1998 entdeckte philip bader seine liebe zu elektronischer musik – und brauchte nur ein jahr, um sein dj-debü,,t im legendä,,ren berliner tresor zu geben. es dauerte nicht lange, bis sich der gebü,,rtige berliner seinen ruf als einer der kreativsten kö,,pfe hinter den plattentellern verdiente, der schritt zum produzenten war da nur folgerichtig. und auch hier stellt bader seine originelle vielfalt regelmä,,ßig unter beweis– da verwundert es kaum, wenn er auch led zeppelin und de la soul als musikalische einflü,,sse nennt.
after the success of the nothing special events a label of the same name begins. the events so far have been held at fabric of course and new york. the concept is simply that craig plays all night around live acts. previous guests have been pole, deadbeat, moritz von oswald trio, emperor machine, convextion, dopplereffekt. 2652, shackleton and conforce. the depth of craigs musical knowledge as a dj provides a sense of structure to the parties. the nothing special in weekly radio show format commences imminently. first release is by radionasty - the combined force of billy nasty and keith tenniswood.
-nothing gold- ist bereits das vierte album von joakim, das der franzoesiche dj und produzent diesmal auf seinem eigenem label tigersushi veroeffentlicht. der titel entstammt einem gedicht von robert frost, welches sich in s.e. hintons buch -the outsiders
sixth release on the burgeoning diner city sound label, we have featured the legendary 1979 orchestra before on a well received collaborative effort with his buddy volta cab on dcs004. we decided to invite him back to release his own ep with us. 4 brilliant tracks, beat down and fun all round from this exciting young producer!
although its their first official release since 2010s disco anthem bubble bath and its accompanying ep, the swiss have hardly been taking it easy. they have spent the past 12 months taking their live show on the road, playing club nightsacross the us and europe including philly banger making time, fixed in new york, social club in paris, the modular summer sundance in the uk, and gracing the sydney opera house stage for australias vivid festival.
in between shows, swiss members tony mitolo, luke godson, and producer donnie sloan have been steadily working on new material, with a full album expected in 2012. double or nothing, which was written in a hotel room straight after tony played glastonbury this year as part of empire of the sun, is the first taste of whats to come from the group.
over the last nine years, the resopal crew has written another chapter of the german tech house book. with releases by d. diggler, robag wruhme or by shooting stars like paul ritch and johannes heil, resopal has celebrated some of the biggest records from 2001 to 2011. in this spirit... we feel the bassline by talented berlin young producer michael knop. his body of work, weak chin ep needs no introduction. he applies his excellence with searing modern techno beats tweaked with a barrage of sound effects and topped off with a subtle futuristic rave complexity. three tracks on vinyl that are nothing less than groundbreaking.
played and supported by: matt john, anja schneider, maceo plex/maetrik, tim green, davide squillace, paco osuna, butch, kaiserdisco, timo maas, popof, konrad black, phil kieran, hugo, camea, carlo lio, luca bacchetti, ida engberg, federico molinari, tim xavier, coyu, cesare vs disorder, kabale und liebe and many more...
oliver hos label wires returns soon with the third installment, >nothing ep< by raudive. this release sees oliver pushing the raudive sound into a darker area featuring industrial influences within the techno grooves. the ep starts off with >shiver<, featuring an organ drone overlaid with bursts of resonance and feedback, with the repeated vocal phrase, >the sun sets inside you<. next comes >>nothing<. a strange wood block sound rides over the heavy groove, with synth stabs and echoing vocal sounds, it is relentless and hypnotic. we continue with >sigil<, the combination of monotone bass and synth stabs with the strange primal moan produce a creepy groove, - gothic techno maybe... finally we have >dial<. the last track finishes the ep off with heavy drones and white noise feedback, bringing to mind the relentless tones of lou reeds metal machine music.
following up on their 2009 debut miso release, the brighter side, version returns for another round of innovative sounds on miso 013,entitled >nothing<. charles webster, martin >atjazz< iveson and vocalist, emilie chick continue on the path of pure quality with 4 tracks of adventurous, modern, deep electronics for the dancefloor. >nothing< straddles many dance genres gracefully, appealing to the deep and soulful crowd while also giving the techy, moody folks plenty of aural inspiration. with tough beats, tasteful instrumentation and another wonderful emilie chick vocal, the 2 dubs and full vocal mix are sure to please dance floors, dens and dinner halls, the world over and the wonderfully dusty sounding atjazz remix is pure enjoyment.the vinyl is a one time only limited edition high quality pressing.
played by ellen allien, koljah, bryan zentz! amam records is pleased to announce its seventh release, a joint effort between avatism of london and the selph of milan – including a remix by veteran producer dan curtin – for a well rounded tech-house vinyl ep
minimal info required - sandwell remix >reality or nothing< (housewerks) on rsb - boom !! custom insert designed by silent servant... hand stamped sleeves !! it took many years for folks to realise that chicagos housewerk records was in fact an outlet for regis and females much praised tech-house productions as >reality or nothing<. after much deliberation we are very proud to present two full eps of lost tracks and uber-current mixes in the sandwell vein with a tip of the hat to the golden age of uk techno house music..
minimal info required - sandwell darlings remix >reality or nothing< (housewerks) on rsb !! custom insert designed by silent servant hand stamped sleeves
support by: adam beyer, technasia, the advent, dave clarke, dubfire, chris liebing, secret cinema, justin berkovi, joel mull.... here we go with the roots of dark techno, michael schwarz now shows up with the basic track of fauna, that was remixed on pt. 1 of this package by justin berkovi. fauna is nothing less than a masterpiece, so it draw the attention of alex bau immediately and he hook up with man behind the secret moniker floom. the guys delivered what you would expect anyway whenever you read their names: total dedication to techno in its basic sense. big support from all the techno-guys around!
first on decks.de !!! rhythmetic #15 is taking things back to the way they should be with tight funky percussion and locked in grooves. real house music for the heads
as an added incentive, >give me pain<, another key track on the album, receives the mikael strav÷strand treatment, resulting in what can only be described as a real and truly hypnotic tour de force. so yes, it should really be thanks for everything...already in the flight cases of...: chloe, james holden, dj t, kiki, tim green, slam, martin eyerer, tiefschwarz, gregor tresher, brendon moeller, dan ny tenaglia, jeremy p caulfield, allan byalloà
for the third nowar release, chicago house producers hakim murphy and inbum cho team up for this beautifully organic trip into deep grooves and lullaby melodies on a steady deep house rhythm. sweet strings, gentle melodic rhodes chords and a bassline that will get you hooked instantly. its an armchair staring-at-the-nightsky house essential!
stroboscopic artefacts third release sees label owner lucy and underground trailblazer ercolino, inspired by novelist michael endes imagery, create two visions of a nihilistic future. the 12inch begins with the tale of fear incarnate >gmork<, the most powerful weapon for controlling society. the a-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. the sound is viscose, violent and deep seething red. what emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. the story gets even bleaker with b-side >so the nothing grows stronger<, a narrative of blips, bleeps and squeals. this extreme dub techno track is a mutinous call to arms, the sound of the insurgence. here beats forge together, fortified by a devastating charge, till the track crunches away into nothingness
yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself
bearweasel are london-based duo dean muhsin and louisa page, a pair who in less than a year have a string of singles and remixes for some of the best labels around including 8-bit, tsuba, supernature, perc trax and murmur. the >sorry for nothing ep< is build around two original recordings, >risk< and >many more< and also features a remix from moon harbours dan drastic. first out of the gate is the original of >risk<, a track built around a shuffling percussion led groove. the spacious arrangement, intense stabs and low-key bassline lend a depth and quality to this cut that make it truly sublime. simple, understated yet devastatingly effective. next up, dan drastic reworks >risk<, turning in a remix that stays true to the original whilst imprinting things with his own sound. the drums are toughened up and the vibe is a little more dubbed out, providing an alternative that sits perfectly alongside bearweasels primary production
after releasing through flamingo, dos palomas negras & the hardsoul label, we pleased to have baggi begovic on board in the stealth team. a timeless club record!
after two amazing releases on the enemyltd series by zahn and recently the joel mull its no time for the labels strongest artists to represent on this various artists ep. rob dowell steps up from lobotomy records, alessio mereu from italy already showcased his perfect style on analytic with his bomb ep. decimal is the next hype on enemy, he is doing extremly tight production and will have a new wave of very high class tunes released after the summer. his track on this ep is a good taste of what to come! last but not least zahn himself tops it all of and goes on where enemyltd 04 left us. in not so many words: a great ep!!!
with this deft , elegant weave of selected vocal cuts and deep yet undeniably driving melody ricky l creates a unique form of pure, stylish house that takes a recognisable pop aesthetic and remodels it for the soulful, sophisticated dancefloor
supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.
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