retrogott & hulk hodn haben ein neues album gemacht. es heisst land und leute. einfachvinyl, inklusive lyricsheet & sticker. cover erhältlich in 3 verschiedenen farben (blau, rot & gruen), die nach dem zufallsprinzip gemischt sind.
retrogott & hulk hodn - land und leute. limited edition doppelvinyl im gatefold cover (instrumentals auf vinyl 2), inklusive lyricsheet & sticker. blaues cover.
parallel zur veröffentlichung des neuen albums todesverachtung to go ueber grönland records, erscheinen auch vier klassiker der legendären hip hop-formation kinderzimmer productions nach langer zeit wieder neu auf vinyl: die hohe kunst der tiefen schläge (1998), wir sind da wo oben ist- (2002), irgendjemand muss doch (2004) und asphalt- (2007).
de sang froid is the new project of alaxis andreas g. killer french cold wave / electro tunes from le syndicat electronique mastermind, french precursor musician and performer, at work since 1996, and founder of the labels hieratique and invasion planete recordings. recommended to fans of dopplereffekt, beta evers, i-f, umwelt and legowelt.
after a little break, colt music is back with a double separate release featuring tracks contributed by friends and family, all the way from madrid to offenbach and berlin. featuring the mysterious berlin duo die augen, offenbach s finest markus sommer, felix kluge, tom ries and robin stern, and madrid local heroes javier moreno, pohl, canetti and joackin.
much like their contemporaries and collaborators nsrd, the music of 19 gadi pirms sakuma captures frustration with their own reality, and a playful drive to make up a new one. latvia, late 80s
1/2 gott is the new project of sneaker from dresden/berlin and scannoir from zurich, who share their love for ebm and synth pop not only when djing but also when producing. in several nights and with the help of a decent group of instruments, they have evoked a series of tracks that can certainly be subsumed as new swiss wave. the first record is entitled 1/2 gott and will be followed by gott in the foreseeable future. the result is music that sounds as if the iron curtain had never fallen. although sneaker likes to step to the microphone, he leaves the vocals to scannoir, who gives the perfect counterpart for the menacing beats with his deep laments. the tracks are little masterpieces in the matter of repetition with whipping drums and off-beat percussions. however, they cannot disguise their hymn-like gesture. this must be the sound of a sunrise over the industrial area.
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