after >echo life< and >night impact< mirror peoples third release >reaction!/odyssey< is out now on social disco clubs hands of time label. this 12 inch reinforces rui maias ability in crossing over his trademark synth skills with his love for emotional and melodic dancefloor movements. both tracks fuse recognizable patterns and intriguing ones where the cold teutonic meets far-eastern harmonies in a cool piano induced crescendo. as for the two remixes, tiago miranda provides a buzzing hypnotic >zawa dub< of >reaction!< and jacques renault a rhythmical stomping >odyssey< version

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

the mysterious j.o.h drops a luscious and melancholy refix of the-dreams >shawty is a 10<. limited copies on one-sided vinyl only.

videopacolypz is a side project coming from dutch jungle / breakcore / dubstep producers deformer. they are strong players amongst the progressive electronic music scene for years already and are about to release a new album and limited 7inch single entitled >videopacolypz g2012<. this release is based on the philips >videopac g7000< gameconsole that came out back in 1978. with the limited choice of sounds coming from this computer, a complete album was recorded that will tear up dance floors this year. beware though, this is not the official new deformer album, but a side project in a similar tradition: videopacolypz g2012...
the cd album and colored 7inch single (transparent and transparent blue) will come in one limited edition package of only 500 copies worldwide and will not be repressed!

not long after his >miles (inc. nick curly remix)< release, dj sodeyamas follow up on arpa records is about to hit the shelves. on a deeper tip, dj sodeyama will exhibit his range as one for tokyos premier electronic music artists by releasing the >abyss< also on arpa records. to showcase the talent from both home and abroad dj sodeyama has picked out some of the most exciting artists within the electronic music scene today in glimpse (coccon / cadenza / crosstown rebels) and tokyos very own ryo murakami (poker flat). dropping some real bottom heavy beats alongside some rhythmic percussion the >abyss< release will prove to be a future classic.

easy and the center of the universe we already know from their recent flogsta danshall 7 inch release and some skweee compilers,remember legend of selda on skweee tooth?this new release on harmonia is as the previous ones infected with arabian soundbites. we recognize the details from our nights in the medina of marrakesh, we slip into our caftan, smoke the water pipe and drink mint tea,and are bodypoppin like an egyptian. no kiddin, this record is so imaginative and so true to its style that you cant go any other way. details of the percussion on halloumi are so good with the details in the orchestration (references to uom kalthoum records come to mind) the pitch and modulation wheels used intensive. with this release easy & center of the universe prooves again that skweee is one of the most evolving styles at the moment. this is exotic and exiting music.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

the sophomore album from adele on vinyl lp.

first single taken from lanus (aka bamboos band leader lance ferguson) upcoming album >her 12 faces<, featuring one of australias biggest new musical stars, megan washington.

vibrations is a new label set up by christopher galloway and piers harrison of roots unit. the first release comes from the ever-dependable and very busy mark e, who drops two killer jams for the dancefloor. escape is a bassline driven banger that drops into a hefty loop half-way through – large. the flip, midnight fires, is a more introspective, techno influenced cut, with crazy jazzy drums and swirling synths. we are thinking about early morning dancefloors for this one. escape is also remixed by roots unit, who add chicago house elements within a reggae aesthetic.

following their debut >girls vs. boys<, wilders >skyful of rainbows< cuts the same dancefloor rug as the likes of friendly fires and the rapture. a thumping, vocoder-fied pop blitz, >skyful of rainbows< is a yearning peon to the summer gone and a promise of the one to come.

limited vinyl reissue of the judas priest debut album from 1974, housed in a gatefold sleeve.

sublife steps up for its first vinyl release with a hard hitting yet super smooth dancefloor friendly number. atlantic connection delivers a nice dubby remix to >the key< by lukeino & featuring paulie rhyme. deep subs and dubbed out vocal bits get the vibe moving as the beats and breaks roll out some choice rhythms. be ready for some hands in the air when this one drops. in the jungle, jungle, jungle!

the fourth release on build, again mixing and matching the tempos and styles for maximum raving fun. support from skream, plastician, mistajam, jackmaster, mark pritchard / harmonic 313, brackles, l-vis & bok bok, 2562 and more.

first press hand-numbered one sided white label. hordes of berghain freaks and techno headz go crazy about (b1) >blofunk< - another collection of fab grooves from doctor vinyl!! supported by ricardo villalobos! includes digital download coupon.

a very special one-off release from futuristica music.
zig 16 (producer of electric conversation) has produced this beautiful piece of psychedelic/hiphop/electronica that we had to release on a limited 7 inch single only! warm but crunchy beats with depth and a hint of melancholy.

already getting massive dancefloor love from djs including erol alkan, ed chemical, pete herbert, chris duckenfield, horsemeat disco and disco bloodbath, flashback label s disco bandits wild geese take hot chip s wistful original then work pianos and organs to the bone to create the bastard lovechild of frankie knuckles and murk mating in a dark corner of the space terrace sometime around 1994. massive end of summer peak time party vibes only available on a very limited one sided 12

brise records in the mixÉ label honcho helmut dubnitzky with a first class selected dj mixÉ best of brise records tracksÉ

studio and hot chipÊs alexis taylor take on steve mason to produce both a balaeric gem of a remix, and one stunning sexy mother fucker of a dub remix.

nhan solos second release >fortune cookie< exemplifies a musical direction that his recent dj sets already indicated: a deeper shade of house, showing heavy uk influences. the single features remixes by superhip dance artists such as acidkids (dim mak), yolanda be cool (sweat it out), monkey safari and golden bug (gomma) and was produced in collaboration with taan newjam. french music director damien elroy vignaux is responsible for the accompanying video – one of the craziest things you will see this year.

oh ruin is eoin o ruinaigh, originally from dublin but now residing in london. having started out playing in a host of bands, at one point embarking on a tour supporting morrissey, he has now gone solo and is turning out such six-string gems as the two tracks collected on this single. a beguiling melange of untempered blues and campfire songs which draw on a rich irish folk tradition, eoins songs are intricately drawn sketches accompanied by deftly finger-picked melodies, even performed on guitars made by eoin himself.
vinyl edition of 500 in a matt varnished reverse board sleeve.

new dubstep label dropping with some sick re-works and no better start is a re rub of aphexs classic >on< keeping to the original with that classic melodic sound but bringing it bang up to date ...this is one for all apx collectors and no doubt many djs liking the more deeper techy dubstep flavours.....superdub ..not to be missed

limited edition one sided 10inch. a tune. and a voice. and a simple choice?. be my husband and ill be your wife. i can hear it playing in clubs from newquay to east fife. >what is that?< they say, >i know that, im sure<. but theyve never heard it played like that before. its all about the drop, let the music talk the talk. no one ever gets paid. never run before you can walk. and its all about the music, love the trouble, love the strife. because i will love you for the rest of my life. busted by:(the tea drinking) scruff,(the diminutive yet mighty) geiom,( the masked wonder that is) sbtrkt

after fter the much acclaimed first release on version by timeblind, version002 features 2 mesmerizing 808 workouts from label boss orson himself. >madness< opens on a atmospheric tip only to switch into eruptive wall shaking subs and syncopated percussions. >808 dub< on the flip is a swinging late night groove with swirling fragments of dub and jungle echoing in and out of the mix. he has been one of the pioneers to push the blossoming sound of dubstep outside of the uk from early on. hes been running his version events since 2005 with guests like digital mystikz, skream, loefah, kode 9, benny ill and many more. orson is known for his exclusive upfront dubplate selection and has played at such legendary events as the mighty >dmz< dance in brixton in early 2008 and 2009, the >big apple records< christmas party and at >dubwar< in new york. the future looks promising for orsons productions, he has been busy in his own studio aswell as working on beats with the likes of benny ill of horsepower productions (one collabo tune will be out on tempa very soon), mala from digital mystikz and sgt pokes. dj support by : appleblim, dj chef, clouds, bunzero, hops, dj skratch and many more. roundtable discussion in de:bug mag with mark ernestus, shackleton, kode 9, pinch and orson

usa based label steps in time are back with a 3 track release from digisonic, a relative newcomer to the scene but is about to make major moves if these tracks are anything to go by. deep, gritty and hard dubstep akin to the sounds of datsik or excision, dont sleep on this one.

olive oil is a hottest japanese underground hip hop artist at the moment. they became popular and popular since they produced many tracks for rapper and huge success of their 2nd album. they have released two album,one sigle collection album and some 12inch and remix. their biggest track >pianity< was played by gilles peterson on bbc. this single is a first single cut from their new album >space in space< which will be released in feburuary on mule musiq. olive oil have a unique own style,its like a fusion of prefuse 73 and flying lotus and madlib. if you like the sound of them,you definetly need to check olive oil.

visit bristol and mention the name mensah, chances are that someones going to know the man we are talking about. having become involved in the bristol music scene at an early age, theres no surprise that his productions epitomize the things associated with the citys music ? positivity and progressiveness. having already lent the bouncy number, pulse 80s, to the hench mixtape vol. 1, and getting voted in the as one of the top 10 producers to watch in the dubstep forum awards, mensah provides us with yet more reason to mark him down as one to keep an eye on in the future. the untitled future funk ep is a 6 track release that provides a true insight into the depth of studio-skills this young artist has developed, touching on both the atmospheric and downright funky sides of dubstep. already having had a track placed on the csi tv series (stapleton rd) and with all tracks receiving regular play from the scenes big hitters, we?e excited to present this stunning effort from mensah

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

new subdivision of time has changed. incl uner remix. already played by richie hawtin, ellen allien, 2000 & one, reboot, monika kruse, tim green, sis, karotte, okain, madskilz, mihalis safras, bloody mary, slam, noir..

fresh on the heels of social disco clubs smash >im good for you<... hands of time enlist fellow portuguese man-about-town tiago. one of portugals leading djs, tiago is also a producer extraordinaire..

very limited one sided 12 inch release from ramp recordings. clouds 2008 clockwork garage masterpiece gets re-worked by matthew herberts accidental sigee dave aju. what more do you need to know?

this is not a collection of thisisnotanexit records biggest releases from our biggest acts. thisisnotanexit is the most interesting record label in the world today. after three years of fighting this is our first report from the frontline put together with a cassette recorder and a notepad.

the crucials first single love me forever is a faithful cover of the studio one classic originally recorded by carlton and the shoes in the late sixties. recorded at strongroom studios in london and produced by the landlord (ranking records), this is a sweet slice of classic reggae to ease you into the festive period

one sided gangbang from melon!

1998 classic!! including all time favs body movin, intergalactic, three mcs and one dj, just a test...

here is the long awaited debut album by florence and the machine, brit award critics choice winner 2009.

one of rising musics hotly anticipated releases of the summer is here! san francisco rain is a pure, timeless piece of house music. lush arrangement and incredible vocals take the original to another level. the track also received its worldwide debut on pete tongs essential selection 19th june. chris lake turns in one of his biggest remixes to date – taking the original by the horns and injecting a seriously heavy amount of tech!

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

brand new release on apple pips from upcoming star brackles, one half of funk step outfit brackles & shortstuff, combining influences spanning techno and garage this is the apple pips sound and their pushing things in an interesting direction, both with their music and their stunning artwork. support from appleblim, mary anne hobbs, ramadanman, untold etc.

for the 8th outing tech itch has 2 big dramatic tracks brought to the table, bi polar has huge beats and killer boomerang basslines, crimson tears has a slighty oriental theme throughout the intro then a big dark soundscape takes control all this paired with low freq sub bass make this one for the big sound systems.