nice price deal !!! across the four tracks the studio r approach is further refined, balancing the desire for solid rhythmic constructions with a more introspective, soul-stirring musical message that makes for the most timeless, meaningful electronic music. after the bold statement of the triple-vinyl studio r 003 release that saw fred p, mike parker, dj spider and more alongside newer artists, the label returns with a single that continues the mission of the berlin-based broadcast and record label project. dealing in the most adventurous and heartfelt corners of contemporary house and techno, studio r 004 once again pairs established artists with unsung talent.

tresvibes soundsystem, the trio of satoshi otsuki, dj pi-ge, and kikiorix, is based in tokyo and their label, vis rev set is about to kick into gear. their first release will be pressed on wax introducing the unreleased tracks from their mix cd -playground-. a-side includes a track with its original groove made of complex yet excellent minimal sound by hello?repeat soundsystem, a unit of daze maxim and jan krueger. b-side offers a minimal house track with jazzy and soulful live sound by dewalta from meander and also dj pi-ge s deep tool-track full of analogue sounds. the contents of this ep are all prominent modern minimal house tracks. you should drop them in your house set but they can really be played during any kinds of sets! they come only on vinyl!

mental groove records is thrilled to announce the debut release of french dj/producer vax1 aka marion xavier delivering a subtle, gorgeous and much valuable house / electro e.p. for your eerie nightlife moments that will make a lot of people jealous. headlining the ep with his straight to the point remix is alexander robotnick, the amazing italian veteran, the one responsible for the 80s electro favorites problemes d’amour and dance boy dance who takes the track to stripped down electronic territories that will fit comfortably in any set with that satisfaction guaranteed label.

aus follow up releases from bwana, sei a and fold with the welcome return of shenoda with his chromatic ep. throughout a catalogue thats included 12inches for hypercolour and manmakemusic as well as his exceptional debut labour ep on aus last year he has consistently and capably melded house and techno signified by his burly drum work and long, stirring breakdowns. his chromatic ep packs in three powerful cuts with blame, a track that drives a dense, staggered kick under blood-curdling tension and dramatic synth builds. musical mob then follows up with scuffling drums and a bold, peak-hour synth line before shores closes up with a shimmering sound-build giving way to a dense and full bodied bass pattern.

was bewegt einen erwachsenen mann dazu, sich fŸr einen ganzen monat aus der zivilisation zurŸckzuziehen und sich in eine kleine hŸtte in den italienischen alpen zu begeben? im fall des hamburger musikers stimming war es die arbeit an seinem vierten album, das nach seinem refugium, alpe lusia, benannt wurde. die frage nach dem warum beantwortet stimming mit den stŠndigen wohlstandsgesellschafts-ablenkungen. stimmings album beginnt mit dem plŠtschern eines bachs, und in gewisser hinsicht ist es genau das: ein fluss, der in seinem verlauf neue stršme aufnimmt und somit an energie gewinnt, aber stets derselbe bleibt. zeitweise rei§end wie eine stromschnelle, andernorts ruhig wie eine flussbiegung, doch immer aus derselben quelle stammend. ich wollte etwas eigenes machen, eine reise die sich (abgesehen vom grundrezept house) mšglichst wenig an aktuellen stršmungen orientiert, so stimming. wenn man auf das feedback diverser kollegen vertrauen mšchte, scheint ihm dies gelungen zu sein so meint z.b. dj koze: ich bin begeistert. wahnsinnig warm, runtergestrippt, tief, verspielt und vor allem eigen! fast wie jemand, der einsam auf einem kutter Ÿber die meere gondelt und vor seinen kisten sitzt auf ritalin

dave clarke, britisches techno-urgestein der ersten stunde, trŠgt seine spannendsten remixes seiner jŸngsten, amsterdamer schaffensphase auf einem album zusammen. wie Ÿblich ist die vielfalt der original interpeten bemerkenswert und reicht von punk bis new beat und von aktuellen hip artists bis leider lŠngst aufgelšsten bands. dave clarke ist bekannt dafŸr, die original-intention der kŸnstler stets beizubehalten, obwohl er den tracks neue gewŠnder von techno bis electro, von aalglatt bis futuristisch und von dark bis heavy verpasst, was seine remixes fŸr fischerspooner oder depeche mode zu zeitlosen kult klassikern werden lie§. die soundpalette der kollektion charcoal eyes: a selection of remixes from amsterdam deckt diese gesamte stilistische bandbreite hervorragend ab.

liquid phonk present another truly sophisticated soulful house groover, a fine, timeless release for delicate dancers and music lovers including lush remixes by henry l & ingo sänger and john gazoo.

kaleid, 4 trax of wonky, late-nite-swing, the first ep of new house stuff by nail on his own 89:ghost label. step away from the drip-tray. props to bones. 300 copies on no-frills black vinyl.

stefan ringer aka rekchampa says he makes music that’s danceable, intelligent, and soulful, and we couldn’t agree more. this 4 track ep of soulful house from the star of atlanta’s underground scene has everything for the discerning dj (bangers bounce #3 and can’t stop) and the home listener (heady deep cuts feeling it and the come down) alike. the release coincides with 2mr’s first in a series of semi-regular parties at black flamingo on the 27th, with ringer, mike simonetti and justin strauss.

having already released on mos recordings sub label mos deep before now, stephen lopkin is now back with a second four track effort, due for release in april. the scottish artist has been making prickly house and techno for almost a decade now, and on the four cuts here he once again showcases a serene and slick style.

essential reissue!! the producer and dj from chicago joey kay published in 1994 an ep that soon became a favorite of the 90s house djs around the world: eclectiz ep . the legendary label house jam records was responsible for editing and selling it. nowadays, in 2016 (22 years later) the owners of the label bons records have been in contact with joey kay and they have been quick to reach an agreement to make a remastered edition of the great eclectiz ep including the same tracks that the original version but at an affordable price to everyone, not favoring the speculation around these kind of musical gems, mostly in platforms like discogs. eclectiz ep has been remastered by robert feuchtl (fat of excellence)

side a: let it go featuring blake baxter - a mid 90 s ghetto house instrumental with moving bassline, that raw chicago beat track and a groove that will keep you dancing until the early morning hours. side b: new dub featuring kool rock steady, unreleased recording by tyree cooper with outtakes from his 1988 release turn up the bass with a rocking baseline groove, and those classic chicago house chords, sure to move any dance floor.

those secret squirrels just can t get enough! after a brief period in the woods they are back with even more tracky disco and proto-house business. funky, chunky, raw and dirty, they drop two more gems that are guaranteed to power the dance floor all night long. surrender to the squirrels! resistance is futile.

after a pretty good success with tonbe s digital releases on his imprint disco fruit,now it s time for vinyls. label will be dedicated to release quality disco, nu disco, house and funk music. first release is a selection of tonbe s best tunes so far on his digital label. 4 tracks for bright future. watch out, disco bombs are coming!

d3 elements continues to serve up delicious house music with its next ep, which this time comes from the detroit native moreese. he serves up three cuts of rich, musical club sounds that continue in the motor citys fine tradition.

italian house producer nicholas is back on home taping after a string of releases on labels like 4lux, quintessentials, 20:20 vision and nu groove. and it s straight back into business as usual on this release as he picks up where he left off with his best-selling love message and the music lives eps and delivers 4 raw and tracky dance floor bombs that will keep your dance floor pumping. all the cuts sit perfectly on that line between house & disco for maximum dance floor work. the bonus beats are back

this special release revisits classic brothers vibe tunes, edits and a never before released on vinyl track. kicking off proceedings is the 1989 gem i ain t gonna wait. an early brothers vibe piece and massive underground anthem! brothers vibe distinctive gritty style of groovy house takes us on a hypnotic journey into uncharted territory. melody and percussion interchange amongst a framework of zippy synths and sinuous kicks. released under the moniker silent rodgerz, the second track infractions saw the light of day back in 2008 solely in digital format on a mixxrecords compilation. low slung with an acid influence, the cut reveals a distinctly natural groove lead by the classic bassline. the final track is the definition of a house classic! featuring echoing words of the great maya angelou, words to a nation exudes a timeless quality, unveiling a masterpiece which stays firmly in your head

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

2016 rsd release , incl slamming french house classics & remixes ... just 8 great beats

with the telepathy ep, new talent dalvik debuts on vinyl with four high-quality, classic underground house tracks. -real- starts off as a deep, prescription underground inspired track, yet with plenty of fresh new ideas and a voice sampling to be recognized. -after glow- is a slower hypnotic synth journey perfect for the early morning dj set or to chill to the day after. the b-side starts off with a peak hour house slammer, serving as a nice complement to the deeper a side. the final track is a more leftfield, experimental journey, with vocal snippets and trippy synths. the under the radar label romb records delivers another dj favorite!

following his uplifting 2015 single holdin on and its techy b-side faces, rony seikaly is back for another release on yoshitoshi that proves this renaissance man is a force to be reckoned with in modern house music. the two tracks on this ep possess deep grooves, but also flex a fair amount of melodic muscle. they liken back to the sound yoshitoshi became well known for in its infancy. the sword centers around some tribal percussion and carefully woven melodic ideas, but the track?s focus is decidedly on low end. a burly, assertive bass gives the mix a driving character suited for late nights. at time it feels like a modern take on progressive house from another era. all of a sudden is more or less an extension of the first track, giving the ep defined consistency. it s a delicately arranged and straightforward house feeler, the meat coming from a multitude of interlaced chords and melodies maneuvering carefully over more tribal percussion and a monstrous kick. the mission here is to inspire awe and wonder in dancers, and seikaly delivers on both accounts.

lack of depth returns to resopal with his 12“ follow up that continues to push gently outward against the boundaries of house music. although with a somehow decent melancholic note, the five deep and reduced tracks are drifting like clouds on a summer day. spindly arpeggios and quiet chords bounce against restrained drums. lack of depth sets hand drums and wood blocks against a limber house pattern while birdcalls and choirs punctuate the music with jubilant outbursts. coloured vinyl

italy s fastest rising name in house and techno returns to the respected drumcode imprint with this blistering new 4- track ep, climax. featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track climax grows gradually with the introduction of a single synth note and skipping hi-hats.

the junkies make their truesoul debut with a three track, punchy ep.
the rhythmic, tech house and techno tracks are filled with delayed vocals, chuggy drums and throbbing bass line.
the tracks showcase the diversity and talent the pair hold as producers and their ability to cross paths between house and techno

it s time for the big cat and his party groovers! in this fifth volume coyu shows us one of his multiple faces as a producer. the ep contains sex is drama, powerful house music with heavy beats and an outstanding vocal leading the track, and who s wearing the trousers, a track with touches of uk garage, acid house and a big 90s feeling. this kind of appearances of the label boss on suara are not very usual so enjoy this couple of bombs, you won t regret! big support from: mark knight, paco osuna, nicole moudaber, carlo lio, prok & fitch, huxley, tube & berger and many more!

ron trent follows up his first “spaces and places” 12” (fvr017) with this stunning new house single on his own music and power imprint. the a-side is “sao paulo sound systems” b/w “new york city country city”. full color labels featuring the tag “there was a time when music meant everything”.

since 2013 criminal hype has grown and established itself as one of the hottest imprints in today s house music scene. refusing to be pigeon holed during an era of sub-genres, criminal hype focuses on delivering house music as a whole. unearthing fresh new talent as well as drawing in cuts from some of the hottest producers around. this the first in their vinyl series features two tracks by jey kurmis & jacky (uk)

ltd 2016 repress !!
stuttgarts motor city drum ensemble (aka danillo plessow aka inverse cinematics),presents a superb ep of deep house taking its cues from berlin and detroit. 2008 was a great year for motor city drum ensemble releasing parts one and two of the highly acclaimed raw cuts series which featured heavily in many best of 2008 house music charts. he finished the year with an excellent resident advisor podcast and a set at the resident advisor christmas party. his ‘get slapped up’ release on compost black and ‘breath control’ release on his own four roses label have been in the boxes of taste maker djs and seen him become an in demand producer. danillo is also a part of the inverse cinematics production team who have released on pulver, fuid ounce showcasing his more jazzy, broken beat production style. this debut 2020 release features three superb tracks that take their inspiration from the likes of theo parrish and carl craig as well as the deep house sound of berlin, yet retain the signature mcde sound.

after neue grafik , the s3a records team releases another great new blooded talent from germany : henry l ! the * gemini* track, clearly for the mcde lovers, is a smashing hit. it goes forward a sexy downtempo interlude: dust it off. to finish the side, * dice game* is a great deep house track done in collaboration with matt flores and contains live played * mk1 rhodes, drums, percussions…* the b side comes with two great remixes from s3a and cuthead of the a side tracks with a henry l hiphop badass skit between! a great release from the s3a records team for sure!

the enigmatic hyenah steps into the spotlight once again for its third freerange release, following hot on the heels of their objektivity debut which is still causing major waves worldwide. with a distinctive sound which melds afro-influenced rhythms with european deep and minimal house sensibilities, hyenah has won many fans from across the dance spectrum and can be tracked down to a certain well known club in berlin which hosts its regular party known as rise. the idea unleashes a powerful blast of percussion-heavy beats which form the perfect foundation for sas lazarusman to lay down his distinctive spoken-word vocal. the track builds steadily, the intensity increasing throughout as extra stabs and layers of strings soar above the pulsing synths and throbbing sub bass.

a fine trip from house to jazz

deeply rooted in classic hip-hop, funk and boogie, kiev-based beat maker pahatam didn t mind selling everything he had back in the day in order to afford his first roland drum-machine. addicted to vinyl, he believes that the dissonance is what makes music beautiful and puts the groove and atmosphere in there in the first place. experimenting over the years have led him to produce a raw house and academic techno sound and he never seems to stop exploring

cool, stripped house music with new york manners, for b-boys and girls. popping drum-patterns and spare synths, with lustwerk’s own fly, beat-bop vocalese. killer gear, for dancing or not.

wicked bass label is excited to announce its 10th vinyl release with a debut from wuffius, a ukrainian producer from crimea. in the pines crowns ep comes with three original tracks which unveil the inspired beauty of the peninsulas nature via his psychedelic house beats

perfect straight launch their imprint with the pizza dealer 7 inch! two spicy tracks on either side, one chugging house jam with a super infectious synth hook, and a more experimental, loungey number on the flip.

limited to 100 copies, chas burns has been producing house music since 96, originally with engineer simon vinyl junkie, and later andrew macari (filter flow). as well as producing under flow he also co-owns low pressings (with hernan cerbello), beat code, boxa records and more devotion (with ben racz). -put my shit on wax- first appeared on the shelves of record stores in 2004. it s release was boxa records (which is still going today) second release. the original press was of 600 and was out of stock very quickly. now you ll need to pay l50 for it on discogs, unless you snap up this highly limited repress (100 copies only - be quick!).

for the third release on their new imprint paraguayan trio lpz return with four tracks of precision tooled house and techno. relentlessly jacking and pounding it’s way to completion, these uncompromising work outs were designed to make you sweat.

basement galaxy is a technological concept that will surge from mind expansive soundtracks to no holds barred dj lineups bursting with technotensity. with ardent focus on the underground to the masters of the overground, without constraint, deserving voices shall be heard. the first installation of the basement galaxy soundtrack series features house/techno pro baller, jerome sydenham. here, sydenham give us a glimpse into his techno remix savoir faire. this 8-track techno boner features tracks from craig, planetary assault systems, truncate, radio slave, raiz, kyle geiger and bobby dowell, tom laws and xhin. the remixes of raiz - keep secrets and planetary assault systems - gt were collaborations with the legendary function (sandwell district)

record store day 2016 rules apply due to the overwhelming love for the dj slugo remixes that were included in the 2016 repress of nina kraviz debut lp rekids will officially release a limited edition 7” for rsd. the remixes come from the chicago’s ghetto house legend and dance mania hero dj slugo and nina has been championing these juke mixes around the world.

original release date nov 1988. late 88 acid house swept a cross the uk, as it took its hold in the midlands, 17 year old budding dj, locally know as carl boy was easy influenced by this amazing new sound and decided to purchased as much acid as he could get his hands on and put on his own acid house night

new years deal - following on from the admas/andras fox 12inch mpr007, major problems raids compassion crews vaults for this killer double comp, featuring 11 tracks from frak, admas, plustwo, big city orchestra, philip jeck and more. compassion cuts, tapes & acetates runs through a rarified selection of raw house and most-wanted italo 808 and vocoder jams, proto-house dope synth workouts private press gospel and some experimental tracks that just wont be defined. dont look, hide! all tracks restored and mastered by thomas p heckmann and cut by andreas at schnittstelle. out on 2x12inch gatefold lp, with simon landreins full-colour artwork presented in a laminate gloss finish.

mike ash returns to super rhythm trax after providing the very first release and gives us 4 authentic and acidic warehouse smashers. mike ash may be familiar from early releases on moving shadow and rising high records under a variety of pseudonyms in the early 90s but in the last 10 years has become synonymous with releasing mind blowing and true electro under his own name. when he turns his hand to acid house, the results mirror the high quality and his no nonsense approach shines through having lived and breathed the music and culture back when it was exploding in the late 80s and early 90s. in his own words i tried to keep with the original 1988/1989 vibe. i didnt use any synths / sounds / samples that weren t available past 1990. its all juno / sh-101 / 303 / jupiter / 808 / 909 / 707 / 606 and samples from the beats breaks & scratches vol 1&2inch the tracks exude a raw and strangled soul and are a bold and comfortingly honest take on the warehouse and pirate radio sound of the uk.

modelisme is proud to welcome the french talented and prolific artist anaxander we use to see on labels as pokerflat, tasteful nudes, quintessential, local talk to name a few.. house - techno moods have no secret for him, and for this 30th release on the label, he delivers a surprising and solid ep based on house music mainly.
already supported by jimpster, ooft, kelton prima, grego g, jee, mugwump, hardrock striker, oyvind morken, dj steef, jona saucedo, michael zucker, hydergine, kriss liferecorder, dawad & mokic, virgo music, la dame noir & more…

next up on the gold standard tech house imprint that is roush, comes label boss himself, hector couto. on the parental advisory ep, the influential spaniard has readied four cuts of to-the-point club music that cannot fail to make its mark.

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

including trus’me remix! early supported by loco dice, ame, marcell dettmann, ben sims, ben ufo, fred p, dj tennis, reboot, dvs1, kevin saunderson, marco carola, truncate, osunlade & many more.
abstract theory is back with a great new ep from italian bangers dirty channels in team with the talented eternal entropy, who built up two ghetto house inspired bombs. the package includes a solid techno-dub remix from prime numbers boss trus’me and a lovely deep version from francesco bonora & marcello arletti. after music from terrence parker, boo williams, john tejada, tony lionni, mike shannon and vince watson, with this new release abstract theory confirms to be one of the finest italian labels to watch this year.

1983 to 1988 anthology from the west coast electro hip-hop pioneer. recordings taken from original master tapes. the vinyl box set contains four lps plus download code housed in an all-black case with gold foil print, 20-page book with photos, liner notes by jeff weiss, and detailed track history by egyptian lover. recordings taken from the original master tapes.

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).