toolroom mainmen mark knight & dave spoon return for another blistering e.p on toolroom trax. collaborating for the awesome title tune sylo, and then throwing individual tracks background noise & drug music into the mix. sylo is definitely one for the clubs with its chunky beats, electro tinged rhythms and massive builds. background noise is another signature dave spoon track, background noise is a straight up grimey affair with tight production and programming being the order of the day. drug music completes the ep from our very own mark knight. another heads down roller aimed straight for the dancefloor

prins thomas charts #1, played by cassy, ata, laurent ganier, brontosaurus strikes back after the furious debut 12inch of the incredible exile missile project. next up is african voodoo believer arto mwambé, known from his release on punkt music and several remixes for output recordings, careless and… brontosaurus. his second single >mudhutma!< displays his raw and offkilter definition of housemusic. a wild and detached combination of old strictly rhythm sound, handcrafted proto phantasy and arto s autodidactic synthesizer-abilities. mr. mwambé definitely plans to get a proper education - next lifetime – so don t worry nerds. until then he ll keep on reigning his kingdom of dilettantism

remix-package to one of the biggest wir hits. newcoming talent kab shows some severe skills with a tight remix that keeps minilogues hooklines in shape but introduces them to its unique world of magical flow while pulling off the impossible, he creates a masterbuilder being tense and tender at the same time. jichael mackson on the other hand constructs a relaxed groove rich in texture, pushing the sounds further and further until the final climax while tracing the original material rather emotionally then rationally. minilogue themselves round off the package with a beautifully dashed ambient version

almost twelve months after delivering the gastronomic delight that was sugar slow, foundation man gerry o rourke returns with the astrologically astounding gemini ep a joint tribute to adam goldstone and simon freaked brant both of whom sadly left this planet last year. appropriately enough, we kick things off with a track cunningly entitled on an esoteric, minimal techno/house joint with shades of dubstep adding to the slightly ominous feel. we then lift the mood slightly for the quirky, retro, synth heavy techno inspired house of the title track, before bringing things bang up to date with the furiously futuristic rapid recal, and then rounding things off with the veritably funky raze dilemma. a worthy homage and another fine package from the foundation camp

wherever there is a need for bumping house music and kids are dancing to boring grooves, you call shyza minelli. she returns to tuning spork after way too long with two dancefloor bombs that are primed and ready to explode on impact at clubs worldwide. for this release shyza is bringing you a 12 with two different flavours, one on each side. set the limit is the a and haunting me is the b. set the limit is 9 minutes of rippling stuttering unadulterated funk that only tuning spork can give you. haunting me is the b side on this sick 12, but if you were hoping to catch your breath after the a side then you can forget it, this is another crazy trip into nightclub psychosis ! big with ricardo villalobos, mac schneider, dan curtin, luciano !!

frederic de carvalho & miss flora are back with new remixes of their famous track on absolut freak records. first one by swedish phenomenon john dahlbäck as huggotron who brings a dirty sound in a terrible freaky version. back side, nicolas chenard gives a top remix in his own style with sci fi influences. then, rock your body to the beat, a new original track by carvalho & flora, calls to dance with a pure clubby and melodic sound.

big tune alert !!!! exclusive repress of a formerly very hard to get, warm, rhytmic & hypnotic housegroover. originally released in 2004 and responsible for countless joyful moments at dancefloors worldwide since then. on the flip you ll find the beats mix. huge

you re still not taking yourself seriously.on the journey to discover new tracks you trip over a few disco-balls, find an irresistable melody, dance briefly with abba, are trapped by chic, free yourself and then also rob them/it (???) of a super-bassline. next you travel to the outskirts of berlin to dowse for / apply the divining rod to find fresh, unused talent. the discovery responds to the name c.l.i.c. and turns a discohymne into a little rave-monster. now add to the whole made-up story the fact that you leave the remixing to an old friend. he makes a >6am, the sun rising, tickling your nose and making you scream< track out of it. the name of the mysterious unknown: oliver koletzki. conclusion: you re still not taking yourself seriously. why should you? >fitzelkrtschbungbritzelbratzel< is just ruling everything. a counter-design is urgently needed. the world s serious enough

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

supported by karotte !! with the signing of south-german newcomer dizko toaster oliver koletzki rediscovers his old love for squeaky peak-time disco house. toast hawaii is one of those tracks, starting with the sound of the sea breaking and combining filtered disco grooves with sexy techno synths that take you back to the hedonism of studio 54. the track itself is the bomb, but the list of remixers is impressive, too: koletzki as parker frisby turns it into a smashing hit adding his typically strong loops and some hypnotic vocals. on the flip man of the moment remute contributes his production skills and creates an effect-laden driving techno piece full of surprises. stil vor talents own h.o.s.h. then takes a totally different approach resulting in a deep and warmly grooving detroit-style track that immerses the listener into the depth of the tune. this record is a lot of fun

if you loved give blood then the beatific visions is just as essential. the songs are short, sweet and demand repeat listens. they range from the ridiculous (porcupine or pineapple) to straight up country (if i should die tonight and on your side) to full steam ahead early buzzcocks / wire esque post punk rock (margherita and beatific visions).

mr. cubanix brings it down laid back and smooth on hott steppa and breakthrough. nice bassline and rhodes combinations keep the overall sound quite loungey and upscale. it is on gosando however, that things get cookin with its harder tribal drums and oh so dark latin pianos. if you like quentin harris, jon cutler, the soulfuric sound, and jask, then this might be your speed.

reworks by ata, cassy, arto mwambe!! steve bug charts + big support from all over!!! fact is that ata/sasse rework a jahcoozi track,upvalues this 12inch with extra rarity bonus points, because usually ata only produces very infrequently and selected remixes. they put your record player in shallow, well-tempered water, while fine sand tickles the nail. now and then you can listen to a groovy, fart-sounding simmer when a warm dubby summerbreeze waves through your ntilnian head. the ex-nord ntiln dj arto mwambe puts all eggs in one basket: modern-bombast! a jingling glockenspiel and fucked-up stottered vocals – all covered up with a squelching drone…

played by oxia, karotte, chloe !!! look out, reality is on the way! dance as long as you can stand. now based in london florian meindl, the 21 year old austrian born dj and producer delivers the second release on his brandnew label with berlin based production partner oliver koletzki. here he combines his minimal techno style with strong modern electro beats and freaked out melodies. this is the sound of flash records!reality is on the way is a fresh mix of modern german electro and minimal, in the flashlights is a headthumping subwoofer destroying beast of a tune and light speed is more hypnotic then david copperfield

das glows debut ep with support by para one. >cathedrale< is unashamedly epic, it comes from the heart and speaks to the brain and feet simultaneously. flip for weiss gaz, which is mostly electro, with shades of ghettotech, acid house accents, laser-guided snaps, and a huge bassline revving like a v8, and bits of musique concrète.then on b2, >vulcanice< is fresh, recorded in one take and built around hammond organ samples

2007, is nu tropic new label launching year : jazzmin records. afer the two first 12 inch from the combo released early this year, nu tropic asked their friends to remix their first album >vocé sabe< songs. the result >vocé sabe remixed< is a perfect combination of their tracks optimized for some dancefloor action.you will find on this album >la creme de la creme< of french trendy producers such like playin 4 the city, franck roger, l aroye & ky…nu tropic brazilian flavours are then transformed into highly danceable house tunes. nu tropic love japan & japanese famous artists jazztronik, yukihiro fukutomi & soul source (who remixed jackson 5 few years ago) also joined this project to add their typical jazz beats >savoir faire<

first solo release on roy ayers own, now legendary uno melodic label in 1983 and surely his best album of the 80s. recorded with a stellar cast of sideman including bobbie humphrey and fela kuti! almost impossible to find in recent years, its now re-pressed. highlights on this strong outing are the title track, everybody and the dance classic chicago!

style of eye aka linus eklöw always saves his best work for tiny sticks. previous releases have come on the legendary classic recordings, mouthful, doubledown records, sugarcane and eye industries. following the success of his bigger sounding releases, hes back with a more stripped down, underground selection. rockett evolves around a very funky groove, a track with a lot of swing, it has all the hallmarks of a massive tune. sounding similar to john dahlback s huggotron style, a huge distorted electro riff takes over and drives it higher and higher. rockett comes with a dub version too. l.d.r. starts off with a bit more subtlety than rockett. starting with a lovely bouncy shuffling groove and expanding spacey keys and then getting more and more pumping as it goes on with giant drum rolls and shouty vox. another big one for the underground heads

this was on promo one of the biggest hits of the summer. up north fave thomas gold gets hold of a cheeky sample from ce ce peniston s >finally< which you will spot early on in the track, then gets special permission from roger sanchez to use his wicked acapella from the animal, which was released under his neanderthal guise. whether you like tribal, electro or funky house this hot new vinyl has some major mixes to keep you occupied...

david keno has a growing reputaion as a fantastic producer. his own keno imprint started off in fantastic fashion with its first release and highly acclaimed someone else remix. this release follows in in fine style with a fine two tracker from the main man himself. the main a side track is a killer as it starts with its shuffled drum groove and tidy synth bassline. the track then builds ominously with its menacing strings before the big synth break makes the track complete. the flip side is also a worthy addition with its funky groove and cool percussion

serious funk going on here! a well balanced mix of new comers and established artists gettin together to throw down some funk blacksoul teams up with newcomer musical globe for a slice of disco heaven that is all about a wicked break. sleazy mcqueen drops a funk bomb on us, chopping up the samples just right and then killin it with that ol school rap. fabio bacchini is channeling chicago via italy and works a classic sample to death on freakin jazz. tom collins is back and with a vengeance with a classic spettro mixed track with a quirky spoken word over the top for good measure

big ultraphat mathew jonson like burner !!

tomas andersson stays a quirky genius. in his two new tracks he turns the controller up and down and on and off. it squawks and shrills and buzzes all over the place - a playful laptoprocker who likes to mess around with sounds. >dubbel problematik< starts off in a pretty minimal way. but then voice samples get thrown into the digital mincer and it s a typical andersson track once more

support coming in from ricardo villalobos, damian lazarus, anja schneider, james priestly, davide squillace, fafa, tiefschwarz... fast forward a few years and tom & jay find themselves in front of a computer with not much goin on in the outside world. >shall we try & make a track then?< said thomas charles king. >why yes< was the reply from mr massive. and that was that... locked away in jay s bedroom for the weekend they came up with their first ever tune, indeed… >our first time<...

a ground breaking 3 tracks ep that we re not less then proud to present you. kemistrycian is a wonder tune,based on twistery and magically well balanced clever programming that as an obvious goal, to make you move. back 2 basics has a shaking and grooving start, percussive elements from beyond our universe, panned along sounds for your modern listening experience. patch for dogs is a dubbed out track that just never stops. and it sure grooves, like the whole ep.

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

2 dancefloortracks of hamburg based label fresh fish rec. on the a side hausmann c presents a >beaty world< . on the flip paulo olarte does his thing with >dulce mio< . beaty world tells the story of a fight. with no need for words, the protagonists realise their roles and invent a language of their own. moving like dancers they approach one another, each strike a thought. a bubble suspended in the air. triumph alone encounters its dark side, as with apparent lack of effort it strips itself of all blemish. with stoic calm and an alienated quotation >dolce, mio< sets out to find the inner muse. entering her space the available talents present themselves and put themselves to the test. nothing appears simple, they flow and envelope their own idea and try desperately to gain the ultimate tension, which then, in retrospect incredulous, strangely intoxicated, is received as though by a jubilant choru

two slammin instrumentals from mr. ferrer grace this new double a sided ep of tracks from his forthcoming full length. this ep again showcases dennis diversity and distinct ability to go from uplifting spiritual deepness to hot,underground, deep, danceable, head nodding tech. >transitions< has that repititive synthy bassline with latin claps and afro styled percussion and gargled vocal sample. >destination< starts off with slapping rhythms, adds strings and middle eastern flavors then throws in parisian styled accordions. he meticulously assembles all these sounds and creates a smooth seamless boundary defying sound

..... if minimal was this summers techno then metric is this winters scarf and mittens. warm, subtle & enticing deep house, >holding< is a concoction of pulsating pads, strings and deep grooving bass. on the flip dani koenig provides an excellent compliment with a haunting remix darker, edgier whilst still relying on the lush strings and pads from the original

incl harmonic lovely anja schneider rmx !! plasmik are the brothers roman and marcel fritz. both originate from black forests finest city freiburg, located close to the swiss border. the time came, when both went different ways but now in 2006 the brothers hooked up with each other again in berlin and continued where they stopped ten years before. since then they are on the quest for that timeless sound, which fascinated both in their musical past so lastingly. the first results of their promising reanimated collaboration are the tracks >eight to nine< and <ahead>

house music heavy hitters kerri chandler and monique bingham team up to create a gorgeously deep and sexy as all hell stunner. already no1 promo on traxsource.com, the worlds leading soulful house music download site, this soon to be classic has already been tested in the uk, france & japan with incredible response. the song starts out with a dj friendly deep 4/4 beat then gently caresses the listener with a profound bassline, climaxing into clever call and response between mr.chandlers spoken words ala barry white and the sensuous ms. bingham. if you havent found love on the dance floor just wait til this drops and go on the prowl. this is one sexy muthfunkin number

garagist salvatores recommendations for motoguzzis third and last release of the first 12 series. >my life for a moog< go down into your cellar. take your clothes off . blindfold yourself with a oil soaked cloth and then follow the hispanic snapper matador. he is the conductor who will guide you over the slippery floor. give him your eardrum. move your hips. feel loved.

hervorragender hüpfburgen techno für alle raver, die es elegant & stilvoll mögen. sieben perlen, die alle a-seiten qualität vorweisen!!

remixed by the mighty zdar from the mighty mighty cassius! feel it feel it is tacteel s most violent track ever, and zdar s remix puts the iron fist into a velvet glove. he dials up a new sonic weather, with fresh guitar clouds and a new bass wind. all the elements are weighted with utmost care then layered onto the live bassline like it s nothing. but it s a lot. he makes it sound ibizaeasy, feet-in-the-water-easy, wind-in-the-palm-trees-easy. when house is that fluid it feels like dancing among friends, special secret steps only your friends really understand. a big one from the institube

montreal born native alex hender started his career in the mid 90s. after watching one of his friend djing at a high school dance party, he decided to buy a pair of turntables, a mixer and began shopping some records. its in a record shop,at the age of 15, that he discovered the sound of new york and chicagos house.alex has been a resident in some of montreals most famous clubs. the legendary limelight was his first home. he also played at redlite, gravity and a lot of other gigs around the city. being a buyer for years in a record shop, alex got in touch and upfront with whats hot & whats the next big thing.his musical style got a lot of influence from the funky chicago stuff and the dirty german minimal tech sound.since then, aside from djing and collecting an amazing amount of vinyls, alex focuses more into production, to reach another step in his career. we can only expect greater things to come from him in the future

limited edition 3x 12 inch clear vinyl
heiko laux presents his fifth solo-album >waves<! his debut album >liquidsm<, the lp s >the oldschool street<, >sensefiction<, >ornaments< and many 12inch-releases on his own label kanzleramt as well as productions for labels like hardhouse, tresor, synewave or kurbel have allowed heiko to become an integral part of the electronic music scene as producer and dj. he has produced with many artists such as anthony rother, johannes heil, ellen allien and he has also been remixed by artists like alter ego, surgeon or ricardo villalobos. in 2003, heiko started >offshore funk< and focussed his work from then on on this project but now time has come for the fifth heiko la solo-album <waves<!

rekids present >ghouls< by the multi-talented music for freaks luke solomon. a massive stomper of a record with heavy drums aplenty - this is the peak time jackin house that luke does to perfection. this killer 12inch also features a hot remix from man of the moment >claude von stroke<. he takes things strictly minimal but bouncy then beefs things up near the end of his mix as the bassline turns much more snarling. perfect for the dance floor!

let s face it... there hasnt been much great electronica on warp lately. what them going all indiefied with maximo park and then more singer songwriter weirdness with the likes of grizzly bear and gravenhurst, its nice to have a decent electronica album out on the label.

for more then 10 years the french lady b. is known in the techno scene. he organiced the first acid-house and techno parties in south of france between 1989 and 93 and he also became a dj in several gay clubs in cannes. he had releases on f-com, gigolo rec., good life & many more. plus remixes for ascii disco or scratch massiv. now he is back with a powerful ep incl. 4 tracks. >stripper< is cut and go massiv banger which reminds me of sebastian(ed banger) productions. >the best will come pt.1 & 2< have a nice bassline + bleeping acid sounds and those tracks show you that the time for sampling in 2006 has just begun. >b-ware< is a pure peaktime track with a melodie that will stuck in everyones brain…

are you tired of hearing endless, limp wristed, washedout electro house look no further sonic surgery, after many operations have produced the cure! this is another fresh new label full on dirty electro filth so dirty it will make you wanna puke on your own shoes and then beg for more

drei farben house is a pop-techhouse project by hamburg based producer michael siegle !! he strips house down to its basic elements, the groove picks up the extraordinary moments of disco, and then siegle adds key moments of pop music, harmonies and sweet melodies.. his voice is perfect supplement to the music. incl unai remix

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

after some 12inch for their mates of goodlife (the hacker & oxia label) or ozone (kiko label), the twice friends give us two titles as a tribute to their favorite cult tv serie of their childhood >galactica<, with an unstoppable killer remix by thier close friend the hacker. a side, « loss », start as a classical oldschool techno track with an acid flavor, big deep ravy voices & hypnotic twisting groove and finish with an emotionnal & melancolic melody . b side >galactica< revisited by their neighboor the hacker, is immediatly identified as a classical sound of the famous worldwide producer : a sharp of straight oldschool electro, a zest of acid, square beats and post new wave sounds for a killer dancefloor result. then the original, to close the 12inch is a classical combination of a big kick and hi-energetic sounds for a cutting vision of contemprary dancefloor techno

disco edits for the more discerning disco fan, the soft rocks peeps delve into their bag of oddball disco delights to turn up 3 fresh tracks.the shes a machine is a plodding groove with haunting flute and synths, next up is moroder style synth driven monster which explodes into a more uplifting piece with great backing vocals. then we finish off with the ace 80s hit from greg kihn jeopardy

the first new music from canadian electronic pop duo junior boys since their much-acclaimed >last exit< long player. >suggest talk talk produced by timbaland… junior boys spectral vision of electronic pop is an understated, unpredictable delight ****< said the guardian of >last exit<. without a domestic release this album in 2004 crept into most journalists end of year polls. this is the first junior boys release to be released on domino worldwide and initial reactions have been fantastic. it seems that word of mouth has been spreading like wildfire on this band. >in the morning< and >the equalizer< are both taken from the forthcoming album >so this is goodbye<. they are backed with remixes for the coolest dancefloors from nyc s morgan geist and glasgow s alex smoke. the band play their uk debut at london s luminaire on august 10th and then return as very special guests of hot chip in the autumn for a full uk tour.

electronique audio issues their fourth release. this time imprint regular tom demac has joined forces with the label s new artist duckett on the critical distance e.p. unleashing the new >live< sound of the label. together they have created four dance-floor cuts in keeping with the overall concept of the imprint. on the a-side the opening track >critical distance< blends a distinctive groove alongside a unique vocal line which without doubt catches your attention. tracks >blue rinse hotel< and >obstructed view< combine original ideas with characteristic grooves for more dance-floor pleasure. then to wrap things up >flow forth<, which is a deep, melodic and funky masterpiece... played by karotte & laurent garnier

engelspost, the producer-team with tensing and the 5th element was formed seven years ago. already since the beginning of the nineties, both swiss rascals turned themselfes to the arising tekkno and trance-music and were experimenting with musicians in different projects until the finally meet in 1999. since then, engelspost produces incessantly: over all that years a sound with very own character was developed

new tracks from mathew dear + owner of bpitch control. dear emphasizes the strongest elements of his audion guise while allien serves up a fine slice of noir electro. each then reworks the others