tuamie returns to street corner music with holy ghost spirituals, the third release in scm’s gospel flip series. following jake one and ras_g’s collections, tuamie chops and flips his sanctified selections into raw beats. a no brainer for a tuamie fans, this will not be around long.

techno from a new argentine producer. 4 cuts of grooves and moods for the heads and deeper dance floors. the 4th cut releasing ourselves shows luis luchetti to be willing to push the boundaries of a dance track in ways few producers could or would. when your smile reaches me is emotive techno of the highest order.

palma strike back with the third release on their paltrx series. to cut a long story short, this is how a slapstick jam sessions recorded last spring in lyon ended up in producing two techno and 90 s power house influenced tracks on the first side and, on the flip, a deeper cosmic journey including most probably a message from outer-space.

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

limited first pressing of 500 numbered copies on flaming coloured 180 gram vinyl, housed in a gatefold sleeve.
a monster calls is a fantasy drama film about a boy seeking the help of a tree monster to cope with his single mom’s terminal illness. ancient, wild, and relentless, the monster guides conor on a journey of courage, faith, and truth.

dj t-1000 drops 4 classic hard-edged cuts of pure detroit techno on third ear. born and raised in detroit and based in berlin dj t-1000 is alan oldham, owner of detroit labels generator and pure sonik, and a gifted techno dj. also an accomplished graphic illustrator, known globally for his iconic artwork for djax-up-beats, +8 records, transmat, astralwerks and many other electronic music labels, including third ear. alan did the artwork for the defenders of the deep house world ep curated by mike huckaby, and he has done the artwork for his third ear ep also.

the material collated on this third release from heavenly music corporation was composed specifically for st. giga in japan, a satellite broadcast radio station transmitting ethereal audio harmony 24 hours a day. what made this station otherworldly was its programming, motivated by tidal movements, the aquatic ebbs and flows of each day synchronised to the activity and intensity of the music broadcast.

the muggs presents the soul assassins (chapter 1) album was originally released in 1997 and is produced by dj muggs. it features tracks from a veritable who’s who list of rappers like dr. dre & b real, mobb deep, rza/gza & genius (wu-tang clan), krs-one (boogie down productions), goodie mob plus contributions from his cypress hill fellow band members b-real and sen dog.
pressing on 180 gram audiophile vinyl.

third try records have pulled out all the stops for their second release, the debut ep from parisian producer, s. channel. a collection of six tracks, each with their own personality and all featuring lush and emotional pads, floaty vibes, broken patterns, hard hitting percussion and s. channel’s trademark attention to detail.

2lp heavyweight vinyl reissue of uk’s critically acclaimed trip-hop icons portishead’s studio album third from 2008, their first following the group’s hiatus
incl smash hit >>machine gun<<

following 2014 s well received album for third ear under his :brownstudy alias, life well lived , jason hogans steps away from the mic to focus on an lp of flawless instrumentals. returning to production under his own name for the first time since carl craig s planet e label released his album peter and the rooster in 1998, the age of scrap belies its title to instead deliver a forward thinking record rooted in classic detroit, fused with futurist sonics and dope beats. hogans seamlessly combines strains of house, jazz and hip hop, as well as the futurist bass pioneered by the likes of la s brainfeeder collective, throughout seven perfectly formed musical excursions. tip.

laate is the new project of clayton guifford (unrelated / fragil). for this third release we are proud to have on board yamen & eda. no need to make to introduce the french duo: theirs music talk for themselves. at the menu, 3 originals modern house tracks and a remix by phil evans, co owner of pager records and vinyl dealer at gosu (frankfurt). enjoy the trip…

nice price deal !!! we need to say something about how the ep came about. why all the ngtv nrg? and how is it that pirahnahead has suddenly come with a full hand of top notch in your face techno when we all know him as one of the best soulful vocal house producers? the answer is in the tracks...

1 per customer / third of a three part ep series leading up to a five 12inch vinyl box mandar album!

amir alexander on third ear. blazing. mastered by pole. limited to 300.

third in the vinyl only dj k series see s three more fantastic edits by the japanese based artist

persian ahu karimi is a berlin resident. he began his musical exploits in a punk band in tehran but time and space and inertia have distilled his music into a rare spiritual essence, with a delicacy and evanescence like memory. the five tracks here have a gauze like quality.

for our third release we have zefzeed with two originals and u-more on remix duty. vinyl only.

ahead of his third release for rush hour’s no label and following his alien jam’s ‘international journey of synthetic emotion’, design a wave’s debut on subsubtropics ‘international journey of applied music’ conveys another lush excursion into his ever colourful and deep-seated sonic realms.

der mitschnitt aus der muppet show: limitierte single mit stevie-wonder-cover.

nas i am was his third studio album release and proved his reputation of one hip-hop s leading rappers. his strong lyrics are heard on tracks like -small world- and -favor for a favor- featuring scarface of the ghetto boys. the original material of the album was leaked onto the internet and this forced him to record completely new material.

ruff stuff music ltd returns with the third installment of the untitled series. the new chapter features four house weapons from the label s founders which, as always, pay attention to the different needs of different dancefloors. untitled03 is a mixture of the main influences that shaped the ruff stuff sound through the years: groovy main room house filled with raw samples, a touch of deep and breakbeats, and some acid melodies in the closing track. just put the needle on, push play and dance! vinyl only, limited copies.

vanessa paradis (1992) is the self-titled third album and english debut by popular french singer vanessa paradis. lenny kravitz, who was paradis partner at the time, produced and co-wrote the album. it spawned several successful singles, including one of her most recognisable songs -be my baby- and the hit single -sunday mondays-.

debut release for ra journalist dan petry using the moniker ged. the dry river ep is an accomplished first outing that fans of drexciya, dave clarke and objekt should investigate. ged s sound is rooted in detroit electro, early rave, 90s warp sensibilities and the gorgeous electronica palettes of manchester s skam label, most notable on early boards of canada and bola s work. that is to say kicking drums, dark brooding undercurrents and delicious soundscapes. definitely worth checking.

"benjamin brunn s follow up to his highly regarded a sun life album on third ear. the plastic album is, like it s predecessor once again bursting with fat, glistening, gorgeous sounds. brunn s sound is instantly recognizable; the nord modular synth and roland 808 which feature on all his performances. yet, he s sounding as fresh, as enigmatic and as soulful as ever."

taken from the acclaimed debut lp ‘the soft bounce’, phantasy is proud to present expansive remixes of two album tracks. daniel avery ramps up the atmosphere with an airy, drifting electronic mantra, pulsing with gliding motorik propulsion perfect for late night escapades. on the flip side, btu, an amalgamation of phantasy producers babe terror and u, take album closer ‘third mynd’ and recast it as a mind opening sixteen minute collage of found sound, drone and atmosphere, a psychedelic opus befitting jon savage’s otherworldly speech. two very distinct trips into the outer reaches of electronic sound. toto, we are not in kansas anymore ...

played by villalobos...
two of paris’ original old school bad boys get together for the third in their special series of collabs. with fresh new releases already on the streets through their own labels, apollonia and adult only, dan ghenacia and chris carrier step up to the legendary music for freaks with a brand new collection of delectable dance floor delights. music for freaks is back after a long break and this release couldn’t be anymore fitting for the highly-respected label’s relaunch. full of vibrant flavours and addictive rhythms, dan and chris bless mff with some irresistible paris funk. kicking off with ‘vaporized’, a catchy little groover with dried out percussion which slaps down over a sultry bassline. wibbly-wobbly fx combine with mysterious chimes and sketchy radio interference to create an odd atmosphere. then we have ‘the green bell’, a squelchy heads-down vibe provider. ‘wind and fire’ brings the ep to a close and continues the duo’s use of strange sounds to great effect. this is no run-of-the-mill 4x4 production, there’s depth, subtle progression and hypnotic rhythms as only two seasoned pros like dan and chris can muster.an instant classic, what more would you expect from music for freaks?...

nice price deal !!! >dead lazers< is the second single to be taken from kap bambinos forthcoming third album >blacklist<. it is another slice of deranged noise pop from the bordeaux duo caroline martial and orion bouvier - all maddening melodies and propulsive head-nod rhythms. the release sees the original album version of the track complimented with a phenomenal remix package including french hip hop crew and former dmc technics world team champions birdy nam nam and kaps very own orion toying with his own production mastery to deliver a digital orchestra version of >dead lazers< under the name >warsaw orchestra<. there is also a brilliant bouncy trip remix by candie hank aka the genius german artist formerly puppetmastaz patric catani, and lastly up and coming producer/ remixer maton are all on hand to provide a succulent re-working of the single.

nice price deal !!!

on july 8th bodytonic music return with their third release of 2016, following on from the recent manzana kicks & ocho (featuring contributions from the likes of mr fingers and metro area s darshan jesrani) with the long awaited return of adultrock, back with a 3 track ep of moroder esque,melodic, hazy dancefloor cuts. the title track, push and pull, features his vocal debut over arpeggios, crisp rhythms and a rolling, rumbling bassline. rounding out the ep is the peaktime monster ok, followed by the mechanical swing of naoko. so far its getting support from the likes of severino, anthony naples, nialler9 & more

in 1979, the critically acclaimed artist ralph macdonald (who co-wrote just the two of us with bill withers) released his third lp via marlin records. though the reception for the album was mixed - most agreed on it s musical highlight, east dry river . 37 years later, and just in time for the arrival of summer, fly by night music s calypso weighs in with a fitting edit, respecting and captivating the original beauty of the track, making just a few subtle changes whilst revamping the percussion. someone pack the suncream, this party s going outside..

habla music limited is proud to present their first vinyl release. 4 lovely minimal-microhouse tracks by dubphone+direct, kaitaro, third child and yaroslav lenzyak. 180 grams / vinyl only.

expectedly powerful three tracker from the belgian sons of tiki who are slowly shifting their sound to a little more subtle but yet driving direction.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denite’s sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the album’s innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

“last days and time” is the third studio album by american r&b group earth, wind & fire, released in 1972, their debut album on columbia records. it was recorded at the legendary sunset sound studios in hollywood, california, with founder and multi-instrumentalist maurice white, verdine white and philip bailey. due to their live performances it cemented their status as the main funk band and set the stage for the band’s blockbuster breakthrough. songs on the album like “make it with you” (originally from bread) the pre-“brazilian rhyme” powerful funk sax style “power”, (which sounds like an early version of “serpentine fire”) and “remember the children” are excellent examples of the great songs and albums they have made during their career.
180 gram audiophile vinyl, housed in a gatefold sleeve.

hot coming straight from the moustache records building is this moustache techno series 006 made by the notorious berlin based trio -third side- (marieu, lucxrietio and steffi). a big club banger for big sound systems. minimal is maximal. 4 tracks that will fit perfectly in your dj mix. deep strings, fat drums, moody samples and some acid bleebs. pure non compromised techno house dance music at it s best, play it loud! you won t regret... limited! gone is gone.

third skin is a 4-track ep that connects the dots between detroit techno, early chicago house and belgium electronic body music. inspired by equal parts liaisons dangereuses, drexciya and black devil disco club.

ex:el is the third studio album by 808 state, released in 1991. in contrast to the band s previous works, the album features heavier beats and percussion, embracing earlier flirtations with hip-hop and industrial music.
extended 25th anniversary release, including 4 bonus tracks. first pressing of 750 numbered copies on yellow coloured 180 gram audiophile vinyl. housed in a gatefold sleeve with 4 page booklet and printed innersleeves.

spanish musician alex font delivers the third release from his acme imprint this may with two groove led cuts set for a limited release of 200 copies on vinyl. since his first release in 2008, alex font has been etching his name into the worlds of house and minimal, building up an impressive back catalogue of releases on labels including oblack and nite grooves. his imprint acme s debut release 001 garnered support from dyed soundorom, ricardo villalobos, seth troxler, san proper and sascha dive amongst many, and font returns to deliver the third instalment in the labels catalogue. la buena onda kicks off the release with a series of punchy kicks, organic percussion licks and general funkiness before easing into a classic house groove reinforced by its compelling lead line and charming vocals. second offering sincopa y contratiempo switches things up with a minimal arrangement of shuffling hats, glitchy pops and clicks, a distinctly off-kilter swing and delicate nuances throughout its near 12 minute journey.

what if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time? that is exactly what cassius managed to transpose in 15 again: a carefree music, coloured by some deep songs, like an emancipated soul, but always tormented. the hit “toop toop”, sampled by madonna or david guetta, among others, and the intense “la notte” illustrate perfectly this state of mind of the youth. pharrell williams is present on the song “eye water”, a beautiful ode to our planet and its natural resources, and cassius has got further exciting surprises for you. we’re releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

vinyl-wiederveröffentlichung des manfred mann’s earthband-klassikers von 1983 als 180g-vinyl-edition. mit chris thompson und trevor rabin sind beliebte manfred mann’s earthband-mitglieder an diesen album beteiligt, mit sting (“demolition man”) und bob marley (“redemption song”) covert man nicht weniger populäre künstler. kernstück ist die fast 10-minütige “africa suite”, in der manfred mann die eigenkompositionen “brothers and sisters of africa”, “to bantustan?”, “koze kobenini?” und “brothers and sisters of azania” zu einer großen rock-komposition zusammenführt.

“the iceberg/freedom of speech... just watch what you say!” is the third studio album by infamous rapper ice-t, released in 1989. the album has an uncharacteristically gritty sound, featuring some of the darkest musical tracks that ice-t ever released. pressing on audiophile 180 gram vinyl.

filippo blasi foglietti returns to third ear for his second release, the copy principle, following his well-received debut, the john nixon memorial ep. djs, notably ellen allien and peter van hoesen, and many others continue to play this deep and trippy record. the copy principle is a more urgent, more stripped back proposition than john nixon memorial ep, but is identifiably filippo blasi foglietti, at his deep and trippy best. the copy principle is one of scottish philosopher david humes best known ideas. hume (born 1711, died 1776) states that our ideas come from our impressions. he wrote, all our simple ideas in their first appearance are derivd from simple impressions, which are correspondent to them, and which they exactly represent

zeitlose stil-kombination: neuauflage einer 1966er-single.

third try records’ debut release is produced by none other than axel boman, one of sweden’s most acclaimed electronic producers in recent years. over the course of three tracks, stockholm’s finest delivers a fantastic ep that makes this debut release from third try records particularly compelling. this is definitely an imprint to watch over the next few months with releases lined­ up that range from french to international talent. comes in a stunning full-colour screen-printed sleeve with paper inner. third try records is a newly launched record label from paris led by victor willaert, a dj, promoter and designer.

ext returns with his follow up to the third installment of house shoes reputable “the gift” series with “arts & craft”. ext cleared off his desktop about a year ago and sent me everything he had been working on. all of the tracks were in various stages of development. some loops, some fully fleshed out, some sounded like sketches. it drew my attention because of the resounding innocence of the collection, an innocence that is more or less gone from the industry in 2015. listen and learn what it sounds like to just have the intention to create, not muddled with the star aspirations or big money dreams. just to create.

playfulscience is back with another ep full of groove and cosmic vibe. third_child & zavor continue to leave their trademark on the playfulness of the musical sciences.. two originals, an hypnotic rmx and an infinite loop make this release perfect for each hour, moment and situation of a party! essential 12

100 ton chicken is the third album by the uk brit blues band chicken shack. originally released in 1969, the follow-up album of their first two albums “40 blue fingers freshly packed and ready to serve” movlp104 and “ok ken?” movlp1039 was paul raymond’s first album as a member of chicken shack.
pressing on 180 gram audiophile vinyl.