peter presto is not only the founder of pingipung, he is also the chap who did the first release on the label in 2002. since then all of his dub sounds have been available on 7inches, cause its simply the best format for these little gems. for summer of seven he has reworked a theme from a classic computergame adventure in his very own vivid, happy-go-lucky dub style. peter loves the melodies!

jess mills is on everyones lips at the moment as she sets the barrier high with her single >vulture< – which is actually out today. having worked alongside digital soundboy main-man, james breakage, providing the vocals for his track, >fighting fire<. breakage has returned the favour by producing >vultures<. theres a moody photek re-edit on the flip, if you know what rupert parkes is capable of then you wont give this one a miss. limited to 250 vinyl.

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

korablove is ready for his debut on apl. >splash forward< is not only a track but a new concept. at the beginning everything sounds like a classical deep, simple and muffled step, some chords. then something happens, something special. we all know how the structures are rigid, 4/4 that hardly can match with a breaking, the influences of a genre rather than a way of expressing, dressing, living. splash forward is a new way of seeing things, like if the wall of differences falls down suddently, like if years of clubbing and fight for a new space disappear into thin air. a deep track that transforms into a thriller.

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

the first release on the freebeat label from spain, delivers some serious quality deep house vibes, from the chicago producer chris gray (deep4life). chris has recorded for labels such as trackmode, altered moods, fragmented and music is… an associate label of downbeat, then you know the drill, proper house music without the frills. quality dance music with no labels!

if you are reading this then you most likely are familiar with the latest addition to the thema stable. it means that you have likely experienced the prescient, monolithic funk of his groundbreaking minimalism series. it may mean that you have witnessed one of his rare, raw and raucous sets of densely layered classic/future techno. we are damn sure it means you have heard, absorbed and been educated by his blistering intoxicating work on germanys tresor label and the legendary metroplex releases as population one or his influential utensil releases. the man in question is, of course, detroits own understated, underrated second wave techno soldier. the master of repetition: terrence dixon!

tony ollivierra begins 2011 by getting down with the machine sound. bordering on acid-funk, this ep really gets it shakin. the title track jericho, reeks of the latter days of disco with a deep bass line that fades in and takes control of the party. a warm synth chord then kicks in along with some strings which build up to a peak time climax. nag champa captures a deep and surreal groove with a sweet aromatic feel that definitely is burning. the dark bass line entangles the listener in a sensual moment while a resonant synth riff tops it off. on the flip, midi aura begins with an uncompromising synth bass line that does not quit. the sequence bubbles onward and a thick chord sweeps through the arrangement opening up into a placid apex of harmony. the aura of this midi is feel good all the way. lastly jack box, another acid track that works the cutoff and resonance into a climax of delightful poly rhythm and melody. jericho will be a very limited vinyl press and will be the final project on the ibex music label. keep your ears open for his next label venture which will be introduced this summer.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

the copenhagen duo james braun & dan m have slammed out a dark & drivingdebut ep on jackoff records. berlin based joel alter takes it down a notchwith a deep & dry version on the flip and then bristols ever the risingstar october breaks all the rules with his signature bass heavy groove.this is an action packed quality release that fits in the bags of all true.

maetriks cocoon debut >snorkel< on the 7th edition of the 10 inch series belongs without doubt to the most successful tracks of the past year and is an essential track in the clubs since then, thanks to its matchless mixture of powerful deep house and noise. eric estornel aka maetrik is, however, definitely not a newcomer. with a large number of releases on such prestigious labels from the likes of treibstoff from cologne, dumb unit and steve bugs audiomatique platform, the texan-born and now resident of valencia has proven to be one of the most reliable protagonists at the interface between straight dark house, dub and funky techno. estornels aim was to stick to this recipe when he made his his first cocoon solo maxi: >crush on me< and >push< are two absolute masterpieces and are representative for estornels unique style, using hallucinogenic vocals, hypnotic beats and a power that is deep and latently noisy at the same time to put the dancefloor over the edge of insanity. with his third album >life index<, released on the london-based label crosstown rebels, and with other releases on guy gerbers supplement facts platform and on get physical, this spring seems to be totally under estornels sign

emerson todds second release on upon you. the likable new zealander who moved to berlin via australia seems to spend his nights dreaming of the homelands. the cover and title of release number 046 are both inspired by the original natives of new zealand. emersons specially crafted sound is somewhere in-between jungle and metropolis , wild with details yet still beautifully melodic. the a1 track, >you got to< proves that a piano can kick you and a lovely little digital-topping can then combine everything into sweet dub-ness. as to be expected, the b-side is also alive with the artists agility and perfectly timed and placed thing and what-nots to turn any dance floor into an intense experience

morphosis has been cooking. friends, nwaq & just for one day got on the re-whisk. these productions live up to all expectations from two of the most awe inspiring out there. turn them up. big tip! when this idea came about, there was some speculation here if it was a going to be plausible prospect. throughout all the deliberation one fact remained: re-workings from these artists would make the perfect precursor 12” to a full morphosis album, and it just had to happen. then it did. nwaq turns in one hell of a dub! an almost relentless 7.5 minute float, that’s underpinned with thriftily placed percussion, and a true beast of a kick drum. no build-ups. no break-downs. so, now… let’s all bow towards to the master. just for one day’s rudeboy drum palette is going to be familiar to more than a few people. let’s just say that this is the new guise of a veteran german producer who’s uncompromising music has graced some of the world’s most exciting record labels over the past 15 years. for this remix he hijacks the ‘android’s among us’ and throws them right into a sound system shootout somehow leaving the core elements from the original track in tact. seriously killer. for fans of 2 step, jungle & dr who(?). please note: this will be a vinyl only affair.

mainrecords is back - stronger then ever!
we are proud to present an very talented upcoming artist from athens/greece called billy on air. growing up in a house full of music had many influences by different kinds to him. he started playing the piano at the age of 6 and that you can hear on his first production for mainrecords wich is a very aelodic and well produced hybrid between techno and trance. for his debut we got some cool remixes, the first one is from our long-time friend frank leicher who has stripped down the original to a techhouse bomb in his typical style. on the flip we present a crazy technoid remix by noone less then alex bau. his repaint uses just the essential drums of the original.

after the brilliant album >until then goodbye<, lawrence is back on mule electronic! four brand new songs on this new single, >teenage barb< on a-1 is a hypnotic deep house tune with melancholic piano chords, monotone synth sounds. >organ track< on a-2 is a percussive deep house tune with a modern approach, its for all deep house lovers. >above the sky< is a dance version of the same song which is included to the new edition of mules ambient compilation >enjoy the silence< very nice ambient house sound with illusory melody like steve reich. ambient version of above the sky is taken from upcoming >enjoy the silence vol.2< which will be released on 23 may. great artists from terre thaemlitz, koss, nsi.,donato dozzy, seltene erden (new project by kassem mosse) and more are joined.

the w (no relation to the us hotel chain) presents its debut ep on mako called >victim<.
the title track is a slow action blockbuster accompanied by the sexy industrial-type vocals. the track pays the ultimate homage to french electronics of the past couple of years.
also on the ep are the tracks >wrack<, the sinister cut-up distortion number which starts out with an evil hip-hop beat and then turns into a proper techno banger, as well as >arabic< which is full of sitars and psychedelic tension. makos in-house talent polymorphic provides a hot remix.
supported by: brodinski, mixhell, nt89, eriq johnson, evol intent, polymorphic, thomas von party, autodidakt, tony anthun, haezer, volatile, aerotronic ...

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. as well as a cd the album is being released as 3 individual singles plus a limited edition triple coloured vinyl pack. here we have the first single in the series of 3 including four brand new full-length cuts from the album. find a way kicks things off and sees the guys deliver what we know as classic 6th borough material ie. precision cut, edity disco and soul but heavied up with a fat kick and an arrangement which screams out for peaktime plays. iznae hits next with a brilliant wobbling bassline that brings a warehouse feel to proceedings before the groove drops into an unexpected breakbeat section that harvey mason himself would be proud of. if its loopy downtempo house you re into then look no further than if the feelings right. layers of loops build and drop, filtering in and out whilst grooving steadily along at a sublime 88bpm. finally, changin goes on a classic deep house mission with soft stabs and synth riffs supplying the interest while a rolling beat propels things along in an understated yet powerful way.

the house of the rising sun ep is takeshis 2nd release & showcases more of his classic chicago influenced style while keeping his sound fresh for today. the deep tenmangu starts side a then a lost japan drives into an epic electronic journey. on the flip are the title track and alone.

fantastic four-track ep sampler on new jamie jones and lee foss imprint – hot waves! hot waves is a new label set up by jamie jones and lee foss. this 12inch vinyl sampler features some hot licks from burgeoning talents richy ahmed, jost t and alexis raphael as well as a great tune from crosstown hero maceo plex. the a side features a hot natured stalwart richy ahmed, he jacks the groove and cuts up the hip-house into a monster of a slammin groove. then london based producer alexis raphael hits the cosmic boogie bus and takes the spaceship into outer space. on the flip and josh ts >green surprises< is a heavenly slice of boogitastic r&b led basement funk .. amazing. finally maceo plex (aka maetrik) delivers a supersonic deep house monster reminiscent of larry heard.. what a fantastic ep and what a great precursor to a great compilation

it seems that dapayk used to listen to a lot of hip-hop when he was younger. his latest ep for still vor talent >let go< has got these influences written all over it. the title track starts out with a male vocal and some sounds that sound a little like scratching before things then quickly head into the direction of the club. the vocal by singer camara could not be more reminiscent of 80s house music and this track has got all the soul and groove of this era. beneath the delicate vocal and sound patterns lies a wonderfully simply staccato house groove that is sure to get everyone shuffling. on the flip things get a little more techy with >nneka<, a deeper and more melodic tech house glider that gently takes the listener towards a harmonic state of mind. beautifully arpeggiated pads, a warm soulful groove and some reverbed vocals make this one. last up is the sample-based tech-house stomper >upyo< featuring production partner jon hester. this is loop heaven: a pushy beat loop with many snares, reverse samples and an unexpected saxophone melody make this one the perfect changeover track from warm-up to peak-time. this ep shows dapayks skills to combine many musical influences into his unique still of tech-house music

droid recordings has always focused on presenting domestic talent. the latest eps contributors are no exception. kyle geiger of drumcode fame teams up with longtime collaborator and friend bobby dowell. they both reside in the technos simmering hotbed, the american midwest. they are among north americas chosen few still representing techno in the place where they were raised and influenced rather then adding themselves to the over-saturated european scene.

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

mainakustik is proud to present the next regular release. on the new mainakustik you will find two hot originals from danjel esperanza(a1) & chris köhler(b1) + remixes from soulrack & mikel_e (a2) and sebbo vs agent!(b2). danjel esperanza is running very successfully the labels “meleon music” and “backdoor beauty . his track “mein kleiner cowboy” is a nice tech-house song with organic melodies and superb drumming. its getting a remix from no one else then sm aka soulrack and mikel_e (cray1 labworks). these guys know how to produce a floorbomb. chris köhler is already known in the rhein-main-area as one part of “der eine und der andere” and his own label “one way ticket . his track “abenddämmerung is a cool tool for the morning hours, with nice harmonic guitar chords. it’s remixed by sebbo & agent! which need no further introduction, let the music speak!!! early support: matt star, frank leicher, pascal feos, die haustiere, wjh…

marco zenker, the wonderboy from munich is up and looking for freedom again with his second record on ilian tape. invisible shadows was discovered by ourselves on the last ilian tape warehouse party back last year. when we heard it the first time on a big system - even marco himself - we were pretty surprised. its building up slowly and leads into a very open space - the perfect track to give the night another direction. remain silent after you heard that side and open your ears for the b side that sends us into a different sphere. here we go down. you almost can call that cut a meditation hymne - it has the same vibe as osho ashram s back then hosted by f. fuhlert. finally we have a tripping remix from one of the hottest dutch guys at the moment - conforce. known for his releases on meanwhile, delsin or rush hour he shows once again why holland is thechicago of europe. its just free spirited, soulful and openminded. qualities we are missing here more or less in bavaria. so we are trying to open up and change things. the time will come. kiss

>bite sized beats vol. 3< celebrates the return of the flapjack master chef and spatula maker, frankie j. sometimes it feels good to crawl out from behind the curtain, fart, do a lap around the room giving it a good crop dusting, and then blame it on poor ventilation. so that just about sums up this fabulous new single from frankie j. >gonna give it to ya< will definitely clear a room and move them straight to the dance floor with its awesomely odoriferous bass line and tantalizing vocal workout. this is one for both cheeks and makes for all the right vibrations.

subwave returns to metalheadz for a musical outing that will certainly have a few scratching there heads in wonderment, this is not the usual output we hear from headz but it sits just perfectly with releases like commix remix album >recall to mind<. >naked lunch< takes us on a journey into deep house electronics, lush strings and slick programming all the way this is fit for any dance-floor. on the flip >raindance< takes us into dubstep territory – if you are a fan of nonplus and disfigured dubz then this is most certainly for you, its warm, moody (in a good way) and beautifully crafted, there is even a hint of old school detroit in this one ...
the whole package is and is of the highest quality, we expect big support from the deephouse, techno and forward thinking dubstep djs for this, long may subwave continue this journey into music from future!

coma - the cologne based duo marius bubat and georg conrad have grown in leaps and bounds since their 2008 debut for firm recordings. since then, they have followed with highlight contributions to the last two total series and of course their acclaimed single crystal (kompakt 199) - both of which were released on kompakt. their live shows have established the act as a leading duo locally not to mention earning them fans across europe and asia. on famous , their new 12 for kompakt, we see coma embrace the art of melody and warmth more so than in past releases - an endearing maturity that you hear thoughout this gorgeously produced ep . starting off with playground altona - coma bring their techno/house euphoria to new levels in shimmering bath of disco glow. the ambient warmth of fameless succumbs to a floating bass kick as the sound of children play in the background. as raindrops fell outside of the studio - the boys used it as inspiration for raindrops - a sure winning track on this single as a familiar voice carries you amongst a severely catchy rhythm. a set ender of all set finales

just close your eyes and listen to these three lush compositions, while your imagination paints brilliant abstract visuals deep in the alleys of your mind. keeping consistent with the previous ten aesthetic audio releases, the formula for this new gem remains an uncompromising plethora of very raw substance, innovation, and timeless music that will clearly stand on it own amongst deep dance aficionados across the globe. deep roots: begins this journey with this intense and twisted deep banger that is simply a dancers dream. thumping drums and melodic string arrangements get things jumping as you are very quickly taken to your special place. the dark symphony: is a sinister and grimy yet gorgeous piece of work all at the same time. lush chords and dark electronic sculptures spark an imaginary sense of euphoria as the art of dance holds your body ransom. climates: captures the sheer art and raw essence of deep underground dance. this dark beauty continues to build until your body renders itself to the rhythm, and then ultimately it fades … leaving a beautiful memory on the canvass in your mind.

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

olm029 - layo & bushwacka! - double a side summer gone/what do you say now layo and bushwacka! spent most of last year recording, the first offering from this period came at the end of last year with their endangered ep on plus 8. we now present their first release on their own label in eleven months. summer gone is a groove that starts on an up that slowly breaks down and brings in sounds, voices, rhythm and then kicks back with a really strong vocal and groove. what do you say now hits from the moment it begins with a stripped down sound and dub vocal and then slams with strong percussion and then back to the groove. totally tested out by layo & bushwacka! but supported big by the only two other djs with copies, richie hawtin and laurent garnier.

supported by: richie hawtin, luciano, sven väth, anja schneider, davide squillace, paco osuna, karotte, kaiserdisco, daniel sanchez, mendo, anthea, butane, ryan crosson, fabrizio maurizi, gel abril, uto karem, carlo lio, ramon tapia, chris tietjen, someone else, dan curtin, alland byallo, butch,.. timid boy first teamed up with amam last year to remix a track from tobia coffa, and it was clear since then (and from his impressive nonstop activity since then) that we would invite him back for more!

brainiac kicks off with a dark and foreboding intro, then crashes into a powerful, rough and ready roller. menacing punchy beats, obscene chest thumping basslines and plenty of clever edits, guarantees this tune to maintain high energy levels in any club. this track can only described as absolutely devastating! the reverse side opens with a tense synthline that drops into fully charged neurofunk. although this track is more down tempo track, its sub warbling basslines, complimented by rattling percussion and steppy breaks, means legacy is sure to get the dancefloor swaggering.

back with a bunch of killer collaborations from the labels hottest talents! supported by: paco osuna, gregor tresher, gabriel ananda, markus fix, andrew grant, slam, michael reinboth, raresh, davide squillace, 2000 and one, karotte, nic fanciulli , m.a.n.d.y., julien chaptal, anthony collins, nick curly, enzo siragusa, robert dietz, gregor tresher, markus fix, michel de hey, fabrizio maurizi, anja schneider, julietta, luca bacchetti, michael reinboth, davide squillace, raresh, arado, 2000 and one, simon baker, nic fanciulli, kabal und liebe, audiofly .. every now and then, chance pushes two artists into the studio together. when that happens not only do interesting combinations of artists arise, but also the opportunity for exceptional music to be created. the epic pairings of dan drastic and matthias tanzmann, chris lattner and luna city express, and martinez and matthias tanzmann team up for the second edition of the very special moon harbour joints series. dan drastic and matthias tanzmann open the record with >puddle trouble<, a dry, reduced deephouse track which elegantly builds a bridge from funky oldschool grooves to modern house…

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

taking a break from compiling his latest masterpiece while simultaneously remixing and re-editing for various labels, al kent delivers another trio of peak time disco movers.. on the a side “feel it baby” is a classic everyone should know, twisted and tweaked for today’s loop-hungry dancers. the phrase “bassline to die for” was coined to describe this song. then there’s the strings… oof! flip it for you got it, an edit that’s been in al’s armoury a while, one that people always ask for.. so here it is. “drums to die for”? built around one serious serious disco break. lastly, theres loving living feeling. a super funky clav, rhodes and string groove that really packs a punch! million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

and there’s more.. number six in million dollar disco’s latest release series, as you’ve probably come to expect, is more vintage dancefloor fodder from the reels (mac) of al kent.. “message to the people” started life as a classic, then went through the blender, coming out all wrong, but so right. stomping along on a killer clav groove, punctuated by horns and an evergreen vocal. ” feel the groove” is a heavy hitter, thumping drums and bass with a synth hook that grabs you and doesn’t let go. finally there’s “keep on doing” which is almost house music in it’s simple repetitive bass groove and gospel style vocal shots.. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more

>world music< is the second 12 inch from washington, dc based protect-u. as the title suggests, protect-u grooves to global soundz, but this newest release–once again brought to you by future times–is total mutant house/techno. on the a-side, synth lines bubble like 80s-style francis bebey, then burn up into a space-pulse overdrive. the flip, >u-uno<, is an underwater electro-sitar dream straight outta 24th century india, followed by a slo-mo dub of >world music< that slips back and forth between digital jamaica and european nu-romance.

following the solid gold pop smash that was their debut 7 inch >circles<, south coast soul boys :kinema: return with their biggest and best song to date, >my beautiful machines<, a joyously upbeat love song to their synthesizers.
if the original of :kinema:s >my beautiful machines< is straight up classic pop then the remixes courtesy of swedens drop out orchestra, take the track off into disco heaven.

limited to 400 copies!! second release on the hot new rebellion label. after siss monstrous >gallian< release solomun delivers another knock out blow in the sonics with a heavy weight slab of electric moon groove. pan-rattling percussion and a bass funkier than a trunk of funk underpins the stupendously catchy and incessant vocal licks, and then theres the guitar.. oh my god, does it get any better than this? on the flip parisian funkateer d julz hikes the tempo and kicks the groove headway into the bass bins as its heads down for some serious dancefloor action. a great second package on this rebellious new label! please note this is a limited release, so get these hot puppies whilst you can, because when they are gone, they are gone

terror danjah is back on planet mu after last years >gremlinz< compilation reintroduced him to the world at large. since then, as well as planet mu, he has released a single on hyperdub, one on butterz with more to come.
well the gremlinz are back again on planet mu with this punchy 8 track double e.p. of experimental grime that showcases a breadth of new music, that swallows rnb and dubstep into terrors self made matrix.

whenever you talk about polish electronic dance music, then there is no way around jacek sienkiewicz. we have to admit, we are pretty proud to have him on board for our next release on numbolic unlimited!
>magic mountain< is a real stunning & sophisticated solid ep. recognition s labelhead intrigues with extraordinary attention that can only come from a history of many years. his soundpatterns find the right balance between order and messiness and he knows exactly when to take things out and when to bring them back in.

doppelschall is back! the label of brand brauer and frick with another strong forward thinking house release. its paul frick doing a solo with emika and come up with some sweet warm sounding song with a great funky groove and sexy vocals. dollkraut comes up with a more then excellent remix that sounds like dick dale & the del tones doing a house mix... killer track with much pop appeal! akufen goes all deep house with warm chords and laidback vibe.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

need to warm up? want to dance and you love house music? then your gonna to love this track. david guettas ability to supply a proper dance-pop stonker again evident with whos that chick. feel the adrenaline / moving under my skin / its an addiction, the barbadian songbird rihanna hollers over bolshy beats and swaggering synths, the studio trickery on her nonchalant vocals feeling colder than an ice pop on a snowy day. its a good job, then, that bopping along to this - and warming yourself up in the process - is pretty much impossible to resist.

ltd repress !!! where to begin with >likewise<...from a handful of cds that emerged early last spring >likewise< was by far the record of the night at diddys house party in miami. it then hit the top spots in mixmags charts and became one of the most wanted tracks by every a list dj during ibiza this summer and is still being championed by djs such as luciano and lee van dowski !

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

oooh super hot one from til! truth is light keeps charging along with what could be their most dynamic release yet. still obscure but rather less obtuse than previous outings! limited quantities again. the label shout a four track 12 inch beast that includes a huge gospel cover of sylvesters already smash underground disco hit >i need you<. if this doesnt turn people out, then you should throw these records at people in the club and aim for their necks!

being one part of the dj team kassette boys, ferri borbás aka superlover is widely known as m_ferri. he was raised in berlin and after the wall came down he got musically influenced enormously by the then arising techno culture of the mid 1990ies. his early productions have always mirrored the influences of the rough, industrial and dark sounding techno sound which was brought to berlin by artist like jeff mills, laurent garnier or joey beltram. simple, radical sounding and functional: tracks like his >tanzgenerator< or >open the watergate< had shaped these asthetics into a trademark sound. his latest superlover project is slightly shifting his musical coordinates : instead of a reduced and purely funtional >m_ferri sound< his new project presents a rather emotional and energetic mix of warm sounding rhodes pianos and string synthesizers. the three tracks of the e.p. combine those sounds earworm-like to catchy melody riffs and being the metamorphosis of a new disco influenced, poppy superlover sound