a tribe called quest’s 4th longplayer, originally released in 1996, back on double vinyl.

the legendary act terranova return with an explosive new album, bridging modern pop and classic house like never before !

its been nearly four years since marc romboys last appearance on ovum, alongside tyree cooper on the mighty lost. today sees a return for the german as he teams up with another of the labels new breed, kink. bulgarian strahil velchev makes a return to ovum for the first time since his 2010 rachel ep shot him onto the scene. the success of that release and his array of productions since, have lead to kink becoming one of the most in demand producers of today. equally in demand is mr romboy, with 2011 being yet another year of success. his and stephan bodzins luna album kicked off the year in style and saw the pair embark on a huge global tour. singles and remixes for tronic, bedrock and 8bit have followed as well as productions with blake baxter and paris the black fu. marc has also surprised many, with his superb current house rework of terrence parker. the sampletastics vol. 1 ep sees the pair turn in three choice cuts of, as the name suggests, sample-lead house. a perfect selection of tools for the most discerning of djs. take your pick!

greeces echovolt records return is a warm welcome to italys gifted producer simoncino.inthree dreamy, lush,deep house tracks,simoncino creates a breathtaking 4/4 visionary ambience, full of warm hi-hats and tricky basslines,while the legowelt remix of werehouse comes as a dancefloor sparkle.floats like a feather!

drumma launches its first release on vinyl! the chilean label has already gained great support from artists such as luciano, mathias kaden, radio slave, alex kid, alex picone, davide squillace, martin eyerer, luca saporito (audiofly) and many more. this spectacular ep comes with collaborations by mathias kaden, cesar merveille, pablo cahn and felipe venegas. each track is very unique and specially crafted for specific moments on the dancefloor. the builders is a beautiful organic composition that explores melody and percussion across an emotional trip. in >verano chile 2011< a driving deep vibe is accompanied by great synths and intense rythmic work. this track will make people groove. the final track >huitoto< is a great option when you want to make the dancefloor bump: the vocal and beat return from the break in a very epic moment. whether you want to explode with huitoto, groove with verano, chile, or make the crowd fly with >the builders< this ep is very complete and will never let you down.

first copies only via decks.de !!! recore records return with its third release, >death of a musicbox ep<, compliments of oli furness - an artist who has been steadily releasing his 90s infused house tracks on various uk labels over the past few years and developed a refined, mature style of production that draws on classic house and garage tropes

the welcome return to form of john tejada! also features droid/modularz artist truncate feat. extra support from silent servant hand stamped custom embossed sleeve design historia y violencia 7 is brought to you by technical maestro, john tejada and rising talent, truncate (david flores). this release showcases both artists talent for classic production and forward-thinking sound design. the a-side is tejadas maximiliano (6 july 1832 - 19 june 1867),and includes a nod to the only monarch of the second mexican empire. it brings classic depth that only john tejada is capable of. the b-side is truncates.venticinco which brings classic futuristic dance floor sounds to the here and now with additional sound effects provided by our very own silent servant juan mendez. this is los angeles first and second wave at its finest.

including booklet with lyrics and photos.

whomadewho, notoriously named after 1986s album by ac/dc, have always been hard to pin down, with their music sounding as effortless as it is stylistically and sonically adventurous. fusing pop and disco memes with punk paraphernalia, the genre-bending trio made up of jeppe kjellberg, tomas høffding and tomas barfod honed their skills on stage and in the studio, releasing a series of bestselling records topped off by their 2011 mini album >knee deep< on kompakt. now they return with the sublime full length >brighter<, due in early 2012 and shaping up to be one of next years highlights. its first single >inside world< is prime stuff as expected…jeppe kjellbergs characteristic vocal hit the pop-nerve in the verses while tomas høffdings soft falsetto holds the song together. second to none is the exclusive flipside, which features a grandiose acoustic version of >inside world< graced by the warm baritone from john grant, former lead vocalist with indie outfit >the czars< and critically acclaimed solo artist. clearly sharing his pivotal vision of pure craftsmanship and musical ingenuity, whomadewho never settled for streamlined mediocrity, thus churning out another instant classic that will rule our hearts and minds.

nova gain records return with their latest 12 inch! after the successful debut ep >dont wanna lose it< and their full length dlp: >on the beatbox<, mr. konfuze & lunatic are back with their highly addictive >so good< ep. it features two brand new tracks plus two remixes from the album >on the beatbox< by well known producers para (breakin bread) and random heroes (jack to phono / freestyle records).
cop it now, since there wont be a digital release and once the vinyl is gone, its gone!
nova gain records - the home of soulful refunked beats and breaks!

wicked second tribute on robsoul recordings with gemini!

two of technos undisputed titans, umek & beltek return to toolroom records with undoubtedly one of the most eagerly anticipated releases in recent toolroom history.

talkin bout pop music.pop & eye return on great form. overdubbed overtures from all four corners of the dance music world with recognition value,virtue and elegance: space r&b, atlantis disco, carribean new wave, minimal boogie and a declaration of love. four tracks like gentle uppercuts.

played and supported by samuel l session,angel molina,froward strategy group,norman nodge,max m, mattias fridell,ness,dave ellesmere,paul boex,bryan zentz,xpansul,bcr boys,88uw and more. tom bass is an alias, which is hidden behind an artist already established on the international scene. attic music is a label (vinyl only) who now has his own style well defined, it can afford to make records also different and special as it was the last vinyl. high quality! here we return in the classic style of attic music. this new artist shows two tracks, one on each side. 313 is a classic hypnotic techno. a continuous and relentless rhythm. never heavy and aggressive. how to travel in a train, overcome numerous galleries, sounds that rise and fall.human voices that come and go. dont worry you just closed your eyes! suoni profondi has a syncopated rhythm. the sound is deep. from mid-track sample voice makes everything more harmonious and full of groove. psychedelic and dreamy atmosphere. absolutely its for fans of deep techno sound, on vinyl!

eine split-single der süd-londoner gentle friendly mit dem ambient folkrocker dustin wong aus baltiomore auf palmist.
limitiert auf 300 handnummerierte kopien, inklusive code für download des gesamten releases.

home recordings is back after home008 the well played asso ep by austriasmartin mueller. this time we have a grounded techno 4 tracker on home009 ripped on by global top players likeone of the most popular us producerslester fitzpatrick. on the a1 side mattias fridell aka mechanical heros our new member from sweden start things off with some energising beats. a tricky vocal in the track fits exactly to the mechanical rythms of this pumpin cut. a2 is vegim the man behind tmm records and planet rythm artist andreas florin teamed up here to deliver a primetime killer. dancefloor madness from a new collab as epexcted. b1 kicks off with martin mueller in a asso remix by chicagos bad boy lester fitzpatrick. he delivers a tight remix with a great dynamic on his debut for the austrian label. b2 is the return of wrexfords based finest lee holman to home recordings. his track comes up with a well programmed bd. what runs asolutley winning to the spacey scary synth line. thats real deep magic.

finally,a new function 12inch!comes on black wax in printed in and out sandwell sleeve.the welcome return of function aka dave sumner to the sandwell camp - no surprises here - just superb quality on all levels.

glasgows taz buckfaster - or just taz - was one of rwinas earliest discoveries.his two eps on rwina have leaned towards the dubstep side of things,imbuing them with the playful hip-hop inspired mischief that remains the rwina trademark, playing with dub skank on kingston bridge and sending off firecrackers of concentrated synth melody in nearly uncontrollable bursts on 20 red. he now makes a welcome return to the label at the end of 2011 with the neurotica ep with four brand new tracks of uncompromising glaswegian heat.

nice price deal !!! exercise one return to their exone label for the end of 2011 with a low slung slice of electronic indie featuring zach van hoozer of the zulu pearls on the title track you ought to know. exercise one and van hoozer first met when the zulu pearls played with them in berlin and impressed with their melancholic pop melodies and minimal arrangements, coupled with zacs distinctive voice and swagger. peter van hoesen delivers a standout remix, working for the first time with a full vocal arrangement. peter is a long-term friend of the duo, first recording on their lan muzic label when he began producing techno again and having released previously on exone this year.

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

book-ending a successful 2011 for bass culture records, the label return to swedish producer joel alter, whs january release the silence is golden ep, remains one of the most popular and successful releases to date for d julz impressively strong imprint.

following the critically acclaimed success of their 5th album, when we on, crazy p return with a new single, beatbox, on december 6th. released on 12inch vinyl, beatbox has now been remixed by some of the freshest producers around, pbr streetgang, breach and debukas

b.d.i. brings two far out techno tracks on this new rush hour release. industrial in a good way... this is going to send a certain club in berlin upside down! tip!the long awaited return of b.d.i. is finally here. he returns with two unique tracks.

raime return on blackest ever black with hennail, their first 12 inch release since 2010s >if anywhere was here we would know where we are<. a double-a-side comprised of >told and collapsed< and >you will lift your frame clear<, its the most potent and substantial document of their militant dysphoria yet

a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

having played host to the first two daphni edits 12 inches, resista return with the label debut of one tom croose.
one half of ny duo worst friends, toms previous discographic output was a limited & stamped 7 inch that featured a killer edit of the macs >never going back again<. for resista no. 3 he delves into territories brazilian, with >cho chua<, a faultless rework of a certain tropicalista, designed for discerning dancefloors, circa ad 2011. he loops up the swinging guitar intro, which combined with the vocal hook makes for a heady mix. its an uplifting, joyous ode to all things tropical!
on the flip the >dukes dub< is a subtler more restrained version that makes greater use of effects and surprisingly brings the songs percussive elements to the fore... not quite as direct as its sibling on the a-side but definitely as effective!

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >it goes on< features the vocal talents of damon c. scott and is the perfect follow up to storm queens debut of 2010, >look right through<. an underground hit featured in countless radio and club dj sets and charts, >look right through< was licensed by defected records and will be released in a remix package later this year. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. storm queen is a leap of faith.

returning to flapjack records vinyl department after a 10 release difference are those lovely uk chaps jackin box. to celebrate their return, they present us with the time honored traditional fun filled experience of the >cow tippin ep<. i used to think this may have only been an american past time, but apparently this is an international phenomena. not only do we love to eat cows, but we like to fuck with them for fun, by pushing them over while helplessly asleep standing up in a field. what a total dick move, but is as equal in fun as it is in douche baggery. so flapjack commends these boys and the fine jams that have inspired such mindless fun.

audiojack return to 2020 after a year or so setting up their imprint gruuv. the new single >get serious< shows the duo not only mature as artists but also develop and hone their sound to new house themed productions. the title track is state of the art bounce in a box with a killer vocal hook, >let the rhythm take you<, meandering around sweet insistent stabs. its been smashing terraces, rooftops and discotheques all summer and now its finally available for our select dj friends to carry on the vibes through autumn. >polka dot dress< comes spotted with a sound originally created on the classic korg m1 synth and used by mk to devastating effect in the 90s. audiojack have then sprinkled their magic dust on it and added sweeping detroit techno strings, tight drums and healthy amounts of bottom end rumble. as we look forward it is important to know your roots and audiojack show they know their house history by covering the all time classic by the backroom - definition of a track. no samples at all were used and the guys worked out and replayed all the synth parts before adding new vocals from kevin knapp. by beefing up the original we hope a new generation of djs and clubbers bust out this amazing track. it deserves to be heard again and is produced and primed for todays dancefloors.

for led010 we have a great studio return of cirillo the icon italian dj and producer from circoloco@dc10 ibiza and cocoricò italy, together with new italian producers athletic duo. the ep >por obaluae< include original vocal from brasilian singer carla cruz, for a powerfull tribal tech with a strong dancefloor response. include very great mixes starting with the jackin house mix from andrew grant and lomez, a remix conceived in an original jackin style. the project is been killed already on the ibiza dancefloors with strong feedbacks from greatest as damian lazarus, loco dice, timo maas, dan ghenacia, ralf, ricky montanari

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

a welcome return to dmx krew, simply one of the uks finest producers ! sounds like analord turned up to 11 ! ed dmx reminds us all hes still number one when it comes to beautiful, esoteric electronic music. still aimed squarely at the dancefloor, ed provides us with a really strong and, as always, diverse package with something for everyone...

dorisburg finally return after sinai hypnosis with tundra - an emotional and mesmerizing piece of dancefloor drama with a subtle touch of trance, but in the aniara flavour with a very modern sound. on the flip side transform dives deeper with a primal, broken rhythm, hypnotic arpeggios and a sub-terrestrial ambiance. meditative yet seriously danceable stuff!

mr. mageeka makes a welcome return in the wake of >different lekstrix<, the mutated funky banger that caused straight up mayhem on many dancefloors the world over, upon its release via numbers last year. the much-anticipated follow up, penned for release on phuture shock musik, comes in the shape of >vintage malarkey<, which sees the east-londoner offer further next level shenanigans. employing a similar formula as its predecessor, this one is stripped down and quintessentially hypnotic - instantly luring you in with a looped god made me funky - esque groove, over a brisk swinging rythm, whilst occasionally throwing you off-guard through the introduction of angular synths and offbeat claps, as well as an inspired collage of samples that maintains the quirky nature of the production throughout. the single comes backed with >de congo<, a funky conga-laden number, that is enhanced by an addictive fusion of west african guitar licks, kalimba stabs and frisky percussion, though the real icing on the cake being its meandering trumpet hook, altogether coming off like a live high-life jam. early support from the likes of rinse fms scratcha and marcus nasty.

fresh from his triumphant return to detroits movement festival, where by all accounts he delivered the set of the weekend, claude young teams up with his different world co-hort takasi nakajima for their debut release on art. the original is no-nonsense but thoughtful future-tech, with plenty of analog modulations for the heads - and dance-floor thump for the party people. on the flip, the legendary ian o brien delivers a typically deep, detroit tinged remix with trademark warm bass and glistening top lines. ian planned to do one more mix-down of his remix when the huge earthquake earlier this year pretty much demolished his tokyo-based studio.

copenhagens northern structures duo return on sonic groove with their second release entitled service & devotion . their debut release hit the scene with a strong bang. earlier this year you could not attend a proper techno event in berlin without someone dropping a track off their debut self similarity ep. djs such as ben klock, marcel dettmann , tommy 47, chris liebing , rolando & milton bradley were all playing it amongst any others. now back with their second release, northern structures follows up perfectly with three more songs of well crafted industrialized dark pumping techno. contemporary techno at its finest!

!!!mixmags tune of the month 5/5!!!
bot ox guys, cosmo vitelli and julien briffaz, perfect pair of its kind, return where they somehow belong: the dancefloor of a club. their remixes for other artists - logo, aladdin and even the unexpected toxic avenger - showed their soft spot for dancing, lately. this pair of tracks brings something special as they feature the foremost poets for the vocal part.. a figure of the underground dance music wall of fame, the foremost poets aka johnny dangerous is also a voice that techno and deep house lovers keep in a corner of their imagination: >i ll beat that bitch with a bat<, >reasons to be dismal<, >moonraker<, >pressin on<.... two versions of >perfect pair< are proposed along the most classical standards: an >original< one and a >dub< 13-minutes one. each of them have their own progressive, undated flavor

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

after their superb release last year with >dinosaurs<, that came backed with two heavy paul woolford mixes, south german stars alex flatner & lopazz return to poker flat with three new essential cuts. >this< may sound like a curious title, yet the addictive low-slung, electronic funk within will have you chanting >i just wanna love you baby…< in no time! smooth, slinky production comes hand in hand with producers as experienced as this pair! the mysterious future-disco-funk magic of >hapbee< keeps the party stomping as a whole host of vintage gear flavours this cosmic beatdown. rolling and driving forward with relaxed, summery intent it is a seriously positive tune for those smiling, warm feeling moments. >its< offers a similarly challenging title but musically there is no messing around, with a shaking, simmering slice of modern funk characterised by tonal synth play, percussive splashes and echoed vocal madness - all dripping with funk!

repress 2021 - kahn blazed his way in to the consciousness of the uk underground back in february this year with his debut release for punch drunk. his new 12 inch marks a return to the label, fully asserting his position at the forefront of bristols new generation of producers.
lead track >illy< lures you with its colourful immediacy, before torpedoing you headfirst in to a torrent of tumultuous bass and psychedelic riffing. flipside, tehran takes you a straight back to the old school of heavyweight subsonic steppers. immersive. stripped. deadly. powerful ammunition direct to the front of your record crate.

wack records return after a short holiday in scarborough. this time fully equipped with giant disco balls, 70s roller boots and flame throwers in order to get the party started right! dj kid stretch hails from greece (dmc greek champion 2000) and his production skills shine in this superb refix of disco got me mesmerized. french veteran dj prosper turns the heat up with his version of disco reach blending soul and electronica. on the b-side smov busts some rhymes and flips it over a melody of a pure disco classic dropped into a vat of tuff beats that result in busta move. the breakbeat junkies collaboration with dj p from stoke u.k resulted in this powerful ball breaker of a tune that will leave you in a slump exhausted from got what it takes.

pirahnahead and diviniti, these names are synonymous with quality dance music. since 2004s >find a way< they have been two of dance musics most prolific songwriters (and even co-wrote a few songs for les nubians on their 2011 full length >nu revolution<). with each release they have provided powerful production, smooth vocals, angelic harmony, and overall, musical excellence. this time, the super collaborators return to the foreground with one of the best tracks of 2011, >(just like)a dream<. as the sixth release from whasdat music, this soothing track has been supported by the likes of vinny da vinci, ian friday, paris cesvette and neil pierce as well as phil asher (who included it on soul heavens miami sampler mix). also, joining in as remixers are charles webster and jose carretas. both have previously collaborated with pirahnahead & diviniti, topping charts on traxsource.com. (charles websters >learning to love me< and jose carretas >life in a box<). this release is a sure-fire floor rocker and a must have for any dj.

walls alessio natalizia and sam willis dont deal in perfect wholes. the kompakt duo return swiftly on the back of 2010 s critically lauded self titled debut, an album that picked up mojos coveted electronic album of the year, featured in nmes end-of-year lists, not to mention winning fans such as of jamie xx, caribou, james holden and impressing us trio battles so much that they have invited the pair on tour around the us this coming october. yet it isnt these admittedly impressive accolades that make the announcement of second lp >coracle< such an anticipated one, what makes walls so alluring is the fully immersive experience of their mellifluous electronica – reaching out far and wide to pull influences sonic, emotional and theoretical together into patterns of blissful phantasmagoria. taking their debut as the prototype, willis and natalizia have taken those initial early-sunrise evocations and pushed them to even more grandiose expanse.<br /including cd version of this album.

early support from marcel dettmann, dvs1, shifted, lucy, par grindvik, tommy four seven, speedy j, asc, go hiyama, xhin and many more.
perc traxs transatlantic duo donor / truss return to the label for the follow-up to their >indifference ep< which was released at the start of 2010. since then they have recorded and remixed for a number of high-profile labels, most notably stroboscopic artefacts to which donor contributed an ep to the labels renowned monad series whilst truss appeared on the remix ep the preceded lucys debut album.
the four tracks that form >endo< represent a new peak for the donor / truss sound with each individual section working as both a self-contained track and a quarter of the entire endo experience. together the 4 parts join together to make a complete piece of music, stretching across 23 minutes and 2 sides of vinyl.

canadian electro mainstay lowfish, lets loose a preview of his forthcoming >hypersensitivity< full-length. lowfish is gregory de rocher, and barring last years >memories…< album, a compilation of vintage archive recordings, this double-a-side 7 inch is actually the first new lowfish release since 2008. while his last 2 albums could best be described as serene and clinical, electro at its most austere, lowfishs return to suction records, the label he co-runs with solvent, also marks a return to a more melancholic electropop sound.

our favorite guys from athens return to we are after some time, and with some super tight beats as well! fact of the matter is, that we for this one occasion chose to go with a full 12 inch instead of our standard club tracks 12 inch format simply because we needed all these three tracks to fit – good job! already passed the floor-test at many clubs and people are really feeling this superglued tightly produced rhythms mixed with old school disco house, they are held back and sneaky, and at the same time accesible and open to groove – just the way we like it!

modernista make a very welcome return after dropping their now classic debut 12 on us last year the architect of that raw late 80s machine music homage, paul bennett is back in charge here one of pauls formative influences during his youth was the music made by the first wave of techno producers from detroit. this release attempts to bring back some of the drama and pure funk of that sound. electronic music for the head, heart and feet. immaculately programmed maydayesque drum machines, emotive & expansive pitch bent synths, thundering low frequencies and clanks galore. this is a supercharged rewiring of the detroit blueprint in three startlingly well executed flavours.

early support: hell, josh wink, ame, laurent garnier, raresh, dixon, jimpster, terry francis, ... ribn return to the mild pitch camp with two fresh tracks and a stunning remix by the revenge. >no place< is a deep diving funky house jam, that combines fragile soul samples and buzzing electronics, reminiscent of old playhouse or matthew herbert records. on remix duties here is no other than graeme clark aka the revenge. the scottish man-of-the-moment transforms the original into a straight and sizzling club roller that makes great use of the original samples and strips them down for maximum dancefloor impact. turn over to the flip side and ribn take it back to their dubbed-out deep techno trademark sound on the epic >save me<. punchy beats, driving chords and bright synth carpets make this track a prime example of what youve missed if you havent had a chance to check out the duo live yet