to celebrate the birthday we are releasing a series of five singles, available on 10 inch vinyls (1-5). the series will be followed by the huge 10 years clr compilation with a special collectors artwork. it has been mixed and edited by chris liebing and all the 10 tracks, which appear on the singles and later on the compilation are exclusive and specifically produced for this purpose. chris liebing and green velvet teamed up for the first time pretty much by accident. dustin zahn actually became some kind of obstetrician when he started this mash-up. alex bau is known as one of the long time clr artists and obviously had to contribute a track to the series. both tracks are road tested and guarantee serious damage on the dancefloors!

the stl project continues with warm, soulful and dirty sounding tracks from the basement. this record features five moving deep chicago flavoured house tunes, plus the always appearing dope loops on the b-side. oldshool stylish melodies between raw and colourful beats, channeled through vintage hardware equipment direct to your ears. evolving percussion patterns will make you get inside the groove and feeling of each track. things for the dancefloor and moody listening places. ruff house music without any frills! besides the great stl tracks, there is also a dubby rmx from intrusion echospace.detroit on the flipside, which will get you even deeper into sound. something vinyl series 11. grab yourself one copy as long as you can!

more quality house goodness from the guest house crew. this ep features the amenti main man olivier desmet with cohort oriental funk stew for a three track release of typically bummping and jacking grooves. solid dancefloor material here, with took my love working a tight groove over some dubbed out samples and frolicking bassline, with a cool oldschool vocal sample making an appearance here. flip for the bottom heavy pressure and jazzy swing of five plus while in the pocket works some nice key stabs for a deep late night groover. excellent dancefloor material from some of the top names in the underground scene

limited collector box set that holds a best of rick wade deluxe cd, five 12inchs (of which two are exclusive to this set, one will not be released for a while, the other one only available in this box) and a collectors car freshener tree. this special limited to 200 copies collectors box holds the three previously released harmonie park revisited 12inchs, plus a fourth one, which wont be available any other way for a while. it also includes an exclusive 12inch to this box, containing both the vox & instr. mix of >crazy luv< (new track). extra bonus item is a car fresheners tree in the shape of the harmonie park logo.

position your television antennas correctly and adjust the tracking on your beta player, because the new ep from college is making its way through high frequency airwaves and into our living rooms. college, valeries main man, with a five track episode into 80s nostalgia which plays like a pseudo soundtrack - featuring the airy vocals of electric youth on the title track. limited edition of 300, hand numbered copies.

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

rotterdams legendary discohouse producer mark du mosch presents his debut release for cyber dance records in the shape of the cold sweat ep. consisting of five outstanding tracks that take us from the near italo disco bliss of now or never to the classic dutch lo fi electro sounds of revenger, on to the searing intensity of the system and the title track then rounded off beautifully with the deep chi house vibes of satical, this is not an ep to be missed. already getting rotation plays on intergalactic fm and called by moustache label impresario david vunk one of the best techno records of the year, we cant speak highly enough of this totally rocking record.

moscow aka matthew nicholas waites is a brightest hope of new disco scene. matt have started his producer career as nightmoves. its his remix work project and he has provided the remix for klaxons, van she, robbie williams,freeform five vs mylo, roisin murphy and more. in 2008, matt started moscow project to make deeper, atmospheric music and made the two remix for mighty thisisnotanexit label, the remix was supported by aeroplane and namea few. this >throw up ep< is a long awaited debut single as moscow. original version is a bumping acidy boogie disco stuff and brontosaurus aka artom wambe remix is housy and deeper, its for all round.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

animal collective are set to release a new five track studio ep on 11th december. recorded by ben allen at sweet tea in oxford, ms in february 2008 and at mission sound in brooklyn, ny august 2009, fall be kind includes recent live favourites graze and what would i want? sky (featuring the first ever licensed grateful dead sample). fall be kind will be available worldwide on cd, 12 inch vinyl and via digital download. the ep comes less than one year after the bands critically acclaimed album merriweather post pavillion which wowed fans and critics across the globe. merriweather has already been named one of the most important albums of the year by q magazine and spin in the us, and of the entire decade by uncut and pitchforkmedia!

classic mad mike detroit monster !!! repress 2009 !!!

subb-an & adam shelton present one records, cultivated directly from five years experience at the helm of below, one of the uks most upfront and authentic underground parties, the label aims to encapsulate the energy and dexterity of artists and crowds the night has connected with most. the labels debut release comes from its founders, subb-an & shelton, with >feel the musik< ep, a retro infused collection of driving dancefloor tracks. each stamped with a dash of ibican spirit and explosive energy. subb-an has gained familiarity and become a talent to watch through his releases on immigrant and leftroom. he has a distinctly vivacious sound and is a youthful and passionate artist with some tasty scheduled remixes coming up on b-pitch, hypercolour, 2020vision plus a full release coming up with mothership. he is resident at below in birmingham and regularly takes his dj and impressive live set to the best european destinations. this is the debut release from adam shelton, founder of below, which has exploded over the past five years to become named the best uk club night outside london in major press. shelton has found major recognition from his peers and been asked to play everywhere from panoramabar to space in ibiza. his pioneering sound and spirit has propelled below to the heights of appreciation and he is subsequently tunneling this ambition and focus into the one record label. future releases due from the label come from back2basics resident and leeds one to watch buckley, little fritter and further collaborations and solo work from subb-an and shelton. each ep will introduce new talent and deliver first-rate material with 2 solid tracks + 2 added tools for dj use on every release.

no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

skanked up and ready for the floor, this is a slice of what exploited is all about - fun but jacking club wares.

after three smashing va samplers, dutch based aftertaste recordings launches its first full ep in a series of limited gold vinyl releases. steven fallows aka >casual violence<, also appearing on latest aftertaste 12inch (ctrl del alt ep) has the honor to kick off. with >why so few ep< a dark and sinister story is told, consisting of five individual chapters. for those who thought proper pounding and industrial techno wasnt made anymore, do not fear, britain delivers something massive again..

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

jetzt erscheinen bowies sechs studioalben aus den jahren 1969-1973 einzeln auf 180g vinyl, die bereits im umfangreichen box-set david bowie five years 1969-1973 zu finden waren, welches im september 2015 erschien.
für die alben space oddity, the man who sold the world, hunky dory und pinups! wurde die remasterte version von 2015 verwendet, während für the rise and fall of ziggy stardust and the spiders from mars auf das 2012er remaster bzw. bei aladdin sane auf die remasterte version von 2013 zurückgegriffen wurde.

wonderful 1970s p.c.p inspired 20 track. compilation featuring a highly charged mix of psych funk, prog, afro, glam, cosmic, rock and disco. some very rare pieces on here such as the cosmic reggae inspired 360 degrees, the groovy psych prog of the creative craniums and the raw prototype psych funk of kid rock (not that one). others will be better known to lovers of a more progressive dancefloor such as soundforce and diabolic man which has long been a big spin for dj harvey and lovefingers alike.

cobblestone jazz founding member danuel tate is back on the solo tip with his newest project for wagon repair - wag055 >doesnt like you back ep< - and this time, probably as a result of spending so much time on the road with bandmates mathew jonson and tyger dhula, he is bringing it harder. although some familiar elements from his first ep, >pushcard<, can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct. >doesnt like you back< reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isnt a bad feeling as long as you like dancing with super hot women.

welcome to the world of mysterious organist & producer dan electro. dan electro is a charming guy who lives very far away from the sytem of babylon. his music is out of time... it carries the reminiscence of a time when people played music simply for the love of it... his touch is magnetic, mystical and inspired. dan electro musics really got soul. but the man has a complex background... for a long time, he played bass for the slow slushy boys, a band that still performs today one of the best rooted rythm & blues around the world. dan electro finds a great part of his inspiration within the universe of geniuses like louis jordan, eddie kirk, the five royales and the barefoot gospel divas sister rosetta tharpe or winona carr... and he is still involved in music that talks to both your ass and your soul... with a preference for the first !
the lucky discovery of farley jackmaster funks >fix me< revealed dan electro the connections between black music at its core roots and contemporary house music. shortly after, he started producing some amazing tunes that felt like love affairs between old church organs and mad computers... sung by ageless preachers & divas. his music has been played by djs such as gilles peterson, joey negro, sumo, recloose, dj morpheus, spiritual south, nick v, michael rutten, rainer truby, nik weston, unabombers, erik rug, philarmonix, patchworks, stevie sole... radios as bbc 1, frequence jazz, xfm scotland, radio fg, compost radioshow... enjoy !

yore returns with yet another deep master piece. javier alvarez, a madrid based producer and proprietor (along with his younger brother dubbyman) of the underground label deep explorer music, brings his relaxed above smoke sound to the yore imprint. in the first of four warm and atmospheric mood pieces, awfully drapes dense synthetic winds over a deliciously grooving, bass prodded deep house pulse. get down does exactly that with five funky minutes of rhodes chords, disco hi hats, and synth swirls, a percolating bass line lends the track a propulsive charge, while crowd voices give the cut a party vibe. on the b sideÆs ôthe fixö javier scatters chopped fragments of the spoken line, i ve got a lot of shit to say and i cant say it all in one day, i cant say it all on one piece of tape, over a funk house groove, after which dubbyman offers variations on the theme in his remix of the track, dubbymans version digs deeper into the cuts bass science and warms the tunes slinky pulse with hand percussion and claps. old school in its embrace of classic house sounds, above smokes ep is tailor made for those who like their material laid back, groove centered, and funky.

october 2009 heralds the release of 5, a double cd marking hyperdubs five years of life as a record label. honouring past, present and future in equal measure, 5 is comprised of one disc of prior highlights, and one of freshly composed material contributed by hyperdub artists and close friends. a series of five 12inch eps featuring a selection of the new tunes will be issued, one per week, leading up to the release of 5. the initial pressing quantity of these eps will be dictated by preorder demand, and none will be repressed, nor will they be made available digitally, before the complete cd collection is on sale.

for the 5th installment of adultnappers illustrious ransom note, we welcome into the fray paul kominek, otherwise known as pawel (dial/orphan ear) with two sublimely beautiful compositions of modern electronic music. there is not many words to describe the feeling of these pieces. they run deep into the soul of house and techno. moving, yet intelligent, pawels plaintive take on dance music is unique in sound, but profoundly universal in feeling, connecting to emotions that seem rare these days on the dance floor. with powerful peak time remixes by new yorks alexi delano and brendon moeller, ransom note part five should make some noise in the coming months. from the desk of adultnapper, as inspired by lines and curves… as you well know, parallel paths are foreordained entities of diversity. as they travel further away from their origins, the more attraction tends to set in, not as a spiritual mechanism, but, rather, as a physical replication or limitless mimicry. one trajectory makes reference to the other, leading to a barrier, a zero crossing, some sort of cessation of thought. lines become curves and act as waking agents for the soul as it approaches its limit. sometimes this process is disrupted, as is the case this time. i have lost something on the way and i seem to be stuck in the place where i lost it. i feel anchored here and need to find a way to move again. there is not much time.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

2009 is quite obviously sven tasnadis year, having already released five eps this year on cream-of-the-crop labels like pokerflat, ornaments and liebe*detail. each ep revealed a new facet of the leipziger, riding the nuances between the 4/4 beat. after his ep >down under influence< with juno6 in spring 2009, tasnadi now dishes up his new solo ep on cargo edition. >what we do< is a classic housetrack - very deep and peppered with vocal shots that hold the tension of the track over its whole length. it s smooth, yet deliciously rough around the edges. >amour fou< on the b-side surprises with a very compact rhythm - around the driving bass drum fly percussive elements, all tied together by a reduced bassline, some interspersed vocal samples and deep chords.

exclusive triple vinyl package with finest house made in londeon!!

second part of the family tour with simon beeston, mihai popoviciu, todd bodine, phage and daniel dreier!!

excellent 3 track jubiläums 12 inch mit einer leckeren techno auswahl, von ziemlich raw - prime time zu bestem techno dub (salz rmx)

this is the latest heatrock from atlantic conveyors super boutique untracked label and the sequel to frank bookers underground hit debut: the brothers ep. with the likes of todd terje and recloose charting the debut in their top five, this record has seeded some serious expectations. no worries there, this record totally delivers. paper cuts is kaleidoscopic sun dappled house music, with production worthy of a metro area record. get on is heavy hitting 3am disco with a drop that is...total finesse. its strictly limited (as always) and pressed on 180 gram vinyl.

nice price deal !!! solotempos new ep basks shamelessly in catchy harmonies, indulges in bassdrums and wallows in the beauty of analog sounds processed with precision. >new ears< is firmly rooted on the dancefloor. on this particular dancefloor you re plunged into descreetly arranged, hypnotising house and minimal tracks, which don t simply sit on their beat, but gracefully summersault again and again, creating those unique moments of eternity. fittingly, solotempos sounds should work best on springy forest soil, at around four or five in the morning when dawn breaks and the sun rises.

technopassion release number five delivers a tremendous blast of techno sound from george le nagelaux that no one can resist. the a side features a massive remix from belgiums ambitious techno star stephane signore. he made a truly energetic version of no resistance that goes forward with melody driven raw power. surely one of the top tracks of the year! the b side features the straight funky original version and our species will not survive , a track that is, as the name suspects, pretty dark. rumbling bass, catchy oldschool synthlines and propulsive beats are the outlines of this piece. no resistance ep is a solid, rhythm packed bundle of uplifting techno music, so go and get your vinyl copy of this one before its out of stock!

a ton of steel and pipes used as instruments? à driving steel beats, accompanied by synthesizer sounds and experimental industrial samples create the sound of pale musics premiere release >phsychomania<. for sure this record, presented by matt eno and steve morell, head of pale music, is no easy listening. five bands / projects come together on this sampler, all of them top name current level of electronic and industrial music. from time to time the music appears to be dark and eerie. guest vocalists include luna di morph and rosa lee riza.

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

as snapshots catalogue grows, so too does the quality. the modest label hits us with five new tracks by johannes volk with a heavy detroit minimal feel, instantly reminding us of vintage robert hood productions built of only the bare essential elements required to move ones body. johannes is currently pounding the floors across europe with his live sets and has released on labels such as jeff mills 6277 imprint (an axis sub label) & gerds life world records.

one year after >happy meal<, his first 12 on ed banger records, the man behind the uffie project is back with a determinative second ep, >p*n*m*b<. five exclusive tracks mixing in a perfect alchemy the futuristic electro of >constant ovulation< with the freshness of >the bright side< and the techno touches of >age 21< and >liisborg error<, finishing with the groovy cut beat of >flashin< outro

quality remastered reissue of automats legendary self titled lp. originally released in 1978 and produced by claudio gizzi and romano musumarra, this lp was completely groundbreaking at the time being built completely from synthesised sounds and rhythms with the band even building their own synth especially for the job. now one of the holy grails of the italo disco scene, the original changes hands for top dollar on ebay etc. features the classic æautomat - the rise, the advance, the genius, a magnificent italo synth epic spanning the whole of side a which features in dutch electro disco don i-fs top five italo records of all time. available here with full original sleeve artwork, this is a must for the serious disco collector.

ben macklin & jay p have a string of productions behind them that spans the best part of the last two decades. ben has carved asuccessful solo career with releases on free2air and azuli, and as one half of sucker djs on toolroom and hed kandi. on top of this,he has remixed fedde le grand, space cowboy and wally lopez to name but a few. jay p is the alter ego of vern (of stretch & vernfame), projects include reflekt and superbass and his own mono-type records imprint. on top of this, he has written five tracks for the last kylie album, and has two on the brand new little boots album.joy malcolm needs little introduction: she delivered her excellent vocal performances throughout incognitos most successful album everone hundred degrees and risin, recorded songs with moby for his 2007 go the very best album release and also toured with him aswell as with the basement jaxx.

new york’s talented cielo resident, ibizian willie graff joins forces with fellow ibizian house activist guiseppe tuccillo in this late-night jam. after numerous quality release on labels like drumpoet community, liebe*detail or jimpster’s freerange the ibizian combo stikes back on circus company. this 3 tracker is quite complete. on a side youll get some >snerata< for your picktime with a housy flavor. power is inside : feel the bass, feel the keys… the b side leads us to some deeper vibes. rucula is a delicious house track to play on build up time. warm athmosphere, five star deep house… then the ep close down with >do it<. here we are still in the deep but in a more tooly direction. perfect one to play. ladys and gentleman, come on and dive into willie graff & tuccillo fantastic flow !!!

after three long years spent in their clandestine research facility, vienna s prime electro scientists once again emerge: binary systems is the title of their lastest transmission, a five track mini-album to be released this june on trust. generated on microthol s formidable array of vintage analogue gear, binary systems sonic spectrum ranges from classic, hard-hitting techno bass to sähko-esque sine-wave assaults and fragile detroit-style electro.

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

big with: luciano, mandy, d julz, daniel mehlhart, mihalis safras, davide squillache, xpansul, ferenc, andrew grant, angel molina, dave tarrida, pablo bolivar, chris fortier and many moreà

lisztomania is the first single of the much acclaimed new phoenix album wolfgang amadeus phoenix . kitsune have asked the new electro scene to remix it and this led to this great and exciting ep! new yorkers holy ghost! (dfa), with this great version of crystal fighters xtatic truth, put everyone in agreement - on their knees. la based classixx deliver a production thats evocative of a corvette in the sun, carefree, before it all gets dangerously heated up. quite convenient too when youre fifteen (at least spiritually) to french kiss for a whole five minutes. finally half of digitalism, der die das, brings the track to the dancefloor with an uplifted and breathtaking version.

the seal cub clubbing club have a book club. say that five times fast and you deserve a prize. bizarrely enough, its true, this five piece band brings books on tour for fans to take away or add to. this obviously unique band is releasing their first single, dawn lamb from their upcoming debut album, entitled super science fiction, on 6th april.

nice price deal !!! one of the worlds most recognizable names, 3 times a subliminal artist, jason has gained main stage status with his worldwide hit i just cant get enough as herd & fitz. after smashing the space terrace and pacha in ibiza for the past three years, and making it to the final five at the house music awards for best new producer alongside steve angello & axwell. æmy girl sees jason team up with flashlight & features jason heera on the æmartin solveig style vocals, remixes come from the mighty mobin masters & liverpools own whelan & di scala

five tracks that might reinvent deep house - incl hieroglyphic being remix!!

nice price deal !!! this second outing in the series of special remix 12s from lee perrys the mighty upsetter album finds tony moody boyz thorpe back at the controls, and this time hes brought his full kit of soundsystem tools along to the job. rocking the spot on an uptempo steppers rhythm, his fired up take on international broadcaster is a tight sprung burst of bogle energy, laying righteous claim to the ground where dancehalls brash excitement meets dubsteps plunging bass dynamics. awash with selectah sounds and mile long reverb delays swirling around a monster sub-bass undertow, an insistent funkin for jamaica beat drives the ride while a slick sing jay hook from lsk rotates to habit forming effect. with the added attraction of mr scratch and mr manuva doubling on abstract deejay instructions ? adjust your face... adjust your waist - the propulsive five minute sunsplash of international broadcaster will kick up dust in every yard where they do the reggae clap. no vocal version excursion on the backside ups the needles to red on the dubwise meter for extra soundboy satisfaction.

we celebrate 5 years ostfunk berlin. five years of wild parties, love and energy. ostfunk records proudly presents the 12th release, daniel boon >save< including a remix by ostfunk mastermind oliver tatsch. this is the sound of ostfunk berlin. ready for a perfect summer 2009! go, dance, sweat!

dfa recordss juan maclean blast the original into outer space. get ready for a space disco odysey as shuffling drums and strutting synths take you to venus, 80s new york style! the main elements of the original remain, shaping the track into a proper dfa-style dancefloor bomb! anu pillai is back after a long time with a hot freeform five reform mix, stripping the vocal down for a killer dirty electronic dancefloor dub ! pete tong essential selection bbc radio 1 (freeform five remix)