when delorean toured with teengirl fantasy last spring they told us about a song that had really blown them away. when they shared it with us we understood why. it was called >cheaters< and sounded like an instant classic. very different to the trademark psychedelic jams of the duo, the song was homage to classic chicago house from a modern perspective. built around layers of blissful synths and borrowing the vocals of first committees >cheaters never win<, it had that kind of energy that we sometimes miss in contemporary dance music. later that summer, john talabot visited new york and became aware that the track was going to be released by true panther sounds only as part of the album >7am<. something sparked inside us. we felt it was not fair that such an incredible track had to share its vinyls grooves with other songs so we thought it would be nice to dedicate a full maxi side to it.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

aldo cadiz, chilean dj and producer, head of disco royal music and resident of santiago beats already crossed our paths with his collaborations with basti grub on desolat x007. he returns to desolat with solo productions and here you have chance to dive into aldo’s world of dance music where south american rhythms meet fragments of musical heritage of detroit. mastered with love by enrico mercaldi, the desolat x series continues to release raw tracks that literally invite the dj to play with loops, hooks and create something new. but you can also just put the needle on the colored record and let the groove treat your dancefloor nicely

manmade is back again with another collection of floor filling club bangers. this time with busta, one of the uprising beat kings from down under, timothy wisdom & the funk hunters, out of canada, with another shining example for unbelievable mashup work, and the well known funky breakbeat builder jayl funk from bavaria. as you expect cmc&silenta did it again with something for the ladies on the dance floor. check out the dynamite side! two versions on here, couldnt decide which one is better, both are killer tunes in different ways.

>we wanted to try something on a slightly dubbier tip than our usual fare and had been listening to lots of old european techno from the early 90s.<

after a few years releasing singles under different monikers, brooklyn producer lou teti launches his own label, tigers on a leash, with the debut >get away< as a certain way to kick things off right. the original is an almost hypnotic electro-builder with an 80s touch, yet with a sound thats still firmly planted in 2011. even though tetis vocals are used more like another instrument than as a center piece, sneaking in and out against the guitars and synths, it s still the kind of memorable vocal line that you will find ringing in your head as you wake up. drop out orchestras club cut is a just that, a cut to get any club moving. in true doo style, they take a great original and create something special, but completely different. jkrivs deep&disco mix takes deep to a new low, with a breakdown thats truly epic. and finally theres mario basanovs remix. a beautiful deep house groover like only mario can supply.

all time patterns favourite carl falk hits with a brand new funking 4 tracker! the main trademark in carl falks music is his skills and passion for blending percussion from the entire world. djs love his tracks for the mixability and usefulness that enables the disc jockey to be more creative in the mix, something that carl showcases well in his decks-efx and serato dj sets all over europe.

new cat on the astro lab camp, timothy j fairplay from the battant band, after good releases on kill the dj, andrew weatheralls rotters golf club, live at robert johnson tim gave us couple of great tracks with his best carpenter mood, it was so hard to choose, we took 3 of them and asked our favourite producer mr andrew weatherall to remix one, he turn the sleigh ride/blizzard into this slow techno atmosphere. on the b side astro lab zntn remixed >general arrived< and turned the original into an amazing dancefloor tune, something close to the optimos works.

here at bearfunk hq we firmly believe in perseverance. we keep asking questions until we get the right answer and with 6ft bear by our side the answer is usually yes. we kept asking ilija rudman to get in the studio and write us a killer lp but being the busy bee that he is it was hard for him to take the time out. we kept asking until he eventually caved in and went underground to record his first lp, >the reveal<. ilija is a devoted and passionate man when it comes to music. one of his prerequisites for recording an lp was that the recordings had to be made with the same techniques and equipment that inspired him to make music in the first place. so ilija hooked up with one of his studio mentors and got his dream line-up of synthesizers, roland jupiter 4 & 8, minimoog, roland sh2, juno 60 and his dream drum machines linn and oberheim dmx. these analogue machines fire up to create a warm and authentic vibe across the whole lp. we are reminded here that machines do have soul if used properly. we start proceedings with the wigged out boogie of >inspectors drive< which might be a little nod in the direction of wally badarous classic chief in< have all the ingredients of dj friendly hits. the lp reveals all the influences that ilija has experienced and it shows the talent that runs inside him as he is able to make such an amazingly retro lp sound like something from the future. we are sure in years to come this lp could become as important as the influences that inspired mr. rudman to make it.

this debut release introduces everything deeper meaning stands for. full of trademark deep sounds from two of etokas finest artists, verano and paskal, who ramp up the atmosphere and slow down the tempo with two of the most unique tracks we have heard from either producer. both tracks explore that most difficult, beautiful and painful of emotions, love. add to this subject matter the warmth and feeling which can only be found on 12 inch slices of black wax, and you have something rather special indeed ...

what is there to be said about ruben & ra except these two have been lovers of boogie, disco & funk and have been keen record store diggers for too many years to count. with edits, reworks & original productions coming out of their ears, ruben & ra have decided to set up the retrospective label as an output for their tracks. watch this space for more info, updates & free downloads. the first release on their new imprint: retrospective is a good indication of things to come. 3 killer edits that are hitting the radar of chris duckenfield & dimitri from paris to name a few ... with a killer groove like newer shooz, plus a nu disco number for the heads in the form of dreman and finally a floorfiller like play my song there is something for everyone out there. the future is bright for this baby & his cat!

lnas third release comes from the godfather of the underground all the way from brookyln, new york: namely the legendary jovonn. first tune >a definition of a track< makes use of driving beats combined with ethereal and jazz-like melodies that work together to create a hypnotic atmosphere. second track >space atmosphere< has a more infectious styling, with an ever-progressive melody against a firm groove that grabs the listener and the dance floor. also featuring remixes from the much revered two armadillos, giles smith of secretsundaze and martin dawson (king roc) have turned out a modern classic to nail any peak time dance floor. the second remix comes from the newly formed mankind project. expect more from them this year with two other eps in the pipeline. this ep is something rather special!

if you have been exposed to this cultural phenomenon called electronic music for more than a while, you will certainly have in mind something more than bright sunsets and perfect waves when you evocate that part of our awesome planet called california. the west coast has provided an own-harvested sound that strives to differ itself from surrounding mainstream conditions, making it fine and classy when it comes to underground house and techno music. alland byallo aint no rookie on the issue, rolling beats for enough years now to need no intruduction. with productions on labels like dirt crew, liebe detail, dirty bird, poker flat or nightlight music (allands own imprint) he can be well considered like the last but one exponent of a whole lineage of californian producers.

welcome to the world of melted dubs. a new label that will be vinyl only and all releases will be limited runs. our debut is a tune that has been bubbling on the underground for a while a true clash of uk meets us. rockwell takes the cash money family (lil wayne, birdman, kevin rudolf and the uks very own international superstar jay sean) from the dirtee south to a whole nother place. rockwell has been doing amazing things in dnb for a while now but this is something else. soulful and funky, fast and slow. you feel the groove but cant quite place it. already working for the few djs that have it. this is set to do big things. if you are not a vocal person there is a killer dub too. enjoy and be quick!

after hearing this release, one could ask himself why deetron and ripperton never did something together before?! with their debut together for music man they deliver two tracks dancing on the thin cord between deep techno and house. a true blinder!

kaelter & draussen proudly present their first release on pulz schallplatten- strictly limited to only 300 copies! a variety of tracks - sure there is something for each taste: deep house-grooves, straight minimal-techno and a dark experimental after hour bomb that goes under your skin.

something for dance electro techhouse lovers...incl 2 jaques raupe remixes

some days passed by and now its just time for the next episode of danjel esperanzas musically diary. >das kleine nachtgespenst< describes the story of the little ghost who comes every morning.three songs of spooky wooden notes, deep strings and acoustic instrument snippets. you listen to cold whispers here and there, doors creeking, footsteps and strange noises. all combined as always with warm pressing basses which are goin under the skin and take you on a spooky dark trip.

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

ltd handmade cover ... telrae welcomes soundseeker, noise controller,full time musician, van bonn. he has written two tracks for telrae. both of them are constructed like a theatre play.. each tone is intentionally-on purpose- generated and set in its propper place to create a symbiotic effect... which you realise once you give them time to interact… and create something which might be just one element in a chainreaction. van bonns definition of techno dub. you could say van bonns has written the most abstract release so far for telrae and you could be right. the two tracks are not written for functional reasons, but are very functionel for the ones that seeks for similar feelings such as, deepness,landscapes of sound or just snapshots in which time stands still. these tracks come from far away to be discovered by likeminded people. dive into the world of van bonn.

wolkenreise finds the duo moving away from the dark, peak hour techno to a gentler sound that flirts with emotive deep house for something classy and inspired. the track offers here is built on a raw, unhurried kick. all important contrast comes from the dry, echoing claps (which cut gorgeously through the bass clouds like, well, thunder) at unexpected intervals, a distant, longing and muted organ line (i think) and some heavy hearted synths. it’s melancholic but optimistic, and has a certain classiness to it which i really dig.” -teshno, january 2011. these are just some of the words that have many saying wolkenreise is the single of year so far with massive global support from all over the world including seth troxler, laurent garnier, craig richards and alexi delano to name a few. glistening and glowing remixes are created by the brilliant minds of john tejada, dj qu and rene breitbarth to offer up a vinyl that is timeless

leif has been good enough to grace us with a bumper four track e.p. featuring a tingling special guest vocal from welsh songstress donna lea, whose voice resonates through your chest on title track, >so long<. sticking with the land of daffodils & dragons, a chance meeting at freerotation festival spawned an instant remix request. german groovecat move d on hearing >so long< immediately saw an opportunity to put his stamp on the record. the result is a low-slung roller whose heart remains firmly rooted to the floor. joining it on the a is murmuring bass heavy >tell you something<, while on the flip, >bide the time< pays testament to the early shuffling nyc garage sound

some time last year we had this unknown techno record from these chaps and it sold out within a matter of hours. now we have a new one sounding something like a collaboration between burial and deepchord! same deal as before, strictly limited and only 200 copies.

the ever evolving ever inspiring argentinean turned berliner musical talent that we call out nico purman, once again honors the house of vakant with his latest disco inspired offering to the gods entitled visions ep. in such a short period of time nico has come so far both physically and meta-musically. within just a few releases one can easily hear him developing, maturing, and mastering his chosen art medium. from the mechanical tech funk of his tuesday ep (va017) and euphrasia ep (va025), to the space jazz masterpiece that was rhapsodies (va032), his first step toward disco was in fact with his contribution >xpress yourself< to the family values compilation (va034). with visions ep, once again nico effortlessly transgresses whatever style he wishes and makes it his own. taking a few pages from the book of disco as well as a touch of chicago and a pinch of early new york house, nico both tips his hat to those influences as well as taking things several steps further to create something completely original.

limited 5 track ep pressed on white vinyl.
karlmarx are brothers isaac aesili (aka karl) and mark mcneill (aka marx) from new zeeland. the >mists< ep is the first taster from their forthcoming fulllenght >the karlmarx project<. it is music from the drk side of the mon, fusing electronica, techno, synthpop, industrial, future soul and instrumental hip hop into something new and exciting.
karlmarx have enjoyed early support by benji b (bbc 1xtra) and lefto (brownswood). the song >mists< will also be featured on the forthcoming brownswood comp >lefto & simbad present worldwide family vol.1<

for this project the barking dogs rework two tracks by jessie evans, adding their producing skills to her post-punk sax and vocals lines and giving us two old school burning, sweaty killers. the pack is complete with remixes from a couple of hot names on the scene. altz with his enormous, mad remix (something really unique, we where stunned when we first listened to this one) and the deep acid version from rune lindbaek & mental overdrive.
support from: prins thomas, todd terje, jd twitch (optimo), trevor jackson, severino (horse meat disco), sam proper, italoboyz and many more ...

though there is something refreshing and original about the afronauts, their music could be described as somewhere in between the heavy afrobeat of fela kuti and the ethio-jazz of mulatu astatke. this debut 12 inch single combines all these elements, >journey through time< having a hypnotic, spiritual feel, whilst the b side >kibo< is totally exclusive to this 12 inch single, and is an upbeat positive groove, both tracks only hinting at the delights the forthcoming album flight of the ancients (fsrcd/lp085) will contain.

social distortion is something of a legend in the punk genre and still continues to receive worldwide respect and support.music on vinyl is very proud to present this legendary and widely acclaimed punk album on 180 grams of the finest hardcore audiophile vinyl.

oslo says hello to 2011 with a great ep again from one of the best electronic producers at the moment, guillaume & the coutu dumonts. we all know his eps on oslo, so we can be sure that he will not dissapoint. on the a side we find >praise to the beat maker< an amazing track with lyrics by dave aju, you will never take this track out of your mind. the rhythm is 100% guillaume. the second track of the ep >promess-lovin< gives the main melody to the release, and with some female vocals remains us one of the best old school house periods. the last track >all you have to do< is a very slow and musical track, wich keeps the line of the ep and at the same time add something different.

supported by: radio slave, nicholas (no more hits), douglas lee (tbd), daniel wang, jim stanton (horse meat disco), jacques renault, space ranger, dj rocca (ajello), baby g (dance disorder), stefano e bene (compost records) and club silencio… cocktail d amore records is the latest venture from italian duo discodromo and berghain resident dj boris, an extension of the crews monthly berlin party of the same name. the label will be a new home for their productions, collaborations and remixes, as well as those from their global network of producers. as such, the first release, cocktail d amore, is something of a mission statement, showcasing a variety of names with their interpretation of electronic disco music in 2011

so … the story goes something like this: being inspired one day by 69 >desire<, vince decided to create an interpretation of it using his own unique sound. the track was done very quickly as a gimmick to send to carl craig as a mark of respect for his own track, now the track has been signed by carl for planet e and the world will now hear that very 12 minute piano and string filled beatless gimmick that is proving to be vinces most musical piece to date. its epic stuff. flipmode with >qualia< which takes off where vinces fcom material left off. deep driving hypnotic dancefloor material with an orchestra thrown in for good measure.

tony christie is fast approaching his 50th anniversary in the music industry and to celebrate, new label acid jazz put him back in the studio to make an album that takes him back to his roots.
>now s the time!< boasts a collection of original and new well-crafted soul songs that have been beautifully conceived and movingly delivered. there are nods to johnny cash and spaghetti westerns, and collaborations come from jarvis cocker and roisin murphy.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts, he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whoi&#769,,,,,,,s consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whos consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

a message from claude vonstroke: >sascha braemer has got the funk! i first heard him on the amazing thrill on kindisch which i charted in my top 3 tracks of 2008. after that i heard the even more amazing heinrichs and hirtenfeller album dark orbit, (my favorite album of 2009) on highgrade. i usually like to break new dirtybird artists but this time i had to go find this guy and beg him to make us something. sascha has got that tech-funk, caveman quality that is so elusive and hard for me to find as an a&r. and on this record you will hear why i went and found him. this is an absolute beast! both tracks are tried and tested club killers. truthfully, i cannot think of a better dance-floor record on dirtybird this year<

matt tolfeys cutting edge, underground uk base house and techno label leftroom, prepare to release the commemorative 20th leftroom release with fantastic new distribution! this four track 12inch ep features several artists who are closely linked with the label and have come together to contribute something special to this great ep.

desolat is happy to announce a new 12inch by giuseppe cennamo. born in naples, italy in 1980, giuseppe took to the turntables at age 13. following the legacy of fellow napolitanos like marco carola, danilo vigorito and davide squillace, he took the inspiration of classic house and melodic synths to build his own brand of tech. his tracks on several labels got a lot of peak time play and caught the ears of loco dice. fortuitously, after a break to clear his head, mr cennamo decided to take the inspiration of a loco dice dj set to create something specifically tailored for desolat, which resulted in this release.this particular slice of vinyl is aimed squarely at the djs - with the title track amanecer digging deep into the pads, a cantering kick and gentle swing that hints at detroit forefathers. cuando tu quieres stomps its heels and morphs into a very whimsical bouncing house burner: plenty of fun to be had with this one. dejame asi feels like a spaghetti western re-imagined with the help of a conical moving laser beam, a childrens choir and a bag full of kazoos while the rest of nothing is a reduced, pinocchio-like percussion-driven track with an insistent bassline

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

italojohnson starts the new year punctual with his third stroke. this record will have something suitable on it for everyone out there. without batting an eyelid, its crosseyed and selfconfident, looking at three different floors at the same time: the a-side focuses on the chicago house floor. it begins with a recognizable toolish sound. slowely but surely the theme of the track opens – the track works through a breakdown, a classic drum roll sneaks in and jack grabs again. the b1 provides an unusual turn on the third italojohnson production. theres no space for compromises here. the track stomps on the steam engine warehouse floor. a flowing acid hookline is settled in the industrial drumline and gives the track its meaning. the second track on the flipside completes the whole package and is destined for the late night hours. thats everything there is to say about this track – the strength and emotion can only be experienced by listening first hand. love, peace and happiness

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

skreeeetch …. de lorean skidmarks scratching the tarmac. it is 1984 all over again. the most freshestest sound ever - even fresher now. as this is the sam with the golden ame! rough electro boogieness in high definition. what happened? running back, the goonies of the clublands, unearthed a treasure from the uk eighties art funk vaults: nature makes a mistake - written and produced by chris bishop, originally released on the cassette sampler >sex & bestiality<, bain total, something so much more streetsounds than thoughtcrime which was restored and remastered for vinyl in 2010. after that the little diamond was given the treatment by those ueber-couturiers of electrical bliss-dom: ame (teaming-up with marcel dettmann in the mix). the result is probably one of the greatest ame efforts ever, maintaining the spirit of the original and teleporting it onto the dance floors of the 21st century, the age this piece of futurist art always was destined to have its true rightful place in time. words by kk.

shakarchi & straneus are faik and daniel, two bffs from gothenburg who are making some of the most catchy, emotional and well crafted dance music we have heard in a long time. both had been involved in music for a while when they started working together at their hometowns top tapas joint, manana. in between washing dishes and serving patatas bravas, the boys would burst out short tracks and sound experiments in the makeshift studio they had set up inside mananas cloakroom. this led to a debut 12 inch on malmo based geography recordings and now comes their five track ep >dodskallar och korallrev<: studio barnhus second release, the best swedish house record since jesper dahlbacks >what is the time mr. templar?<, something we are immensely proud of being able to release.

new toxic avenger ep featuring incredible remixes from black strobe & kid606. wicked!

short about the label: a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we are gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it… im very glad to introduce yet another member to out internasjonal >family<. mathew senick aka mathew leutwyler. mathew got in touch through the web from mexico and it took us only a brief listen to this troika of wonderful sounds to convince us. now decide for yourself if theres something wrong with my ears….. ps: my computer tells me hes had releases out on perspectiv and traum, ill definitely investigate further, so should you

after his rather menacing vision called >worlds end< (hometrainer/acid pauli 12inch, dec 2010) acid pauli pulls another two typical tricky tracks out of his musical drawer. but, to confuse right from the scratch, he gave them polarizing names such as >like it< and >dont like it<. has he possibly planted something on us?

if you are looking for something that is bite sized, but with huge flavor, then you best try out our >bite sized beats vol. 2<. i m sure you will find that it is extremely satisfying and many levels. there are many more of this series to come, so keep some room in the fridge for some of this future fried funk.

sven is back! it seems like ages ago since we heard some fresh music from the always-reliable mr. weisemann on mojuba. still having his acclaimed tunes like vibe, lets swing, cabana fever and kiss of abana resounding in our ears, are we ready for something new? yes we are! and hear he comes, delivering two kick ass tunes in best mojuba style, but he put also some impressions from his sole exception project for essays music, his old styrax jams as well as his famous xine lp inside. listen closely and you will feel it

hadrien - maria pamplona as it should be, ladys first: >mary pamplona<. once again the proof that it really is something good to women. even if a man, hadrien, responsible for the development of this woman . yapacc feat. big bully - face to the floor the night is over. the track was amazing. when you go you still can hear him. and who of us do not know. when the sun comes out, sometimes you better turn your face to the floor...