the second offering from no more to roam, comes from one half of 2deepsoul, rai scott. a 3 track ep of low slung, sultry beats. clarinet moods, the eps namesake, comes in two different cuts both with the clarinet skills of rai herself, the melody mix is real nod to the afterhours, subtle drums & a haunting clarinet lick, while the lazy dub a little more upbeat, still has that afterhours vibe, carried with the clarinet & simple percussions, closing things up here is move to the front built for the dancefloor, a rolling bassline & synth, layered over a rolling percussion makes up the final cut.

this is the second record of the modern house quintet, a french band who makes house music. like the former release, this new one features two house/deep house tracks: * marmande* starts with a lush pad and staccato bassline soon joined by percussions and an organ chord. the second part of the track introduces gradually a flute line plus a powerful open hi-hat. * bellevue* opens with a pad and a filtered rhodes synth supported by a low-fi bassline. that structure evolves step by step until the break introduces strong open hit-hats followed by another flute line.

valioso013 comes this time from our beloved italian friend, mattia lapucci, his mixing skills are likewise his productions, just absolutely incredible. minimal in his perfection with classy drums, trippy percussions and synths are involving through the whole room when you hear the bonaffucci ep, but not only the originals are made of high quality sounds, regarding to the remixers section with vera, famous for her appearance at perlon, comes out with a very special remix as well as piticu, the outstanding talent from bukarest shows up with a drivy, romanian high class eat.

its not often you hear a techno record produced by a total of five people. when it happens, it’s usually to mark a passage and make a statement. sometimes it is a matter of celebrating a rita of passage, a shift into maturity and the embodiment of a new skin. this is what repitch is doing with the fourth and final installment in their “features” series, reuniting all the crew for the the final blast of what’s been a long and massive barrage of heavy techno. this is the collaboration to end them all: repitch founders ascion, d. carbone and shapenoise have shared the studio with longtime allies and. together, they explore a common ground made of pounding metallic percussions, gutwrenching bass and thick, furious grooves, with each producer bringing his own peculiar contributions to the table. this last installment marks the end of a process that accompanied repitch throughout its whole existence, thus enhancing the beginning of a new chapter in the label’s creative output.

crossing back on the floor. avion delivers 2 new techno slices packed with mastermind remixes by tripeo and blind observatory. the release starts with the ‘intro‘ which brings up the mood of the record with futuristic signal bleeps and a warm analogue pad surrounded by kicking and stuttering percussions. the original of ‘centum‘ starts slowly to bring up heavy bassline surrounded by bright noises and alternating noise swirl verbed to voices highlighting partial explosions to end with bleep and soft strings. crossing 006 this time welcomes two fantastic artists as remixer and lays down ‘centum‘ to tripeo and blind observatory for their re-­&#8208,,interpretation. tripeo stays on the rough and kicking side of techno and delivers with his interpretation packed with the original strings and an analogue synth noise accompanied by a straight drumwork and cutted hi hats a kicking weapon for the floor. the myterious blind observatory takes the vibe of the original and pumped it with an acid bass to create a parallel universe built by dreamy strings highlighting the rides to lose control in the perfect moment. a real dancefloor killer.

this is barcelona s bld first ep released on a different label as bld tape recordings. a1 track, original secrets where bld give us a highly hypnotic and energetic tool assisted with original rhythmic patterns.on the a2, alfonso s remix pumps along with a rolling acid bassline added to tough percussions from the original track. limited copies!tracklist:a1 - secretsa2 - secrets (alfonso remix)

let present you our next piece of jewelry, the womb ep . neverm!nd appeared for the first time on wirsindeins recordswith a remix of iori wakasa his track take u antarctica and now they are present with their own ep. the womb shadows and mobiers three tracks full of nicely matched percussions, tight baselines and greatful pads. everything your heart desiresand the demands of your mind of course. higuchi, our first family member launched its 2 track ep in 2013 on our label and now he is supporting this huge release with a brute and yet beautiful ...

the vfmm is back with a cracking new 12- by one of the label s dearest producers. the underground wolfpack proudly presents again one of its leading wolves, kai von glasow and his newest output: a mesmerizing and bedazzling 4-tracker piece of vinyl replete with neatly arranged techno soundscapes that bring about a feeling of satisfying gloom. and yet, whilst listening to these soundscapes, the compelling and driving force of the entire musical arrangement of each track sets free an unremitting urge to dance the night away. this piece of vinyl is designed to take full control of the dance-floor by pouring out its stomping and fierce percussions. be it as it may - you ought to listen yourself! this record comes as a white 12- and is fitted with hand-numbered out-of-250 labels as well as a beautifully printed cover-sleeve. you had better buy one copy as this 12- will be sold out sharpish. the vfmm recommends the underground movement

kaffe crème, 21 years old, is finally releasing his debut vinyl ep on his own imprint moonrise hill material founded in february 2015.this year, he took part of multiple projects in addition to the production of this ep such as a jazz house live creation with piano, flute and percussions and the composition of an electro-symphonic artwork. due to his classic, contemporary and jazz percussions practice and his love for old school and electronic music, his ep retraces all of his influences and recounts the progress in his musical research this year.

love potion is very pleased to introduce this killer 12inch by viktor birgiss. after creating some serious buzz with his live set at the impeccable sónar festival in reykjavik last year, this 12inch is further proof that the dude is full fledged. tomorrow is a gorgeous deep and twisted melodic cut, topped with a soothing vocal. on the flip you find shine and my neighbour.shine is a warm and bouncy cut, perfect for the summer terraces.my neighbour is more direct and raw, drifting on a rhythmic swell of percussions and a hypnotizing vocal loop, it really sums up this ep and what viktor birgiss is capable of

das vorletztes 50 weapons release vereint die neue berliner technoschule: rødhåd trifft hier auf die drei fjaak-jungs, eine kombination mit fatalen folgen.
• * super smash* (angelehnt an super smash bros, ein nintendospiel, mit dem die jungs sehr viel zeit verbracht haben) ist ein fjaak powerhouse-banger wie er im buche steht und der lange zeit als opener für ihr liveset diente.
• während fjaak sich auf housige synths verlassen, taucht mike bierbach aka rødhåd direkt ins dunkle. sein -oblivious- paart fast schon paranoide percussions mit typisch dystopischen synth-flächen, die in der ferne heulen - wahrscheinlich in trauer über 50weapons.

drivetrain (detroit, usa) – “stranger it feels”…derrick thompson freezes time with a multi-functional floor-banger/dj tool, fully stocked with sonic illusion and legitamcy. the tribal vocal intro paves the way for combustible percussions and a toxic bass line. jace syntax (glasgow, scotland) – “basicz”…pounding rhythms join a subsonic groove cutting through a deeper, melodic soundscape. add finely tuned vocal samples and harmonic ambience for a pure subterranean, late night audio rendezvous. cloudmaster weed (meaux, france) – “consciousness”…an aggressive onslaught of smoke-stacked electronic musicality. the anesthetic bass escorts a mind-expanding squad of voices, pads and effects to a point of delinquency. detune (ghent, belgium) – “dualty”…an electrifying, multifaceted production, that effortlessly seizes it’s own identity. dynamic chords resonating through the magnetic, percussive palpitation, produce a sophisticated unyielding debut. - the absolute sound of true intelligence…is clockwerk -

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

professor inc returns to boe with a four track ep of low slung heady house vibes, thumping drums and searing soundscapes. punchy 4/4 rhythms and throaty chords of crazy grace the aside where neat percussion sections break up dubby sweeps and deft ambient samples. the rolling loose beats and haunting synths movements of undergound sit nicely inside and offer a pumping club cut. the glorious strings of life after asylum play nicely with vox synths, weird samples and some weighty low end. rounding out the ep, put up the vibe skips and swings with fizzy stabs, modulated percussions and warm grooving bass.

after remixing idriss d’s “alger”, eduardo de la calle returns to memento records with a 2 tracker. the spanish vinyl maestro, analog solutions label owner and beatz documentary maker delivers 2 majestic cuts of deep techno at its best, inspired by the early ricardo villalobos music released on kanzleramt or playhouse some 15 years ago. following the same ideas of building and de-constructing sound patterns made up of pure minimal elements, eduardo here tries to be as simple as he can: direct and repetitive, back and forth non stop compositions that take on a life of their own as they expand and contract. the ep was made in a week of intense and mesmerizing studio work. * die einführung* is a 10 minute number where korg poly 61 arpeggios and spellbinding melodies draw the listener down a psychedelic hole of frequency shiftings and lysergic percussions. * sonst werden* is built around hazy chords and ghostly vocal snippets soaked in a feedback of tape delay, sinister ambient sounds vibrating in the background.

anubis ep wants to bring back metaphorically that solid foundation of reality through music and feeling. the first track, anubis, like the egyptian god, provides a safe passage to another world through its dub chords, dark techno berlinish synths and hidden messages in the voices scatters on the whole track. the remix, made by canadian based artist hooll, has a more minimal and deep dub approach completing perfectly the other side of the journey. finally the last track, thoth, represents a mediating energy between dark and light with raw low ends and groovy percussions creating a wormhole like journey for the listener.

nice price deal !!! its a fact, argentina has been providing us hi-intensity doubtless quality techno during the last years. this record is a perfect sample of what is coming on. jonas kopp invites the new young values of the local scene to show the sound of buenos aires. classical percussions and synthesizers which evolve to paroxysm, surround sequences and metallic texture determine the character of this four track vvaa.

straight prime time techno! industrial sounds with explosive percussions form the basis for the next teja ep called napalm. including 2 different interpreted and wicked remixes from diarmaid o meara & blaues licht.

this ep represents all the universe of easy morph, a dark, mental techno mixed with high pitched percussions and colorful synths. the duo is already working on a new release. feel free to check our facebook page for gigs, new releases and performances from our street artists.

** ltd 120 units **
this is the first record of the modern house quintet, a french band who makes house music. it features two house-deep house tracks: * bosphore* starts with a piano loop and a deep house bass line which are steadily joined with several other chords, percussions and a jazz guitar. * venise* begins with a bass line and a piano chords which progressively evolve until the break introduces heavy open hit-hats and then, a flute pursues and concludes this deep house trip.

we had no choice but to bring back our friend kiko navarro after the success of the new life ep released on local talk earlier this year. isao is kiko at his finest, a beautiful and hypnotic house track that has the perfect blend of afro and latin elements with a bouncy electronic edge. theres also a mighty fine remix coming from jose marquez. jose develops the vocal elements and brings in a whole orchestra of drums taking the track in a sweatier direction. kiko also delivers a koki dub where he continues on the same vibe and adds strings complimented by shakers and percussions throughout the track.

neues clubfutter von drew lustman aka faltydl! der titletrack ist ein genial treibender technotrack der die dancefloors der welt im eiltempo erobern wird. die flipside bookaloo begeistert mit subsonischen bässen, percussions und feinstem maschinen-funk! check it out!

mindcut presents the next solo ep by no less than kamikaze space programme who had his first label debut with rattle ralf on catalog number 4. ksp also released on the famous luke slater label mote evolver and now he returns with a full 4 tracker on mindcut. his style is well known for rhythmic beats and organic percussions sounds which are reflected in 3 true techno tracks and a stomping myler remix

resolutely electronic, ambient and experimental with a techno key, küjuu delivers an exploration jerked and pulled about, meeting distance universes behind melodic songs found in first titles. percussions and harmonic beats makes travelling alongside a tumultuous path and at the same time, melancholic and & deep. sincerity and compositional skill, this ep takes mystery under an overpowering and rough deep bass made listening and elastic, propelling an evocative and ethereal line.

the first vinyl edition of the label moonrise hill material presents the differents artists work which will composed the label. funk to ambient, with proper jazzmen groove, where the house music predominate and appears like gold in every tracks with something which united them. the vinyl starts with « fucked up jazzmen », powerful track with jazz and hip hop influences from folamour, french producer which the last release on fauxpas musik is a love declaration to the sampling and to the 20s grooves until today. next listen with « jack my sista » from kaffe crème, french producer who takes the auditor in a perpetual modulation of the pads and bass under a syncopated rhythmic, between a real game and the tr-808. there is passion and percussions talent that comes to his classic formation in acadamy. the other side begins with « manhattune » from ethyène, soul anthem from 70s mixed to a proper chicago deep house rhythmic. after a empty period, the french producer annonces his next releases for the coming months, where samples and groove found a paramount place. the release ends on « cosmic spirals » from the lyonese okwa, who reveals his love to the electronic sounds for a half path ballade between dark walks and dance floors. after a great ep « preacher », in which he develops a returns to the 90s house music. focused on poetic house music, from the one that you can t stop dancing on to the one that you want to keep for yourself, the label defends the preciousness of every musical journey and the sensibility through beautiful stories.

after seducing people around the world with the future classic into the sun on local talks oneoffs label and footwork anthems on don t believe released on studio barnhus it s now time to present daybreak or as tooli described the track the first time he heard it -it s like listening to deep burnt part 2-. perhaps it was the jetlag (tooli arrived in nyc the very same day henry sent it) or the fact that it s a straight forward deep track with lush strings and no fuzz included. it s up to you to decide. for remix duties label boss tooli was brave enough to have a go himself and recorded some piano chords and strings. on the flip is where the real magic happens - parkway records head honcho mark seven, considered by many as a dj s dj and mighty fine producer, delivers a remix that takes you on a journey and a half. it s deep, got tons of percussions and lures you into afro territory. if body and soul was still around this one would peak on a sunday afternoon.

cheerful percussions and a nice bassline with a good vocal welcome us for the first track same named as the ep. the remix version is made by enzo siffredi, one of the stylerockets-newbies and a high talented dj and producer based in brighton. the remix version is more ticked and pushing. pitch pink is number 3 and colours up your life with a perfect sound arrangments. elmar strathe pitched a bit more and gave a great remix track to the ep.

south american producer and jesus was black newcomer artist liro throws down a great ep just in time for summer. tech groove, deep and the most important its dark with solid atmosphere guided by simple and effective voices and percussions, dope!
support by maceo plex, sebastien bouchet, john tejada, maris, nima gorji, elio riso, cumhur jay, huhuhu!, de-bug magazine, ibiza sonica.

metereze keeps a steady path of releases and this time around it is young star vincent iulian who picks up the ball and delivers four astounding tracks on his four quarters ep. also a native of bacau like dubtil and raresh among others vincent has already released on labels like naural or moment.
started is probably the grooviest of them all and for sure youve heard it before if you’ve been attending the right parties. breaking the boundries between techno and house this is a true masterpiece. on the same side he also shows a more relaxed atmosphere filled with jazzy percussions and easy synths. stors kinda makes you stop and dream for a while.
first on side b we have another dancefloor monster. no more is is driven by a hypnotic synth and infused with enough drums to keep you on the move for the whole 7 minutes. le van a cantar keeps the catchy driving mood but this time iulian explores a more broken path. bubbly voices, snares and a haunted synth emerging now and then make this corner as interesting as the rest.
four quarters is a must have for any serious collector. not to mention if you are a dj.

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) – take your time…a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) – “the earth grid”…moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) – “his brief moment of clarity”…boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) – brightened horizon…a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

two mixes of mr raoul ks opus break your chains and return to botswana. kaito takes a step back and uses parts of mr raoul ks tricky beats as a rock solid base to build his soundscapes on. his mix is like the soundtrack to a movie dealing with alienated individuals who try to escape imprisonment through an endless desert.

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

nulectric records starts their first vinyl series with this four tracker, filled with exclusive tracks by its main members.
*hopeful* is the second release on nulectric records by nils bentlage and the first track of the ep. he created a techhouse influenced beat with decent choirs and rolling percussions. philipp lammers and ni no teamed up for *speaking up*, a constant groover filled with hip shaking percussions and glitchy vocal parts. tension continues with a minimalistic and mysterious groover called *dazed*. deep atmos and a jumpy bassline are creating a mood the title is promising. tim rehme follows with his interpetation of deep and dark house. *gravity lane* provides a perfect mood for the afterhours.

both tracks are an orgy of dark analog synths, old skool percussions and perfectly placed breaks, which keeps you in tension from the first to the last beat. the perfect weapons to raise to hell any dancefloor. b sides calms down a bit with a great dose of deep house with a tasty south american flavor. emerging peruvian artists israel vich & jairo betancourt (get physical, king street), delight us with your control .

the second release on kitjen is yet another dance maxi that is destined to not leave your bag for a long time . the a-side features ondulè a track by our friends tambien from munich. its irresistable groove stretches over 8 minutes, supported by twirling percussions and flickering synth sounds - a piano chord drops every now and then to keep you grounded. until finally, the ends elf-like scats take you away for good. flip sides to find kornèl kovàcs work his remix magic. hear a stripped down version of the original that builds slowly to develop an epic drive with dark melancholic chords and thriving baseline, guaranteed to get some hands in the air at clubs and festivals around the globe. kitjen hopes you enjoy this summer gift

tresor is proud to welcome mønic to its catalogue.
head of osiris music, mønic is an accomplished producer based in the united kingdom. his style can be de&#64257,,ned as raw yet exceptionally re&#64257,,ned, allowing for a certain industrial inspiration to ooze from his productions and outstanding sound design. * parsons hill* opens with tumultuous percussions that continue to escalate throughout the track as an eerie looming synth dances above the kicks. alternatively, * morse* reveals another side of the artist with a more serene attitude. here, static passes through a magnetic &#64257,,eld with a constant palpitating bass. * hollow victory* opens with thunderous clangs and a &#64258,,urry of ominous chimes that echo through the darkness swirling above a pulsating heartbeat.

ltd to 300 copies... for its eagerly awaited 11th release, unclear records present giulio etiope feat. giak & hester. the riverside ep sees the klang club residents deliver 3 super stylish tracks backed by a manic remix by gerry read, a mind blowing musical experience that stands out once more as a true masterpiece on the labels catalogue. title track * riversides* classy piano chords and kaleidoscopic mood bring up colourful visions, while the gerry read remixs staccato groove and improvisational stop & go swings are purely jazz inspired, surrounded by free flowing sounds and a pounding speedy beat. * summertime* is built around a steady tom-and-shaker groove, with atmospheric vocals and dreamy pad melodies, while * e15 2rg* is introspective and dark, its aqueous percussions slinking off with time stretch effects.

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.

rising label 04 is coming with a very complete ness ep which includes a ben gibson remix. >chronoscope< is the intro track that opens the release, a beautiful landscapes piece where ness shows his love and dexterity for the ambient music. following, >pantropy< is already starting with a heavy kick, far voices layered between the percussions and a sweet melody developing and coming up with that >trancey< touch that ness is able to do. on the b side comes >uchronia<, the track from where the release take the name, a strong broken track with shaped and dynamic percussions where some >chronoscope< landscapes are used flowing as the track goes on. to close the ep ben gibson delivers a classy >uchronia< remix going simple but effective, a perfect balance between gibson style and ness track that totally works out on the floor and makes the prefect closing track for that release.

ltd edition 100 units
la cimenterie is very proud to present you its first ep. the alan du coq project is an independent venture led by french producer lemon mcwright. magical encounters with talented musicians characterize this first release full of groove and good vibes. anne la pitch is a funky tune featuring saxophone maestro fredmelosax (long time collaborator of playin’ 4 the city, dj deep) that will definitely get your groove on. brazilialan is soaked with brazilian flavours. a sexy and classy bass drives the track accompala cimenterie is very proud to present you its first ep. the alan du coq project is an independent venture led by french producer lemon mcwright. magical encounters with talented musicians characterize this first release full of groove and good vibes. anne la pitch is a funky tune featuring saxophone maestro fredmelosax (long time collaborator of playin’ 4 the city, dj deep) that will definitely get your groove on. brazilialan is soaked with brazilian flavours. a sexy and classy bass drives the track accompanied by percussions. a perfect vibe to give your night a live and tropical twist.finally, pompe le pad is… pumping, giving you that wild energy you need at 3am to get those booties shaking and bouncing…nied by percussions. a perfect vibe to give your night a live and tropical twist.finally, pompe le pad is… pumping, giving you that wild energy you need at 3am to get those booties shaking and bouncing…

after their split ep released in may 2014 on hilltop imprint (the label they have founded almost two years ago) the two parisians sign a second ep. same cooking, same formula : techno music, house music, percussions, aerial pads and keys completed by a remix from tite (fragil musique / society of silence), well executed, punchy and trippy.

after the first ep lately in 2014, unknown berlin-based artist rhythmath deepens with its second release to keep spreading dynamic, mental-not-mental, dance-floor friendly techno music.with the aim of letting crowd dancing loosing the sense of time through structurally- functional tracks, filled by intriguing deep-minimal elements and energetic percussions, rhythmath #2 rises from the most hidden mathematical theories linked to music – in particular, rtmt explores the euclidean algorithm, translating it into four lusty cuts characterized by an intense and smart fusion of drums, claps, synths and breaks.-

the sailor is the first release on rarehouse records and the debut of one of its founders paterre. it s a fine peace of house music, spiced with some driving 909 percussions and topped with a deep warm chord sound.

the original opens with a field recording intro followed shortly after by heavy bass shots and a pulsating kick drum. snare patterns and an underwater synth melody hit the speakers with an abstract touch, while halfway through the pace changes with a new bass coming in. an experimental and brave track, it reflects idriss djing style and his long sets, going into different mental spaces, a wavelike combination of beats and up&down rhythms. eduardo de la calle s trademark analog sounds fill his tribute remix with acid keyboards, rim shot grooves, industrial noises and metallic vibes, swinging with a rolling bass line and bringing the original percussions to the fore.

i am very happy and excited to present the new ep by claudia anderson on singular rec., its her second release on the label and its a real pleasure. she cooked a really varied record once again, liquid forms takes place on a1 and its real voodoo here, the effect of this track is very unique, it’s space and deep, surrounded by many little effects that give such a special result, then comes neutral state, a timeless dub & house feeling, very loopy, that reminded me some stl cuts. be one opens the b… i ve been really sensible to its very sexy percussions play and delayed lead, it transports literally during all the length, its very high quality. to end properly this ep, claudia did a superb ambient cut, everybody knows i love ambient and so here i ve been charmed… its a deep, noisy atmospheric track that close the all perfectly, with simple little percussions that come and go, just what it takes… its a confirmation of all the good i thought about claudias talent, a very subtle, deep and charming record, and i hope you will like it as much as i do! marcelus.

morris audio welcomes italian hot shot kocleo! a skill full dj and producer, kocleo has been releasing his music on labels like definitive and recently on kerri chandlers madtech. the 4 tunes of his *float* ep are pure tech house. *float* starts with lush organ stabs with echoing vocals and strings, continuing with a bass led house cut and percussions. the deep and dubby *float* remix is by another up and coming versatile italian producer: whitesquare (skint, noir or defected).

isabel, the first of a new attic series dedicated to hurricanes, is the latest ep signed by fabrizio lapiana on his own label and including remixes from reeko (mental disorder / pole group) and max_m (m_rec ltd). lapiana delivers two tracks with mighty and warm bassdrum, hihats and evolving percussions everywhere focused on diffuse electric click and vivid minimalism. the pole group artist shapes “dfract” into a more bodily and harder structure while the m_rec boss takes the same track and makes its own atmospheric and ultra-rhythmic style. proper dirty dancefloor techno of the highest order.

amazing dub techno. new wavereform by qindek. 1o years of experience as an artist, including gigs at amsterdam’s legendary trouw and his ground breaking appearance on darko essers wolfskuil label speak a clear language on the 4th release of our artist series. a mighty and warm bassdrum, razor sharp hihats, evolving percussions paired with athmospheric shadows throughout the deepness of dub will easily let you imagine the view out of qindek’s studio window onto a fog layered meadow. this two tracker by deventer based qindek was made to explore well hidden spaces in your mind and on the dancefloor.

subjected, boss of the vault series imprint, makes his warm up debut with his rest one ep. the release includes two original tracks plus a remix by oscar mulero. rest one is based on a cemented beat made of metal hits, fat kicks and abused hi hats. the synthetic sequences, deep sub frequencies and aggressive drones move along the beat changing shape and evolving as the track goes on. shift is the second number, sci-fi arpeggios, subtle kicks, moving percussions and an hypnotic arrangement. oscar mulero reshapes shift by preserving the original arpeggio, adding effects and peppering the track with synth stabs in a constantly changing structure.