-63 in westdeutschland von einigen der besten europäischen jazzmusiker jener zeit, mit barney wilen, francy boland, rolf kühn, joki freund, attila zoller, fats sadi, roland kovac, rolf ericson, michael naura und unzähligen anderen. alle aufnahmen ausgewählt aus sammlerarchiven und sorgfältig gemastert für 2lp-gatefold-vinyl und longplay-digipack-cd, mit neuen sleeve notes sowie künstlerfotos von susanne schapowalow und hans harzheim. große momente aus der wirklich prosperierenden phase des europäischen progressive jazz.

loft classics / a. gil scott-heron home is where the hatred is b1. war the chase (flying machine) b2. unknown artist power ... limited repress !

2018 new years deal - red d is back for a follow up to his brilliant chez ep which dropped last year and this time he�s going for the jugular! the man responsible for some of the finest house music of the last decade as fcl (with san soda) and fcl vs vfb (with motor city drum ensemble) knows a thing or two about what makes the dancefloor lose its s..t, with tracks such as lets go seven, it�s you and can we try all testament to this.

detroit house guests ist ein kollaboratives projekt, das adult. bereits in den frühen 2000ern erdacht hatten. analog der idee eines künstlerstipendiums, luden adult. unter der prämisse des gemeinsamen lebens und arbeitens verschiedene musiker für einen zeitraum von je drei wochen zu sich ins studio ein. das resultat ist ein album, das sie nicht zu unrecht ein anthropologisches klangexperiment nennen. das werk bietet kollaborationen mit einer ganzen reihe verschiedener künstler*innen, darunter douglas j mccarthy von nitzer ebb, michael gira von swans, shannon funchess von light asylum, robert aiki aubrey lowe alias lichens, der österreichischen thereministin dorit chrysler und der multidisziplinären künstlerin lun*na menoh. bis heute haben adult. auf verschiedenen labels wie ghostly international, thrill jockey und clone records, sowie ihrem eigenen label ersatz audio veröffentlicht. dazu gesellen sich remixe für künstler wie tuxedomoon, john foxx und den pet shop boys.
das doppel-vinyl erscheint inklusive downloadcode.

seelenvoller detroit-techno: eine heimkehr zu den eigenen wurzeln.

fantastic beasts and where to find them is a brand new british fantasy action film directed by david yates and written by j. k. rowling, inspired on rowling s book of the same name. the score is composed by grammy, golden globe, bafta, academy award winner james newton howard (dark knight, hunger games series, i am legend, batman begins).
limited first pressing of 2.000 numbered copies on transparent blue & gold mixed 180 gram vinyl.

�shark wolf rabbit snake� is the 2012 album from veteran producer and sound designer eliot lipp, originally released on pretty lights music. this seminal project in lipp�s catalog effortlessly moves between hip-hop, drum & bass, funk, techno and jazz. the 12� lp is reissued for a limited time by detroit label young heavy souls and comes with download code included.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

after just a few months to digest the last limited series 02 offering banoffee pies are back with more fruit for the basket. as summer draws to a close the imprint provide another value packed va courtesy of more local and previously unheard artists - this time following a slightly more coherent sound. 5 tracks all packed with drums, bongos, samples, and down tempo moods. made and compiled with care. sex, love, dancing. banoffee pies x