chord memory! the hymn for the widely used feature in 80s hardware synthesizers got some individual rewiring done. if ten fingers ain’t enough hyboid uses his galactic memory for punchy disco purposes while robyrt hecht reaches for a swinging pivot memory to sweep and swipe your electro habits. on the other hand milium likes the exposed wires of his mutiny memory to revolt whereas cco simulates his natural echoic memory with floating acid sparks. completing the mechanical rewiring the duo nachtzug added delicate software to execute the algorithms and installed a memory loss button, if you are in need of a reset.

is it heavy industrial machinery or the loud noise of a tropical jungle? do we hear a swarm of exotic insects over our heads or the sound of permanent construction overshadowed by sky-scraping cranes? this is los muchachos, the latest release of sano, from medellin, colombia. a strangely swinging 12inch with 2 heavy stomping downtempo tracks for those who know and those who want to learn - plus a mesmerizing interview – remix produced by toulouse, salon des amateurs resident and member of kreidler. los muchachos is a house music short story – both tropical and industrial – about adolescence in medellin, about kids selling their cd-rs at undocumented raves, about drawing flyers and stealing 16.09.2016 kisses, testing substances and kicking stones, about bedroom production, about dance and more dreams and adventures of los muchachos - the kids

early september will see jorge savoretti release his river plate ep via visionquests special edition imprint, comprising three original compositions from the argentinian artist. having been involved in electronic music as a dj for over two decades now jorge savoretti is firmly cemented as one of the argentinas finest electronic music exports, starting from his humble beginnings in rosario he has gone on to release material with esperanza, claque musique and igloo-rec as well as touring the globe throughout. here we see jorge mark his debut for the visionquest special edition imprint with a new three tracker and taking the lead is title track river plate, radiantly showcasing savorettis dub-infused percussive led style with choppy swinging drums, ethereal pad swells a snaking sub groove and dub chords which ebb and flow throughout. following is parana high which takes a more refined, low-slung approach via soft chord flutters, bright stab sequences and bumpy sub hits while a shuffled percussive drive further fuels the groove. last up to complete the package is u-fonk which delves into darker territories with mind- bending glitch synths, robust rhythms and a vacillating bass lead running throughout its six minute duration.

junes delivers another trio of distinctive, whacked-out shufflers to galdoors. first up its trails, stomping through glimmering, trippy textures with an emphatic groove. shift state brings dubby delays and heavyweight bells that bounce back and forth over another potent rhythm to heady effect. precipice makes use of a more menacing combo: clipped congas and swinging highs gang up with a bullish sub bass, before the icy pads grab hold

nice price deal !!! mixes by mikdat & sebastian klein after a short break schieber returns with release number 05 - and what a return it is! for number 05 the label has signed japanese producer ditch who is already known for releases on minibar and adjunct and who picks up and refines the swinging minimal groove which dinamoe has shown on schieber 04. on >euphony< ditch initiates fireworks of samples made out of vocal snippets and mulitcoloured sounds which are held together by a dark piano sample and a straight groove. in his remix mikdat succeeds in delivering another one of his inimitable tightrope walks between house and techno

the debut ep of new-born junction records begins with thorough exploration of driving and percussive techno sounds in the form of label head cool tiger’s warehouse for all”. from atmospheric, suspensive build-ups to warped vocals and glitchy fills, this intelligent production from paris based producer is a sweet taster of things to come and stands proud and deserving as a1 on this release. next up on this release we move to groovier territory with french duo m&c’s droofin”. swinging percussion and warm, soft synths are undoubtedly the driving force behind this track. old school grooves contrasted with luscious, slow-moving pads in the breakdowns combine to create an infectious and familiar house sound. in coherence with junction’s pattern, the final track on this release from german duo dominik fry and skipio is as warm as you would expect. hypnotising vocals, hovering subby pads and gentle arpeggiators characterise this melodic easy-listener.

for his second ep as solo producer, melokolektiv reveals three original bangers, with the first two exploring his techno side and the final track swinging more towards tech house.

time for our fourth various artist release on mumble, for which we have a few new artists joining our ever-growing family. first of we have fuse resident stuart hawkins supplying a swinging deep groover by the name es vedra”. moving on we have mau. who has made his mark with releases on memoria and bal amongst a few. rounding up the release is debutant klebleev and label owner just_me.

yet another stellar selection of cuts from the king street / kerri chandler vaults! as always we ve dug deep to select the best music from a true underground house hero. featured on this ep you ll find - -it s you- a slamming classic from 2003 s -trionisphere- double lp, a straight up swinging club track for the heads in true kc fashion! also featured is the soulful, seductive, deep groove of -my paradise (paradise 623 mix)- lifted off kerri s -trionisphere iv- ep from 2002. on the flip we re treated to 2 more heavyweight selections, -hallelujah (kaoz 6:23 gospel mix)- kicks off the b-side with it s stripped back garage-gospel rawness, a surefire tip from 1996 for any dancefloor! finishing things off is -so let the wind come (original mix)-, a dubby, techno-ish monster featuring the man s legendary chord stabs and heavy drums, classic chandler! another fine selection of music from one of house musics most beloved sons - essential for heads and newbies alike!

birdsmakingmachine are back on track and continuing their series in style with bmm 007. kicking off things on a1, at 124 bpm, “the draft” is a joyful number that bursts with relentless energy while managing to fuse sharp metallic drum patterns with juggling ambient hooks. the more dancefloor-oriented track is nevertheless found on a2. as the title suggests, “area 52” is quite literally a journey through the unknown and mysterious, a metaphor for the deep minimal house amazon, a track that stands out with an extra subby bassline, swinging hihats and those ever-so-warm sequenced analog pads in the background. flip the record over and you find yourself with two slightly more industrial affairs, “the voice of kudha” on b1 offering a breakier alternative than it’s predecessors and “zagonity”, on b2, galloping its way to close off the record with shuffling vocal hits and an amalgamation of bouncing hats and snares.

stellar new artists to join our tight knit family. first we invite mariano mateljan with whowhatwhere, his raw minimalistic analog sound really shines through with a swinging percussive bass line, echoing vox and splashes of pads to set the mood. now moving into more techno territory with our beloved mastering guru gabriele carasco with his slow burner theory of flow, has just the right amount of acid to take you on hypnotic journey through the lab. no introduction is needed for one of sol asylum’s core members miss jools. this time around creating a deep and moody vibe with what you do she adds touches of vocals, an elaborate construction and glistening pads that finishes it off flawlessly. last but not least, we introduce markus sommer with san beneghetto. his skills and mature taste blew us away regardless of his youthful years. this garage-fueled track with gliding synths and jazzy bass lines is the perfect track to warm up your summer day

conceived and produced by two-fifths of italian cinematic combo calibro 35, guitarist massimo martellotta and 2016 grammy award winner producer tommaso colliva, record kicks proudly presents il complesso di tada. get ready for a journey into the coolest sound of swinging italy, make yourself a cocktail, turn up the volume and lets party!

repress 2016 , rudolfs new nervmusic release is a bass-bin destroyer that has enough strange psychedelic details hidden in the grooves to keep things lively. recorded in london >join the army with me ep< delivers a special selection of long playing minimal jacking dance floor hymns with style that makes us happy in techno today. this is bass-heavy nasty shit, at times almost bordering on a tribal vibe, while retaining a fucked up surrealist dance music vibe. experimental grooves and patterns will portal our consciousness in to the world of psychedelic and spontaneous vibes. not surprising that daze maxim should be involved in a project this dirty-funky yet sonically wild... daze turns in a remix of the adventurous b-side >join the army with me< that irons out some of the stumbles, brings his bouncy basslines, and injects some jack into the box.
a1. chapter 5 - experimental spasm of bass and percussion simply make you to want more of this mentally penetrating weapon. yeah, play it again!
b1. join the army with me - elaborate swinging patterns with live shuffling feel and glitched out sounds. secret voices somewhere out in the darkness slowly but surely urge us to rise on to hammering action dance floor.
b2. join the army with me (daze maxim remix) - this rhythmically dynamitic and melodic remix from daze maxim will definitely convince you to join army of intelligently wiggling house groves. timeless.

out electronic recordings introduces the second installment of different seasons various artists series after kicking off the first one with tracks from fabrizio lapiana, regen, civilian and limo back in january 2015. out-er sets ‘different seasons vol.2’ as the twenty-first vinyl release on its way – as the first volume, the record embraces melodic techno tracks and introduces new and old faces to the roster. on a side attic music boss fabrizio lapiana appears on out-er again offering ‘square’, then the experienced dj luciano esse offers ‘the call’ following to his very first ‘the green ep’ released on the italian label back in 2012. flipping the record over on b side and lachriz’ comeback on out-er sees the debut of his moniker ‘farron’ with the ethereal cut ‘travelling through your mind’ – while the newest artist on board hydergine provides a dub techno journey opting for a swinging, fresh piece typical of his production imprint.

these two young guns from amsterdam promise to leave a big mark on the scene. their fresh interpretation of classic us house convinces with soulful vocals, stomping beats and surprising breaks. on their debut ep, soultage delivers with old school love and soulful damage two house anthems, which will definitely make every peak time dancefloor go boom. to warm up the place in the earlier hours, the duo recommends a swinging groove and jazzy trumpet. to round things up we find let s play house maestro jacques renault on remix duties, who turns soulful damage into a percussive dub monster. say what? house music all night long!

“change the state of motion” sees fundamental interaction deliver 3 original tracks, “inertia”, “ruination” and “angular momentum”, and the ep is rounded off with a blistering remix of “inertia” by binny.
“inertia” is a track designed for the floor, with a tough, hypnotic synth line that gathers pace as the track progresses. binnys remix deconstructs the elements of the original, turning it into a more pounding, jacking affair.
“ruination” takes things deeper, the main synth filters in and out, with lush atmospheres and dubbed out percussion helping the track along. “angular momentum” takes things on a trippier route, a swinging synth line helped along with pulsating claps and powerful stabs.

long standing british artist allen saei, also known as aubrey, steps forward in his excellent career with aqua warrior, an excellent debut ep for the italian imprint out electronic recordings, which reaches its twentieth release confirming its ever swinging musical approach within house and techno once again.

moon people present their mindbending new original material for resopal --- the only label where you can find these unidentified musical objects. three tracks of swinging, grooving melodic madness like only moon people can craft. early support by zip, ricardo villaobos amongst others.

apotek records takes a conversant and pliable approach to this dialectic ep. jerome sydenham opens the technological fray with the title track dialectic. deep swinging rhythms coupled with a deeply rooted dub vocal truly define its essential neoteric sensibilities. jerome sydenham s remix of macroisms drone is a prime example of take no prisoners berghain techno pure rumpus. the b-side introduces the sophomore single from hot new berlin talent non reversible. the track kuro is absolutely unapologetic in its discharge of nebulous dark thunder techno. powerful! on the last cut, jerome sydenham gets back behind the splicing desk, breaks out the razor blades and deftly edits the echoplex classic pitch break. the results is transcendent hypnotic techno bliss.

from rubber duck marching brass bands to mutant swinging pans, expect classy miniatures and raw bruitist soundscapes, hawaian interlude or proto-funky chase featuring cracked up ocarinas, obsessive rattles, vintage drum machines and a consistent amount of analog synths, all revealing a unique and playfull sense of accuracy in their use. exclusive and previously unreleased material, digitalised from original master tapes, wrapped in deluxe package with full booklet designed, photos and detailed liner notes (english & french). artwork & layout by jean-philippe bretin a weme rds and biceps rds co-release.

the third instalment of king street sounds kerri chandler focussed house legends series sees us digging into late 90s territory with the ep kicking off with harder gets higher, a stomping garage groove with dope flourishes of live percussion, typically heavy on those swinging drums and the deepest bassline, all of the trademarks we ve come to expect from the man himself

its album time on wph! metrobox has cooked us up a collection of original, mindblowing, swinging and most of all beautiful tracks ranging from total dancefloor devastation to introspective journeys. exactly what an album should be like if you ask us

double lp in gatefold with printed inner-sleeves and cd-version of the album included.
in 2016, the new breakbot version one plus one (breakbot + irfane) will release a second album, still waters, a new assortment of southern sunrays, with swinging images of dancefloors filled with guys in flowing trousers and bare-shouldered young girls. for this occasion, breakbot and irfane followed a well-oiled formula.

its, album time on wph! metrobox has cooked us up a collection of original, mindblowing, swinging and most of all beautiful tracks ranging from total dancefloor devastation to introspective journeys. exactly what an album should be like if you ask us.

conceived to offer dance-floor friendly techno music, created to conceptually unite rhythm and mathematical theories, rhythmath is back with his third release taking inspiration from the well-known mathematical fibonacci sequence. rhythmath #003 is set represents the audible base of the aforementioned sequence through three swinging, functional but versatile techno tracks appearing onto the usual mathematically-related artwork.

solarism is the result of a common fascination for landscapes and a passion for contemplation. after two decades of an unbreakable friendship, we have finaly imaginated this protean entity to express what contemplation has offered us and how it connects us to the world, describing those experiences through music compositions, dj performances and welcoming other artists to release their art.after our first release with arno e. mathieu -existance project-, we are really proud to welcome one of our musical friend on solarism, the non-stop track maker from home invasion label, franck roger !on a1 franck brings a real fusion of cosmics and classic deep house vibes, remembering his first love with electronic music but definitely oriented to his nowaday modern vision of sounds. the melodic groove of the calimbas percussions drives you till the heart of the track and his swinging drum, to never let you go and brings you up in a neverending hypnotic mind dance. on b1, arno e. mathieu version push the hypnotic vibe of -tiger in the hood- using the original arpegiator theme, and brings the track to a deep techno level for a textured and anthemic experience. ponctuated by a strings hit appearence and supported by a non stop heavy bass-line, the track progression brings us till a melodic synth conclusion true to arno fusionned style... welcome back in solarism

taking a brief detour from his normal abrasive distorted sound, pinion showcases his broad spectrum as an artist with the desire ep. the title track, desire (half measure),starts out of the gate with a thunderous half beat 808 coupled with a swinging hihat pattern that slowly works ethereal vocal slices into the forefront, accompanied with a modulating synth pad that evolves into a defining melody. the sister track, desire (full measure), has very similar characteristics as the original, but allowing a little more edge for the dancefloor to build on. the third original track, recollection shifts gears quite drastically with a 135 bpm stormer with enough soul and melody to make the uncharacteristically fast tempo seem inconsequential. last, comes kyle geiger on remix duties to round out the ep with a housier take on desire, but still enough bite to fit nicely into any techno set.

2016 repress, without artwork cover
the town of sligo might not mean a whole lot to you, but after this release, youll know that it has brought forth 2 of the funkiest irish guys youve ever seen. their release on heist comes after their chart topping release on their own label splendor & squalor, its is filled with jazzy chords, lovely loose percussion and well found soul samples. parish rumors will fill your peak time needs, ghetto and hotshot have a nice low-slung vibe and come with enough low end and swing to get even the stiffest of hips swinging.

shining bird frontman dane taylor serves up a beautiful piece of mellow beach pop, drenched in antipodean sunshine. this is made for sipping cold drinks under palm tree shade or swinging hammock dreams. the flip sees balearic commander in chief leo mas and his ever present colonel fabrice deliver a truly stunning piece of balearic chug. deep ambient textures capturing the essence of a smiley sunset. happy happy. uber hitting the balearic nail on the head once more.

blue, mesmerising, swinging house grooves.

swinging leftfield house trips.

resopal record has signed another great artist from france, quentin chei. for his tzigane ep he produced three awesome tracks of modern house music. all tracks of swinging, crazy melodic madness. if these songs don t bring you a smile, well, too bad for you. played by villalobos, butch, seth troxler.

hot on the heels of his very well received ep on money $ex records, herr seidel returns with another nifty 4 tracker for copenhagen s finest, tartelet. loose, swinging sample-house rubs shoulders with an irresistible syncopated funk workout, and a pacey peak-time roller. seidel does it again !

solarism is the result of a common fascination for landscapes and a passion for contemplation.after two decades of an unbreakable friendship, we have finaly imaginated this protean entity to express what contemplation has offered us and how it connects us to the world, describing those experiences through music compositions, dj performances and welcoming other artists to release their art.we are really happy to introduce you to this new space of expression, with two arno e. mathieu’s pieces of music and a juju & jordash remix.on a1, as an expressive musical landscape, « ginger & lemon » describes a melancolic journey, starting with a balearic theme over a 707 tom groove, a melodic bass-line and some intense chords till a dark and tragic synth ending. a2 is the juju & jordash remix of « ginger & lemon » in a real moody jacking & swinging style, perfect for the crazyness of club s peaktime. on b1 « hapax» is another arno’s long narrative jam of acid and melodic synth, over a powerful bass-line and a driving drum, recounting the appearance of something which happen only once, but which always let his imprint.b2 is the arno’s drumless version of « hapax » for a more contemplative experience…welcome in solarism

presenting the latest release on nicole moudabers mood records, exploring the many facets and nooks between techno and house. we introduce young spaniard alvaro am to the spotlight with his ‚every time ep, a two tracker laced with clout, energy and spring in plentiful amounts. ‚every time aims it sights on a more house focused sound, skipping, pressurized tics around swinging beats and bass stabs, while wobbling, squelchy bass melts into the tapestry. no glitz, no glamour - just a raw, grooving jack thats tailored perfectly towards the floor.on the ...

• long-awaited third installment from the project of earwiggle s sunil sharpe and defekt
• features unique hand embossed foil stickers
• sunil sharpe and defekt return with the long-awaited third installment of their tinfoil project. as ever a heavy buzzing machine sound underpins the four tracks. wild lead lines, swinging drums and all kinds of modular noodling make it an another unmissable tinfoil release from the irish duo.
• reminiscent in parts to classic beverly hills 808303 or neil landstrumm, this further establishes their sound as one of the most unique in dancefloor techno today.

over a year since their last release, birdsmakingmachine come back hitting hard with a diverse three-track ep ranging from deep to minimal house. the title track “deaf crows” intelligently layers delayed snares and elaborate hihats into subtle analogue pads and melodies, resulting in a sophisticated, yet dj-friendly composition. at over 10min long, it’s an endless rotation of industrial rawness that manages to melt into the smooth and rich textures for which the birds are known. “black midget”, on the flip, goes into darker depths, with an almost broken 4/4 beat underlying overly swinging rhythmic arrangements and hypnotic synth lines that reminisce some of the earlier bmm material. finishing off the record is the simply titled “primos”, offering a more minimalistic approach with its intricate arrangement of quirky arpeggiating melodies and playfully juggling hihats, closing off the ep in the neatest birdsmakingmachine fashion.

ltd 2016 repress !! >its a crime< is taken from virgo fours recently released >resurrection< album, which is now available as a single with remixes from none other than caribou and hunee. caribou reworks >its a crime< into an eight minute epic dance floor bomb. his mix starts out with an intimate vocal groove, reminiscent of his >swim album, but before long it explodes into an monstrous acid driven work out in daphni style. bam! hunee goes for a more classic approach. a deep, swinging groove which takes us back to the peak days of chez >n< damier. pure gold! and then there is the original mix. a chicago classic that never was, resurrected from the vaults of virgo four. winning

for two decades now, ploink has promoted techno nights around norway, presenting local talent as well as some of the biggest acts from around the world. last year we finally set up our label branch and with this we now count 9 releases. ksmisk is norwegian pioneers trulz & robin’s otherworldly alias. between them they have released music for over 15years on labels such as bpitch, eskimo, jackoff, electronic be, dialect, suicide, cymasonic, full pupp and rett & fletta. we are proud to present their first release for ploink. we asked them to describe the two tracks - this is what they sent us: strikkemor - grandmother is out of bed with here knitting kit. sneering and swinging here stick around. she is angry!!!!!!! ginnungagap - before time, there was nothing. an endless void of darkness. until.

marquis hawkes returns with a new ep for houndstooth, sweet. pairing up a sugary r&b sample with his signature swinging but slamming beats, opening cut when i get home is a return to the flavour of last year s summer smash cant find a reason, although this time around, it s more tracky and introspective. next up, a different facet of hawkes production talents is reprised with at the witness stand, a trippy take on classic ny freestyle. opening the b-side, title track sweet furthers hawkes trademark rough and ready house sound with distinctive vocal hooks and a hip-twitching rhythm, whilst bringing up the rear, what a relief is a raw but inescapably funky drum workout that would make the likes of traxmen & eric martin proud.

this is ponty mythons first appearance on the swedish brandy productions label. expect a wicked four tracker of dirty lo-fi sounding deep house grooves packed with samples and sturdy analogue bass lines. vilnius based dj and producer aleksandr pletnev aka ponty mython is known for his many outstanding releases on labels such as tusk wax, no more hits, dirt crew, quintessentials and many more. besides spittin out goodies on a regular basis ponty mython runs his own imprint beats delivery releasing the most interesting artists and producers from russia.
the title track * i wish* starts of the ep with its deep and fumy organ chords combined with filtered hats, clever vocal samples and harsh bass lines. next up on the a side you will find the pumping head nodder * holly fm*. swinging hats, guitar stabs, smooth pads with simple but very effective hook on top. the b side starts off with the slightly minimal track “keep on using me” (brother). this one with grim beats, organ pads, off beats punching in and out as the track steady builds with a rock solid perfectly tweaked bass. the last minutes on the b side is reserved for the dreamy yet hard hitting and raw gem * new toys*. pure basement love.

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

andy toth (pubah, people mover) an in-demand engineer in the d, drops an unabashedly epic piece of outer space acid techno psychedelia. trent (vmax) adds a swinging acid track in a classic armando vein.

angels dust is vocalist flavia ciampi and producer david lampley, both originally hailing from san diego, ca. their bewitching, hypnotizing yet soulful debut summons the same heaviness and somber darkness of portishead & mazzy star. ciampi’s almost-whispered vocals are front and center, anchored by loose swinging beats that are as unnerving as they are catchy. lampley (also known as psychopop, one half of san diego instrumental noise legends skrapez, as well as a frequent gonjasufi collaborator) handles the gritty lo-fi production duties.

nihil ep is the 4th vinyl release of croisière musique, by rx who co-created the label. these 4 tracks show various sides of rx style, mostly club-oriented, from heavy drum patterns to more aerial and swinging deep house

one half of africans with mainframes, with a hard-swinging, two-one-two combo of hazy, nineties soul patrol and romping stomping chicago house, for kassem mosses label

2015 repress - from the first glimpses of henry laufers work as shlohmo, it was clear that the la native and visual artist turned self-taught musician was onto something. with an effortless grasp on sound design, laufer combines deceptively simple and emotive melodies, subtle bass drops and swinging slow motion drums. his early work has placed him at the forefront of a new wave of rising talent amongst west coast producers… inspired by the desire to write songs and create a release of full-range instrumentation and vocals all his own, laufer promptly began home-recording >bad vibes<, his proper full-length debut album for the friends of friends label. some might say the songs on >bad vibes< represent the spawn of a new rhythm and blues - one that swings and sways under the backbone of henrys own take on modern electronic music. augmented with delicate slide guitar playing, homemade synth sounds and lilting, tuneful melodies, shlohmos latest output is one that will take you places - specifically the un-paralleled vibes swirling through this young mans head.

the founder member of afro-disco legends m bamina wickedly go-betweening congolese roots and swinging techno: three boom shots of raw, virtuosic percussion, threaded with complex drum-machine programming and sparse synths.

revisiting the artists that started it all, the odd boys return to sol asylum for another full length ep on the label. bringing their known flavor of funk and all things odd, we are happy to present the seventh release on sol asylum filled with >cosmic energy<. vortex shows the boys fine tuned producing skills and showcases their well-developed expertise with analog production techniques to create futuristic sounds. the elegant track takes us to a far off place with traveling basslines and glimmering synths with just enough dirt recorded from their analog tape to get that distinctive odd sound. taking us back to ancient egypt with pyramid we are taken into a thought forming incubator of divine cosmic landscapes with swinging razor blade hats, pulsating synth lines, rolling techno grooves and their signature tweaked percussion. finishing off this planetary trip through the odd galaxy with sphere, we are orbited into an emotional realm with alluring pads that are accompanied by arpeggiated synth lines that levitate you to a state of bliss.