original motion picture soundtrack for t2 trainspotting on double vinyl, housed in a gatefold sleeve with download code included.

nice price deal !!! this is a new sub label of i220 called ugra records. not surprisingly itis run by sertac ugra from ugra and albrecht. the sound is similar to that ofi220 with german influenced sounds and arrangments all playing a part. the a side here is a real killer with its gentle building feel andheavyweight synths and acidic stabs that really lift the track. the flipside is more laid back again with its quality synth work and funkybassline. a good start from this promising label

parisian dj and producer kiddy smile embodies the lifeblood of house music past and present. his music flashes with nostalgia for those mid-80s new york basements where house music first came alive. ‘teardrops in the box’ pulses with the intoxicating energy of a ball in kiddy’s native paris, with its deep-rooted traditions but its intensely forward-focussing culture. following up on his fearsome debut ‘let a b!tch know’ on defected, kiddy smile has deployed the well-established remixing capabilities of mystic bill, a house champion from the underground schools of detroit and chicago. his ‘jersey dub’ eases back on the tempo for a syncopated strut to the garden state, while the ‘vocal mix’ is a bulkier prospect, emphasising kiddy’s growling vocal with some serious attitude bass. finally, his vinyl-exclusive ‘acid mix’ is specifically designed for getting twisted on dark, underground floors. cowbell and raw synths give ‘teardrops in the box’ unadulterated dancefloor credentials but this is more than a club record, the layers to this track run deep.

following a killer debut on optimo trax michele mininni debuts on r&s with the heavy hitting psych detonation of ‘rave oscillations’ hailing from southern italy, mininni s influences run to kraut, post rock, new wave and electronic amongst others, a long time dj he manages to condense his influences into beguiling productions that come as a welcome breath of originality. taking a heavy dose of inspiration from seminal kraut groovers silver apples, ‘rave oscillations’ builds from the hypnotic motorik groove and off kilter bass into a pulsing peak time anthem. on the flip, ‘vortex stasi’ takes things into a more psychedelic direction - dubbed out piano, jittery rhythms and spiralling swathes of guitar blossom into a truly tripped out, squalling, breakneck concoction. mininni s kaleidoscopic musical vision is a truly unique proposition, a myriad of different styles and genres deformed under his oblique lens to create sun-drenched space music.

gary caruths sad city project has progressively attracted ever more praise, not least since his shapes in formation album landed last year. straddling purest ambient and abstract rhythmical electronica with a unique approach that is all his own, caruth is returning to emotional rescue with a 10inch that revisits three of the tracks from shapes in formation and magnifies them as the longer form versions they originally were. music removed was a particularly strong track on the album, and this new extended version lets the pneumatic percussion and soulful vocal croon bleed together in the most captivating of ways. patterns sounds even more elegant in its pagan ambient finery with a longer run time, and vexillations flits between poised static and cascading chimes with the deft touch that has come to define the sad city sound.

regular customer debuts his first full length ep on little beat different. groove laden house music with deep, emotional synths combine to do the required damage. chicago aficionado garrett david comes through with the remix duties too.

everybody needs a destructive love story to blow up in their face and and shake their solid ground, its a must for every human to get to his core of understanding, the centre of the pain, the middle of his earth, we hate to say it, but sometime that s the best thing that could happen to a person. especially for a talent like nadav spiegel. drop the needle at the beginning and listen to 9 songs about rage and compassion. i love you, go away is a temporary hate feeling that changes into a permanent understanding, and as the story unfolds, so will your heart. it s over now, you know, everything is alright, everything is alright.

‘voyager’ is the third full-length album from la’s moonchild, whose candid style of soul and new-school jazz has propelled them onto a swirling, emotionally charged journey of the heart. since 2014 they have dedicated their time and energy into honing dreamlike and ethereal compositions which explore the intricacies of relationships with emotional nuance.
since cementing themselves into the vibrant la soul scene, moonchild have released two albums and collaborated or toured with highly-respected names in the soul-jazz crowd including stevie wonder, jill scott, india.arie, leela james, the internet (odd future’s syd tha kyd & matt martians) and more. along the way, moonchild have accumulated a host of iconic supporters from robert glasper and laura mvula to james poyser, jazzy jeff, jose james, 9th wonder and tyler, the creator who have all shown love for the band

waellas choice launches with the bounce ep from warren harris aka hanna, member of theo parrishs the rotating assembly and sound signature regular. four deep and moving tracks of soulful house, including a mellow instrumental, two classic hanna grooves and one trippy, early morning roller. in warren s own words, this collection helps us return to an elegant way of life. waella s choice is run by andy lemay (dimensions festival), will edge (commune) and aaron levitt (stamp the wax)

this anthology brings to light the music of robert Æolus myers, featuring recordings from 1982 to 2006 that were previously available only on cassette or cd.
the music within “a retrospective” tells the story of a man whose music elevates its listeners to a place of inspiration and enlightenment. often ethereal, Æolus’ music is driven by synthesizers, melodic flutes, sweeping patterns, and subtle rhythms to seed inspiration from deep within the listener.
one might assume that Æolus carved a new path for electronic music in hawaii, but the islands never quite fully embraced the burgeoning new age scene that Æolus found himself a part of during the 1980s and the early 1990s.
few artists in hawaii have produced a body of work, let alone embarked on a musical journey, such as the one that Æolus has created.
for aloha got soul, this release marks a new chapter of bringing rare and relatively unknown music of hawaii to the surface.

> love you gotta lose again < is a special edition 10 inch all white vinyl and double standards fourth release in an outstanding run of body loosening musical creations on gadi mizrahis pioneering imprint. 2017 repress

find a moment of clarity. ¡eureka! is the new lp on alpha pup from eureka the butcher, a collection of intense, involved tracks with deliberate arrangements and undefnable style.
the vinyl release includes a download code.

morning is ready to break. daytime heat lingers. would be revellers trawl the streets, hoping beyond hope to keep the night alive. cutting through the stifling night air come two words, furor exotica. six tracks spiral down this 12 inch of lurid intent.

reissue des ikonischen disco-klassikers der new yorker studioband dazzle von 1979 auf de-lite records, produziert von den legenden stab lucas und leroy burgess, mit jocelyn brown on vocals. das album kommt mit linernotes von leroy burgess.

incl download code , static motion. joyous hope pierced by doubt and anxiety. the ever fading memories of life-changing experiences. longing and craving for a moment long gone. an apothecary dream resembling pharmaceutical peace of mind. originally released by noorden in 2016 as a limited of run of only 50 cassettes, this release represents a more ritualistic, melancholic and intimate side of neozaires ethereal ambient and post-electronica sound. this special vinyl re-release includes an exclusive remix by uk producer synkro. vinyl tastes better…

limited edition double vinyl (1 black, 1 white) in gatefold sleeve.

bushcraft the knowledge of survival in the wilderness. a young man leaves the safe harbour of his home town, only to find himself lost and lacking the soul. he was always able to trust his ears, but are they really true to him. or is he merely not listening. distant echoes of bass and the melancholia that was always present seem far away. with bushcraft ep jor-el finds himself in touch with the elements. the elements of the hard hitting futuristic music that once took his heart and formed his life. rumbling bass lines controlled by lazer sharp hi-hats driving forward. eerie sounds coming in and drifting out again. always driving forward. the influence of his early years in drum & bass is there. still this is pure techno music from an artist discovering new things in the universe within himself. true rotary recordings is run by joel alter and ena cosovic out of copenhagen. stemming from a mutual appreciation of the combination of raw techno and seductive sounds, the label is a natural development of their musical and personal partnership. true rotary recordings represent their musical vision and the vibe that they love. keeping it raw and genuine.

sascha ciminiera is a familiar face from footjob, member of the labels own supergroup pallaspeople and also famous for his tasty bolognese sauce. with lights he created a dreamy balearic tune that found its way into gerd janson’s groove podcast. as a consequence, janson and his partner in crime phillip lauer aka tuff city kids played around with the 808 and turned it to a great dancefloor version. phonk d completed the jubilee release with a classic house rework and on top, the tuff city kids remix is added as a dub version. footjob german record label launched in 2014. run by phonk d - focussing on house music made for dancing

there arent many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabot’s hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kitt’s bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive. a key moment was getting a bank loan to buy an sp 1200 sampler

when two of the most exciting names in drum & bass combine forces, you are in for something special - amoss & fre4knc bring dispatch dubplate their first full collaborative release.
highly anticipated following two previous link ups on dispatch, both heavily demanded and supported, these guys have been towing the line between darkness and groove, delivering tech with funk like nobody else (we re pleased to say there is more music still to come).
their most recent, vortice, receives a vip for dispatch dubplate, reinvigorating the original into a switching, half time laden beast, the passage offers a souped up 2017 nod to the classic wormhole sound, redemption rounds off tenaciously, as an exclusive to the vinyl.
with a limited run of just 300 hand stamped, signed and numbered heavyweight vinyl copies available, ensure your copy as our dispatch dubplates often sell out in advance of release.

further adventures into the maverick, musical universe of quinn lamont luke - this time on his own, new label, el triangulo quinn s an amazing talent (as evidenced on his recent ep for ears favourites aficionado), with a shining career under his bing ji ling alias, as well as numerous acclaimed solo and band based side projects (paqua on claremont56, coppa, the phenomenal handclap band etc) different aspirations ploughs a familiar funk/rock furrow to his other distinctive output, elevating things (in the cosmic mix on the a) to breezy yacht-rockin steely dan channeling heights. a radio edit bakes down the hooks into a delicious bitesize piece, while woodstock is a sublime version of the joni mitchell classic limited run on these - don t snooze !

inspired by a dreamy sabbatical in western kenya, ‘warthog’ is a slice of lush organic house oozing with classy restraint. this sleeper hit is finally getting its due in the limelight after a limited run of dubplates sold like butter in 2013 - with two heavy-weight remixes from finnish producer-legend jori hulkkonen and rising deep house star saine. driving, balearic and pleasantly euphoric the record is rounded off by a bumping 4/4 groove featuring none other than tapani rinne on bass clarinet. com-007 is a vinyl-only release, limited to 200 copies worldwide.

special double pack for all you triangle lovers out there - contains 2 classic releases:
- triangle002: mr. bizz - all in a triangle (matteo spedicati remix)
- triangle003: aldo cadiz & michele pinna - run ep (alejandro vivanco, los suruba remixes)

it’s hard to imagine being at the cutting edge of electronic dance music for over three decades, and never resorting to cliché or tired gimmicks in order to create unique and forward thinking music, but matthew herbert is still channelling original and thought provoking ideas into his projects all these years later. via his accidental record label, he has always excelled at left of centre productions, and through a variety of genre aliases (including doctor rockit, wishmountain and the matthew herbert big band), his imagination has always run wild, resulting in an infectious catalogue of music over the years. “brand new love-, featuring the vocals of rising star, zilla, finds herbert creating a dense and dramatic bass heavy cut. a steppers beat, utilizing herbert’s trademark sampling techniques, it’s a killer cut with sweeping cinematic qualities that sounds head and shoulders ahead of the rest. special request, the jungle heavy arm of paul woolford’s many recording talents, is enlisted to put his breakbeat spin on the original, and turns in an absolutely lethal version, choppy breaks, spinbacks and booming subs come with intent, whilst a sumptuous string arrangement accompanies zilla’s vocal for a truly uplifting spirit. “the peacock-, with its loose beats and opaque stabs, rolls along with its industrial undertones and ravey motif, discordant at times but a truly hypnotizing but in the finest of side b1 traditions. bringing up the rear, “cheekbone” is frenetic and charging micro tribal rave (a new genre classification right there), a glorious medley of percussion, earworm synths and guillotined vocal samples, showing just why matthew herbert is as vital an artist now as he has ever been.

new label run by dj steaw

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

one of the very first artists to begin recording in jamaica, derrick morgan is beloved as a ska icon and a pioneer of the ‘skinhead reggae’ style. blessed with a rich, deep tenor, which with he belts out his clever and often humorous lyrics, morgan became known on the kingston music scene through vere johns’ regular talent contests, and enjoyed a lengthy run of hits during the 1960s for producers such as simeon smith, duke reid and clement ‘sir coxsone’ dodd (among others), cultivating a popular vinyl feud with prince buster after being brought into leslie kong’s camp by the young jimmy cliff. morgan moved to england during the late 1960s to capitalise on the skinhead reggae craze, but was back in jamaica from the early 1970s, and since bunny lee was his brother-in-law, the two have always maintained a close working relationship. people decision, voiced at king tubby’s studio for lee and released by third world in 1977, sees morgan in politicised roots reggae mode on songs like ‘let’s build a better jamaica,’ the symbolic racetrack drama ‘racing at ballistic park,’ and the title track, which all boosted the socialist policies of the ruling people’s national party, ‘natty dread forward out of babylon’ updates the ‘tougher than tough’ saga, and there’s a slew of rude tunes when you flip the disc, including ‘my dickie,’ ‘rough grinder’ and ‘ride manny fanny.’

nick hook is nyc’s waviest resident: an in-demand collaborator, producer extraordinaire, and all around provider of vibes who’s lent his touch to projects from run the jewels, young thug, and countless others, all while building a creative community around his studio, thespacepit, in greenpoint. now the redheaded kingpin steps forward with his relationships lp on fool’s gold, a 16 track album of collaborations that are unconventional, unexpected and all-the-way live (literally: each song was recorded in-person with nick behind the boards, a refreshing move in the email verse era).
featuring a festival-worthy lineup of new school rap upstarts (21 savage, novelist, ilovemakonnen) and fellow beat radicals (prefuse 73, hudson mohawke, the late dj rashad), relationships isn’t just the world’s greatest party guestlist, but a chronicle of nick’s year long, after-midnight vision quest—the sound of a producer breaking through the chrysalis, killing the ego, and raising the bar. put your phone down and dive in.
white double vinyl in gatefold sleeve.

deluxe, will sessions’ debut lp of original material, contains tracks previously available as limited press 7- records, freshly remastered for a full length album. the album contains guest appearances from detroit legends allan barnes (blackbyrds) and amp fiddler (parliament/funkadelic), as well as florida’s own king of funk rickey calloway, and relative new-comer coko (funk night records). the album is a collection of singles reminiscent of classic funk and soul with deep breaks, tight rhythm section, blazing horns, and raw vocal performances.

nice price deal !!! after releases on kling klong and great stuff, hes now welcomed on bitten, the new label run by 2000 & one and sandy huner. the keep on ep features 3 slamming tech-house tracks

amazing stories propose a various artists for his debut release!

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

at a recent gig in macedonia, he played an incredible “live pure data” set, using real-time graphical data flow programming to create all his own sounds. with this huge wealth of knowledge and a hard drive stacked with unreleased productions, his ‘spookz ep’ is long overdue. he describes his music as industropical or funkyndustrial and when you hear his two original cuts on this ep, these descriptions become more apparent. ‘spookz’ is dappled and harmonious with sweeping electronics and in-depth grooves. ‘prance for me’ is atmospheric and quaking in its deliverance, showing all his innovation and creativity. the ep comes with two stellar remixes. the first is by el prevost who delivers a grinding reworking of ‘prance for me’. el prevost has been forging his sound over the last decade, gradually shifting into the house and techno scene in particular for uk label, third ear and his most recent self-run label, no speakers, which boasts a varied artist roster that includes doorly, red rack em, wbeeza, 65d mavericks and gabbi lopez. rommek’s remix of ‘spookz’ follows and shows why this recently emerging artist is fast becoming a definitive force on the techno scene. fellow loose lips collective member, rommek made his production debut on weekend circuit, before joining james ruskin’s iconic blueprint label who released his ‘moth hole ep’, plus an appearance on their 20th anniversary compilation, ‘structures and solutions’ gaining him an admirable reputation for textured sound designs.

pl007 is the beginning of a duo with praymond and thomas murphy. it all started by setting up a temporary music studio in an old farm made of stones in the french countryside during the heat wave of summer 2016 in france first, plug a microphone and start recording a couple of dry leafs crunched with gentle hands and mixed with the sound of ice cubes tingling at the bottom of a pastis glass add to this some brushes played on a newspaper and fingers banging on the edge of a kalimba, then finally, build around with your drum machines and analog synths. the result is a classy brand a alternative minimal techno, mixing acoustic rhythmics and relentless swing. none of the tracks were designed for massive big room type techno with big drops and never ending build ups but more for human size bounding experiences and never ending after partys. both slow burning tracks have in common a introspective quality, specially les cailloux but both tracks remain solar in essence.cadillac has a more gold tooth & chains attitude to it and could remind the listener (if he ever had the experience) of being on the run in a get away car, stepping on the gas, crossing the desert with an open roof top after robbing our dear financial institutions

holic trax off shoot monoklo hits a third firing release now with a new ep from verrina & ventura. verrina & ventura are an italian pair who make fresh house and techno sounds and run the all inn, only 300 and howl labels. they are busy people who put out a lot of music and here serve up some brilliantly unhinged sounds for this darker, more club focussed series. up first, metaluna is a freaky track with shimmering voices and prickly, ticking percussion all underpinned by warm belches of sub-bass. it s a late night cut with plenty of unhinged atmosphere in its glitchy grooves. ork is less kinetic and more settled in a bulky, heavyweight groove. scraping perc and icy hi hats bristle and brim as muted synth stabs bring some colour and soul to the party. the deep and delicious dhrawn has big techno hi hats and more glitching, patchy machine sounds all run through with warming chords. trilling vocals go off in the distance and the whole thing manages to be emotive and human as well as devastatingly direct and dancefloor orientated. last of all, nihil is another visceral track with industrial synths, scurrying bass and sliding drums that makes you want to jerk your body. this is a brilliantly off balance ep full of arresting and inventive grooves aimed squarely at the floor

italian label spazio disponibile continues its fine run of form with a new ep that features four collaborative tracks by the bosses voices from the lake (aka donato dozzy and neel) versus semantica boss svreca. the ep is a result of their first studio session all together in rome. all three have been perfecting cinematic ambient techno for years now and have the cerebral, atmospheric aesthetic down to a tee. here they offer up proof across a series of hypnotic tracks that take you deep into your own mind. it s alien and abstract yet wholly consuming and will zone you out in no time.

limited vinyl in custom hand-stamped sleeve. finally we get to the release stage of this epic production run. (term not taken lightly) belting tripped out goodness with initial pelter dogness, intimately immersive and stunningly constrained into a sub plunging landscape kalender days gets built on a solid jacking proper chunky as anything heads down roller of a foundation

dolphin dance is the second release by d. briggs on the brooklyn based -stray current- label. on this limited run of 300 hand-stamped copies briggs combines driving dance beats with rough analog synth tones to create a set tunes that will move the floor. the title track has also been remixed by wt label owner willie burns. on his remix, burns strips the track down to the bone and drenches it in reverb, giving it a darker mood and a pummeling melody.

after a strong run in the early 00 s, 3am recordings came back into action in 2016 with a various artists release that featured a range of artists closely tied to the label s foundations. now label boss al bradley is stretching his wings with -night owl-, a refined production that demonstrates his experience in the field of tech house. goshawk comes on board for a remix that takes the deep sweeping original and makes it into an effervescent summer time groover, while label regular michael scott nudges -night owl- into stripped down late night territory. the third remix from fourfourfour heads into oddball territory for those who like their house music off kilter and playful.

as we gradually build toward the release of rebekah s debut album on soma, the hard hitting dj/producer drops her 3rd single in the shape of the code black ep. rebekah is on somewhat of a frenzied run of form at the moment with not only an exhaustive touring schedule but a slew of releases that stand as a testament to her dedication to techno.

10.viii include original tracks from neel and shxcxchcxsh, and remixes from regis and ctrls.

for many years, o, aka olivier marguerit has been considered as the best sideman of the french indie pop. permanent member of syd matters, he is the one with a complete background that always has been used to hightlighting and boosting the others. until one day he decided to to care for his ownself. after 2 albums confidentially released, known as o (ohm part 1 & 2), his first lp will come out 12th january. of course, it is about a brilliant and erudite form of pop. the album will be supported from december with many live dates, including the transmusicales of rennes, and the printemps de bourges afterwards.

discographies in dance music don’t come much more impressive than that belonging to paul woolford, the man behind seminal releases for the likes of planet e, xl recordings and running back. special request is the project that sees him continuing to defy expectation with a new ep on the fabric-run label houndstooth. stairfoot lane bunker encapsulates this approach with 5 bold new excursions into the outer limits followed by a remix from minor science (known for his previous releases on whities and the trilogy tapes) the eagle-eyed will notice 5 of these tracks appear on fabriclive 91. this ep is issued as an addendum. redrum is the fierce opener. rampantly-edited electro beats, a sampled speak-n-spell vocal, and a pure sci-fi breakdown sets the scene for the rest. stairfoot lane bunker and replicant are jungle tracks taken to dizzying extremes - the former building from widescreen atmospherics, thunder spells and lightning before descending into a frenzy of breakbeats and long heavy bass notes. replicant ratchets the pressure up further with hyper-edits across it s breakbeat introduction and throughout, punctuated by furnace-rattling subs. telepathic dog and five lane ends are highly evocative ambient pieces, pushing into the uncanny realms of metaphysical music. to end the release minor science comes through with his remix of stairfoot lane bunker, effortlessly blending in his own work with the disjointed sr breakbeats, flashing only snippets of the serrated bars, chopping them up and creating a new track in the process.

a hidden recordings mainstay, jc laurent’s once again combines his admiration and respect for detroit’s gritty past with a modern touch that makes his techno / house sound all his own. previously on the label, he released “from nice to berlin” with a remix from the legendary fred p. aka black jazz consortium as well as “southside” with a remix from uk’s tom dicicco (the corner, run out run). handling important remix duties is michigan native myles sergé. first introduced to techno in the late 80’s and described as a ‘reclusive perfectionist’, his haunting productions reflect influences from early detroit / chicago electronic music.

the fourth release on bjarki and johnny chrome silver’s bbbbbb records, comes hot on the heels of the first. two and three are limited run, vinyl only, hand stamped releases to be sought out from your local dealer. bjarki returns as cucumb45 with the 5-track ep ‘something weirdcore’. on the surface there are elements of jungle, breakbeat, techno and rave, but to say this spans genres would be an understatement – it defies them. the title track instantly commands attention with breaks samples offset against indecipherable robotic groans and melancholic chords, but a sudden change of drum pattern shows this is more than a reprieve of known territory – it’s a voyage away from the limits of tempo and genre. this theme is explored throughout the ep by way of unnerving stripped back techno (akureyri), electro with subtle inflections of dancehall (comatack) and even a big beat/dub influenced jam (music for advertising). as cucumb45 plays with genres as we know them, so he does with the emotional resonance of the release. frequently switching from euphoric to anxious, each track is a testament to his incredible attention to detail. simply put, this is music for those who hate to be labelled.

keith & tex are jamaican rocksteady icons, with classics for life, such as ‘tonight’, ‘this is my song’, ‘run to the rocks’, ‘goodbye baby’ and, of course, the song ‘stop that train’, worldwide famous tune that was featured in jimmy cliff’s ‘the harder they come’ original film sound track.
the vinyl lp includes a cd-copy of the album.

extraterrestrial research is the first vinyl release of canadian label, deep sea mining syndicate. a multinational effort that brings the greek artist cirkle to the spotlight with 5 narrative sci-fi techno tracks. “kachira’s cave” and “underwater research” stand out as a classy peak time driving techno, while track “landing” shows cirkle’s soundscaping abilities in an otherworldly dirge into the abyss. this is a limited 200 run with the finest mastering from matt colton at alchemy.
supported by sigha and exium

an incredible, funked-out live show and production team with their own modern take on boogie, philly soul, and ny disco. xlr8r the possé are a new face to many people. the five piece run by andrew elston and ross ferraro is comprised of veterans from all over australia’s music scene. after a year of knuckling down in the studio and a string of sold out shows they’ve boiled down their favourite influences into an in-credible, raw, funked out live show and production team. watch out for the posse’s debut ep, our thing, featuring contributions from andrew elston (phy-sique/toni toni lee/catcall), ross ferraro & jarrol renaud (the goods), michael di francesco (touch sensitive/van she) and nz jazz keys prodigy andrew bruce.

2017 repress ... john talabot reiht sich in den erlesenen kreis der dj kicks compilations ein. oriol riverola aka john talabot gehoert aktuell zu den gefeiertsten djs und produzenten. eine feine house selektion , von raw chicago to deep house.... gatefold cover , 2x 12 inch vinyl incl cd