because of the keen idea to have at least 3 good releases within the first 10 records, it was clear that nobody else but phillip lauer would be able to sort this out on brontosaurus 10. so after #1 & #5 here is # 10 from the man. set your clock! its kinda metric. with 10 releases on his back the brontosaurus is no greenhorn anymore. we found out a few things: 1) we will never know if good music does not sell. >2) printing your own covers is an honourable thing to do but it is a lot of work! > 3) its still fun in the end so lets stick around for the next 10 releases and check this commanding 3 tracker.

time to look busy again, as function aka dave sumner comes rampaging through the streets of downtown berlin, kicking aside lesser producers and mauling all who stand in his way. not that you would know it from the supremely controlled affair that is his edit of >variance<. moody in the extreme, this edit sees beautiful interplay between delays and reverbs but without the track sinking into the predictable mire of dub techno. space is indeed the place..

united by a simple question as what is electro?, the two young english producers of joe and will ask? have spent the last two years creating dirty, cutting edge productions and taking over the london club scene. with an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, theyve won over fans from the band / indie scene, as well as diehard clubbers. they inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to justice, soulwax, dim and popof. after several eps, acclaimed by the likes of brodinski kris menace, vicarious bliss, casper c and autokratz to name a few, here comes their first release on kitsuné. claymore, delivers a tensed and breathtaking swoop with obsessive rhythms, while take me away with its strong rock energy and vocal hook, will set all the dancefloors on fire

perc trax is proud to present its 25th vinyl release. for a label initially set up as an outlet for percs own music, perc trax has somehow hit a quarter-century of vinyl releases featuring a host of a-list producers including james holden, district one, ripperton, nathan fake, go hiyama, norman nodge, avus, remute, matt tolfrey, gary beck and many more. from the very first release ali percs a&r philosophy has been to sign the kind of music that he would play in a club and would like to hear others play. so who better than to step up for this milestone release than misc. whose records for sender, resopal, kompakt, klang and lost souls have been a constant presence is alis well-travelled record box. they also currently record as the popular niederflur for richie hawtins minus imprint and are working on their debut album under this name.

support by loco dice, marco carola, raresh, onur Özer, federico molinari, fabrizio maurizi, luna city express, reboot, mathias kaden, afrilounge, seuil…. martin swanstein aka martinez is remaining true to moon harbour. after his first fantastic ep >momomowha<, the high-flying producer, dj and labelhead comes along with two brilliant new tracks for the label. and once again martinez succeeds in capturing intense moments and expanding on them, but without losing impact. in >le circus< martinez arranges different vocal samples into a rhythmic collage which build into the backbone of funk in the track. its precise and growing breakdowns will undoubtedly provide euphoria on the dancefloor. >mundial< has a percussive and intricate start but quickly evolves into an easygoing and elegant house track, which creates its incredible deepness by focusing only on the essential. >mundial< is the kind of track which would signal early in the evening that the people in the club had most definitely come to the right place. 2009 the new moon harbour compilation >moon harbour inhouse vol.3< will be released, in which martinez will provide an exclusive track as well the dj-mix.

lets remixer speak! >it was great to be asked to do this. originally, i wanted to do something really quirky and funky with the strange vocal in human bond, one of my favorite old tracks. i tried a few times but i couldnt really get a vibe going in the funk realm. so i listened to the original over and over again and then the lightbulb turned on. i realized that the original was a monster rave track, like what you would hear in a warehouse in detroit in the 90s. so i threw out my original idea and went crazy with a huge techno builder, something to hype a big rave just like the original. maybe this doesnt sound exactly like what i usually do but that was the fun of making it< claude vonstroke. aa: >bounce your body to the box was one of the first kms records that i owned and it was all about the mike >hitman< wilson mix and force field on the b side. the production on the original was huge. the 909 groove just pounded everything... when that came out there was nothing that came close to it. so it was an honor and a challenge to mix it myself. first came the futurist bounce mix... not released on vinyl, anmerkung, ... which is more of a cover version than a remix. i had a lot of fun with this one but it definitely has a signature that steps away from the original. so i had to take a run at it one more time to pay a proper homage to the original with the flashback mix< mike shannon...

after his huge >pepper exchange vol. 1<, anton zap is back with more spicey house music. moscows finest offers 4 warehouse esque deep house groovers and proves that without a shadow of a doubt hes one who you need to keep close tabs on. on quintessentials 05, anton keeps his >pepper exchange< style: stripped back, & raw! its pure, back to its roots simple groove quality which works so well with anton zaps new 12inch. but like a lot of antons music, deep atmospherics play a big part and this is why his music has that standout from the rest feel. its not often that you come across a ep where all the tracks are playable, but even less often where all the tracks make you step back and appreciate them much more than you normally would. essential house music for those looking for the simple soul filled stripped back house feel

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

the second outing on frittomorto is by subway who have previous releases on nuphonic, sunday best and souljazz....they also have a forthcoming album on souljazz. the a side cs-87 is exactly the sort of tackle that you would expect mathew jonson to come up with if he was born twenty years earlier and had met vince lawrence and ron hardy in an all night gentlemens sauna. the flip side second sign sounds a bit like black dog before they went crap

get digital is off to a blazing start after the release of the mini hit >kaskazi< from simon baker and jamie jones and the well received travelling the world ep from the fresh and talented mac neumann. now we are proud to invite the veteran thomas schumacher who has produced with elektrochemie & dj t. and recorded for legendary labels such as bush, gigolo, get physical and his own spielzeug schallplatten. schumacher is a true producers producer and we are sure these two distinctive orchestrations are sure to love up the dance every time. >hot< is something that would come to mind if one heard the word >picanha<, in passing. and without a doubt the main track >picanha< is hotter than a stolen jalapeño in july. precisely layered percussion, meticulously situated effects and drums tuned with minutiae detail are the backbone of this track, but the groove comes courtesy of the schumacher brass orchestra.

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

amazing deep house record! supported by: rozzo, raresh, sebo k, akufen, laurent garnier, clive henry, federico molinari, brothers vibe, jimpster, motorcitysoul, d julz, manuel tur, solomun, nick curly, rob mello, chris carrier, chateau flight, livio & roby, afrilounge, shur-i-kan, jori hulkkonen, patrice baumel, sasse, david k, locodice, dan ghenacia, ripperton, clive henry, mathias kaden, 3 channels, johnny d ... here is the next installment in the hypercolour catalogue, it comes from detroit cat >kris wadsworth<, following on from his morris audio release. we are proud to present >deport this< - the title was a reference to an unfortunate event where kris was deported from the uk prior to performing at our party at the end!! here we have 3 tracks of raw detroit nu-house, put derrick carter, sneak and theo parrish in a washing machine and this is the sort of noise your machine would make!

berlin-based belgian producers sierra sam & marcus vector present the debut release of d.i.y. (dumb irresponsible youth), their new house-oriented project. sierra sam (toysforboys, einmaleins, trapez) and marcus vector (toysforboys, nomor, playground) recently released their first joint effort for contexterrior. working together once again, this time around theyve put aside their usual dark techno inclinations, opting instead for uninhibited house led by analog percussion sounds. drumroll, please… >pimp my saw< is a frenzy layers and layers of toms, kicks, steeldrums and clicks. >screw it up< is a more melodic affair, with the classic build-up and tension that defines classic house material, plus a hint of latino finesse. on the flip, >hammer of love< closes things out with a shuffly balance between the organic and the artificial, with looming atmospheric ambience to set a darker tone. these three tracks are the perfect tools to use where the sun dont shine. (that would be the nightclub, you pervert!)

next quality real tone release!! would you expect somethin else...??

nice price deal !!! the valentinos... or as i should say now the lost valentinos. or the band >formerly known as< the valentinos before their legendary name change? anyway. poor little conquistadors just want to make music... not stress over clause 23 in the trademark agreement over who has the rights to a name. fuck those people, if they only knew about music, if they had a soul, they would pay these kids to share their name! man there is some whackheads out there without a vision. but thank god we do. and thank god the lost valentinos do

in 2003 after a long period of militance in the illegal rave scene, mr. 3p and nrn (minimal rome) decided to make their own label. they noticed that it was a good moment to expand romes electro-techno scene. it was a simple enough story...they would choose tracks from their friends and publish them, then travel around europe to find shops and/or distribution interested in their stuff. consequently they claim they are mainly inspired by trucks, roads and travelling.acid basslines and hard 808s are the main ingredienst of their style. this means acid inspiration filtered by the latest innovations of technology. classic electro & techno with no messing around. from rome.

qalomota records is a house music label and a band founded in 1998 by producer thierry colau and dj chris thomas. artists rufuss and joyful noise have since joined the label, broadening the spectrum of an already large range of sonic colours. for the qm records crew and its audience, music is a physical and spiritual experience where the beat is the foundation, and the melody, food for the soul. would it be on remixes for the likes of chézéré, sabrina pope, house veterans frankie knuckles and marshall jefferson, or their own productions, from new-york city to paris, music is the key for qalomota records and will always be

cassette is a small bag ideal for keeping your tobacco, wallet, keys, mobiles, mp3 players and generally stuff that would otherwise fill your pocket. tpye: small bag / pouch dimensions: 17x3x11cm material printed pvc extra: adustable belt designed by serena galdo official product from the synch festifals in greece

baker street sits perfectly alongside such great french labels as robsoul and brique rouge and fittingly, phil weeks delivers a trademark deep and soulful groove for lead track. 3 variations on the theme, but label bosses holmes & watz step out of their familiar territory for a smoking hip hop joint to round the ep off. baker street offer a top notch ep that would get even the good dr watson nodding his head to.

a brand new ep from the count & sinden, which showcases their love of all sorts of club music, from garage to r n b, from hip hop to grime. lead track hardcore girls is the sound of the much hyped baltimore breaks scene, evolved, displaced and mutated as only the count & sinden know how. fronted by the hottest thing out of b more since the wire, 17 year old wild child of the mike, rye rye. she has been touring the states with mia and, now signed to interscope, she is set to do big things. her unique and energetic vocal is treated to one of the duo’s best bumpy bass grooves and the combined effect is nothing short of devastating. another new school talent picked up on by the count & sinden is ny. bubbling on the uk underground, she fronts the hardcore, jungle inflected soul that is fool in love. this is pop music for the now and tomorrow, a classic love song set to a raucous jungle inspired backing track which has become a live favourite over the summer.finally we have jme, a legend in the grime scene, known for his tight flows, guest appearances and his boy better know franchise. industry gives an overview of the pit falls of getting involved in the trickiest of games... the music business. and who would want to get involved in that shit!?!

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

well, the summer festival season is near its end, time to bring you some of the raw stompers that youve been dancing to this season! greg notill and i will strike down upon thee with great vengeance and furious anger: if there ever was a famous movie quote to capture the pure essence of the friendly frenchmans track it would be this line from pulp fiction. fierce beats, frantic percussion and even some acid influences. this one has it all! motormorfoses eto and gab, the devistating duo from brazil are now operating from spain and though the name may have changed, the output remains the same. pure relentless beats and power! after opening their track with an electro type bassline and some nice broken beats, pure havoc kicks in soon as the beat drops. hardtrax half of the hardtrax vs. jackhamma liveact and the german bridge between hardtechno and hardcore techno. the dark force recordings co owner comes up with an intriguing brew of raw beats, precise positioned percussion and an 80s type of choir sound that will simply blast you away!dj ogi the torch holder of the croatian techno scene recently spawned us with numerous strong releases on labels such as submissions and cannibal society. we are pleased to say he maintains this line and even raises the bar a little by incorporating some oldschool elements. bet you cant control your feet when you hear this track

part 2 of 2 of the belgian house mafia ep containing 4 upfront tracks!!

killer re edit from section 79, based on the 80s electro classics from savage progress original 12inch version... from a simple but clever re edit of the original, the tracks dig further and further into a more acid based loop that would turn upside down any floor for real... so many influences here from ron hardy to armando, to new york noise scene.... ultra limited edition. one for the headz.

there is certainly not enough space to tell you all the great things about move d we would love to share with you. being the musical mind behind the legendary source records imprint, david moufang has always been a versatile and prolific character. from ambient soundscapes to krautrocky epics, jazz sensibilities or straight up techno and house, he has done it all with his own special and unique touch. this lovely fingerprint is spread all over the “cube ep . intended as a tribute to heidelberg’s finest club night of the same name (don’t mix it up with that other square project!) , move d shots two arrows straight into your heart. “cube” is one of those stripped down hypnotic affairs that seem to go on forever and ever just to surprise you with a nice breakdown, before it’s groove sucks you in again. we guess this is what people mean, if they talk about the beauty of simplicity. “heidelberg gals” flips the script in three parts with an old school approach and turns into a monolithic house monster with a bassline to boot. panache! bust a move d!

following on from lcd soundsystems 45:33, nike continue to commission the great and good from the worlds global music scene to contributeexclusive tracks for their nike run campaign. such was the demand for this track, that the boys decided to concoct some exclusive alternative versions which would be more useful for a spot of dancefloor running. so, here you have it, four killer interpretations of a super hyped cut from one of the uks most celebrated acts

hot on the heels of her last feel good smash these times, comes kimaras latest jammer far away, with two very distinctive remixes, the first by distant musics jon cutler. one might think we picked jon because of his coincidental label/song title relation, but one would be wrong! we picked jon because his superb production skills. the man behind the worldwide triumph its yours, as well as many others, brings a good bit o bounce to the dance floor on this remix. his lush piano chords, funky percussion, and synth zaps are a perfect bed for kimaras strong vibrant vocals to lay upon. he also turns in a truly slick dub for those looking for a bit less vox. for those looking for more tech, one of our favorite new dance producers out of japan, hideo kobayshi, slings us with a tougher, warpier punch (and dub) that ll get hearts and feet movin in synch.

(juan sanchez remix) wolfskuil head honcho darko esser has been following thomas ever since he started out, so it was only a matter of time before he would make his wolfskuil debut

for those who thought these remixes would never see the light of day, here they are and let me tell you something : they re hot !! the a-side features swag s hot gloves remixed by bakazou (aka pete herbert). pete s on fire right now and he came up with an awesome italo-disco monster. it s like an apollo space ship: it gets higher and higher and when the original bassline is finally released people go crazy. tried and tested on discerning crowds – success is guaranteed! already licensed to ralph lawson s next fabric mixed cd ! the b-side is equally good, albeit in a different way . swag s hot shoe shuffle dub sounds like those fantastic hypnotic disco dub mixes straight outta 80s nyc. so put on your dancing shoes and get down to the boogie sound

nice price deal !!! quality deep house bizz as you would always expect from the latenight society!! on the flipside you ll find a great natural rhythm dub mix!!

entertainment is a duo. im a cliché is proud to release their very first e.p on september 29th. juan de guillebon is the bass player. he studied a lot jaco pastorius, but decided not to spend the rest of his life playing in jazz rock combos. you can easily guess his attraction to no wave bands (suicide or james chance), krautrock (his faves are cluster), or ebm and early electro (daf). alongside, hes part of the ectoplasmic band, performing as backing band for tigersushis boss joakim. antoine montgaudon plays the guitar, and we bet he would have fit perfectly in any brian enos late 70s recording. he builds endless psychedelic atmospheres with feedbacks, loops and fxs. all this only with his guitar. hes also part of my sister klaus, a project released on tigersushi (again).

stop press- wolfgang gartner has officially stepped up to the big league and this is the record that will put him there. joining the ranks of prydz & deadmau5 his tough electro workouts have been destroying floors, and this one is all about the b-side. if wes craven made electro, this is how it would sound- be afraid children, be very afraid

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

massive! the clubbers in ibiza are seeking desperately a track which would be hype and funny at the same time: here it is. john revox is continuing his adventure with diamond recordz, by making the kings shot: a track mainstream with electro sounds, playable by every dj.

for your electronic summer fun kerkhoff & prinz shove three loose techno grooves on your plates. >contract< relies on an oldschool offbeat bass, but with its funky percussions and noises and nice reverberated melody it becomes clear soon that no one pretends to be a badass here. with its wobbly bass and little follies, >orange< stays in this vein while >mann an bord< enchants us with relaxed perssions and funky snares and would definitely shine brightly in any house set.

flatpack traxx presents a long awaited ep from one of canadas promising duos, the sceneheadz. the bump n thump ep showcases exactly what you would expect from torontos finest straight up no non sense, bumpin house music. backed with a remix from glasgows craig hamilton.

dj support by adultnapper & matthias kaden !! after his last release on hello?repeat, cabanne is back to make the room and refill the minibar. one year of sailing from bar to bar helped him to distill new unexpected liquors. jesse garonne is an absinthe mix, while f.key would be some good old rhum… the flavor is stupendous and unusual at first but effect is guaranteed, hot dose of deep groove >à ma facon< that brings a crazy, jazzy hot spirit which lifts of the tunes to the insane! it includes a great rmx from john thomas and his wife barbara. a great opportunity, after releasing >funky time< on the milkshake compilation, to bring minibarians a new dose of strong funkster. the hatched sounds and voice brings perfectly the groove…

with the new release plastic city brings you some really modern stuff, but also some classic house style infected tunes. dkma presents andrastea is back on plastic city and shows us the meaning of soulful house tunes and while its reduced we would never call it minimal, no, it is simply intense. dana kelly smashes the house scene for 13 years on labels like strictly rhythm, contrast, 4th floor, chug, subliminal or guidance created a classic with this is krimp on the next generation ep released on strictly rhythm in 1997 what was probably the best of the krimp series and the last one at the same time

while on a months hiatus in the australian countryside jaymz nylon began recording the dirty wonderland ep stretching his afrotech sound into a more experimental jazz territory a direction that would make herbie hancocks 1970s band head hunters very proud...dirty wonderland ep is filled with 4 gems that will leave a lasting desire for the ears, heart and your dancing feet.

without a doubt, chicago native huge hephner has garnered quite the reputation as an international playboy - pimpin and whorin his way into the electronic music worlds stream of consciousness. however, behind the tough guy persona is a highly underrated producer with an unbridled passion for music and love of the analog gear he uses to produce such increasingly in-demand sounds. it is this perversion that lends meaning to the title of his debut album, nymphotech, released on none other than the label that helped launch his career, siteholder records. unflinching in its house vibe, yet relentless in its dance floor attack, nymphotech is a highly impressive debut album by a producer who continues to up his game with each successive release. hephner kicks off part one of a two-part vinyl album sampler with the chugging acid burner sharing the same title as the album. nothing less than 4 a.m. packed club material, to play nympotech at any other time would be a failure to recognize this bombs full potential. jack n coke is undoubtedly huges nod to his hometowns house legacy, showcasing a flirtatious bass line that screams funk in all caps. wheres the acid? fans of hephner might ask. leave that up to freaky $ean da don, featuring the vocal debut of huges body guard and reputed hitman who bears the same name as the tracks title. if nymphotech is any indication of whats to come from mr. hephner, we can only hope huge will manage to stay out of jail long enough to produce a follow-up

fixmer/mcarthy is the parallel music project of terence fixmer in association with the legendary voice of nitzer ebb . a side look to me has been remixed by xenia beliayeva and the help of his partner in crime andré winter. xenia deliver here for look to me an amazing and fantastic remix !!! funky , groovy as hell with a stunning compressed sounds !!! this remix would be describe in french as de la pure bombe !!!! or in german hammer !!!! . no other word for this perfect remix !!! b side kiko is a surprising producer. its always a suprise as we never know how it s gonna sound.

glaswegian alex smoke aka mr. menzies, the man who helped kick start vakant in those blissfully uncorrupted early days, returns with a fresh no-frills attack since his last hanged man ep, va013, 1and half years ago. a sides whirrfless funky abrasiveness stomps heads in a way alter ego would if they were happier people and saw more sun. b1 fud paces along with sprightly spring in its step half cheeky, half roboadventure reminiscent of the early days of perlon. b2s onomatopoetic flingclunk zealously jacks for itself. it is all glory minus the glam and trans-fats. smoke, adding to the current relentless vakant onslaught, makes every reveler feel as limber as 14 year old russian gymnast

electronic avantgarde! mooner edits.. conrad schnitzler is considered to be the keyfigure of electronic avantgarde music in europe. schnitzler, joseph beuys first student was member of tangerine dream and kluster (who would later become, cluster. many years ahead of his time, con was revolutionary in many aspects, he predated industrial music, sounded like kraftwerk and daf before they did and makes music today at the age of 71. mooner is not only known for zombie nations, kernkraft 400 that became a top ten hit in many european countries. he is also dj, compiler for the compilations, elaste, slow motion disco, on compost, and, together with pollyester just established a new label called love in c minor.

the slovakian techno label numb showcases another great release by the dutch rising stars museum. this is another fine colabboration by anton pieete (also responsibles for the highly anticipated numb 011) and jeroen liebregts known from his other projects called radial and his own labels audio assault and dinner to name just a few. this release is just what you would expect from these serious beats lovers! clean as yo mommy s kitchen and sharp as a razor! watch these guys grow and grow and feel why they are so big right now and got signed on major labels like drumcode!

nice price deal !!! great ups !!

limited to 500 copies on coloured vinyl !!! the mysterious intrusion project (feat. on echospace 007) emerges once again and delivers another epic release. throughout the original mix of >tswana dub< you find smooth textured pads and a bassline even the mighty king tubby would surrender to. the melodies evolve in slow motion over time as the synth hits open and close into a fierce midnight skanking session so lo-fi you would think this was recorded at studio 1 in the 1960s. on the flip side brendon moeller serves up heavy bass reductions, live melodicas, brass sections and spatially aware dub fx. the phase90 mix dissects intrusions original into a full spectrum spatial affair as deep as the sea, epic and beautiful...

after his pretty succesful debut on drehmoment with his acidic >hallucination<, milenko puts it onto another level now with his new ep for the label. groovy, scratchy techno and a flip with harmonics that went mad, this is the menu for today. jonas kopp is the guy for an outstanding remix, just in the way like his works for spectral or 20:20 vision. contemporary techno for those who are not afraid of giving the dancefloor a bit more energy as most jocks would ever imagine to do

a standout track for us is >fantasy<, which was never released on 12inch but despite this has been a djs favourite for over 30 years. the lush layering of instruments and percussion create a track that sounds as fresh today as it would have in 1975. after citing this as one of their favorite records of all time, faze action took this track and have given us some excellent edits which add extra dancefloor elements while keeping the integrity of the original

played by vera, nekes, raresh, tassilo ippenberg (pan pot), anthony collins, italoboyz, dop, kabuto&koji, federico molinari, reboot, markus fix , sis, lemos , kreon... 3rd instalment of the hyped label. big with all the new school house heads ! here we are for the 3rd release of the masomenos livemix project, croco ep. a-sided >apache-moi< is a tribal yet happy track with nice flutes and big drums. you can picture there desert & dust as for a musical ceremony to pray the gods to let rain fall… on b-side, >pierre & le loup< starts as a journey into the woods on a sunny and nice day, till you can feel the wolf approaching and the pressure rising…nice rolling bass, pumping groove, perfect summer sunrise track. >cherie< is a more laidback and atmospheric b2 track that would fit perfectly for any summer sun-set.