barcelona based dj/producer rainer delivers three originals within his debute ep on the imprint. + a special remix by dan andrei aka aloevaru

social experiment is back with a 3 cut ep that was specifically crafted for the dance floor by rising star ad/d. an individual with a long history in dance music who is set to go the next level off the back of this stunning debut package on this imprint. the ep features 2 floor destroyer grooves featured heavily in art department dj sets all year, and ends with the sublime and slightly 90s nostalgic gem * star 233411* from the canadian also knows as mario j, which is heavily influenced by the music he made and played at his iconic nightclub, industry.

new rick wade 12inch back on his own harmonie park imprint. 4 deep detroit house tunes in ricks trademark style....tip!

chicago legend anthony nicholson is back with a new release on his hugely influential clairaudience imprint which sprung back into action a couple of years ago after an eight year hiatus. on -suckapunch-, the man behind such seminal music as usg and african blues delivers properly soulful and emotive deep house the way it was intended. on the flip, -turn me on- is more uplifting, integrating some syncopated conga drums and powerful strings with hypnotic female vocals loops all working in perfect harmony.

2016 repress.
after the first two sold out releases he moi imprint present their third vinyl.

mmusic is a modern day music vinyl imprint, paying a 12” respect to quality productions, compiled together, for a must have vinyl record. this sampler invites you to soak in the power of sunrise & sunset grooves, enjoy! limited edition of 300 copies.

re-issue of an omar s classic, originally released on theo parrish’s sound signature imprint in 2009 (ss034).

burnski makes a return home to his own constant sound imprint for the first time since his changes ep back in september of 2015. 007 in the release catalogue sees a monumental step for both label and producer as it brings with it his first full-length offering. dna opens out across 9 neatly reduced dance tracks that demonstrate the unremitting talents of a producer with over 11 years experience in releasing records.

located between absentminded fantasizing and alert awareness the release of blackfoxmusic arises out of the hands of tagträumer² with an obvious regionally derivation: pankow! the berlin based producer and vinyl aficionado who travels the world only with his record bag since the year one, returns after his guest appearance on the debut vinyl of the imprint and presents three irresistible tracks. not less melodic than driving, to flood the dance floor with energy and warmth. acker records label-daddy mollono.bass grabs his buddy marc vogler and contributes a remix á la bonne heure that rounds off the record perfectly.

bologna s frank agrario decided to take destiny into his own hands earlier this year, founding micronation records as an outlet for his music. the ladonia ep - named after a disputed micro-nation in southern sweden - is agrario s second missive for the imprint, and features a particularly luscious, amospheric dancefloor roller named after the state s most famous landmark, a sculpture called -nimis-. arguably even better is -i played that track already , a dusty, detroit style deep house cut blessed with a bold cowbell line, sustained chords, and a nagging vocal hook. rick wade provides a deliciously deep and soulful interpretation of that track, while the softly jazzy, broken-house track -lesboa- is also worth a listen.

imprint 398 of yyy gold series crafted in yoyaku’s studios.

sydney based swede adam stromstedt returns for the second release on lyssna, which he co-runs with partners out of stockholm and amsterdam. he s previously done stuff on bristol s banoffee pies and local imprint junk yard connections, mr. tophat s label. his offering on the a side entitled -sinbad- is a dusty and hypnotic deep house jam, that will appeal to fans of thomas melchior or more recently rene audiard. on the flip, there s label co-owner flord king, who just so happens to be the aforementioned connection in amsterdam. his contribution -dapper- is another excursion in subtle trance induction with rolling bass, immaculately programmed rhythm and woozy pads for added effect.

(vinyl + hand numbered postcard artwork on raw 180 g paper) for its fifth release, viennese techno imprint bare hands is pushing its rugged, warm analogue sound towards new territories

retrograde returns late september with * in reverse pt.1*, a various artist package featuring matteo luis, natureboy gold, terron and marlon hoffstadt. berlin based imprint retrograde marks its fith release here and once again welcomes back a selection of the collective recording artists already featured on the label such as label head-honcho natureboy gold, ffrr/play it down artist marlon hoffstatd, also co-founder of the label and tipped as a future star by pete tong on radio 1.

seventh release from the much anticipated imprint involving the founders of stablo alongside matt radio slave edwards.

population 50201 v1 encompasses dubspeeka s unparalleled status as underground music artist and in turn the fitting foreshadows his second ep on his own imprint skeleton. perfectly easing listeners through a chilling listening experience fused together by a crisp yet disported drum rhythm, this forthcoming ep and his album are yet a further presentation of dubspeeka s stature in the spectrum of underground music.

fourth release from the much sought after funk e s own imprint, featuring a debut release from bhikkhu.

long-time london based friends and regular collaborators ethyl & flori have been foraying between the blurred lines of house and techno with releases on labels like secretsundaze, aim and fear of flying for the last 6 years - and with a glowing reputation under their belt, 2015 saw the duo launch their own imprint e&f records. this time however, their most recent venture is a release with london label mutual friend recordings and combines the duos talent with enigmatic label owners and friends of ours london party curators our mutual friend, their solo ep on brooklyns voodoo down records earlier this year was tipped by such luminaries as levon vincent and dj october.

hubie davison returns to leisure system with the vinyl-only someonelove/in_out 12inch, his first official release since the success of his summer anthem sanctified on midlands regraded imprint. someonelove marks the first time davison s sampled his own voice for a hook - expect to hear his voice much more in future productions. on the b-side, in-out forgoes vocals entirely in favor of chunky, grooving machine-funk. its an addictive acid joint, with a title that reflects the spontaneous nature of the original recording. the someonelove/in-out 12inch is davisons third release on leisure system, following 2013s meditative i wont be there ep and 2014s storming khayyam grey ep.

suruba x is proud to announce sxv006 v/a 01 to be released worldwide in los surubas imprint on – september/october tbc (vinyl only). v/a 01 is a special release for our vinyl lovers and collectors with some of the labels most sought-after tracks. ... 180gr pressing

abstract theory is back with a new vinyl release, this time coming from the israelian techno master itamar sagi (be as one imprint, ovum, sci+tec, drumcode, soma, intacto) who delivered us three wonderful peaktime stuff.
early support by ame, robert owens, alan fitzpatrick, slam, marco carola, leon, steve lawler & many more.

hot on the heels of the successful first edition of orbiter i comes orbiter ii, a second various artists ep that showcases both newcomers and established label acts alike. this time out, super flu, nico cabeza, anek and chris wood & meat all step up to the plate and impress with their essential contributions.

most excellent unlimiteds series of 45s celebrating the 45th year of danny krivits career continues with a blast of two heavyweight cuts that, to borrow the parlance of the era from which they came, are bonafide sure shots. wood, brass & steels *funkanova* a jazz-funk masterpiece and loft classic that was liberally sampled in the house world (black science orchestra, terrence parker, the bucketheads), is pared down to its most joyous elements. from the intro, a typical krivit maestros detail of an opening bass slide prefacing hands-in-the-air cascades of iconic horns and keys, to the echo of the last notes, its a perfect edit immaculately tailored for dj usage. the flip delves deeper into new york city dance history with a rough and rugged beat- down of a proto-disco, b-boy classic: boobie knight & the universal ladys * sex*. displaying his usual knack of going straight for the jugular, krivit takes the songs siren-call-to-the-dance floor horn riff as his starting point, peeling off another layer to the floor-shaking bass and drums before bringing it all back to the top with a perfectly placed drum roll that will have flash disciples fiending for doubles. solidifying this blazing double-sider is the fact that neither of these essential cuts has ever appeared in seven-inch form. another most excellent unlimited sure shot!

various artist ep collaborations 2 from unlock recordings, featuring tracks from label head solimano, bruno de vincenti, christian burkhardt, barem and federico molinari. gonzalo solimano first created the unlock recordings imprint back in 2004 as a platform to support latin american productions, and ever since then the buenos aires label has played host to the likes of guti, jorge savoretti and franco cinelli. the second instalment in the labels collaborations series, solimano now invites german producer christian burkhardt to join argentinian talents bruno de vincenti, oslo records artist federico molinari and fun records founder barem for a split release. first up is solimano & bruno de vincentis cut love nebulae which layers infectious percussion with gentle chord sequences and filtered effects. christian burkhardts doog then cuts in on a deeper and darker tip, with a low-slung bass groove and hypnotic pad sequences. up next is barems funk duck with its rolling percussion, staggered synths and a pulsating low end, before federico molinari rounds off the package with 2.014.2, blending dubby bass patterns, chopped samples and frantic synth spirals.

the martinez brothers cuttin headz returns with a new ep from the butcha, entitled 10001 and backed with two remixes from matrixxman. phil moffa aka the butcha is a new york city based musician, producer and engineer most notably known for his works alongside dj spider and anthony parasole for sublevel sounds / plan b recordings and alongside seth troxler for hypercolour. here we see him return to the fledgling cuttin headz imprint with his idiosyncratic take on raw, emotive house music following his destination void release alongside dj spider and brendon moeller last year. up first are two originals from the butcha, the first of which 99 prince st. lays focus on echoing atmospherics, snaking rhodes and shuffling dubbed out percussion while the latter, 6 hubert st. pivots towards an amalgamation an upfront organic rhythm alongside a weighty low end drive and wandering synth swells. to complete the package san franciscos matrixxman delivers two interpretations, firstly the acidized mix which as the name would suggest draws on squelching 303 lines layered over processed snippets from the original before the digital bonus transhuman mix closes on an arpeggio fuelled techno tip.

aiken is back on his homebase. the third release on his selfcurated techno imprint counts four headnodding floor jams. hypnotic melodies searching their way through rumbling percussion patterns. this is trademark deep techno from madrid.

no needs to introduce allen saei better know as aubrey, the uk legend, for his second record on the imprint. this time for this eternal worlds ep popcorn records gather only exclusives tracks from the past for a trip into uk techno

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

italian producer dj octopus steps up for the sixth release on vinyl only imprint shall not fade, with his mechanical, percussion heavy ‘the internet’ ep. marco zanin aka dj octopus first came onto the scene in 2013 with a string of releases on respected imprints such as&#894,, hot haus, chiwax, hardmoon & love notes. since then his sound has evolved and progressed massively, now resulting in a distinctive brand of warm soulful, analogue heavy house music. the four track ep, features club friendly cuts best suited for a dark dancefloor.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

after beginning as a sydney club night in 2012, pelvis is readying its first release of original music on the new pelvis records imprint. entitled dance freak anthem, its a 4 track 12inch with an original from the crew at its core. reworks from label heads dj haus (unknown to the unknown, uk) and dj nozaki (10 inches of pleasure, japan) sit alongside the pelvis original and another fresh take on the track from australias very own mall grab. other releases from pelvis include a dance freak mixtape, split with nys venus x (ghe20g0th1k) and released on limited edition cassette.

stockholm-based imprint swedish brandy productions serves up a sultry four track v/a 12 inch with deep and soulful gems. first out on the a side you get the track * legs lover*. equipped with yamaha rs-7000, moog rouge and roland juno 106, moscow based house and techno purist and producer harry light gives us an uncompromising old school deep house groover with crisp pounding beats, stuttering chords and distinct catchy hooks. harry light has previous releases on labels such as artreform, pro-tez and beef to name a few. the a side ends off with the post-disco sounding killer track “overland & sea” by london based producer and dj dan westlake aka westlake72. dan’s sound borrows liberally from the history of club and dance music, mixing and matching eras to create his own contemporary sonic palette, sighting the early and mid 80 s new york post-disco producers such as darryl payne and paul simpson in particular as key influences. on the flip side soultechnic aka deejaykul delivers the deep and classy track “addicted”. rául navarette, the man behind both aliases, has been holding it down since the late 80 s, releasing music on labels like atjazz record company, z records, peng, del, basic fingers and xtrasolar records, and remixing great artists like opolopo, the rurals, gregory del piero, kenny bobien, monday michiru, monodeluxe, diviniti and many more.

since contributing to the cocktail damore 5 years compilation, andrew cole aka luvjam has been invited few times to rock the monthly party with his deeply blissful and futuristic sounds. this is his first 12inch for the berlin imprint. the title track takes over the a side. nip to space is an abstract hypnotic slice of techno. every frequency of the 4/4 groove is stretched to the max, and it’s built to enhance the dance floor with masterful soundscaping. on the flip forest of nip is a raw tune, made by unexpected elements disappearing and re-appearing vibrantly, climaxing in a maze of fluffy acid synths. with flip to the flop the alchemist of sound design explores breakbeat of the finest uk tradition that evolves unexpectedly in a cosmically distorted afterhours delight. luv jams psychedelic perspective of sound is at its best in this ep, coupled with his unique mastery of frequency manipulation.

presenting the fourth vinyl release, los angeles imprint reinhardt welcomes romanian sonic explorer akim# to the fold. culminating in four tracks crossing genres and themes, pulling from influences and experiences throughout a history crafting his art within the bucharest electronic music scene. taking elements of ambient, electronica and techno, channeled through a dream-state lens. the phosphene ep is created for the dance floor with a soundscape sensibility, making for an unmapped odyssey.

the third release on pooledmusics techno-focused sister imprint montage welcomes back silvershower, revisiting the debut release of ian pooley’s techno alias on its 20th anniversary. the original ice fractions 1 ep arrived on plus 8 records when richie hawtin & john aquqavivas legendary label was at the height of its powers, and showcased a tougher edge to pooleys productions. two decades later pooley is still maintaining his high standards, revisiting and updating past work in the form of reissues & remixes and issuing fresh original material such as his recent turakina ep on pooledmusic and the return of silvershower last year. which marked montages launch this new edition of the first ice fractions 12inch supplies the two original lead tracks and an updated 2016 remix of each by pooley himself, satisfying both those aiming for the vintage 1996 techno sound, and those looking for a punchy update for modern techno cathedrals.

this year experienced the birth of frazer campbell s deeper imprint elliot project recordings. the london based label launched back in spring with a real statement piece, composed of detailed minimal, late night seductive twinkles and a drone styled techno piece. the labels projected thought process for the future is to navigate through a varied soundscape of deeper excursions and thoughtful techno. this second ep with two originals from frazer, also includes a remix from highly respected uk musician tom ellis who increases the heat on the track light with a energetic but thoughtful techno re work.

glasgow based imprint flatpack traxx returns with a no nonsense 4 track ep made for the dance floor. collaboration from 2 of the uk s brightest new talents dissonance and intact. both of whom play an integral role within london based collective surface music. dissonance an anglo/italian producer was exposed to strong musical influences having relocated to the uk at an early age. his recent productions are a voyage of exploration, recording for the likes of spains oblack label and 2651 records alongside los pastores and the willers brothers respectively.

classic jazz and disco influenced deep house by pal joey, released in 2003 on his cabaret imprint. ... ltd 2016 re:issue

wet top mud off huggers! deaf font answer back wii thaw foe king numb a real heaven order for thin stall meant often rex drawing cad or can ease sum serious angst worries - ouuuuut hear. deep young hole, baby. blood hymn edit a reign in mere e-wood soaked hick forties shit. grab a pipe at descends damned line a cut text raw wags sends low could view t. soul ive had reaping old riding? shoe breathin! and guess whose cramp pulled the x sought tough dead banging cc lion shock healer? know less than the moth hair fog in sea care hum self - owe chess - hats write - c cares in turn nash on all is seen daos and hiss gelling like your deepfreeze on a meat so morse knightin down tongue wins. oh yes brothers and sisters, say c cares, say u if o, say aimin ants nap patio core puss!

after his 2012 starpatch release on red rack em s bergerac imprint it seemed seetheroad has retired from music. now he is back - as the very first uk artist in the history of tape hiss - with four twisted pieces halfway between techno and electronica. it’s a kind gesture to the label he gave a hungarian title to the ep. cédrus Út means cedar road, what was his previous location and inspired his artist name at the same time.

fierce banging tracks on the a-side of this multivalence volume 1, and two winning acidic techno tunes with a bit of an early detroit, belgium rave vibe on the flip side. strong release on kevin mchugh (ambivalent/la-4a) new series of various artist ep s on his valence imprint.played by dvs1, josh wink, dj deep, ben klock, norman nodge, rolando, scuba aos

dennis ayler was first introduced to us via 22a earlier this year. he now returns on his own imprint dennis ayler music. his debut ep no comment gives the listener a chance to step into dennis aylers world, where drum machines play cards with electric guitars and lead synths do private strips for kicks.

an imprint of käse kool. “same shit, new name” kk’s latest comes from berlin-based producer nick beringer. transit ep produces a steady flow of funky, groovy tech house that will get anyone moving until the early morning, while lopaski’s finishing remix of “brija” caps off the ep with a a fresh interpretation of nick s soon-to-be classic.

following a couple of strong releases on labels such as russian torrent versions, dog in the night and wilson records, fabio monesi finally makes his debut on his own hardmoon london imprint in which he released his music, since 2014, under his alias hissman.

the ichinen project was born from the strong music connection between roberto bosco and kiny - both producer, performers and founders of last drop records imprint - and from the need to share their personal music concept. finally, this year they returns on their label with the first official track under new ichinen monicker.

literary all the granny smith apple trees grown today, from uruguay to hokaido, are clones from mrs. smith’s original tree in sydney. bananas, oranges, watermelons, garlic & other fruits of daily delight are routinely replicated without any input of external ideas - i.e., they are cloned. there is no general ethical or aesthetic decision to be formed about clones, since you have already imbibed them ever since your first bite. thus, you are not in a neutral or otherwise preliminary position, but already involved, kneedeep.

when la label acid test decided to start the leftfield imprint, avenue 66, they looked to new jersey house mystic joey anderson for an opening salvo. he delivered the modern psych-dance masterpiece above the cherry moon. now andersons back again with more of his beguiling dreamlogic. on if one cares, they act different anderson works with a lead that could score an unsettling 80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. peace there starts with the square-wave basslines and raspy hats taking us to a psychedelic far away place. on the vase, anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. his music so alien and human all at once.

abrao will debut his first solo ep produced by red axes, and released on their own imprint, garzen records. abraos songs talk about his past, his future, love and hate, dirt and clean, they are sometimes happy and sometimes sad, but they are always different.

one of house musics true originators, todd terry was first discovered by pioneering new york house imprint fourth floor records. now the label has collected four of his earliest and most essential productions on to one 12inch vinyl. the a-side houses a pair of tracks created under his black riot alias in 1988, both featuring his trademark raw, jacking drums. the unmistakable rave stabs on a day in the life were to reappear on countless hardcore records, testament to the tracks influence, whilst the cut-and-paste sample patchwork of warlock defines the house sound of that era. meanwhile, the b-side features two tracks as masters at work, a moniker that todd would later pass on to his friends little louie vega and kenny dope gonzalez. both alright alright and dum dum cry, originally released in 1987, exhibit terrys musical roots, combining hip-hop breakbeats, powerful electro-funk and playful freestyle melodies in his inimitable style.