a1 nubian mindz - deep in raves: well known for his versatile and rich production, colin delivers once more. with a quite suitable name - deep in raves is just that. a deep plunge into dark and rave-like atmosphere. after a short intro layered with an ominous voice, massive bassline takes over and drives the track through the darkest curves. enriched with short percussions and a synth stab this is quite a stomper best experienced on a good club soundsystem, preferably in the dark. a2 volster - nebula: almost obsessed with audio purity, volster manages to combine new and modern sounds with old-school genre roots. nebula is all about complexity. although it is based on an electro foundations, it s so much more. space filled with an oscillatory synth motion perplexed with smooth pads that gives the impression of an interstellar properties. no detail is left unengaged, from the 808 that keeps everything in motion to the subtle amount of panning. this is a beautifully crafted story by a producer who is slowly but steadily growing into one of the best croatian artists. b1 lucretio - dracula: the most famed beard of cadoneghe/italy has pulled another magic gem from his music source. widely known for his relentless tendency to push the analogue spectrum to it s extreme, lucretio surprises once more with his ability to blend simple pieces into an effective sub storm with almost comic like features. dracula is not your conventional tune and it s pretty obvious why as soon as you put the needle on. broke down rhythm is heavily fueled by polished but enormous sub background with sparse and ¥in your face¥ shots. seemingly random notes take a gloomy and powerful form during the break and soon the lurky atmosphere comes into picture. this is truly brilliance in it s full simplicity. if only bram stoker could hear this, he would probably be both stunned and amused! b2 james booth - jxst do it: one of our goals on vakum is to be on a lookout for a new and promising talents. berlin based james booth surely fits the bill. jxst do it is a seriously crafted track with rich rhythmic section wrapped in a steady build up. after the initial break-beat intro sliced in short chunks, subtle 303 bassline takes over and the rhythmic game begins. booth delivers a perfectly timed cuts accompanied by a diverse palette of percussions. this is a perfect piece for those build up moments in the club..

sebastian fiegen rolls out his debut solo release for cadenza records this spring, with a trio of excellent house cuts on the theofidelity ep. the german producer has been crafting quality productions for some time now under aliases and collaborations, and its on lucianos label where he makes his mark as a solo artist. dopeman opens the ep with a rolling chi-town house style groove, a simple yet effective filtered vocal loop and sustained strings harvest the feel good vibes over its solid beats. fiegen keeps up the pace with anando, more drum led house grooves with a high production value, the vocal refrain cutting in and out of the mix whilst the simplistic bassline and woody percussion maintains the bouncing vibes. closing the ep is th01, again coming correct with the feel good factor with its use of the looped sample and lazy, hypnotizing drums. a cracking debut production from fiegen, and a well rounded release for cadenza.

debut ep from industrious detroit-based dj, producer and live performer, previously seen on the nite owl diner. 4 effective, infective, face-melting techno cuts. original hand screen-printed artwork.

leibniz takes no prisoners for his return to shtum. his new ep sees the leipziger by choice in best form. harsh but fair. -grind- is a masterpiece in the matter of building up tension with only few but proper elements. amen to that drumming and when the strings come in the dance floor is probably already burning. -foolish- is no less effective with its ultimate kick drum action and the way the pads are manipulated. romantic leibniz. on the flipside you get the vibrant -this is- in two versions. the -brecht mix- screams rave in capital letters with the bleepy synths and hard snare drum while the -scuff mix- trawls through dark and unearthy techno territories. no-nonsense music.

arts desire for the best, in this case we are pleased to welcome you one of the future iconic artist talking about functional effective techno, jeff rushin debut on the label is a perfect craft of what this artist knows best, functionality. 4 cuts that stands out from any bag out there, use carefully.

j.c. with part 2 of his rebellion of the overman project dropping some physical techno tracks that will work the body and mind!. j.c. communicating through his machines and laying down solid grooves and effective machine rhythms topped by vulnerable contrasting synths! strong stuff!!

jacking chicago tracks on this first ep by offenbach s freshmen am unit containing three original tracks plus a solid remix by lauer (one half of tuff city kids). a-sided gotta slow down and hold back are classic examples of dancefloor fillers while b-sided raw jam is a hard and super effective acid track that leaves no-one indifferent. the dub mix of gotta slow down by lauer is an oscillating interpretation of the original track with an efficient piano line! limited to 400 hand stamped and numbered copies!

torrential results from the orderly geometric spatial arrangement of sounds and pulses within the internal structure of these new tracks. the rhythmic structure is based on regular internal tonal or sonic arrangements that are often expressed in the sub-geometric frame of club tracks. even when the audible grains are too small to hear, or are irregularly spaced, the underlying sonic structure is always effective - and can be determined by meticulous diffraction.

next up from fuse london is the latest ep from resident rich nxt. hot on the heels of launching his own nxt records, this scorching four track platter represents his strongest and most dancefloor friendly ep to date. donkey, quixotic and longtime showcase an intricate yet effective sound, laced with powerful bass, sharp percussion, subtle synths, analogue dirt and bags of groove. all of the tracks have gained widespread support and captured ears around the globe whilst the dark, lurching flux one provides something a bit different.

back to basics with two heavy rhythm edits/tools. a-side features label boss paul du lac s edit of t.o.y. s drum electronic sound , a dark and menacing mid-eighties instrumental italo/electro track (original version was recently released on bordello a parigi), b-side features a simple yet highly effective and relentess minimal drum cut by herr mick wills... no need to say more... vinyl only.

2016 repress!!!! great raw techno tracks ... the third release of md2. after the red labelled md2 and the red/black labelled md2.2 its an all black labelled md2.3. a 4 track ep with 4 straight techno tracks that are raw and effective! killer dj tools to rock every dark basement.

following secret chapter, architectural s debut lp, and the release of amour in 2015 with the dutch imprint wolfskuil, we are delighted to bring you release number 7 which continues a saga of eps that are very effective on the dance floor without renouncing to their atmospheric and experimental roots. presented in an elegant 10 inch transparent vinyl, its two tracks, 7.1 and 7.2, share the limelight and will both leave the dance floor in ruins.

almost exactly three years after nr&, a project uniting &me’s and rampa’s production with the voice of new york disco-house-siren nomi, dropped their debut ep, we finally can announce a new chapter in this ongoing transatlantic menage. this very “spoken for” ep is comprised of two new tracks, that again fuse songwriting with floor-demands and showcase the same crackling and pulse quickening passion that instantly has become nr&’s trademark. so here’s the evidence – a long distance relationship is not necessarily doomed to get boring after a while. “taste like” on a might be conceived as the club-affair of those two new joints. a tune indulging in self-control, extending the pre- eruptive moment of excitement to track length. there is nomi’s unmistakeable sexed up oration, flanked by an affirmative thunderstorm of claps, then a bass heavy bridge, overflowing into a noise brushed finale. altogether a tasty flavour carrier for an effective floor heating. “spoken for” is not only the title track, but also the hymn coming out of the flipside ambush. there is no kick necessary to underpin what nomi’s charismatic croon is laying down. therefore a wise choice to let the arrangement of interspersed field recordings, percussive details and piano- and synth-decoration exercise in unobtrusiveness. safe to say, this tune will refine many future peaktimes anyway.

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

having recently played an eight hour set to a sold-out crowd at london’s oval space, the prolific dusky drop a trio of moody club tool tracks on 17 steps as they continue their european autumn/winter tour. a club tool in the most effective sense, lead track ’lydia’ is dark, nagging acid groover that builds and builds throughout its 6 hypnotic minutes. with all the melodic material based around the lydian scale, ‘lydia’ was originally inspired by a bizarre, trippy dream alfie had in which everything was all based on the lydian scale. a homage to classic techno, ‘bitter lake’ is a hard-hitting surge of looping, percussive energy and detroit-nodding rave stabs that build to a hoover-fuelled breakdown release. rounding off the trio, the brilliantly titled and uniquely composed ‘infinite libido’ again explores dusky’s more percussive tendencies and has been a regular feature in their dj sets for the past year.

our third to last release combines two driving forces of contemporary techno: homegrown benjamin damage is joined by truncate, a deadly combination for any dj s bag. ben damage s -battle- sees him layer his hyperactive grooves over a thumping kick with a small but effective acid line topping things off. truncate s -86- is a massive track dave sumner aka function previously used in his -berghain 07- mix, obviously serving as one of the highlights in there. it s creeping synths build up to a climax in typical truncate fashion, with huge, compressed kickdrums pounding the dance floor mercilessly

fifth outing in the ny edits series - and just in time for teh festive season ! very limited and mysterious one-off 12s emanating, as you might expect, from the big apple put together by a legendary ny record store owner from a personal stash of edits constructed for back in the day club play, which still sound super fresh and effective today!

the new tensal e is an effective dj tool directly to the dance floor.
supported by jeff mills, ben klock, luke slater, oscar mulero, dave clarke, ben sims, kirk degiorgio, shifted, dvs1, truncate, jonas kopp, pfirter, psyk, slam, sleeparchive, dj pete, etc. and many more.

2017 repress on black vinyl.
arts transparent presents one of the former solid artist of the label, with his other psudonim traumer. cold water ep is the result of the art of simple and effective chords with grooves. a great record that everyone should have in their bag. the record is presented on transparent colored light blue vinyl 12 inch.

shortly after his first ep on dnuos ytivil, sub-division of bristol imprint livity sound, simo cell, neo-parisian and nantes native, puts his second release out on fragil musique. on this one, the young producer asserts his bass-tainted electro influences. highly skilled and very technical dj, but above all open to bridges between genres and eras, the record feels like he conceived it for his own club usage. on the a side, two subtle twin tracks, -reading rashid- and -soko ban-. cycling melodies and hypnotic pads sketch two bass outlines, as simple as effective, that seem perfectly fit for switching from a stripped down techno track to an old jungle weapon. on the flip, hit track -meteor racer- is surprising. a rawer and more stripped down electro piece that lifts the veil a bit more on the young producers talent. those four brilliantly crafted track definitely place simo cell among the french newcomers to watch closely.

expertly executed, sub heavily booming, superiorly effective house bombs

we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect – but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

1990s alike effective techno banger with ebm/wave/newbeat roots.

this is ponty mythons first appearance on the swedish brandy productions label. expect a wicked four tracker of dirty lo-fi sounding deep house grooves packed with samples and sturdy analogue bass lines. vilnius based dj and producer aleksandr pletnev aka ponty mython is known for his many outstanding releases on labels such as tusk wax, no more hits, dirt crew, quintessentials and many more. besides spittin out goodies on a regular basis ponty mython runs his own imprint beats delivery releasing the most interesting artists and producers from russia.
the title track * i wish* starts of the ep with its deep and fumy organ chords combined with filtered hats, clever vocal samples and harsh bass lines. next up on the a side you will find the pumping head nodder * holly fm*. swinging hats, guitar stabs, smooth pads with simple but very effective hook on top. the b side starts off with the slightly minimal track “keep on using me” (brother). this one with grim beats, organ pads, off beats punching in and out as the track steady builds with a rock solid perfectly tweaked bass. the last minutes on the b side is reserved for the dreamy yet hard hitting and raw gem * new toys*. pure basement love.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

alan fitzpatrick makes a triumphant return to the scene-leading imprint this august. the typically bombastic three-tracker of explosive, crowd-moving techno opens with love siren packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. ‘u said u is a massively hyped track that has been the subject of huge fan-demand since it first featured on beyer s drumcode radio in january. rumours wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies

hessismore are a 7 person musicans collective based in new york and copenhagen around musical mastermind mikkel hess. they released their gomma debut ep last july. strange, beautiful music from outta space. balinese marimbas, african drums, spooky voices - great new music. now here come the remixes. dimitri from paris did an effective, supersexy disco stomper. keeping a lot from the original version. the crazy voices, the punk funk feel, the moody, new wave atmopshere. but now its a club bomb. then williamsburgs hidden underground star lorne dune reworked the other song. in a more edgy, distorted way. beautiful. then you have a version by munichs pollyester. the former bass player of munk now has gone solo. she does this kind of naive, early 80ies, powerdisco you could hear at clubs like the loft oder dj harvey playing. orgastic hardcore disco rock

first reference written and produced by alex guerra,is making his debut here on ums recordings this ep accomplishes dark deep style, effective, groove, mainfloor and diverse dj tool techno. three relentless tracks play any of these tracks at any time in any venue and you will win over the crowd (a 100% guaranteed fool-proof dj)

deadly precise & optimised effective dj tool techno

nice price deal !!! helping listeners to escape reality, which has been known to grate, on occasion, has long been a noble aim of many musicians. one of the most effective ways to do that is to create imaginary soundtracks for impossible science-fiction films, the darker and more un hollywood-like, the better. another method is to take inspiration from great works of architecture, which, as goethe cogently noted, is frozen music. the latter route is used by brooklyn producer jonas reinhardt (aka jesse reiner) on his sixth album, palace savant. reiner undergoes a profound solo odyssey on this album. the vinyl lp includes a download code.

the sound of brenta on crime city disco. four effective tracks from our favorite italians. punx non muoiono mai!

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

hailing from bonn, german christian kliché is delivering his debut release with pure techno through wall music. if you are looking for effective techno tracks, then have a listen. you can expect fresh tunes with a touch of melodic rhythm.

new to the stay underground it pays gang, the eighth release on the label comes from none other than octo octa! you know him from his prolific run on 100% silk, and more recently for his ep on gerd jansons running back label at the top of the year. the man from brooklyn serves up 4 slices of that u.s. experimental house sound we love so much. on the a side, we have two versions of octo octa’s melancholic title track, requiem for the body. both as good as the other, it’s gonna be split for a lot of listeners on which is better. while both versions share certain elements, the second plays down the long keys of the first versions in favour of some stabby chord patterns. either way, proper 4 a.m. business!on the flip, we get a bit more ethereal with times two (loose version). simple yet effective, this one has a lot of atmosphere with those delayed vocal cuts over that late 80s bassline. closing out the record is when home. this one is a bit of a stomper at first until it brings in the lighter synth elements halfway through. someone, somewhere will have an epiphany listening to this track. if its you reading this, send in the results on the back of a postcard. all in all, another killer release that feels straight at home in the stay underground it pays catalogue

south american producer and jesus was black newcomer artist liro throws down a great ep just in time for summer. tech groove, deep and the most important its dark with solid atmosphere guided by simple and effective voices and percussions, dope!
support by maceo plex, sebastien bouchet, john tejada, maris, nima gorji, elio riso, cumhur jay, huhuhu!, de-bug magazine, ibiza sonica.

the new end of dayz *station* by p.e.a.r.l. who deliveries two original tracks, one rhythm centered and the other more mental, both very effective on the dancefloor. includes remixes by manni dee & cws.
support from ben sims, paul mac, deep space helsinki, angel molina, nx1, truss etc...

allez! here we go with the next release from terence :terry:’s highly-respected la vie en rose label. so far this year lvr has brought the heat with terence’s solo ep ‘acid heroes’ and the superb mix compilation ‘house couture’, which has received widespread praise. now, we have this brand new ep from a true paris legend, and an inspiration to terence himself – the one and only, jerome pacman. rising up in the early 90s, jerome established himself through the paris underground, and has remained one of the city’s finest selectors and producers. this four-track ep includes a remix from romanian godfathers livio & roby and represents jerome’s ability to throw down fresh, classic house rhythms with a modern twist. kicking off with ‘merry-go-round’, a bass-heavy rumbler imbued with subtle house tropes, we move into ‘jp sunlight’, a bubbling groover with twinkly, dream-like effects and a bassline that will lock in from the get go. on the flip we have ‘mpa’, a simple yet effective roller that will grip you with its repetitive groove and delicate use of detail in the background. livio & roby step up for the remix of ‘mpa’, which focuses on a more unusual, organic sound ethic – typical of the romanian sound that is so widely loved. a rework that is delivered with panache,

edit select delivers 2 excellent tracks for clr - lights off heads down action all the way, these are repetitive techno tracks perfectly constructed for the floor .. a less is more aesthetic is the main focus as you would expect from tony, but continuation part 1 + part 2 are perhaps his most effective tracks to date! clr is pleased to give you two of chris liebings most played tracks of 2015. a continuation ep by edit select - enjoy!

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that’s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with ‘payback’. a dubbed out affair that’s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent.“tunnel’ continues where ‘payback’ left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that’s clearly evident within all of stojche’s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, ‘sinister alley’ should be further proof of the macedonian born producer’s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. ‘sinister alley’ opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche’s musical journey and much more than just another release on his label. it’s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he’s been exploring for quite some time, catalyzing imagination and furtherance that’s beyond tangible.

after the killer debut, money sex returns with another jaw-droppingly good selection, this time from imyrmind. another triumphant tapestry of sample sources, reinvented and ramped up into an effortlessly effective 6 pack. these guys are untouchable right now - accept no substitute!

three mixes from the brand new berlin based label/project “in love we trust”. classic new york house inspired for the a side opening tune, driven by an off partiture alto-sax unfolding over a throbbing bass, four to the floor beats and great message delivered by a strong male voice, followed by a slower tempo roller-skate, atmospheric, garage inspired disco cut with a solid 80’s style linn drum grove, catchy riffs and a powerful bass line. rougher beats and a more acidic vibe for the flip side, direct and effective floor stomper guaranteed to raise heartbeats

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

the project named after his own label brand presents four cuts ranging from cosmic quantum nervous compulsion to introspection. harmonious combination of complex percussive rhythms gives way to the already identifiable sonic universe of 30drop that turns into an effective formula at any club aimed at the forefront of the electronic dance music. sacred geometry and style, concept and form, all to the service of the fundamental search. the roots are deep and horizon is vast. >superconductivity ep< extends the scope of 30drop positioning on the edge of the sideral dance floor.

bolivian - born dj s, producers and duo animal print ( aka lecter and marco cuba ) are covering a wide spectrum of sonic and artistic possibilities, from the minimalist, bouncy original mix of -kites for august,- elegantly playing with a mixture of uplifting and dark vibes, to the extremely reduced and highly effective thunders, the relentless, almost epic red moon, and the percussive, hypnotic by orion each track can be appropriate for a different situation, but in the end they are all aiming for the same goal: to create an absorbing soundtrack for unifying experiences on the dance floor.

beau wanzer and dan jugel are juzer. making their first appearance on nyc s corner label, juzer now see a release on italian outpost dog in the night. here we get three tracks of no holds barred mid-90s rz-1 techno somewhere in between dbx ot jack master era hawtin. complete and effective mixing tools, dry claps and all these cuts are sure to work the crowd into a frenzy. recommended.

pure & effective dj tool techno rhythm tracks -- repress

immensely effective dj tool techno bomb , repress 2015

rising label 04 is coming with a very complete ness ep which includes a ben gibson remix. >chronoscope< is the intro track that opens the release, a beautiful landscapes piece where ness shows his love and dexterity for the ambient music. following, >pantropy< is already starting with a heavy kick, far voices layered between the percussions and a sweet melody developing and coming up with that >trancey< touch that ness is able to do. on the b side comes >uchronia<, the track from where the release take the name, a strong broken track with shaped and dynamic percussions where some >chronoscope< landscapes are used flowing as the track goes on. to close the ep ben gibson delivers a classy >uchronia< remix going simple but effective, a perfect balance between gibson style and ness track that totally works out on the floor and makes the prefect closing track for that release.

ltd 2015 repress , excellent, low-key though effective techno bomb