anton pieete is known for his classic, textured take on house & techno. the dutchman has spent recent years exploring the reaches of his analogue set up, releasing a string of hugely popular eps for joris voorns rejected imprint. now he turns over his latest wares to ovum, with another impressive offering in the shape of themenu. while it may be our starter, first dish peven is definitely more of a main course. heady and intoxicating with itspercussive, funky drums and undulating keys, its carries us on its woozy wave of rich analogue bass. our appetite is further satisfied by the deeper sophisticated tones of lite green. its malleable, swinging groove is governed by its pulsating bassline and dense kick-drum as lazer synths sweep and claps fire on thisclassy cosmic jam. bn300s dramatic and ghostly strings are at odds with its frenetic bouncing bass melody and yet together theywork in complete harmony to create our final musical indulgence from the menu.

beautifully reduced minimalist techno & uk bass related leftfield excursions (one copy per person)

3 perfect number. here is the third release on vinyl for finish team records with manu p & gecky, gabriele orsini, aumrec & riccardo catria. 4 tracks really hot. on the a side we have manu p & gecky with their track finally dance, a super electronic synth characterized all the track and huge bass gives it the perfect way to stay in the middle of the dan floor. gabriele orsini with mongoose is the second track on the a side. deep music form him. on the b side there are riccardo catria and aumrec with 2 track, one recorded live at the conservatory by riccardo and one more techno for aumrec. that’s it. be finish, be part of the family!

nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

(vinyl + download) thomas werbrouck (little trouble kids) has a new project called krankland, a four piece band with christophe claeys (sx, magnus, balthazar) on drums, thomas mortier (yuko) on bass and janko beckers (faces on tv) on guitar.

the second chapter of this young danish talent s spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of belgian labels like r&s and buzz.

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

dave aju, alland byallo, kenneth scott and marc smith joined together as kamm, resulting in a mini-album called kick drunk love for marcel vogel s amsterdam based label intimate friends.idescribed in a press release as being influenced by the artists love of early 90s mowax era laid-back beats, it features barrite on lead vocals (with byallo and scott also contributing vocals), smith on guitar, byallo on trumpet and scott on moog synth. theres a couple guest appearances as well: damian schwartz plays some bass on-sidewalks and eureka provides a hell of a vacuum rev on stage left.

debut output from new label made in glasgow recordings established to give a platform to homebased glasgow artists in collaboration with established djs / producers worldwide. our first release is octave ones interpretation of glaswegian singer / songwriter pete macleod’s version of lounge act. a bass driven dub mix in typical octave one style with full vocal remix from the us techno pioneers on the a side.

wade from hello records called mr. pc “detroit’s hardest working dj” about a year back, and the fruits of his labor shine through on this curious beatdown and jazz funk re-edit record. in his own words, “the scene doesn’t need another hand-stamped and numbered vinyl-only disco edit label, so i went ahead and took the proverbial razor and tape to some jazz-fusion-disco-not-disco tracks that influenced me coming up as a bass player, now fully capable for dj dance floor elevation.”
limited to 450 hand-stamped and numbered copies.

our latest looking for mushrooms ep comes to us from a collaboration between long time dirt crew resident tigerskin and gifted jazz pianist and composer grambow. we first heard from grambow when his fluid key stylings featured on tigerskins faint in 2015. the title track is a suspenseful and moody journey, lead by live double bass from feature artist das eb. building in intensity with tigerskins warm production and steady percussive instrumentation until grambows live lead on a gritty synth growls in over the top. a true modern electronic classic as far as we are concernred. tsukiji is a playful deep house groover. balmy tuned percussion and shaken highs roll along under the light hearted piano which cruises along throughout the whole tropically touched endeavour. this track has party written all over it! octocat is a tougher italo disco tainted work out, tightly programmed live and analogue percussive elements push along, while wailing keys lick over a tenacious grunting bass. you can really taste and feel the long studio sessions the guys had to compose this great track. it is so much more than generic dance music. red fox is a divine culmination of the pairs compositional prowess and dance music knowhow. a cinematic and spirited house track that glides and glistens via delicate piano, plucky percussive riffs, bright strings and woodwinds. we are very honoured to release this outstanding musical release by tigerskin and grambow.

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release…to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

the very first release on romanthony s cult black male label from 1991 now legitimately repressed, remastered and ready to do damage on the dancefloor once again! all the mixes present showcase romanthony s heavily gospel tinged, prince leanings to full extent, covering styles from new jack swing to deep house! this one is super rare, copies scarcely show up for sale and when they do they are usually over the £100 mark! now is the chance to obtain an early rarity from the amazing catalogue of one of house music s true originals!

the final, 10th, release on the tanstaafl planets series from john osborn & tallmen785. machine grooves crafted with trippy, pulsating bass lines, alien synth leads, whipping jungle snares, and skipping high hats that sound as though they have all been produced by an alien lizard race from the constellation draco. (watch out for the next tanstaafl series dred arriving late 2016)

we finished 2015 with a six-track jumbo ep from borrowed identity and thought we d repeat the same trick for 2016, though this time with originals from okayama-based producer keita sano. eye begins with keep an eye out, pt.2, a propulsive song that sounds like a lost contender for the knight rider theme. own signal keeps things dark, but with a spartan bleakness. the side finishes with smoker, another manic cut that ll give you chills. the flip finds keita exploring brighter sounds without losing that industrial, jagged edge. trmk is essentially a beat track that ll ignite any dance floor and fix is a herky-jerky ditty that ll get you stomping around the club like a possessed reveler. the 12inches cherry on top is think twice, a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. a fiery finale for this hedonistic party.

bielefelds felix fleer, jonas landwehr & tizian assmann mit ihrem ersten v/ a release . atmospheric, uplifting big room techno anthems & crafty excursions into bass/breakbeat-heavy, 1990s school banging techno.

mark e last delivered on futureboogie back in november 2014, so it’s a welcome return to the label for the birmingham based dj & producer. with his merc imprint running on full steam, and previous releases on revered labels like spectral sound and running back, mark is becoming an ever dependent exponent of the real and raw house music vibe, and no more so than on the basement trax ep. basement trax 1, distorted synths wander over a low-slung beat, the marching hi-hats and filter work are tweaked to perfection. it’s a track of basic elements, but done so well, the arrangement building steadily and bags of warmth and soul deep at the heart of this track. the gnarly bass and classic string sounds of basement trax 2 make an ideal companion piece to the a side. delivered in the finest wild-pitch tradition, the raw sounding production packs a punch as the stomping drums and repetitive keys ramp up the heat for a real blazer of an underground club cut.

from the label: in blood is the stunning 4th album from uk based multi instrumentalist, sunset graves. following up 2015 s acclaimed opus love pours into death this brand new album goes deeper and darker with sonics for casual beat heads and intertwining textures to reward the deepest of repeat listens. this is sunset graves in widescreen, journeying through genres and landscapes, incorporating ambient, drum n bass, glitchy rhythms, bass music, field recordings, sound design, tech house, chamber orchestra and even post rock. 3rd & debut records releases eclectic electronic music by sunset graves, the sample based lo grounds (as featured on joris voorns fabric 83) and the more experimental soundscapes of tpique. in blood is our first full length vinyl release, presented on deep black virgin wax, black inner sleeve and a full colour insert. supported by earmilk, textura and the formant.

all track are written and produced by alessandro sensini and carlo battistini
tracks description:
a1 - raining: calma opens up with a hypnotic rumbler! snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you re at a party in a haunted church. a2 - cuattro: calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding. b1 - mr amarè: calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely. b2 - cuattro /juju & jordash rmx): juju and jordash take over the remix duties for calma. the dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

battle of the beats ep, a musical journey near the sea. nick anthony strikes again. as usual, he gives us a full analog work. a vintage sound, designed with a modern mind. after two years of silence, rowtag records the label * born from fire* is back an

sheffields hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. as creative director & resident dj lo shea, returns to the vinyl arm of this warehouse institution with a statement of intent & a lithe follow up to last year s deep draw ep following his successful seaghdha series, lo shea continues to flesh out a distinctive sound which is informed and inspired by all those late nights. expertly programmed modern sonics possessed by the spirit of 90 s rave & the uk s characteristic bass influence. northern lights leads the charge - a mechanised, syncopated stepper that could easily be a lost sunklo release elsewhere soundscape interludes sit alongside atmospheric, precision club jams, with the b side struggling to contain the two stout a side cuts it has to hold in place. a recent resident advisor podcast, winning plaudits across the board as well as away games for phonica & dext are certainly cementing a assured future for lo shea & hopeworks!

after the late nite, neon-red funk of his last release the digital fantasy (which picked up support from the likes of benji b, alexander nut & ross allen), quaid returns with a new ep: cfe. ain contrast to the strung out, hazy eroticism of the digital fantasy, here the heart rate has elevated and the signals pushed further into the red nightlyfe best illustrates this with its rough hats, minor chords and irrepressible rhythm. body forms is a nod back to the hydraulic, locked funk of quaid s previous releases, whilst tango offers huerco s style synths under subverted prince housequake-era drums.a 99percent weaves around a driving bass algorithm and the insistent vocal refrain supplied by longtime collaborator dziko.atheres a change in mood here, the night has passed and sunrise is moments away. lights on tomorrows horizon glint endless glass, dust and chrome.

taking a walk on the modern side of grime street, la vie cest facile crosses over and fuses different styles with electro, instrumental hip-hop, bass music, techno and jungle into a brooding masterpiece of disjointed and distorted beats

northside ‘82 is proud to welcome smart bar resident savile to the label for our second release. entitled suffer play, this three track ep imagines an alternate reality where minimal house takes an extended detour through chicago, strapping on the city’s famous jacking percussion for a more robust but equally razor sharp sound. “spaced” opens the record with a jolt of jacking house, pairing a limber bass line with tense percussion and pinpoint vocal samples. “1pm morning” is inviting and warm, a richly crafted environment lit by by resonating bass, wallpapered with sharpened guitar strums, and decorated with jangling percussion and clavinet accents. closer, “recipes from nowhere”, is the dreamiest of them all, letting melodies bubble around the track’s bass line backbone and swaddling listeners in melancholic pads. altogether an exceptional record from one of the city’s brightest young.

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

als unser guter freund lexx mit diesen tracks von look like auf uns zukam, wußten wir noch nichts von diesem jungen talent aus zürich. nachdem wir uns seine musik anhörten, blieb uns aber nichts anderes übrig, als sie zu veröffentlichen. seine musik ist beinflusst vom klassischen sound aus chicago und detroit, beinhaltet aber auch elemente der uk-bass music, sowie die aufgeschlossenheit von jemandem, der stets auf der suche nach progression ist.

ltd one sided dubstep / bass / dub monster

one of detroit’s most relevant names in modern techno “terrence dixon” joins the modularz roster of producers with his debut ep that features both his terrence dixon name and his alias population one on the same ep. terrence dixon submitted this ep to modularz a couple months back and said to us that he had something special for the modularz label - with the intention of releasing a well balanced ep with deep grooves, stripped down rawness and funky hypno rhythms we felt this would be a great addition to our catalog. we are very pleased to present this release and continue to show our range and our diversity in the techno genre

two track ep from the ever industrious bass clef.

the second installment of uzuri’s “the wilderness sessions” delivers 3 tracks geared towards the refined dancers and listeners of the world. the idea here is slow burning broken beat tracks infused with the soul of jazz and funk. the ep opens with fox ‘n hound, a slightly menacing and equally sexy jam which ebbs and flows with a delightfully funky bass line and enough melodic accents to keep full attention. the secret here is in the details which are craft-fully manipulated by this talented duo. futonjam continues the trend of beautifully unfolding composition with its shuffled percussion and gracefully evolving melodies. a perfect track for home listening and for those deep sultry moments on the dance floor. the crown jewel of this release is certainly the near 9 minute odyssey that is zukunft/ silber. a track which entertains and pushes towards a sophisticated style which is undeniably unique in approach. using broken patterns as a back drop for beautifully orchestrated strings, micro flutes and longing horns it transforms from a sweet and delicate sound to something more demanding of our bodies movement. this release will be sure to mark the beginning of what we can expect from these two producers who clearly aim to set themselves apart from the crowd.

mkfn return to touchin bass after last years *substrate ep* with their latest offering, *this divide ep*. through a sustained and methodical exploration of studio techniques, the trio of babar raza (us), ovais hassan (uk) and fahad ahmad (canada) continue to refine and evolve their signature sound. manipulated sounds accent the meticulous rhythms to form the foundation upon which this release is defined. over the course of these four tracks, mkfn create a sense of place inviting listeners to traverse landscapes that exist independent of any singular perception or experience.

heavy, dirty bass driven rhythms of jacking frenzy, dark and hot, lush and electrifying.

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

wenn der bass die mauer zum einstürzen bringt ist einem klar, dass man die platte auch in 10 jahren noch auf den plattentellern finden wird. techhouse mit liebe, perfekt auf die spitze getrieben im remix von schlepp geist.

we are happy to welcome maceo plex to drumcode with the fourth instalment of his conjure series, conjure infinity . featuring two tracks conjure dreams and conjure floyd , both are peak time monsters that introduce two very different elements. conjure dreams utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. conjure floyd builds into a more heads down techno vibe with a very interesting breakdown. two sure fire tracks to ignite the floor.

it has been over a year since the last schmorgasbord release dropped, which saw al tourettes (better known now as second storey) rubbing up against paradroid in a mix up of electro, techno and electronica styles. now the label returns with bass clef and frak, who were asked to each commit a half-finished sketch of a track to tape, exchange tapes and finish off each others tracks. bass clef has been a strong solo force on the electronic music scene since he first emerged in the wider bass music field in 2006, and has since released on idle hands, punch drunk, pan and public information as well as running his own magic + dreams imprint. swedish trio frak have been releasing since their debut album in 1987 when they were thirteen years old. the swedish trio have been active for most of that time, running borft records and releasing a huge amount of music as well as performing live. in recent years they have enjoyed more recognition with releases on kontra musik, digitalis and sex tags mania. schmorgasbord launched in 2011 with a release that saw appleblim and october collaborating for the first time. it was followed up by a release from s-max and spatial.

new release from the triphouse rotterdam tribe. debut ep by new kid on the block shobba. with four killer house/garage/uk bass tracks!

mauser hails from chicago, illinois, but his production covers far more ground than chicagos no.1 import, house music. the block sees mauser diving into his many influences, including house, techno, hip hop, drum & bass, soul, and funk. combining tight, funky drum programming with a diggers ear for samples, this diverse ep has a little something for everyone!

inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphni, midland and eliphino. his productions and remixes for more music, sofrito, soundway, huntleys & palmers and now getme! have been making an impact far and wide, getting attention of djs such as james holden, jackmaster, gilles peterson and skream. forthcoming single snb /super vega has received radio play on rinse fm, radio 1 and radio 6.

of course, there is a story behind every release, and this ligovskoi debut on dement3d goes back to one of their first live performances in paris, back in 2011, organized by our cousin label silicate : a group of artists - including dscrd - were invited to recompose an ambient soundtrack on the movie outland by peter hyams. ligovskois live performance was absolute magic, and their intense and powerful sound signature - with moving infra-thin melodies, ethereal noises, and deep bass foundations - was already sounding perfect.

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

the second release from dnaut is *sketches of a circuit* by craig sherrad. in the past, sherrad has worked on labels such as transmat. this ep kicks off with *we got extasy* - a solid 4/4 with stormy clouds over alien life forms. *hot pockets* is a clubby groove with fractured melodies and glassy lines. *energize* featuring riot baby, is a hip hop inspired, dusty beat with vocals. rough and sexy. *mercury electric* has bouncy beats, with a grubby bass line and layered synths. *sketches of a circuit* is a soupy bit of ambiance with sporadic gently tumbling drums, blissful chords and the slightest ripples of percussion.

next up on creme organization is gavin guthrie aka tx connect with a searing double album of analogue tracks aimed at the dancefloor. it follows dallas man guthries excellent outings on dixon avenue basement jams, l.i.e.s. and other efforts on bad mums club and again showcases his classic midwest style run through with plenty of acid goodness

nice price deal !!! quenum is an extraordinary individual. a professional breakdancer that was raised in africa, he found love in london in the 80s through mastering the art of djing to early electronic music and broke into the spotlight as acess58 in the 90s before forming the cadenza label with luciano in 2003.
his debut album *face to face* is deliriously deep and melancholic, rhythmically complex and gives a fragile new voice to techno. across the eleven original tracks, phillippe quenum exudes a graceful temperance creating tracks that flutter and take flight (indulge in synth voices of *children of the sun*) as well as rattle the bass bins (sample the raw energy of *basic solution* and delicate power of *ritual*). both sparse and insightful (*my people*) as well as intricate and anthemic (*never loose my soul*), quenums delivery is always quirky and slightly surprising and *face to face* is a curious analysis into this honest musical soul.

the mighty above machine label launch their edits offshoot! mondo disco & u-ka take a side each, and deliver a duo of absolutely devastating disco delights. do it is an insanely catchy and sonically powerful rub-down of the highest order, already causing a ruckus on the worlds best floors on the flip newcomers u-ka wig out completely on an incredible & irresistible synth and bass groove, which is a primo shape thrower if we ever heard one! the above machine stamp of quality all over this one - limited 10 inch release.

graze minerals possess a superlative lustre, which is most notably seen in diamond. such frequencies are transparent or translucent in nature, and have a high refractive index. tones with a true adamantine lustre are uncommon, with examples being cerussite and zircon. mweapon minerals display luminous bass bands, which appear to move as the specimen is rotated. such frequencies are composed of parallel fibers, which reflect sound into a direction perpendicular to their orientation, thus forming narrow bands of light. the most famous examples are fm and subtractive, but the effect may also occur in other sound banding - such aquamarine, moonstone and tourmaline. scrap minerals consist of thin transparent co-planar sheets. light reflecting from these layers give them a lustre reminiscent of pearls. such minerals possess perfect cleavage, with examples including muscovite and moss opal.

limited 500 copy pressing (no repress) in debossed house sleeve, individually hand numbered.
and so we drive down rain-slicked analogue motorways head first into our second ep series release following an ivvvo dispatch in september 2013. this time out ralph cumbers aka some truths aka bass clef is behind the wheels. this is techno how it was dreamed in belleville, re-imagined by a genius with a synth or three. in clef we trust, for all our magic and dreams.

the 12inch includes comes in a screen printed cover and is limited to 300 copies. disclosed commmunication is the debut ep of mllh. the berlin duo explores with its four tracker the borders between house, techno and bass. the ep offers a various trips through straight and groovy house tracks splattered with offbeat rythms and vocal chops containing strong and persistent chords leading filled with atmospheric breaks. genuine and interesting music. download codes included.

argot starts out 2014 with the help of pittsburghs chase smith and his new single, stay. following releases for w.t. records and pittsburgh tracks, the up-and-coming producer hits new songwriting heights with *stay*, an impassioned modern disco tune featuring lauren ojanpas smouldering vocals and a live bass line courtesy of karl ojanpa. smith also provides the swift charge of *27 summers*, a rave-influenced house jam whose banged out piano chords and brass fanfare will stir the dance floor.