3 cds feat. tracks & remixes by chuckie, hardwell, romero, benny benassi, albert neve, chris lake, victor perez, sandro silva, afrojack..

electro quartet ghost capsules can trace their beginnings back to a bomb the bass gig in vienna. here it was that tim simenon, touring the back to light album, met his support band that featured drummer roman lugmayr and keyboard player georg lichtenauer

auf >the north borders< verschmelzen electronic, bass, house, soul, funk und pop auf wundersame art und weise und machen dieses meisterwerk so zeitlos!

das neue album der downtown new york-legende dj olive featuring honeychild coleman: brooklyns original bass innovator meldet sich mit thwis zurueck. thwis ist eine zusammenstellung brodelnder deep und mature bass musik. diese mischung klingt wie eine mixtur aus smokers delight meets boards of canada meets rhythm and sound. fŸr fans von dubstep und techno!

fourth album, is an album labeled, engineered, mixed and mastered by steve albini. and its pretty obvious: fourteen tight songs, full-on (faithful to the motto hammered by albini: feature it, or fuck it), carved in eight days, by five people (drums, guitars, keyboards, bass), without ever leaving the studio.

the real voyage of discovery consists not in seeking new landscapes but in having new eyes. marcel proust berlin-based producer aera has been travelling off the beaten path ever since he first went on the road with his aleph music label back in 2010. with only 5 releases he already laid out his very own musical topography in the borderlands in between house, uk bass and psychedelia. aera is now excited to present his debut album, offseason traveller. it is a personal notebook of his voyage of discovery to the vast landscapes of peru and bolivia, fleeing berlin in pursuit of new ideas, eyes and ears.

nowadays house music has become a global phenomena and even bignames of the pop and rnb world polish their music with house remixes. harley&muscle from milan are the spearhead of the international deep house scene and who is supposed to know better how it all started at the end of the eighties. soulstar proudly presents the third edition of the house classics compilation. also on house classics iii harley&muscle present the who-is-who of the house world and deliver 26 titles the wrote house music history.

40 neue, oftmals exklusive und hammerstarke tracks & remixes - von den top-protagonisten und den hei§esten newcomern des genres. ueberflieger wie alex clare und the prodigy (in remixes von noisia und distance) treffen auf die bewaehrtesten szenegroe§en wie magnetic man, benga, skream, mala, coki, nero, drumsound & bassline smith, rudimental (feat. alex clare), foreign beggars, icicle, joker

the selftitled six-track ep by san francisco based artist dominga has a great flowing mood between shoegaze, indie, electronica and rock. listening to >dominga< is like drinking a great cocktail at the beach, mixed out of synth, psychedelic, electronic, stoner, a little breeze of velvet underground, sampling, distortions, even a bit pop, bass, orchestra, krautrock, soul and last but not least a small touch of wonder & lennonÉ
á cd in handcrafted cardboard-slipcase
á foldable double-sided poster (size ca. a3)
á printed and assembled by noorden/cologne
á including download-code for flac/mp3/etc.

zusammengestellt aus den besten teilen dreier eps spiegelt es die ungezŸgelte kreativitŠt dieses von strictly kev zusammengehaltenen multi-produzenten projekts wieder, welches in den 1990er jahren von coldcut gegrŸndet wurde. die wahrscheinlich grš§te †berraschung bei the search engine ist der sound.die assoziationen zum frŸhen jazz breaks-dj food sound werden quasi Ÿberollt von einem psychedelic rock album der allerfeinsten sorte - donnerndes schlagzeug und fuzz bass zusammengebracht mit der dj food-typischen sampletechnik. das album erscheint als sehr smart aufgemachtes digipak mit stilprŠgendem und futuristischem cover design wie man das von dj food, der auch als ninja tune chefdesigner fungiert, gewohnt ist. als gŠste mit von der partie sind u.a. the thes matt johnson, natural self und jg thirlwell (foetus, stereoid maximus)!

the electric dominance forms resistance! germanys gate to the stars of the international electrofunk, bass & breaks scene Ð dominance electricity Ð is back in effect with the long awaited follow up to last years interstellar >astronauten< ep by dagobert & kalson.
the new various artist compilation album electrofunk resistance transports twelve perfectly sexy shaped electrofunk & adult robotpop jams. carefully selected from three continents, the songs draw a colorful mosaic of different electrobreak-styles all sharing an extra dose of funk. for the perfect unity of sound and vision, the accompanying cover-artwork is provided by none other than japans legendary sexy robot illustrator hajime sorayama.

valentin offers his interpretation of classic indie rock, influenced by british shoegazer and 90Õs american noise rock, mixed with his fondness of the melodic and refrain orientated rock hit. the culminations heard on the single beyond or below. a heavy bass line serves as the foundation of a dreamy yet explosive rock hit, on which cascades of expressive guitar noise and musical know-how reaches a higher purpose. on the contrary, abstraction best defines the concept of before f after c.

the 100 best harstyle tracks of 2012!

racing between the tangible warmth of the past and the thrilling unknown of the future, guillaume coutu dumont comes flying back within our reach to impart his time-spanning gospel for a third album of subversive house music.

kuduro was born in angola in the early 90s but truely blasted its way on to global dancefloors in 2008 with buraka som sistemas debut album >black diamond<

this is global music, peng bass. what genre is this? not sure, but one things for sure, there is no one else who makes music quite like vadim. this album is perhaps the danciest we have witnessed from vadim and this is something that for those who have seen him live in the last few years will have felt. its a tropical bass extravaganza with no limits, no boundaries, no boxes. a nod to your mind, body and soul.

gilles peterson praesentiert vierzehn neue exklusive electronic-geheimtipps aus seinen playlists & dj-sets! die kuenstler bewegen sich im spannungsfeld zwischen hip hop, house, techno, dubstep und drum & bass sowie allen subgenres dazwischen. brownswood electric veroeffentlichte als eine der ersten samplerserien schon fruehzeitig tracks der heute erfolgreichen acts mount kimbie, 16bit, shlohmo und mosca!

with summer around the corner, hundreds of thousands of music lovers have begun preparing themselves for the start of the festival season. the continuously increasing presence of dance music in the charts means that this year, djs are filling more headline slots than ever and appealing to a more commercial, mainstream audience, festivals such as creamfields, global gathering, sw4, coachella, ultra music fesitval and tomorrowland are still going strong and are increasingly being seen as essential summer festivals.clubbers guide is one of ministry of sounds most iconic brands and clubbers guide to festivals 2012!

the debut album of these two young lads with baseball hats not only honours and delves into a sound that already peaked some fifteen years ago, it also hones and elevates it, without ever falling into the reynoldsmania trap (please see retromania for further reference) or being old gold retold. and this is all oh-so-clear from the very start: the fine flutes of >when its there< go straight to your heart and they do so without any self-mockery or hipster smiles as much as the gasping 303-sounds, chirping birds and healing dx-like bass sounds a few tracks later do. >salty days< - an allusion not to grim times, but to a certain members adoration for the crystalline mineral - is blessed with a coherence that isnt samey, with tradition that isnt leaden and a feeling that is pure.

slammin dubstep by krafty kuts

mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. the trio first came together to work on a soundtrack for a dutch tv documentary called visserman. having known each other for some time this was the first time they had combined together to write music and the name mere comes from the dutch word for more. each member adds a different influence to the sound, the modal finger picked guitar playing of thomas adds a sense of movement while gareth takes both folk and free jazz ideas to play against leos free rock influenced drum work. the tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. gareth davis records on important, miasmah, sonic pieces, dekorder, home normal etc. collaborating with machinefabriek, steven r. smith, scanner, frances marie uitti, ryan teague, elliott sharp, ian hawgood and the like. leo fabriek releases on digitalis, home normal etc. and is also the drummer with the noise rock band julie mittens.

minimalized is the highly anticipated debut album from tokyos heavy1, and with its release, he pushes the boundaries of electronic music, and further cements his position as one of the most exciting new artists on the worldwide scene. this standout producer has masterfully composed 11 tracks spanning from hard hitting drum n bass, to musical dubstep, to the albums title track, which is a nod to the analog synthesizers and hardware drum machines of a bygone era. throughout minimalized, heavy1s clinical and precise production is always balanced with intriguing synthesis, lush and emotive songwriting, and punishing percussion and bass. tracks like ongaku or judge with june miller show a more aggressive take on music, and tracks like deep train and light upon my road are more musical and feature stunning original vocals from key mc and iriann joyce, respectively. this body of work truly appeals to anyone with a taste for subtlety, without sacrificing impact. dj support includes loxy, dj marky, makoto, zero t, dj flight, and icicle.

for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

addison groove (aka antony williams) bestritt als headhunter seit 2007 sieben releases auf dem einflussreichen label tempa und erwarb sich einen kultstatus innerhalb der dubstep-szene. 2010 kam dann die Ÿberraschende wendung mit einem der fettesten bass-tracks der dekade (footcrab),und das unter dem neuen pseudonym: addison groove.das feedback zu footcrab seitens der dance-szene war phŠnomenal,von kritiker- wie von kommerzieller seite. nicht nur die dubstep-djs,sondern diesmal auch techno- & house dj-schwergewichte wie aphex twin, surgeon, ricardo villalobos und mr scruff spielten footcrab hoch und runter und machten addison groove einem breiteren publikum bekannt.addison grooves einfluss auf die uk-bass music-szene ist gewichtig und ungebrochen, und sein von chicago ghetto tek und der juke-szene inspirierter style fŸhrte zu einem gro§en interesse an diesen neuen genres der bass music.die erwartungen sind hoch, doch wir sind Ÿberzeugt,dass niemand enttŠuscht sein wird.hšrt selbst!

brainmath was the first of ramps three sub-labelsÑthe others being fourth wave and patterns.between 2008 and 2010 it released a string of eps by now-established bass artists, including works by zomby, sbtrkt and james blake, plus roskas only production as bakongo

the series, respected as one of the most popular yet credible dubstep compilations is back with an album to define the sound of 2011. an upfront and up to date selection brings forth 40 of this year s freshest tunes including five exclusive, unreleased tracks, and blazing remixes such as trolley snatcha s chase & status remix, excision & datsik and distance.

in kooperation mit skiinfo.de praesentiert das renommierte black hole-label die compilation -snow dance 002- mit einem stilsicheren und hochkaraetigen mix aus progressive, trance & electro auf cd1 (mit tiesto, deadmau5, ferry corsten, bt, ronski speed u.v.a.), sowie dubstep und drum & bass auf cd2 (mit noisia, drumsound & bassline smith, serial killaz, metrik, the crystal method, freestylers u.v.a.). die moderne art von apres-ski als 2cd!

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

with a scraggle of noise and feedback zone beginning 26000, ilpo vaeisaenen and dirk dresselhaus continue their angel duo with a work that inhabits its own zone of cryptic anger and contemplation. if anything, a sense of structure destroyed has been the hallmark of both vaeisaenen and mika vainios work away from pan sonic, but 26000 in particular - with angel added and abetted by performers such as oren ambarchi and b.j. nilsen - introduces a sense of unspoken story to the proceedings, a soundtrack to a sci-fi film that emphasizes cosmic horror by implication. the slow roil that -before the rush- settles into, a combination throb and mechanistic growl, both parallels and contrasts the concluding -paradigm shift,- the subtlest of bass rhythms anchoring overlaid drone murk and screeches of noise shaped and controlled like an event horizon reached and held. central piece -dark matter leak- sounds it, deep echoes and distant footsteps and other outer space haunted house noises interspersed with up-front bursts of percussion rattlings and glitches, a robot companion in space rapidly going on the fritz. the overlaid clatter of -in- and similarly frenetic mess of -out- frame said dead center equally excellently.

legendary bournemouth-based trio aquasky return with their 8th studio album raise the devil featuring 16 bass-heavy party tracks which include guest vocals and collaborations from lee mortimer, engine earz experiment, daddy freddy, ragga twins, tenor fly, mr. thing, pyramid, acafool, deja, roisin brophy, didjelirium and bex riley. this album sees the trio take it back to basics and return to what people expect when they hear the name aquasky! having been solid friends since the heady days of rave and acid house, the guys first hit the studio together during the jungle era and in 1995 aquasky was born, signing immediately to moving shadow before going onto release on some of the biggest and best labels including polydor, botchit & scarper, reinforced, good looking records, hospital, southern fried and mr. bongo. in 2001 they took the decision to launch their own imprint passenger as a place where they had free reign to unleash their full creativity and develop both their sound and the sounds of other acts.

the xxlerator concept has become the longest running hardstyle club night of europe. it is one of the most successful nights hosted by club matrixx, where many well-known hardstyle djs have taken their place behind the decks. this particular club has been at the top of the dutch club scene ever since the doors were swung open 10 years ago. it has understandably been voted as the number one club of the netherlands three times. club matrixx stands for quality and they will no doubt prove it to you once more with an incredible compilation cd. behind the scenes, club matrixx teamed up with one of the biggest hardstyle artists in the world today: ran-d. this man has a large amount of memorable sets at parties like defqon.1, decibel, intents festival, emporium and xxlerator. in addition, his discography displays a high rate of quality and quantity with regards to his productions. ran-d pulled out all the stops to put together this cd. the result is a brutal mix with a perfect combination of raw and euphoric tracks. pure hardstyle will project from your speakers with the sounds of italian hardstyle legend the rebelz, a records and gunz for hire colleague adaro and of course the hottest tunes from noisecontrollers. he also added tracks from other great producers such as: alpha, psyko punkz, coone and crypsis. this album puts every hardstyle lover in the party mood and is a must have for any collection.

mindtrick records proudly presents the new album by hollands favourite hardcore artist charly linch. after two previous releases on the label he is now ready to drop his full length. on filthy pleasures charly linch combines the fierce sound of uk-hardcore with the harder elements of drum n bass and gives it his truly unique spin. he doesnt shy away from using old-school rave samples and ridiculously filtered gabba-kicks, without it becoming comical or cliched. on this album he found the perfect balance between creating an album that is banging on the dance floor, yet intriguing enough to be listened to in the comfort of your own home. this releases offers a wide range of genres for those seeking out where harder music is going, ..it could do with some more cowbell!

paul rose, aka scuba, the mastermind behind the incredibly well curated hotflush label, has been enlisted to create his own dj-kicks mix. featuring a healthy helping of exclusives from his camp including new music from addison groove & boddika, the mix treads the line between the uk bass music scene in which scuba came up, and the techno sounds dominant in his current home of berlin, creating a new sound in the process.

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

fŸr viele popfans sind die stereo mcs die band aus den frŸhen 90er jahren, als ihre dritte lp >connected< zwei brit awards gewann und millionen exemplare verkaufte. wie ihr neues album >emperors nightingale< nahe legt, ist die wahre geschichte hinter dieser band etwas kompliziert und vor allem sehr faszinierend. ihr erstes frisches material seit connected veršffentlichte das duo erst 1999 auf einem dj-mix-album (>dj kicks< auf !k7). das follow-up folgte 2001 mit >deep down & dirty< - uk album charts top 20, und einige fans finden bis heute, es ist das beste werk des duos aller zeiten! 2005 kehrten sie zurŸck mit dem album >paradise< und schlossen gut drei jahre spŠter mit dem elektronischeren >double bubble< an. auf >emperors nightingale< bekommen wir nun zu hšren, was hallam und birch schon seit langem tun wollten: nŠmlich hip hops philosophie dazu zu nutzen, musik zu schaffen, die keinen regeln folgt au§er ihren eigenen. siehaben zum ersten mal Ÿberhaupt mit anderen kŸnstlern komponiert: bruce woolley (trevor horn - er war co-autor von video killed the radio star und slave to the rhythm), nathan drake und greg fleming (deekline and wizard, the london punks). statt grooves auf sample-loops und beats aufzubauen haben sie sich nun auf old-school jam sessions gestŸtzt - mit bass, gitarre, drums und vocals.

freaky experimental dubstep / bass music

dub police are proud to announce the release of their first artist album courtesy of birmingham-based producer emalkay, who is set to release his hotly anticipated debut lp eclipse this spring. first making a name for himself with early releases on his own morphic sounds imprint, emalkay has continued to push the boundaries of underground bass music ever since, delivering a slew of huge releases on the way. having been an integral part of the dub police stable ever since his >explicit / heroics< 12 inch for the label in 2009, emalkay has gone from strength to strength with a series of heavyweight tracks that includes the phenomenal >when i look at you< and recent smash >crusader<. comprised of 11 tracks, >eclipse< is a bold and powerful album encapsulating perfectly everything that makes emalkay such a prodigious talent, effortlessly showcasing the depth and diversity of his sound while always remaining true to his inimitable style. as addictive as it is hard-hitting, the album doesnt just provide a collection of dancefloor tracks, but a confident and coherent artistic statement.

die erfolgreiche dubstep compilation von ministry of sound >adventures in dubstep & beyond< geht in die 2. runde!34 tracks und remixes auf 2 cds u.a. von joker, zed bias, el-b, afrika hitech, lv, quarta 330, evol intent, kromestar, jazzsteppa u. v.m.!

founded in 2007 by julien henry (syhths & vocals) & marc aumont (bass & vocals), rafale got the meters in overdrive right from the start. they played festivals after festivals (les trans musicales, les dŽcouvertes du printemps de bourges, astropolis, art rock...) & stood out thanks to inflamatory shows which raw rock power melts with rapturous clubbing rave. after the release tow eps (rock it, dont stop it - excessively blogged - & drive, one of year 2009s best videos according to french magazine les inrocks) & with the support of the media, this double act grew to a trio when franck richard joined on the drums to work on a third ep produced by arnaud rebotini (blackstrobe) : eraser. rafale is now about to launch debut album produced by arnaud rebotini, on rise recordings

big smasher on menu. support from tayo, krafty kuts, soul of man, stanton warriors...cd1 mixed / cd2 unmixed! ltd rerelease

jessica 6 ist das neue projekt von nomi ruiz, schillernde sŠngerin des hercules & love affair debutklassikers aus 2008. unterstŸtzt wird die djane, mode- & kunstikone aus nyc von den automato-mitgliedern andrew raposo (bass) & morgan wiley (keyboards), die oft mit der dfa crew (james murphy, tim goldsworthy) aufnehmen. jessica 6 liefern auf >see the light< eine erfrischend charmante mixtur aus disco, electro, soul & pop mit einer prise r&b. zu den highlights des albums zŠhlen der opener & hit >white horse<, der orientalisch angehauchte titeltrack, das grandiose >prisoner of love< feat. antony hegarty (antony & the johnsons), der ohrwurm >fun girl< sowie die melancholische r&b midtempo-ballade >champagne bubbles<.

jessica 6 ist das neue projekt von nomi ruiz, schillernde sŠngerin des hercules & love affair debutklassikers aus 2008. unterstŸtzt wird die djane, mode- & kunstikone aus nyc von den automato-mitgliedern andrew raposo (bass) & morgan wiley (keyboards), die oft mit der dfa crew (james murphy, tim goldsworthy) aufnehmen. jessica 6 liefern auf >see the light< eine erfrischend charmante mixtur aus disco, electro, soul & pop mit einer prise r&b. zu den highlights des albums zŠhlen der opener & hit >white horse<, der orientalisch angehauchte titeltrack, das grandiose >prisoner of love< feat. antony hegarty (antony & the johnsons), der ohrwurm >fun girl< sowie die melancholische r&b midtempo-ballade >champagne bubbles<.

mixed by the prophet & neophyte

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

100 dutch hits on 2 cds! incl. electro boogie, dany kay, armin van buuren, dual tec, marco v and many more

the latin influence regeins supreme in south beach,miami,so who better to soundtrack the 2011 parties than spanish superstars dj chus & david penn.mixing classic vibes with contemporary flavours,this is a hedonistic indulgence of pure, beatdriven house.