this is idle033: the sound of an accomplished dancefloor producer stretching out. these aren t straight dance tracks, neither is this a ponderous ambient lp. this is vivid, vital electronic music for modern times. tracks to cut through the monotony of depressingly average house and techno releases. the music shimmers with warmth and humanity, a testament to karmil s personality as well as his skill as a producer. one can sense in the tracks that this a musician who has travelled and absorbed much along the way: long drawn out winter nights in sweden with the studio barnhus crew. years spent in cologne with its distinguished electronic sound, a city which has given so much to the world with kompakt and more. last but not least you can sense karmil s upbringing here in the uk, the roughness and rudeness all added to the mix. idle hands has never been a label to follow trends or to take the easy path. it has strived to keep people guessingand to remain in awe and wonder at new music being produced. inmatt karmil it has found a producer whoembodies this notion.

hand - stamped, vinyl only business
red motorbike blazes through once again ! a various artists selection this lap, with label boss eddie laying down a downright irresistible rewire of a smooth sitar laced groover. label regular koosh offers up way out of it man a saturated stones out-take perhaps ? while taking up the whole of the a side, frasier takes on a beautiful brass hooked, afro-disco workout in fine red motorbike style! another keeper.

with two releases already under his belt on clone, gary gritness aka slikk tim lands on hypercolour with the sugar cane chronicles vol. 1. gritness may be a relatively new name on the block, but his session work for artists like kenny bobien, louie vega and grant nelson has marked up this multi-instrumentalist as a clear talent. hailing from france, gritness had been spotted by underground resitances mad mike banks as one to watch, and on his hypercolour release, displays a deft hand of producing futuristic funk sounds. a spot on blend of raw drum programming and blissfull jazz funk riffs, preachin some tight game sets the eps tone just right with its infectious melodies and cruising groove. darker 1980s soundtrack vibes are explored on stayin strong hand with its thick analogue atmosphere, whilst the laid back and freestyle vibes of working girls demands to be played in the cadillac with the top down! ep closer, fly shit, continues with the tranquil melodies and g-funk factor.

beautiful sonic sorcery from cristi cons and dewalta. elegant, warm, subtle but energetic music, creating a momentum of infinity. our favorit romanian artist known for his productions, his quality amphia label, a:rpia:r as well as his sit project with vlad caia teams up with dewalta from berlin who continues to refine his output on meander. these two kindred spirits met at dewaltas studio to create a spaced-out musical treatment, captivating body and mind. lisa milloy, joined the creative process, adding beautifully flowing words, recorded in one take as stream of conciousness. breath in and dance to their melodies with a clever groove that just flows onwards. with the record basorelief, released in 2014 meander already introduced the greatly talented cristi cons to its circle. now these two artists, bringing bucharest and berlin further together, deliver a hightly anticipated follow-up with this record filled with rhythmic material for the space between. 180gram vinyl, available in two editions: either as full cover-artwork or as limited edition with hand-made screen-printed cover-art.

the boys are gliding back onto the scene with scissor and threads first release of 2016, waiting ground. the handsome twosome of frankie skates and tony b. real deliver us four prime cuts aimed squarely at the dance floor. the vinyl-exclusive, ebreo, sees the duo flex their afro-rhythmic muscle, placing silky smooth bass over a bed of soft swirling percussion highlighted by a pitched down steel drum. next, an edit first heard on frank & tonys acclaimed resident advisor podcast comes to light. deftly cutting the hushed ambient tones of donato whartons absentia into perfect portions, frank & tony loop brittle bits over a chunky kick and shuffling hi-hat to hypnotic effect. the ep’s title track evokes the sun-kissed euphoria of early hour raves with its lush atmospherics and playfully subdued piano line buoyed by a thick kick and airy pads. finally pavane takes the previous tracks laid back attitude and flips it, adding a thick in-your-face kick and propulsive pads for a foot-stomping, hands in the affair dj weapon.

jacking chicago tracks on this first ep by offenbach s freshmen am unit containing three original tracks plus a solid remix by lauer (one half of tuff city kids). a-sided gotta slow down and hold back are classic examples of dancefloor fillers while b-sided raw jam is a hard and super effective acid track that leaves no-one indifferent. the dub mix of gotta slow down by lauer is an oscillating interpretation of the original track with an efficient piano line! limited to 400 hand stamped and numbered copies!

following the success of left-handed, daniel steinberg’s third full length album, the german producer and label owner has invited a stellar cast of electronic music visionaries to reimagine the lp’s nine original cuts. the much anticipated release, scheduled for march 18 on steinberg’s own arms & legs imprint will feature a wealth of talent including paul johnson, nick holder, 808 state & crazy p. making a mockery of the concept of ‘highlights’, this is a remix album of brimming with exceptional studio craft that glides across a slew of dance floor genres. from the the jacking techno madness of paul johnson’s ‘bones’ to the rock solid funk of crazy ps peace to the silky soulfulness of nick holders no one can change me and the raw avant-electronica of 808 states crucial, its safe to say that there is no filler on this impressively versatile collection. on bringing together some of the most respected names in electronic music steinberg states: its a huge honour, each of the 9 artists have been a big influence on my work over the years. i couldnt be happier with the result.

limited edition of 500 copies on 180g vinyl, hand stamped, individually numbered records, single press only.

as per usual, jwb presents an ep of high quality. this time with the helping hand of t. ruggieri. one can appreciate the grand scale of sounds inside a very deep atmosphere. two great remixes as pablo inzunza (little helpers / highgrade) and gus & bonso (wrong state) tops such a fantastic release.

warehouse find!!! a 100 copies white label test pressing with industrial cyber punk techno tracks rooted in the good old unit moebius tradition and pressed at the now defunct space wars industries pressing plant of guy tavares aka dj schmerzlabor! no nonsense dancefloor material from da goblinn, on this bunker relelated release that never got released because the box with the records got lost in 2013... only a handful went on sale on clone.nl and never got restocked or distributed untill now (only 1 person on discogs got it in his collection!) single sided with nice space wars edging on the flip side! last copies ever...

the third ep of the trilogy works following the releases d6&d7 from sundance in 2012 and flying one hand from op.disc in 2015 comes this one. a) side is the unreleased dub version of the previously released same titled track. b) side is the fine interweave of radiqs percussion + fumiyas base/beat groove with soul vocals. the sound is different from the style of dirtriix works and the each has its distinctive own groove.

kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. this album was put together while harald was taking this course. this album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies. the soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient japanese roland techniques. all recorded on the studer b67 master tape recorder, the heart of the kranglan broadcast studio.

limited 6x lp box set, colletors edition - deluxe thick matte black carton box with golden mirroresque print. handpacked and no shrinkwrap. please denote: boxes can face slight colour fade on print and spots on paper which is due to the nature of the manual bespoke printing and declare no fault. each boxes gets 6x12&#8243,,,,,,,,,, vinyls housed in their innersleeves: 1xmg084 1xmg086 1xmg097 1xmg109 1xmg112 a/b/c/d (2 records)

as point g first compilation is comin out digitally they were no way the vinyl scene gets a real dose of exclusive treat .for this triple pack vinyl only release point g revamps some classics of the label , adds a new cut and get lazare hoche for a reshape of a 98 classic in other words : “braka” gets a serious new mix down with a frenzy pad , “indian “ some dope additional keys “ druker” becomes a soulish fun break beat oriented type of remix ( check also the druker dub )“melik” a new ruff cut “hands” this 98 classic get a reshape by lazare hoche , fat & fay

nomo 002 with four more analog sessions straight from the ocean floor! blue marbled vinyl with handmade stamps and free sticker, inspired by jules verne’s “20.000 leagues under the sea” ... deap-sea monsters and fear of the dark side! vinyl only - no digital release or promo!

the 5th album of boris brejcha is coming with special 500 copies limited handsigned white colored vinyl. additionally the pakage contains 22 songs on a 4 gb usb stick and a 8 pages booklet with infos about boris brejcha and his album.

nice price deal !!! the escape series began in the summer of 2015 as a monthly radio show, including live video, hosted by cem orlow and rts.fm. inviting artists from around the world to share their sound, the escape series built attracted listeners and built a name on its deep and captivating selection. berlin nightlife quickly became familiar with the escape series as well, with regular events in the beloved ipse. now the escape series story continues. we are super proud to announce the first in a series of exclusive samplers featuring amazing talent hand-picked by us and backed by parent-label soundscapes records. presenting escape series 001, featuring stunning work by argenis brito & felipe valenzuela,&#8232,,,,,,cesare vs disorder & weg, jeff milligan und yapacc. four tracks in total, each with its own unique flavor that together, paint a picture of what the escape series is about.

kings and queens marks the return of john brown s body with their finest album yet. featuring 12 songs by lead singer elliot martin and the usual amazing drum and bass anchor from tommy benedetti and nate edgar, along with intense horn work from the jbb horns, kings and queens is a deep record sure to please jbb fans new and old. the vinyl lp includes a download code.

limited vinyl release exclusively for gangsigns72. hand stamped with wraparound poster sleeve. includes exclusive remixes by shit and shine and ras g. support from powell, yo-yo, boba fatt, cherrystones, rocket recs, ross allen, stones throw, wax poetics and okayplayer.

this time we dive into lo-fi area, introducing precipitation, vancouver based artist who delivers 4 cuts of sweet sounding sound sculptures, recorded live in all-or-nothing, single take approach with minimalistic setup, showing real commitment and heart for the less is more process, and a lot of feel for handling harmonies, melodies and moods. all music written and produced by zefan sramek 2015. dedicated to j.l.

skin and bone. a face featureless, white linen. the debut 12” of funeral future greets you with a cold hand and welcomes you into this dark night of the soul. manic pulse, cutting hi-hats, and funereal leads. techno has never sounded this elegiac.

turning into the home stretch, figure hands the penultimate release of its spc-series to an anonymous yet auspicious talent.on his first output under the ubx127 guise, the producer reveals his wares, combining classic bleep techno with just the right dose of acid. the four driving tracks thrive on their distinct synth-modulations, each scurrying atop a firm groundwork of brooding basses. apparent analogue sequencing pervades the whole ep, infusing it with a feeling of constant motion and liveliness.

deluxe lp on 180 gram vinyl with printed inner sleeve and mp3 download code.
kranky, idle hands, 100% silk, endless flight, and entr’acte recording artist strategy with his 2nd further release after his 2015 album *noise tape self*.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

das vinyl kenya special remix bietet einen klingenden vorgeschmack auf eine kompilation, die das label soundway demnächst unter dem titel kenya special: selected east african recordings from the 1970s and 80s veröffentlicht. damit ist jetzt schon mal klar: dieser sampler wird ein fest! die 12 inch beinhaltet zwei geremixte stücke der kollektion und zwei exklusive songs - mithin handelt es sich also um vier songs, die man als afro-aficionado in der sammlung haben sollte.
inklusive mp3-downloadcode.

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, and touring the globe with disclosure as their hand-picked opening act.
bastard jazz has commissioned pomo to be next in line for the fourth volume of their *tempo dreams* compilation albums, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, we tease it out with a limited 7 inch release with tracks from the compiler made specifically for the tempo dreams album.
*blue soda* (part 1) - pomos first original release since his ep in november of 2014 is a typical, rollicking pomo new disco joint with stabbing synths, chopped vocal samples and an irresistible bassline. part 2 on the flip-side delivers more of the same, with a little more of an introspective twist. part 2 is exclusive to the 7 inch only and wont be on the album.

spencer parker returns to radio slaves rekids imprint for two stripped back cuts in the second instalment of ‘no more silly club songs this february. the work them records founder and rekids regular dropped the first four track package last summer, which was a series of tools produced with parkers own dj sets in mind. vol.2 initiates with robust kicks and shuffling hats in silly club song no.5 whilst charismatic chords operate amongst drum rolls and a vocal crying out dance. on the other hand, no.6 follows a similar muscular aesthetic yet incorporates a reese inspired bassline as percussive elements rattle throughout. supported by radio slave, rodhad, dj rolando, marcel dettman, ben sims, mr.g amongst others.

optimos prolific dj/producer/label boss jd twitch aka keith mcivor has curated a compilation of early 80s synth, industrial and cold wave classics and undiscovered gems in collaboration with the vinyl factory, following the cease & desist diy! (cult classics from the post-punk era 1978-82) compilation on his own optimo music label, and youth stand up!, a collaborative recording project featuring young musicians from glasgow, ghana and belize on his autonomous africa imprint.

400, 10inch marbled pink, hand stamped, individually numbered records, single press only. the man behind the very first porn wax returns for the tenth in the collection.

stereociti aka ken sumitani presents his second album lost land for mojuba and like its predecessor kawasaki his new oeuvre is some of the finest japanese deepcore you will come across these days! this long player is taking us on a journey into an adventure to stereocitis ever-changing vast sound landscapes, narrating the story of a lost land. each of the ten songs is contributing to paint you a in-depth picture of a forgotten city which vanished from this earth long time ago, exploring even the tiniest details through a remarkable sound design. a album that will find a place at home, in the club and you heart! available as limited edition 3x12inch lp in a hand-printed silkscreen cover.

in the follow up to huxleys widow ep aus present their second offering of 2016 and in doing so welcome back two label favourites: timothy blake and marquis hawkes as hawkes & blake both artists made outstanding debuts for aus last year, with hawkes having more than a hand in blakes stormy search ep before delivering his own disco inflected hit chances. now we see a continuation of the studio chemistry as both parties join forces and present love precipitation: a pair of no frills bombs built strictly for the dancefloor. playful piano lines and jubilant synths are propelled by expertly crafted 909 drums throughout, recalling in equal measure the classic garage sound of detroit and the soulful grooves that emanated from new jersey in the 90s. with hawkes & blake aus continue to maintain the high quality in 2016 and offer us an insight into an exciting new production pairing.

repress !! having wowed critics and crate-diggers alike with 2012s acclaimed magik cyrkles compilation, psychemagik are now ready to unleash the follow-up, magik sunrise. bristling with psychedelic, cosmic and curiously balearic oddities hand-picked from the depths of their vast record collections, magik sunrise is, if anything, even more inspired that its predecessor.
given that magik cyrkles was widely considered to be one of the best compilations of 2012, that is some feat. that collection garnered praise across the board, appearing in the end-of-year charts of rough trade, juno and piccadilly records. as if that wasnt enough, dj magazine also described it as f***ing great! for magik sunrise, the kent-based duo has dug even deeper into the dusty corners of their record vault, deep in the cosmic forest. the result is another inspired, 15-track collection that gleefully skips between all manner of forgotten gems and little-known nuggets, occasionally stopping to acclaim an otherwise unknown track or artist.

third release on freakadelle records imprint franse. cold winter nights needed to be used for some heated production sessions in the cellar. the result is a raw shuffling mover, which evolves from an initially broken rhythm into a deep stomping 4-to-the- floor creature, accompanied throughout by typical franse mysteriousness. hand numbered, vinyl only and limited to 170 copies.

l_ is the moniker of the brazilian producer and sound artist luis fernando. having released his debut album love is hell in 2014 through the berlin-based antime imprint, he also received attention with a slew of remixes and contributed to several compilations, most notably »hy brazil vol. 7« which was hand-selected by chico dub, one of the most important figures in the brazilian electronic music scene.
the 6 track vinyl release includes a download code.

side a
* 4 u (kick back mix):
warm and bouncy emax samples with screwed g lyrics – laid back evolution of drums – unexpected break announced by air raid siren and followed with euphoric disco theme.
side b
dedicated to late night club session.
* station wave (club mix):
heavy nonchalant slap bass – progression of house stabs and altered drums – final stage with infected juno voice.
* sneakers 91 (intuitive mix):
efficient wooden piano bass line – 90s digital horny horns – fatal female beat-box voices.

pure techno bliss on resopal. french techno ambassadors vakarm and shekon welcome us with four dark, straighter and more paranoid techno weapons on voices ep . -voices- presents an old school, intense techno vibe with a grinding synth hook, leading us into the heart of the beast. taking the best of techno s oldschool-era drums -- combined with the producers top-class production, it s quite a handful. fragile features a stoic rhythm and sparse sci-fi tricks turning the track into a hypnotic tool. -grel- lays down a pounding bass-end topped with spiraling layers of synth. shekon s rework of -voices- shouldn t fail to set dancefloors on fire. after a massive build-up, tricky percussion combines with sci-fi effects and the synth theme from the original. big prime time techno

rimming records is a new underground label. vinyl only and no repress, catch your copy now. the label stands for quality house music, with quality artists. but there s no need to announce them, quality music always finds the way into the right hands.

repress !! it s been said that the day unravels what the night has woven so that each morning, we hold in our hands a few fringes of the tapestry of a lived life. the act of remembering is more like forgetting. for it is only when a memory is recalled that the fragile and forgotten quality of memories are revealed. we go about life weaving fragments together, fragments of ourselves we find staring back at us as we remember conversations, smells and quality of light.

streng limitierte 12--edition (150 stück), handgestempelt und bestickert. ein wunderschön-episches kraut-yacht-rock-psychedelic jazz-groove-werk mit gitarre, percussion, analogsynthesizer, flöte, sitar, bass, orgel, alles eingespielt vom großmeister roberto di gioia. gold ist das metall der götter. pur, elementar und unschuldig. die musik wurde komponiert für und basiert auf einem theaterstück namens gold der avangarde-theatergruppe hunger & seide. alle instrumente wurden vom legendären genie roberto di gioia (hobby, marsmobil, max herre band, udo lindenberg, klaus doldinger s passport, u.v.a.) eingespielt. der multiinstrumentalist , songwriter, preisgekrönter jazzmusiker und interpret roberto di gioia arbeitete auch an produktionen und live-performances mit Âme, peter kruder, dj hell (gigolo), wigald boning, beanfield, console, notwist, helge schneider, trüby trio, christian prommer

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

van bonn presents on his new ep pluto dedicated techno music with a dubby edge. every tune of the ep points and reflects a different situation of the night. the eponymous opener pluto delivers a powerful groove full of drive, massive chords and sirens to thrill the air. twisted elements spice the dubby elements that melt into a massive break. 2650 pleases with a forward driving groove and modulated chord stabs. the massive bass goes hand in hand with the overall positive vibe created by subtle shifts of the harmony to round off an evolving tune that points on the dancefloor. the two heroes brendon moeller and eric cloutier remixed van bonn s original mixes. it needs to be said that it is amazing to welcome these two artists on this ep with their fantastic reshapes. brendon moeller remixed pluto and presents a stripped down, groovy and dubby affair that fathoms the wideness and depths of the original mix. brendon moeller s remix proves again that less is sometimes more. techno dub at its best. eric cloutier s remix of 2650 rounds off the ep with a gentle and deep driving dub house vibe. it is presented in the stripped down eric cloutier sound . full of details and little changes does eric cloutier s remix tickle your eardrum that makes you long for the next neverending open air session. but don t forget to go home.

newly established berlin-based vinyl-only label dreiklang dive straight into the physical world with first contact. the label’s distinctive triangular concept is reflected in its name with dreiklang pursuing a three-fold approach to electronic music. each release presents three contrasting takes on the same source material, juxtaposing and unifying three particular electronic music sub-currents. for their first outing, dreiklang call upon an international team of producers with och, hydergine and kelovolt dropping in for their respective shots of tech-house, dub techno, and dark drone techno. the tight three-tracker will see the light of day on a 500 limited edition run of 180gr high-quality wax with the beautiful hand-drawn designs of berlin artist nils altland gracing each sleeve, transforming the covers into individual works of arts.

the second issue of tiptop audio records attests to the labels attitude towards developing a nuanced sound set to become a standard for production.?the line-up for tiptop records includes big names of a scene now described as modular techno, which consists of a fast growing group of artists interested in expanding their compositional techniques through modular synthesizer systems. the vinyl format is a testimony to the labels dedication to produce music in a physical form. the result is a?four side, double lp packaged in original artwork (including a special poster) by italian artist matteo giampaglia, with handmade lettering by caterina scardillo. it is an invitation to a territory of oscillations, and?a trip of 10 (+ 2 extra digital) tracks that reconsiders the concept of sound design applied to electronic club music

derrick carters seminal sound patrol album originally released in 1994, * sweetened - no lemon*, will see a re-release in january 2016. the alias provided a place for carter to explore deeper and sometimes more atmospheric styles. the sound patrol record originally came out via chicagos organico label, while derrick carters own arts & labour is handling the reissue. the triple vinyl re issue adds four new unreleased tracks. the whole album has been re mastered for 2016. this follows a limited edition sampler 12 inch released in 2015 which contained another 2 unreleased tracks.

the energy and versatility were used to when reinier zonneveld takes the decks is immediately evident in his latest ep. opening preceedings with sharp bust, a straight and to the point trancy bassline leads the way. decked by mechanic stabs and hi-hats, the groove is simply hypnotic and relentless. rushchamber, on the other hand, bears a subversive groove, with a minimal and dark bassline. glitchy cut up vocals give an eerie feel, as the whole atmosphere becomes more and more immersive by the way of multi-layered drums. the final offering, flatchat is anything but flat. its intricate groove shares the dark and immersive territory of the previous track, while another set of cut up vocals draw instant attention. a descending lead padded with reverb and stabby synths, the last track rounds up the release, ending on a grave and intense note.

180 gram vinyl. initial copies in hand-made screen printed sleeves. fresh, genre bending interpretations from barac (romania) and dbridge (uk). these two inspiring producers provide their modern touch to the contemporary dancefloor continuum: dbridge offers an up-to-date hybrid that straddles the line between techno and breakbeat, while baracs extended mix is a deep and hypnotic journey through space. dbridge represents a milestone when it comes to uk dance music. being part of the legendary drum and bass group bad company in the late 90s, running his extensive label exit records, and regularly releasing on boddikas nonplus, metalheadz, as well as r&s, he has gained an enviable reputation as a specialist with a modern take on techno and breakbeat variations.

recorded live as part of doug aitkens station to station. manufactured on the vinyl factory press. hand-crafted, mixed media artwork by abaeke studio(abaeke, vincent humeau, tilly thompson, alex lunn and emma berit smit). mixed media used: ink pads and woodglue mixed with sand. music produced by justin stanley

for their first ep, palma deliver a mixture of fast and melodic techno. composed in the heat of the summer and the moistness of a tiny room transformed into a studio, the three musicians handle drum machines, sound modules and effects to re-interprate 3 tracks from their previous live set. the a side is minimal and discrete, while providing with a strong theme. on the b side, palma show a more powerful angle to their music with heavy stabs, acid basslines and pounding drums. here is the first 12- of a series focusing on jams and live sessions

miss djax has the tb303 in her dna, that is no surpise! but there is more to discover on her new album flight 303. miss djax blends her musical past with the future and mixes old school sounds with influences from nowadays dance music. to think out of the box has always been her motto. therefore flight 303 cannot be labeled as a typical techno or acid album. and there is even more then just music on this release. exclusively available with the vinyl album of flight 303 is a new miss djax comic by alan oldham. the album + comic is released in a limited edition of 303 copies only and each comic is handnumbered by miss djax herself. the comic has also been animated into an amazing videoclip by vj yzco.