more late 70s westcoast yachtpop you can almost dance to.

the first vinyl cut from japanese dub duo mantis s 2nd album collapsizm released cd format from black smoker records only in japan, summer 2014. 2 tracks of the super powerful stereophonic dub sound with legendary paul st. hilaire a.k.a tikiman of rhythm & sound . these 2 tracks are different edition from the cd release and remastered and cut by stefan betke a.k.a pole of scape mastering.

special price!!! feels good between house and techno

hammer & michel live aus der philipshalle, düsseldorf am 16.10.2014. pressung auf schwerem 180 gramm doppelvinyl, inklusive downloadcode für alle tracks.

nach zwei gefeierten teilen der tempo dreams reihe, kehrt brooklyns bastard jazz recordings mit teil 3 der compilationreihe zurŸck. fŸr dieses album hat das label das bostoner produzenten duo soul-clap eingeladen die auswahl der tracks vorzunehmen, frei nach dem motto alles was funky ist soul-clap šffnen auf dieser compilation ein neues fenster mit unveršffentlichten modern funk-, electro soul- und leftfield house-tracks, auf die ihr geistiger mentor dr. funkenstein aka george clinton stolz wŠre.

first up here is kenloto, a chunky bit of bass driven house with crisp perc. it builds to a nice tense peak with lots of loose, jumbled textures and will make for a fine bit of peak time listening. the other original is whack, which is another tough house cut with firm bass, old school new jersey snare patterns and rolling drums that are rich, warm and rubbery. miguel lobo s remix is a more spritely thing with lithe chords, colourful synths and and a pent up energy that just never stops giving. closing out the fantastic package is paul c & paulo martini who remix kenloto into a trippy affair with ghoulish voices, hard hitting drums and lots of dark wave energy that will carry you late into the night.

buedchentape 2 erscheint auf lp mit 13 tracks und als mixtape mit 21 tracks.

repress

two of the most celebrated & consistent underground house heads of recent times collaborate on new label venture money $ex records ! heavy, futuristic sample-house & head-nod heaters - perfectly pieced together as only they can

finally the moment has arrived for us to release new original music on our own label! this monster release has a history that takes us back more than four years to a 48 hour studio session at our beloved marcy hotel in brooklyn, ny. the original collaborative effort came from a laundry list of familiar crew love players including soul clap s charlie and eli, wolf + lamb s gadi mizrahi, no regular play s greg paulus, the lovely deniz kurtel and even mr. fantastic himself, lee curtiss. after all was said and done the body and inspiration of the record was there but what was lacking was a strong vocal. enter robert owens, arguably one of the most prolific and sonically recognizable singers in house music period

platte 11 des bekochmützten duos liefert nicht nur den soundtrack zum künstlichen knie. remixe von paul birken und totmacher

defected presents fcl in the house is the first essential mix album of 2015, a two cd mix of classic and contemporary house music, including cuts from larry heard, bob moses, seven davis jr. and audiojack, as well as a handful of fcl exclusives

the title track offers up a delicious concoction of rhodes keys and smoky jazz inflections before a brittle synth and snatch of soulful vocal usher in an entrancing chicago groove. utterly moreish, it s a tune to stick on repeat. philpot label founder jackmate s devilishly playful version does exactly what a remix should do: give the original tune s elements a fresh twist while respecting its distinctive spirit. a pounding kick, astonishing in its rippling intensity, underpins off-kilter and pitched-up samples that somehow hold together for an exhilarating ride. -fish paul- marries spacey eno-esque drones to a pounding beat and crackling interference. testament to gaiaschi s years of directing and promoting parties and his dj residencies at milan s dude and tunnel clubs, it s a tune that embodies a fine-tuned understanding of the dancefloor. -the point- rounds things off with bright keys and crisp claps, to build a dreamy, skilfully layered groove.

strut return to the archives of seminal chicago house label dance mania in january 2015 for dance mania: ghetto madness. the follow-up to strut’s acclaimed dance mania label retrospective hardcore traxx from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movements fresh generation of stars during the mid90s including dj deeon, dj funk, jammin gerald and dj milton. the 180 gram double vinyl comes in gatefold sleeve, including cd.

limited nice price - last copies left
ultraphat big room electro house anthem

ltd nice price ... nice tech four tracker from the gung ho label. includes tracks by zoo brasil, richard murray & paul deighton and paul deighton solo

nur 1 kopie pro kunde, only 1 copy per customer! limitierte auflage von 100 schallplatten. jedes cover ist ein von hand gefertigtes unikat mit eigener gestaltung, manuell gestempelt und nummeriert. die gestaltung der cover ist ein experimentelles zusammenspiel von stimmung und rhythmus der einzelnen musikstücke. das projekt ist im rahmen des studiums von franz-paul- senftleben an der burg giebichenstein — kunsthochschule halle unter betreuung von prof. sven völker entstanden. mastering by salz !!!

the label from the infamous spanish new rhythmic store has build a solid reputation and prooves it status. fresh techno for those who like their techno deep yet slamming!

new release on dfc: the 1992 original orgasmico techno cult track by ramirez has been now re-released with a killer hard mix by neckbender, a powerful tech house remix by stanny abram and a brilliant edm version by paul carpenter. a vinyl that you cannot miss

the rising sun takes the lead as jazzanova present the japanese remixes 12inch of their now there is we single.

resonances of a distant past or an apocalyptic industrial future, dark moods, gritty grim noises, violent mechanisms of rhythm pressed on vinyl.

jack fuller is a harlem based singer, songwriter and dancer who works closely with many pop and hip-hop acts, including azealia banks. he is also in the vogue trap project, anvkai. n’conduit is brooklyn based producer & engineer alex hamadey. he produces ambient music under smallbroadcasts on something records and is in several collaborations including lindbergh palace, mc&hammer and shadow lanes. alex also co-runs two vinyl labels: voodoo down records and rock and roll records. by day he composes for film and commercial with hyberballad music. this is his fourth vinyl release. available on full color jacket lp by brooklyn, ny based artist juan betancurth.

walking through the skyÉfive years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

walking through the sky, five years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

was für ein zirkus: be svendsen hat sich 4 titel von 4 virtuosen klangakrobaten geschnappt und jongliert sie im freien raum zwischen schnittigem house, klassischer rummelplatz-atmosphäre und stummfilmmusik der goldenen 20er. so beschwippst und überschwänglich dieses manöver klingen mag – wer sich rhythmisch dazu bewegt wird schnell merken, dass hier nach dem muster routinierter dancefloor-präzision gestrickt wurde. dafür bietet acid pauli natürlich eine echte steilvorlage: be svendsen schnallt die schunkelnden klavierakkorde von requiem for a loop auf eine swingende bassline, schlägt verwegene kapriolen und landet mit jazziger lässigkeit doch immer wieder auf der eins. die vielschichtige komposition, aus der sich der zauber des schlaraffenland vom electronic swing orchestra ergibt, untermalt er mit schlichten aber effizienten beat-texturen. zusammen mit monolink und inspiriert vom detailverliebten tiefgang des micronauten entsteht der wohl hypnotischste titel auf dieser ep, nämlich ein wunderbar verträumter remix zu modulation transfer function. und dann wäre da noch die zackige vertracktheit von the one, welche die hörerschaft wohl unwillkürlich in menschliche kanonenkugeln verwandeln dürfte.

number 3 on ruff draft comes from louis guilliaume. having met louis back in 2009 and followed his music since way before then, it was an exciting day when we received these tracks from him. known more for his harder edge techno productions on labels such as soundtravels, bio rhythm holland, teng, sd holland and a remix on skudge, here he edges slightly away from that harder sound. the tracks vary from deep, groovy and meandering house to a beatless soundscape reminiscent of early larkin and pullen to a powerful kick drum driven sermon.

limited 2014 repress for this ideal audio anthem, must have ! big with: dubfire, timo maas, stephan bodzin, loco dice, väth, fergie, laurent garnier, steve lawler, style of eye, tocadisco, sander kleinenberg

for their latest outing, a choice selection of rock, balearic and pop-reggae-disco goes under the razor for some precise trimming and extensions. beard science veterans hardway bros. & 45 badger are joined by glasgows scratchandsniff, and tokyo matt from hong kongs otaku soundsystem.

im mai 2013 erschien -independent dancer-, das langersehnte zweite album des zürcher ausnahmeproduzenten kalabrese und begeisterte aufs neue die dance-community. eine ganz eigene musik für unabhängige sensible tänzer und zuhörer. nun erscheint eine remix-ep mit bearbeitungen vom album und die ausgewählten produzenten sind genauso respektvoll und musikalisch ans werke gegangen. sie haben den rumpel-zauber verstanden und etwas ganz neues gemacht. mit dabei sind matthew indemnity herbert, martin gretschmann aka acid pauli, frank wiedemann von âme!

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades

a new series from circus recordings label owner yousef, four expertly crafted cuts that he has been championing in his dj sets for some months. a collective of energies & styles, artists & friends, to create a sequence of creatively broad dance floor club tracks that harvest the effervescence circus recordings is known for, musically serious and tasteful, yet always vibrant and colourful.

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location – the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

die 26-jŠhrige britisch-japanische kŸnstlerin maya jane coles setzt einen weiteren meilenstein in ihrer noch jungen laufbahn. von den fachmedien - von resident advisor Ÿber mixmag bis zur ehrwŸrdigen bbc - mehrfach ausgezeichnet, gipfelte ihre aktuelle anerkennung mit einem herausragenden platz 15 der top 25 einflussreichsten djs der welt, die der us-rolling stone ende 2012 herausgab. charakteristisch fŸr maya jane coles ist ihr meditativ-antreibender techno/house-stil, der nach einer ersten -dj-kicks--compilation 2012 und ihrem debŸtalbum -comfort- 2013 nun auf der neuen fabric-ausgabe zum vorschein kommt. geprŠgt von melodischen qualitŠten und einer enormen effektivitŠt, erleben wir hier eine weitere ausgezeichnete dj-perfomance einer echten ausnahmekŸnstlerin.

exzellente remix-ep zum aktuellen daniel bortz debütalbum -patchwork memories- mit bearbeitungen von acid pauli & nu, den tuff city kids gerd janson & phillip lauer, bostro pesopeo von permanent vacation sowie einer eigenen daniel bortz club version.

richard burkinshaw & james rial aka audiojacks standing in electronic music speaks for itself, the pair have been heavily involved since around 2006 and have made quite the impact with releases for 2020 vision, leftroom, get physical and of course their own gruuv label where they return to here.

the first supply showcase: four label-newcomers range with veteran authority from deep house to driving techno. the opener is a grooving house burner: an infectious loop and low-slung drums build triumphantly. anders hellberg drops in some acid, with a strident 909 beat stalking an open, melodic soundscape. kicking off the flip, label co-owner jb teams up with bostonian paul morse in an icy, tantalizing variation of elastic, swinging deep-house, before stojches outward opens up an ending, its pounding beat laced with bitter-sweet detroit strings.

awanto 3 strikes again with part two of his debut album! includes the cut baila con paula, which is a collaboration with the dutch nine-piece afrobeat ensemble jungle by night. tip!

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

6th borough project are back with the follow up to their 2011 debut one night in the borough.

paskal & urban absolutes are celebrating the release of their debut album lux (released in november 2013) with a big bash, encompassing a special remix package and with an illustrious group of liked minded peers. same as with their own work credo of cross-city collaborating (paskal aka alex lives in berlin, urban absolutes aka adrian lives in essen) the twosome assembled half of germany for the first, now available 12inch of the lux remixes.

strut praesentiert hardcore traxx: dance mania records 1986-1997, die erste definitive retrospektive von chicagos wichtigstem housemusic label. das label half bei der etablierung des ghetto-house-sounds und repraesentierte die street level clubkultur in den neunziger jahren. es entstand als raue alternative zu trax und dj international mitte der 80er jahre

deleted - strut praesentiert hardcore traxx: dance mania records 1986-1997, die erste definitive retrospektive von chicagos wichtigstem housemusic label. das label half bei der etablierung des ghetto-house-sounds und repraesentierte die street level clubkultur in den neunziger jahren. es entstand als raue alternative zu trax und dj international mitte der 80er jahre

amazing 3 tracks edit by tt

all the essential tracks from the cosimo matassa story 4 x cd-box (properbox129) finally on heavyweight 180 gram doublwe vinyl.
virtually every r&b record made in new orleans between the late forties and early seventies was engineered by cosimo matassa, and recorded in one of his four studios. cosimo placed new orleans on the musical map, recording the hits of fats domino, little richard, lloyd price and a host of other stars.