limited reissue on white 180 gram vinyl with download code included.

black 180 gram vinyl with download code included.

one of the most important harmony groups in the entirety of jamaican music, the paragons have a long and complicated history. first formed in the ska years by bob andy and tyrone evans as the duo of andy and ronnie, the group soon expanded to a quartet through the addition of howard barrett and john holt, the latter naturally assuming lead duties, following the subsequent departure of andy, holt, evans and barrett made the paragons the quintessential rock steady trio. they had an incredible run of hits for duke reid and coxsone during the mid-to-late ‘60s, and also issued some self-produced work, before holt’s solo career skyrocketed, leaving the group on the back-burner. then, in the mid-1970s, the paragons reformed, cutting material for new york-based labels such as clocktower and clintones, which led to this intriguing album, which saw material recorded in jamaica at harry j for bunny lee mixed with work cut at bullwackie’s studio in the bronx, along with re-workings of classics such as ‘left with a broken heart’ and ‘memories by the score’ is a whole range of new material, dealing with contemporary themes.

nice price deal !!! mit >watch me dance - agitated by ross orton & pipes< erscheint das letztjährige toddla t-album in einer neubearbeitung der sheffielder musiklegenden ross orton & pipes, die toddla t zu seinen persönlichen musikalischen helden zählt. ross orton war mitglied der legendären fat truckers, der drummer in jarvis cocker band und als the cavemen (zusammen mit steve mackey von pulp) zeigte er sich für mias Überhit >galang< verantwortlich. darüberhinaus remixte und produzierte orton u.a. the kills, kelis und die arctic monkeys. dj pipes zählt zu den englischen bass legenden, und gemeinsam teilen sie ihre leidenschaft für dancehall und elektronische musik. auf >watch me dance< beeindruckte toddla t bereits letztes jahr mit seiner fusion aus dubstep/bass, house, street soul, dancehall und pop. pipes & ross orton würzen die neubearbeitungen der tracks mit der essenz der sheffielder bass culture von dub-reggae über bleeps/techno bis hin zu dubstep!

erstklassiger northern soul-sampler mit zwölf einzigartigen raritäten, die alle zur zeit ihrer entstehung unveröffentlicht blieben und nur über das abspielen von mastertapes im laufe der zeit popularität in den clubs erreichten. mit chuck jackson, the mayfield singers, the platters, len barry, roscoe shelton, u.v.a. laut gemastered und somit ideal für soul-djs (und -fans).

after a run of successful mixtapes over the last fve years, self provoked released his debut album triangles on october 28, 2016. production has been supplied by la natives nobody, kenny segal, louden, big game huntaz and daddy kev.
hailing from the los angeles county region of san fernando valley, self provoked’s music career has been elevating through his crew on a high note, building on 70.000+ subscribers over his streaming channels and opening up for hip hop legends such as bone thugs ‘n harmony, talib kweli and dilated peoples. triangles is the summation of his endurance and discipline as an mc, running through unique wordplay and imagery over the 43+ minutes of the entire album.
every line of triangles opens up the most honest of windows into self provoked’s thinking process and the beats ride through west coast tinged ?avors of the darkest and brightest sides. the frst track to premiere from triangles was launched this summer, galvanizing his perspective on the realities of society with the nick rodriguez directed music video “supposedly.” bringing in 150.000+ plays in the last few months, “supposedly” was produced by long time working associate of provoked’s, louden.
triangles was recorded, mixed and mastered by low end theory co-founders nobody and daddy kev at the cosmic zoo.

hottrax boss jamie jones teams up with nathan barato for a pair of killer cuts entitled cherrys revenge. nathan barato has been a staple on jamie jones hot creations imprint and paradise events ever since gracing both of them in 2014. reflecting on recent releases via saved records and cajual, the toronto native has continued rolling out releases in fine form, and his global gig schedule reflects his candescent reputation. on the other hand, jamie jones has been helming his multiple successful labels when not releasing on kerri chandler’s kaoz theory and dusky’s 17 steps, continuing to cement his name as one of the world’s most illustrious djs, producers and label owners. composed of intricate percussion and sporadic synth stabs, ‘cherry’s revenge’ sees jones and barato in fine form. the dancefloor focused roller blends rumbling bass and robust snares with chopped vox samples and whirling police sirens, forming a production destined to inject life into any situation. on the flip, cheating chester samples a sunset boulevard working girl discovering the cheating exploits of her pimp boyfriend and mashes it with mesmerising effects, tight hats, a purring baseline and distorted synths.

my third week in amsterdam i found my way to a small speakeasy tucked away amongst a labyrinth of cobbled alleyways. a doorman waved me inside, a knowing smile twisted around the half-smoked blunt hanging from his lips. i made my way down crooked, narrow stairs into a dimly lit room full of patrons nodding in the haze, feet tapping in time as they smiled and sipped at green-tinged cocktails. the soft sound of glasses clinking amongst murmured conversation served to accentuate the flaw in the scene before me, there was no music. realising i d paused in the entrance long enough to draw a few amused looks from the tables nearest me, i regained my composure and headed towards the bar, pondering the mystery before me. i reached the counter as the barman was mixing a cocktail and waited, but before i could order the man turned and placed a glass in front of me, the same half smile on his lips the doorman had shown me as he nodded at a specials board listing a pistachio sour. it sounded good so i took it to an empty seat and returned to my examination of the bizarre room. as i sat down a grinning girl next to me offered a toke on her joint, and as the no indoor-smoking law was clearly being ignored here i gratefully took a careless draw. as my coughing subsided i took a deep gulp of my drink, and suddenly music flooded my ears. my jaw dropped as i raised my head to see a guy on stage mesmerising the crowd with chill beats, house music permeating the formerly silent bar. the girl with the joint smiled at my amazement. his name s sune she told me, welcome to 8 till late.

the 2nd album from kings of leon, originally released in 2004 on double 10 inch vinyl, is back on 180 gram double 12 inch, housed in a gatefold sleeve

Üppige lp anthologie mit raritäten, unveröffentlichten songs und live-stücken. ergänzt wird die lp durch eine bonus-cd. diese enthält zwei komplette konzertmitschnitte aus brüssel und leuven vom 5. bzw. 6. oktober 1982 mit insgesamt 19 songs.

limitiertes farbiges heavyweight vinyl in gatefold sleeve mit vierseitigem booklet und mp3-donwloadkarte.
erstes album seit 20 jahren: der sänger der only ones überrascht mit einem neuen album voller pop-preziosen und einer stimme, die lou reed zum verwechseln ähnlich ist.
heutzutage suchen wir nach verlässlichen figuren in der welt. zum glück gibt es peter perrett. auf das britische musik-urgestein war schließlich schon in den späten 70ern verlass. damals bescherte er mit der band the only ones der londoner new wave bewegung den hit “another girl, another planet”, drei alben und ganz viel inspiration. nun meldet sich der heute 65-jährige mit dem neuen solo-album “how the west was won” zurück. wer the only ones kennt, wird wissen, dass perrett schon früh anleihen aus dem us-rock’n’roll mit new wave und britischer schnauze einzigartig vermischen konnte. durchflossen von neuem elan hat er gleich einen hit genau dieser couleur mitgebracht: den albumtiteltrack.

new west records haben das recht erworben die tv-shows der in den usa gefeierten show „austin city limits“ auf (tonträgern auszuwerten. in der serie erschienen schon konzerte von r.e.m. bis johnny cash. nun ist erstmals auf vinyl das konzert von fats domino verfügbar. 1986 aufgenommen, gilt diese live-aufnahme hinsichtlich der repertoire-auswahl und der klangqualität als seine beste. 180 gramm schweres vinyl.

heutzutage suchen wir nach verlässlichen figuren in der welt. zum glück gibt es peter perrett. auf das britische musik-urgestein war schließlich schon in den späten 70ern verlass. damals bescherte er mit der band the only ones der londoner new wave bewegung den hit -another girl, another planet-, drei alben und ganz viel inspiration. letzteres wussten vor allem die kritiker. und trotzdem gelang der band niemals der totale durchbruch. danach blieb es über ein jahrzehnt ruhig um perrett. seinem drogenmissbrauch folgte das abtauchen und dann die mystifizierung seiner person. nach zwei solo-gehversuchen 1996 und 2001 brach er 2015 zu einer kleinen tour auf. dort performte er seit langem auch wieder neue songs. nun meldet sich der heute 65-jährige mit dem neuen solo-album -how the west was won- zurück. wer the only ones kennt, wird wissen, dass perrett schon früh anleihen aus dem us-rock n roll mit new wave und britischer schnauze einzigartig vermischen konnte. durchflossen von neuem elan hat er gleich einen hit genau dieser couleur mitgebracht: den albumtiteltrack. von the replacements bis hin zu violent femmes, peter perretts musik hat den sound vieler darauffolgenden bands mitgeprägt. 2017 feiert er das comeback, das keiner kommen sah.

die exklusive italo disco vinyl serie “italo disco collection“ geht in runde 3 und liefert auf 2 lps die großen hits und exklusive raritäten. natürlich gibt es auch diesmal nur die extended versions, z.b. von lee marrow, wish key, cyber people, radiorama, koto, the fashion.

two tony cook productions - originally released on the go-bin label - available through ppu!

panic! at the disco präsentieren 2017 ein reissue ihres debütalbums »a fever you can’t sweat out«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 27. september 2005, und zwar beim label decaydance records von fallout-boy-gründer pete wentz. dieser hatte zuvor demos der band gehört und nahm sie unter vertrag, noch bevor sie jemals live performt hatte.
aufgenommen wurden die 13 songs von »a fever you can’t sweat out« in den somd! studios in college park, maryland. für die produktion zeichnete matt squire (good charlotte, the used, taking back sunday) verantwortlich.
das album wurde ein kommerzieller erfolg. die zweite singleauskopplung »i write sins not tragedies« schaffte es in den usa bis in die top 10 der charts.

eli paperboy reed come and get it (2010 uk 12-track vinyl lp - having been hailed by critics and fans alike for his first album roll with you , us soul sensation eli -paperboy- reed returns with the follow-up, come and get it . the single of the same name is a blast of sheer soulful exuberance, a paean to love, lust and desire, bursting with horns, pounding drums and that sweet, sweet eli -paperboy- reed voice. it harks back to the 60 s sounds of classic motown and stax good-time recordings, the kind of floor-filler that would tear up the dancehalls of the northern soul scene across the uk).

limited rsd 2017 release.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

the third release on raw sounds district sees the label welcoming newcomer, voyd, into the fold with his “thoughts ep”. this one is a real journey through the producers mind. hip hop beats meld with strong house tracks, looped pads, powerful bass patterns and intricate, blown out rhythms. powerful stuff... thoughts...

nice price deal !!! die doldrums, das neueste signing bei souterrain transmission, veröffentlichen eine limitierte 12 inch. klassische pop melodien treffen hier auf sample gesättigte sound-collagen.

liebevoll gestaltete funk-kompilation mit remasterten hits vergangener jahrzehnte.
das französische label wagram veröffentlicht im rahmen der kompilationsserie -wanted collection- zeitgleich vier optisch attraktiv in szene gesetzte lps rund ums thema black music. alle platten erscheinen als 180-gramm-vinyl und bieten ausschließlich soundtechnisch auf den neuesten stand gebrachte floorfiller aus den genres funk, soul, afrobeat und reggae. abgerundet werden die sampler durch exklusive schnappschüsse des britischen fotografen chris steel-perkins. die -wanted funk--edition bietet ein dutzend schweißtreibender stücke von größen wie ray camacho, the fatback band, robert jay, uncle louie, little beaver, king floyd und the philly armada orchestra. für liebhaber und kenner ein augen- und ohrenschmaus!

ne’astra music group now presents a new compilation of rare dilla material: vol. 0. ten tracks featuring the classic slum village lineup of dilla on vocals and production, with baatin & t3 also on the mic, collected by modern sv member young rj from unreleased material and demos recorded between 1994 and 1997. the knowledgable hip-hop head may recognize key tracks from the circulated ephcy sessions, while others have never seen the light of day. a piece of hip-hop history that would have otherwise wallowed in obscurity, until now.

it takes us almost three years to complete his first album, but finally sun storm by above smoke is ready to go. nine tracks, double vinyl pack. full cover with special artwork by pablo fidel moncayo. coming soon worldwide by juno distribution

diy - also „do-it-yourself“ - hat eine große bedeutung in joey agrestas leben. er stammt aus new jersey und lebt über einem ersatzteile-shop. „let’s not talk about music“ entstand in über drei jahren, in denen joey agresta die lieder in seinem schlafzimmer-studio einspielte. computer wurden für die aufnahmen bewusst vermieden, neben regulären instrumenten nutzt joey agresta selbstgebastelte gerätschaften und bannt die klänge auf mehrspur-kassettengeräte. lo-fi als bewusste ästhetische entscheidung. unter pseudonymen wie joey pizza slice, son of salami oder salami junior hat er diverse kassetten veröffentlicht und so die aufmerksamkeit von bands wie future islands und the parquet courts gewonnen, die erklärte fans sind.

after her 2013 debut “everlast”, perera elsewhere finally drops her second album “all of this”, and once again via friends of friends records.

there are hundreds of bootlegs out there to sate the ravenous soulero set, and so often they incorporate songs in the vast numero catalog. rather than beat them, numero joins them with our answer to the iconic east side story series. eschewing our classic look and standard-bearing copious notes for sardonic artwork and impeccable selections, numbero is proud to present a ‘bootleg’ you can be proud of (because it’s all licensed). this time we’ve set our sights on the most unique of soul cultures: the irreplicable melting pot of san antonio. included here are all songs never before issued other than in minuscule pressings on 45, never distributed outside of bexar county limits.

sia’s 2010 album “we are born” back on 180 gram vinyl. housed in a gatefold sleeve.

die kult-platte von 1970: neupressung auf rotem vinyl.

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

the fourth studio album from enigmatic pop impresario sia illuminates the playful, yet sophisticated spirit of an emerging force in pop music. originally released in 2008, it’s now available for the first time on vinyl. the double lp is housed in a gatefold sleeve with artwork faithfully adapted from the original release.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

ron dj skull maney is a legend. nrg music dropped in 1991 on chicago s saber label and cemented his rep as one to watch over the coming years. one of chicago s new wave of producers with a fierce style and original sound. the original press of nrg music was super lo-fi and that suited maney s sound. his blend of jacking box jams, deep pads, porno samples and nasty ass acid lines all complement each other on what is one of the era s most unique ep s. those who know recognise that skull s music over the years has always been essential listening material and this, his first ep, is a heavyweight signifier of what was to come! across 6 tracks we get a surprising cache of styles, from the sleazed out redlight action of nasty girl to the driving, demented minimalism of the raft it s all here, plain as day, one for the heads, the connoisseurs and the freaks. the real deal! reissued and remastered with the full permission of trax/saber records we have another gem from the annals of chicago house history for 2017. do not sleep!

danny elfman wrote and composed the score for fifty shades darker. elfman never disappoints his fans and the music for this one is no exception. when you’re a fan of the fifty shades series this is a definite must-have for your collection.
the first pressing of fifty shades darker is limited to 1.000 individually numbered copies on dark grey coloured 180 gram vinyl and contains an exclusive 8-page booklet with pictures and liner notes.

verträumter pop mit hawaii server qualität

lovers, ska und rocksteady: kompilation zu ehren des legendären reggae-sängers.

if there was any mild concern about maintaining our namesake, this next release should put them to bed. having been a big fan of innershades productions since hammering that girl and inside your mind to death, it s pleasing to have found each other. resulting in six absolute bangers from belgium - from the trance chugger for that weatherall warm up, to the acid thumper for your b2b with hauff - we ve got you covered. not only belters by name..

the third boney m. album, originally released in 1978, back on vinyl with high resolution mastering from the original source.

das neue album des englischen gentleman s dub club auf dem amerikanischen easy star label folgt dem 2015er release -the big smoke-. für -dubtopia- ist das konzept den fokus aus songwriting vom vorgänger mit dem bassbetonten, uptempo drive ihrer liveauftritte zu fusionieren. das album wurde vom bassisten der band, toby davies ,produziert und featured gäste wie taiwan mc, lady chann, eva lazarus and parly b. die lp erscheint als limitierte transparente edition mit download code.

unearthed by groove archeologist betino errera, this black gem was cut in paris in 1980 by american vocalist robert helms. his french career being rather confidential with releases under his own name as well as bobby helms or simply bobby, the lay down girl album remained a well-kept secret for decades despite the fact that it contained two very strong disco-funk tunes.

texas veröffentlichen mit »jump on board« ihr mittlerweile neuntes studioalbum und der refrain der ersten single beschreibt es mit einem vers nahezu perfekt: »life’s too short, let’s work it out«. »wir sind inzwischen alle etwas älter und weiser geworden«, sagt sängerin sharleen spiteri. »das wichtigste im leben ist, dinge in ordnung zu bringen statt sich zu streiten. genieße den moment, strecke deine hände in den himmel, tanze und singe dir die seele aus dem leib.« in dem euphorischen video hat niemand geringerer als fußball-legende thierry henry einen gastauftritt.
die vinyl-lp erscheint inklusive downloadcode.

28 classic love songs on pink vinyl in gafold sleeve. comes with an exclusive download code and a cd of the entire album.

das 3lp-package im klappcover, mit großartigen fotos und ausführlichen liner notes von dave hendley, ist in limitierter auflage für kurze zeit wieder erhältlich! mit dieser veröffentlichung von 36 essentiellen aufnahmen hatte vp records bereits im jahr 2004 der jamaikanischen institution ein würdiges denkmal gesetzt, war doch channel one für fast 10 jahre (1974 - 1984) die absolute nr.1 unter den studios der insel und hatte mit seinen produktionen einfluss auf die musikhistorie, die der von studio one und treasure isle der 60er jahre in nichts nachstehen. hier finden sich originale von den großen künstlern wie barrington levy, delroy wilson, dillinger, clint eastwood, the mighty diamonds, john holt, yellowman und vielen mehr, sowie die aufnahmen der allerersten 12-inch maxi-single, die in jamaika erschien, die extended versions von the jays & ranking trevor - truly deejay mix (coverversion des marcia griffiths klassiker) und queen majesty, die reggae-version des curtis mayfield songs.

favorite recordings and charles maurice present the 3rd edition of their acclaimed aor global sounds compilations series. another fine selection of 14 rare and hidden tracks, produced between 1976 and 1985 in various parts of the world!

sun rises in the east & sets in the west!

djs: most charted - funk, kito jempere, ptaki, choiproductions, mamadisc andere veröffentlichungen von james mason