a digital hip hop dub floor shaker we rewind is impossible to resist, flore matches rodney ps good time vocal flow with woofer wobbling and 8bit bleeps. not forgetting the 4/4 bass line, b more, breakbeat mash up crew (!) flore throws down a rocking n rolling club mix of we rewind, guaranteed to set any floor alight! on the flip flore lays it down with the kuduro infected the test teaming up with shunda k of silver tongued hip hop duo yo! majesty (domino records). shunda k has worked with deekline, kotchy, peaches (xl/beggars banquet) and featured in a 2 page spread and nmes cool list number 41.

that cheeky chap diamond geezer is back with another banging jungle single on his very own self titled label. featuring the vocals of dancehall veteran spragga ben, sound good is a frantic amen led jungle roller that incorperates old skool edits and some classic soundclash effects and bleeps for good measure making this a dirty little dancefloor number indeed!

d.i.m. is back with this new party monster! after several profile remixes for depeche mode, chromeo, the presets, tiga or midfield general the mysterious producer from germany sat together with his friend tai to deliver the big time bassline tech-banger >lyposuct< - a track to be sure to destroy any dancefloor, hit! on the flip you get a fantastic groovy house-techno remix by youngstar noob who has recently remixed the likes of tiga, popof or dancearea and preparing his first release together with brodinski. his deeper house groove, bleeps and climaxes are perfect for upcoming ibiza season or any summer rave! big hit!! d.i.m. will play clubs and festivals in ibiza, uk, italy, brasil, spain and germany this summer

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviÞve gauckler, his new 12 is illustrated by french artist andre.

hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

b phreak, currently one of germanys best and busiest producers, provides the techy original track firecrack, which includes not only stompin beats, but also lots of squeaky bleeps and synthie madness. plaza de funk, one of the hottest breakbeat producers around, delivers a funky, energetic and irresistible monster of a remix.

switzerland finest producers crowdpleaser & gregorythme (1 half of digitaline) team up for a bunch of raw & dirty tech house tracks. >gygamore< opens on a dry funky beat and goes totally mad with processed ethno voices & space out pads. a sure player for the late hours ! bobbie dallas remix will satisfy house lovers: warm keys, sweet vocals & deep laidback groove. on the flip side >le ble du pays< is serious big room weapon full of percussions & a groundbreaking synth. lets go the windy city with >4 hands<, an insane tribute to the early chicago years. sonic bleeps, outstanding detuned toms & a jackin groove ...., special rerelease

when robots start to feel and dubby disco music is taking place, when h. r. giger meets g. moroder, it s time to present heib s attempt of >i feel love< to you. dry and smooth, passionate, warm and deep. >sound conspiracy< on the b-side starts as a simple acid track, but grows and rises to become everything else than minimal. bleeps, pads and effects pass the ether to hit your body system. forcing. 2 pieces of music without half-life. make your choice !

two brand new tracks from style of eye linus eklow who is fast proving that sweden can do jaw wobbling techno just as well as it does cutting edge house. lead track colores is a neo/tech-trance builder, peppered with colourful synths, plinks and bleeps and benefiting from what is fast becoming trademark style of eye production. on the flip he serves up psalm, a dark, demented foray into the lower realms of techno, crackling with a celestial feel.

faste is back with rico puestel from germany offers here a huge 3 tracker ep titled >have you seen babba yaga? < great example of rico style starting with a1 >your poke<. a bunch of bleeps and cuts subtle arrangements and heady shuffle melodies. >your poke< is your thing to kick the floor! on a2 >segundo< with shuffle rythmics and heady synths. keep an eye on the break with the arrive of a low unexpected melodic sitar guitar for a brilliant atmosphere turn. great moment! on the flip >soul calyx< track - special mention for this so original cut. mental and loud! rico keeps heady pianos and incive drums. lot of lot of sounds indeed - just enough to keep an extra tension all track long. do not miss!

quantized music is back with its 3rd vinyl release! the athenian - based techno / house label welcomes greek wonder boy, george lemos (cecille, resopal, be chosen etc.) for 2 tracks full of wonderful melodies and intelligent tech house rhythms. >na funky kotes< is a weird melodic cut, with driving beats and the clarinet of george on top, full of uplifting pads and repetitive loops. totally lemos! >some groove< is a funky number with funny bleeps, soulful / jazzy keys and groovy feeling. together comes a remix from berlins new favourite guy, swiss- born, david keno (morris audio, kindisch, keno music) on >na funky kotes<. his approach is more minimal and raw, retaining the core of the original track, being groovy and melodic.

das dreamteam eyerer & babicz sorgt mit lockeren grooves, funkigen bläsern und eingängigen bleeps für ein ziemlich kurzweiliges vergnügen. umseitig besticht der remix von glimpse mit intensiven drumming & einer housigen note

bleeps, clicks and quirks escape your speakers as soon as the needle drops into the groove - and even that moment is an essential element of the transition from your world to frank bretschneiders universe of sound.

along with number 60 in the highgrade catalogue there‘s a new producer team, joining the highgrade posse: markus schatz who scored so far with releases together with tom clark for highgrade and by himself on labels like opossum and freizeitglauben. he worked out this release with brett longman from paris, known from one of france‘s most prolific labels logistic rec. with „dope on plastic“ both start a dub and percussion rollercoaster- ride: the stripped down structure in the beginning unfolds seamlessly to a wildly grooving dub-inferno. similarly funky „push it“ continues this direction: dodgy fm-sounds meet weird synth bleeps plus a whole load of rhythm - the trackname is to be taken literally here! on the flip-side schatz & longman in „running“ are adding some fine dubby ingredients to there rhythm patterns, next exit detroit, one might say. moody without being cheesy, that‘s how we like it. „good vibes“ is zigzagging elegantly, with deep pulsating melodies worked together with an uplifting groove to a fast-paced and atmospheric track.

nice price deal !!! rising music presents an awesome ep from italys alex fain. he made a lot of rmx for a lot of artists, and a lot of productions for a lot of labels. aurora borealis is a beautifully melodic piece of electronic music. with its dreamy hook and tight rhythm the track is set to be a club smash. real electro house! crazy dolphin is balls out electro, heavy bass, funky rhythms and mind bending squeaks and bleeps.

two key players of the scene join forces on figures sixteenth release. no one else than adam beyer and luke slater contribute tracks to this very special ep. mod by luke slaters planetary assault systems project takes off with a fast, breathless groove. its force drags the dancers along, and the mesmerizing bleeps put everybody in a deep trance. within seconds, the solid ground of the dancefloor is nothing but a remote memory. mod has a very special aura, it is hard to grasp its exceptional energy. it appears to be pretty elementary, and yet it is an verwhelming techno anthem which will accompany you for quite some time. adam beyers simulated usage surprises the crowd with its elegance and subtlety. forming an irresistible funk, the fabric of the track interweaves various tiny elements. this savageness obviously manifests in his musical approach which can be characterized by his open-mindedness in regard to diverse influences, currents and styles. simulated usage is strong and joyful, it is techno in its best sense. once again, adam beyer und luke slater manage to coin the face of contemporary club music.

bleeps and synths are running after a deviant bass, all of them taking turns in invading the dancefloor. an epic tune made of dissonant stems matching one each other precisely to create a very pulsating house / techno beat.

supported by m-nus crew, onur ozer, marco carola, karotte, nick curly, anthony collins, x-pansul, matt star, sebastian roya, alexy delano, dave ellesmere… if the original ‘burning the midnight oil’ was already a blast in all minimal tech dance floors, the remix records arrives with a new twist to keep the discos moving. soulrack & mikel_e present a fresh groovy track full of voice lines that’ll go directly to a packed dance floor. seph moves around darker and more hypnotic territories with a continuous loop while fabrizio maurizi dives deep into old school, with some broken beats, distorted voices and numerous bleeps & clicks. a collection of hits that’ll make the night vibrate. long life martinez!

on the aptly titled baked goodies ep, berlin meets san francisco as iz returns with his first original release since 2005! you ll find all the movement and spacey funk of that classic joshua sound, with a whole lot of bleeps, blips and deep breakdowns to satisfy modern listeners around the globe. both mixes of lil muffin will get the floor rocking, while cookies is a little lighter on the late night/early morning tip.

lustige psychospielchen von den labelchefs. feine bleeps umschwirren das kleinhirn, während das großhirn damit beschäftigt ist den geilen groove zu folgen. absolut eigenständiger techno mit zündenden ideenfeuerwerk

played by ricardo villalobos , mathias kaden, mark broom, m.safras, format b... playmobil striks again, and you know this is not only for the little boys! liberto and mihalis safras are already well known names in the minimal scene and on this record you can hear why. misa is a beautiful building track with an easy intro followed by a melody of bleeps and sounds. it grows steadily into a mayhem of synths, bleeps and clicks. all the way back in the breakdown and then it drops killer! on the flip you will find stunnaz remix by zahn known from his recent succesful releases on enemyltd. a track ful of bass, the neighbours will definitely like this one! the original of stunnaz on the b2

wired phunk ass breaks & bleeps

played by: oliver huntemann, butch, popof, kiko, ricardo villalobos, tobi neumann, adam beyer, ivan smagghe, stephan bodzin... ji-fi is a new artist from belgium who was actually suggested to afu by none other than popof, who himself recently had a very rocketing career ! ji-fi has had a few releases and remixes on smaller labels already and serves just right with his first one for afulimited ! its truly influenced by popof, but ji-fi already takes it some steps further and rocks off with katapult ! it has all the bleeps, the driving bassline, the freaky sounds and the lovely break that will let everyone go mad in the clubs ! madness guarantied ! taste my visit and gougou complete the ep and it will surely be hard not to play all of them ! born in 1982, this belgian new producer has everything to foreseen him a good future. intrigued by music since his early age, playing piano with his grand father, everyone knew that music was a part of him. dj since 1997, he has visited lot of places of his country. from minimal to techno, his dj sets are always restless with a big groove. heís a great fan of funky bass and delayed melody coming from nowhere with space and warm sounds to complete and personalize his tracks. summer break is over and here we go with new energy

three uplifting minimal style techno tracks full of percusion, crazy bleeps, basslines and funky flavours

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

following his acclaimed eps on force sense opposum rec & minisketch pablo rez is back and delivers here his first ep on frankie records titled “samurai ep” including 4 original tracks with titles directly in reference to japan and its unique atmosphere starting with a1 tokyo a groovy track with a bunch of quirky sounds, heady synths and catchy drums and a dose of weird bleeps makes it a great production with a warm groove on a2 shibuya in a more mental and melodic way with lil atmospheric accents is a perfect afterhours track

it hasnt been long time ago since the last coup made by clark and schatz hit the streets but highgrades head-honcho tom clark and the true berlin talent markus schatz allready go for the next round. the original version of >hot choc< makes the start - playfully swinging, the track developes itself into a masterpiece of an easy going groove without being half bad. the french dj and producer tom pooks - well known for this productions on ovum, kompakt and other wellsounding imprints gives >hot choc< a whole lot of jacking energy to take along. he sets the percussive elements free - and rightly so! punch meets hypnotic deepness - perfect! with the hot choc re-edit on the flipside by markus schatz he eventually letting the cat out of the bag. without any detours and in best daniel bell-like mannour he jump into a real inferno made of funky bleeps and weird sounds. delivering with this one more than just another highlight on this release - because last but least it’s the best evidence, you gotta reckon with these two!

having had great sucess on labels such as microfon, grandpetrol and style rockets daniel steinberg is now one of the main representatives on front room and with this release delivers another innovative new twist on house. with the summer sounds of his last front room release, cobra limbos, still resinating around clubs, festivals and house lovers daniel delivers two more huge tracks. >uptown< has the beats, bleeps and bass that daniel has become renowned for and with its cut-up vocals is catching peoples heads just like he did with his hugh smash >pay for me<. on the flip >revival< is a more hypnotically deep groover that builds continuously yet remains innovative and intriguing from begining to end. daniel steinbergs releases are being played by the likes of ricardo vilalobos, luciano, claude vonstroke and richie hawtin to name a few and his talents continue to blossom with every stroke. many of daniel steinberg productions are main stays in the sets of label boss jesse rose whos global popularity is a product of his individual style and fresh take on music. this release is another illistration of jesses a&r skills in full action. artists such as jesse rose, solid groove (aka switch), trevor loveys, deadset and style of eye are just some of the artists that have released on front room recordings in the past

long and sleepless nights were the inspiration for slaapgebrek wich means sleep deprivation in dutch. the results of these sessions are two moody & hallucinogenic tracks, wich represent a state of mind only to be experienced after many restless nights. the original mix with its freaked out shuffled drumpatterns, rave stabs and maximal modulated bassline is peaktime dancefloor fudder for any crazed techno night. frustrated bleeps and fx give it a nervous twilight zone like feel, climaxing and clashing throughout the track. the flipside takes things on a lighter, more emotion ridden tip. the rhythm is stripped down of all nastiness and the bassline friendlier and melodic. halfway through the break the violins kick in, resembling the break of dawn after another night of turning and twisting without getting any much deserved rest. perfect afterhour material.

full support by angel molina, dub kult, mathias schaffhäuser, jeff bennet, xpansul, oscar, remute. after releases on the own label, now the first excursion to the well-observed european realms follows on karloff rekordings. analog beats, bleeps and white noise - in sunny california these popular ingredients of minimal techno get brewed together with surprising facility, to a fresh, jacking a-side track with a sturdily nodding groove. on top of that, >azizam< doesn’t lack a clearly distinguished climax - for the good of the dancefloor! on the b-side >off my mind< first appears organicly floating within a warm and fuzzy scent of detroit, before >backwards on pony< finally unwraps classic sawtooth sequencer techno, however properly purged und worked up percussively, to a seething cauldron that you simply have to like!

another fine release on winding road records! this is a debut ep from bleep district. true to their name, the 4 tracks here contain plenty of mesmerising bleeps sitting inside the slick deep house grooves youd expect from the label. the lead track, bleep of faith, is peaktime voodoo house with cool vocals, and a wicked bassline which comes as a special surprise half way through. robot claart is superdeep, hypnotic tech-house with a cheeky jamaican dub twist. when i saw you, possibly the strongest tune of the package, is a real killer. with polished production, reverse vocal licks and an ubercool bleepy bassline, this track is a contender to be a summer anthem of 2008. essential! the last track on the package, some may say, is an eccentric but irresistable hip-hop meets folk-house number. yet another winning package from winding road

supported by karotte (cocoon, great stuff), mike shannon (cynosure)... jeff samuel is back on frankie rec with a surprising 3 tracker ep titled gurd em ep on the a side the eponym track a1gurd em create an original weird atmosphere mixing hypnotic sounds and bass voice with the groovy bassline and incisive drums… on the b side b1 dementia is a brilliant minimal tech house piece full of subtle bleeps and mental sweet melodies with jeff typical sense of groove and on b2 spic and span more funky is full of quircky sounds & groovy bassline… ingredients of a freaky tune!

nice pushing tech-/deephouse with some bleeps n a lot of drive

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

uk beat futurist delivers an explosive release that covers a wide spectrum of his signature sound: dub bleeps, modulating synths & smooth drum programming are sure to turn heads. bass fueled remix from dutch producer dogdaze

now up to its third release, soul science recordings continues to deliver high quality, soulful, deep electronic dance music with joel harrisons latest: high voltage. commencing with the original mix, this track does exactly what it says on the tin delivering electrifying, pumping,deep, nu school house. taking sparse electro bleeps as an introduction, the environment starts out building steadily with increasing urgency. utilising sweet and cleverly processed vocal samples as motifs, the track develops into a full on dancefloor mover, complete with thumping kicks, fat chord stabs (for fans of the original detroit masters) and a bouncing off kilter bassline - something of a harrison specialism... wearing his influences proudly on his sleeve, joel has created another sublime electronic deep house track for fans of spirit catcher, john tejada, freerange records and beyond...

verführerischer, atmosphärischer techno mit smarten bleeps, tollen groove und fesselnden vocals von big bully. mal düster & unheimlich und mal geradlinig & klar

supported by someone else, remute, pheek, jeff samuell, adultnapper... einmaleins welcomes souki (carina >sissy< lohmeyer). 23 year old girl. she enteres the series of releases along with young talented >lazy mouth< remix that has been doing a great work lately. her tracks are fresh and funky minimal tracks with crunchy sounds and beats. clubby minimal tech/house cuts with bleeps for freaks

the opiates are radical because they do not shy away from the rare match of songwriting and cutting edge beats and bleeps. the opiates will perform their first gig @ rough trade record store in brick lane in london on march 3rd 2008. for the event, there will be a full digital release plus a limited edition 10inch vinyl release of the four track ep entitled anatomy of a plastic girl (ep).

deep tech-house with minimal and elements, a great techno new school vibe, great dark bass athmospheres and some nice lil bleeps, beeps and pleasing noize. already supported by djs like jaumetic, nudisco, yves de ruyter, tyler stadius, hildegard and many more

g dub get back to their own label under the double zero guise with the absolutely huuuuuge forum fannies a cunning mix of digital bleeps, rolling breakbeats and distorted bass. one that will get the messageboards flashing and no mistake!

stathis kalatzis aka mr. statik, also known for his collaboration as mud max, is giving full scope to his greek temperament on the >temperamento ep<. on four tracks he bounces and bleeps with great efforts and a broad horizon, constantly changing and constantly different. support comes from geoffroy mugwump, italoboyz, lee smith, jimpster.

this is the 1st of 2 eps taken from superfreq express mix cd by mr.c. .the a1 is by recent label signing don & tom & is a peak time dance floor bullet. these solid tech house grooves come with a phat bass line & trippy analogue arpeggios that are simply irresistible on the dance floor. this is a proper dj tool. a2 is called angel & is mr.cs first solo outing in 2 years, which is an ode to his recently, departed mother. this beautiful track is deep, emotional minimal house at its very best with rolling bass stabs & beautiful melodic bleeps that carry you into the domain of the ideas. aa1 comes from eclat & prudo as alpha romero.

the man machine deadmau5 returns with another storming release, proving yet again can consistently pull cats out of the bag. this awesome 3 track ep sits ... somewhere between tech house, progressive & minimal. already garnering support from nic fanciulli, sven väth, john digweed, desyn masiello, lee burridge and laurent garnier. from the bleeps of complications to the grinding basslines of everything before/after, this is an essential ep

two electro flavoured house bombs for the modern clubber. prophetization is more suitable for night time or right before the sun rises. electro rhythms, cosmic synth notes accompanied by a fat bass. lost in space, its dark, the bright strings call from afar and bring hope. the light shines at the end of the tunnel. pazuzu on side b is a mixture of bleeps and atmospheric pads sustained by a housey beat, chugging along to a dubby sub bass. perfect for those early mornings lost on the dancefloor in a state of trance.

the original track is a fusion between bips, bleeps, aggresive drums and acid basslines – among all this is an absolutely beautiful synth theme that is the key element of the track. yousef delivers the remix thats a raw thing using the syntherzeiser riff from the original and giving it an even more raw sound.

raw & dirty bleep tech house by the supposed mentally okay donk boys ! somewhere between dancemania & daniel bell, the crazy guys bring back the fun on the dancefloor with 4 freaky tracks full of extatic bleeps, nasty hihats, processed voices & a phat killer groove. earlier support comes from dachshund, markus kafka, mike shannon

its almost 4 years to the day that jeff samuels >throatwobbler mangrove ep< was released on karloff #03, and even today the four world hits of the record are getting digged out by djs, when the minimalism needs to either groove or jack again. so now with >return of the throatwobbler< theres finally an appropriate follow-up by the man from seattle.. erm.. berlin, after he’s impressively run riot in the meantime, on labels like spectral, trapez, poker flat, frankie and logistic. the a-side >terso< is shuffling and twirling and bouncing in such a winsome way that not many can master like jeff samuel. almost like an electric ray - left and right and left, and without letting any tempting gimmicks take the mind off the straight path. appropriately enough, >the spook< on the b-side comes along a bit more spookily, with a bassline twisting into the brain, ripped up by miniatures of bleeps and chords just in the right moments, and thus leading the track to an agile, exhilarated climax