we at eskimo recordings are proud to present you the first in a series of double a-side releases. casio social club (aka justin winks) is paying homage to the summer with nordic nights. its an upbeat disco track which is bound to get everyone on cloud nine. and on the dancefloor. kolombos cooperation with michael parker was already featured on aeroplanes inflight entertainment comp. this time hes collaborating with djuma soundsystem, who everyone will still remember from their intergalactic 2006 hit les djinns.with cherimoya, this danish-belgian cooperation seems to work out perfectly! double a-side boys & girls.

for the next installment in the dc ltd series, drumcode present a three-track ep from the spanish pairing of psyk and alberto pascual - both increasingly familiar names on the circuit thanks to their work for plus 8, figure, analytictrail and sleaze. ascent leads off the ep with what is sure to prove to be a popular combination of upbeat old-school keys and resolute marching beats. descent switches things up, treading heavily through a melancholic soundscape of mechanical stabs and harmonic pads. finally, permanent dishes up a solid rhythm track interspersed with distinct rising tones phasing in and out of the mix.

fully koded chicagoians traxx and beau wanzer team up for another mutant beat dance release. together they have produced arguably the best 80s chicago house record not made in the 80s. the mutants call it jakbeat, inspired by the early days of house music. tip!!! let me go is as intense and rhythmically inclined as they come. naughty woods sparse vocals cry desperation, almost nearing insanity, which makes up for a pressure cooker like warehouse anthem. rottonfunk is another intense work out which has a killer groove and makes us wander off to the promised land (wherever that is). its delightful to hear that chicago house music this good still gets made. surely when it was released way back when, it would fetch top dollars on the interweb. authentic stuff!

js is the half of the rks project and one of the minds behind earth mothern. for the fifth work of the label he produced a thick ep transfiguration of the dark side of the earth (mothern) which points out all his talent. the first track, when i met mary, heavily influenced by the early sound of berlin and detroit, is a dancefloorkiller. ocp rework the track with their bare gross minimalistic blueprint, mixing and recording on physical electronics as it is mandatory at the restoration headquarters. king korgs hypnotic synths and strong beats, pushing on melancholic pads. roll a groove for a savage ride… the last track, thinkin of you is a sweet late night house tune, evocating the skyline of chicago and detroit

london based welshman chamboche returns to the label that launched him with the smoke screen ep. his unquantifiable sound swerves genre classification, hovering around house but with enough musicality to please the hardened disco head. swirling pads and a bubbling bass line set down the groove, while keys fall around horns and vocals to make the lead track a refined, uplifting work out. slowly unfolding, the track is hypnotic and absorbing, showcasing the style of a producer as able to work the mind as the hips. bicep toughen up the drums and work the arpeggio, stripping down the track and bringing the chicago influence higher in the mix. while the original subtly unfolds, their remix demands attention from the outset, building to a climax then recoiling for another bite at the cherry. thinking big, krl ramps up the intensity with a bright, kinetic reworking. aimed squarely at the peak time, he harnesses all of smoke screen’s most propulsive elements to really work the floor. tucked away on the b side is the expansive mind your mind. trademark chamboche percussion is woven around a blissful riff, swelling majestically to round off the ep in slo(w) burning euphoria.

memory ist nicht unbedingt eine abkehr von lazer swords frühen stücken, aber diejenigen, die peitschende hip hop-beats und gecuttete vibes erwarten, werden überrascht sein: antaeus roy (aka lando kal, neuberliner) und bryant rutledge (aka low limit, san francisco) haben sich zurückgenommen, aber gleichzeitig ihre soundpalette erweitert. sie präsentieren eine schlankere, sexiere, cluborientiertere version von lazer sword, die auf 80er electro, detroit techno und verschiedene uk futurism-einflüsse zurückgreift. die palette reicht von klassischem techno, über einflüsse von juke und footwork, infiziös-mutiertem 80er freestyle bis zu gastproduzent jimmy edgar mit seinen berühmt-berüchtigten roboter-sex-vibes.

after several years expanding hemlocks roster, untold returns to the label with his own brand new cache of shape-shifting, sonic mastery. this is his first release on hemlock since the seminal >gonna work out fine ep< changed the game in 2009, part one of a triple ep set, >change in a dynamic environment< is the sound of a boy brought up on jungle pirates, once again smudging the edges of house/techno/bass/ oh whatever … just listen.

aleph04 comes with three special reinterpretations of the labels first three eps. mano le tough is first in line. his remix of > flowers on fire< from aleph01 takes the originals colorful and spaced out vibes and puts them into a little more dancefloor friendly context, with a big 808 booming away and the swirls of the original synthline driving the track forward. mano has been a big supporter of the label right from the start and his releases on permanent vacation, buzzin fly or internasjonal have been turning heads quite a lot, so its an honour to have him on board. the second remix is by wasted gaze. this newcomer from vilnius / lithuania delivers an amazing version of >port hope< , taken from aleph02. a powerful, 2step / garage inspired beat sets the pace, while glowing pads, a super deep bass and enigmatic vocals take care of the rest. watch this guy, his untitled states ep on partyzanai is one of the most intersting and exciting records in a long time. the last track is a remix by aera aka m50 from chicago, who, quite fittingly, took care of this spaced out take on whats my name again? from aleph03. this one is for the heads, a special gem that will work magic in the early morning hours

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

check the guns are back with the second to last instalment in their tape edit series. it is onwards and upwards for 004 where side one sees a deconstructed work out of the fatback bands >the girl is so fine<. track 2 >house down< is a no holds barred party tune for the discerning dance floor that will do all the work for you. on the flip >sugar samba< is a rework of the london records classic from julia and co. finishing off we have an edit of heatwaves >super soul sister< which is a gem of a vocal funk track that gives as good as it gets and leaves you wanting more.

>my third solo album is coming out in april ! its a really big deal to me, as this album was finished during a difficult time of my life. i am very happy to see it coming out and to have worked with some really talented people in the creating process. even the record cover is very special to me. its designed by the marvellous trevor jackson, who you should know for his amazing artwork for lcd soundsystem, the rapture, soulwax, chromeo, mattias aguayo etc. i cant wait for you to see it and listen to it.<.

prime numbers returns with a series of remixes of trus me favourites, including treatments from a host of current cherished producers. the 12 inch features the mdr records duo marcel dettmann & norman nodge. dettmann takes a diversion from his more familiar techno blueprint, working sweetmother into a tight house groove. intensifying all parts of the original he creates an insistent and deeply pressured production. on the flip good god gets dubbed & smudged into a beguiling ghostly haze. nodge completely reworks the mix stripping back & filtering the elements to fantastic effect. watch out for remixes from terrence dixon & dvs1 on part 2 in this series

matador is a dublin based dj,live performer and producer who has been releasing his own twisted but organic take on techno for the last four years. late last year came the huge kingswing ep on minus and now this spooks ep sees him step-up once again for a 5 track outing which balances his usual melody with a real techno drive. the title track opens proceedings with predatory, roughshod bass tone running underneath blippy melodies, snappy house influenced percussion and a dark male vocal where kenekt is all out sci-fi weirdness.spiralling space ships, undulating basslines and plenty of well-defined percussion all add up to a snaking track that really works its way under your skin.on the flip,b1 bambam is the most heads down and streamlined techno offering of them all before klay is the ep closer which manages to bend and drip little melodic droplets down the face of slinky hi-hats and deep,rolling basslines.

having lain out it s darkened techno vision with the epic and enthralling inertia compilation over the last few months, delsin s little sister, ann aimee, is back. back with another bang, this time from mysterious vault series associate sawlin who drops four cuts of grainy, scratchy sounds with his techno dumping ep.

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties.the record kicks off with collaborative recording and title track melting process, a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners.this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio the gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders. roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties. the record kicks off with collaborative recording and title track melting process a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners. this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio he gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders.roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

nice price deal !!! patiently waiting for the year of the dragon to commence, nick chacona & anthony mansfield are finally back with a 3 track ep of epically mental proportions! hector works numero uno duo take on a true journey to house music neverland with the peter vs pan ep. almost two and half years in the making, the boys reveal their many facets of cosmic, sleaze disco and acid wonk. one the a side, pan vs peter is a tech funk heavy slow house burner, that shimmers with dubbed out guitar, thumps with low end and grooves the like the funk brothers at opium afterhours. think vacum boogie meets silver connection and you are almost there. starting off the b-side is the eps title track peter vs pan and its right out the gate ncam drunkhouse maddness. a timeless disco house groove with a bassline so big that we were certain that it was gonna blow out the lathe and never actually get cut (thankfully mastering made sure that didnt happen :). and to round things out, the boys get hard on the acid house tip with terrys nightmare, an ode to the grouchiest bartender at peter lugers steakhouse in brooklyn ny.

012 seems to be jordan peak’s year! he will set up his own label and has remixes out on top class labels like 2020vision, real tone and ibadan.
>minor details< is another top production from up and coming uk producer jordan peak. with releases on quality labels like tsuba, robsoul, one records or area remote, this new release is another solid offering from the talented youngster. the original version of >three one two< is a percussive yet deep club track, whilst the julien sandre remix adds more pump with its rugged acid bassline. >got soul< is stripped down and raw, a trademark of jordan s work and thats what we like. nick lawsons remix takes the track in a smoother direction and completes this well balanced ep.

yellow machines latest release brings us into futuristic sci-fi territory with four slabs of bass heavy electronics. scanones original track >andromeda< is pure science fiction electro, where thumping drums collide with hoovers and twisted emotive space melodies. radioactive mans remix cuts straight to the chase with a full on robotic electro bass workout with wonky undertones, guaranteed to smash the floor. adjs remix is stripped back, intelligent and heavy, with intricate glitch patterns denoting uality future music. finally, sync24s remix is a minimal, dark and menacing beast, demanding heads down in the crowd, and watch out for the sub.

marc depulse already convinced with the first part of his album >lessons in dub< and thereby thrilled many listeners. now, the young thoroughbred musician from leipzig steps it up a notch, presenting his second release which is a sophisticated mesh of melodies, harmonies, emotions and cleverly worked out sound structures, rendering a special touch to the dub techno. in short, this is a roundly successful album.

white hills newest and most energized recording to date is bursting with raw energy packed into their most concise songs to date. fear not long time white hills fans, there is still loads of killer guitar work and fuzzed out psychedelia on frying on this rock.

limited pressing on clear vinyl. crossed paths is shifteds debut album & the first full length work to be released on mote-evolver and the scope of the album format takes shifteds vision to the next level.

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

now is the time for aitor etxebarria, better known as el_txef_a to expose his innermost feelings, as hes already begun to on releases from labels like hypercolour,suol and wazi wazi.this time,he is undoubtedly on his best of form.aitor, born and raised in the basque country,is in that group of artists sparingly measuring their output,always searching for the new, aiming for high quality instead of constant,monotonous releases. after years of dedicated work,el_txef_a announces his debut album slow dancing in a burning room. el_txef_a stands for a specific and complex sound signature. his primary concern to develop a sound that people can identify with as well as just simply enjoy freely.continuing in the bilbao tradition, he is building a base of pure sampled sounds with studio sessions, live musicians and vocals to complement his production. collaborations with vocalist bisconti and hannot supplies added depth to tracks like rise and fall,and previous single lovely minds or save the world.a true milestone in this young basque artists career, we are proud to present the fruits of his labours, slow dancing in a burning room.

the debut release on poem by neotnas, is set to showcase both the labels outlook and pedigree. the outlook of quality, from the music, to the pressing and artwork, and the pedigree, which is proven in the history of tobias duffner, who ran fauxpas musik, and his choice of upcoming artists already slated to release on poem. neotnas hails from the city of chelyabinsk in russia, and delivers a mature yet fresh ep of deep, well versed grooves. to grant it a genre would narrow the appeal of these tracks, but rest assured those from house or techno backgrounds will both find common ground. these tracks stand out for their almost unearthly feel, and its easy to hear that neotnas are close to the ural mountains, in tracks like kai, or that day, which serve both the head and the feet. the future for poem lies in cultivating new artists as talented as neotnas, to go alongside proven ones, as a list of remix names show how poem will progress: convextion/e.r.p., anton zap, modern stalking and mlz to name a few already at work.

düsseldorf born niggemann has enjoyed a constant climbing success in recent years thanks to his precise tech house productions on 8bit,tsuba and supernature.now based in berlin,he arrives on poker flat with this,the first single to be lifted from his imminently arriving album debut. we dont want to tell you too much about the album right now, but if these two tracks are anything to go by,be sure youre in for a treat!dont wait (extended mix) layers niggemans trademark tight, percussive beats as it builds towards a surprising vocal arrival and a killer,positively hung bassline.equally perfect for late night sessions as it will be for the coming spring summer season,basking in the sun,its a versatile and uplifting cut in the true poker flat tradition. on the b side a dubbed out synth voyage unfolds with curious.working snappy drums and airy,wistful fx,niggemann skillfully tells his moody story with passionate charm.swirling synth pads lift before a mid-point break gradually introduces a second theme,cementing the young producers able hand at writing melodies and creating strong,rushing feelings.

having been wowed by tinis dissonant debut,label chief marc antona returns with his first new work since the november release of his fantastic long-player,rules of madness.a brand new double-header from the frenchman is lead by in flagrante. joining forces with aber costa, the pair present yet another joyful example of marcs innate ability to harness the most exotic of grooves whilst showering us with a dizzying array of sounds and samples.its nordic conversation is wrapped in beautiful organic percussion,as handclaps and rubbery basslines ripple throughout before ghostly chains ring out the closing beats.ipso facto on the flip is a pure example of stripped back house.beats, hats and an elasticated filtered riff open the show before the snare rolls usher in from the depths a throbbing wave of bass.

tide is a mid-tempo burner that pulsates around an infectious analog synth line.. it gets you in the mood and lifts you up. explosive stuff! minnoch is a playful, exotic work-out which sounds like a nightly trip through the jungle on a far-away island. tropical house at its best.

after his sublime remix for hitsafes >let the acid out< on shaddocks first release, tin man makes a deadly return to shaddock records, delivering his most dancefloor oriented record to date. opening track >t_dd_t_rr_y< sees kicking beats with a genealogy harking back to finest chicago house, yet done with contagious feather-light energy of uk funky and a naughty bassline gliding perfectly between cheeky rave chords and their moody older brother. >s_mple_house< continues with this blindingly effective simplicity, dreamily muted chord stabs, rolling congas in ecstatic space over a warm round bass. on the flip on >aut_repeat<, crystalline synth shards coalesce in complex forms and continue in icey determination as the beat sneaks up underneath, propelling into an absolutely blistering workout. >djsn_k< rounds up on a perky high, an ebullient synthline with crunch and a punchy beat so frontal it might make you blush. rave bones akimbo – tin man steals the pure dance!

nice price deal !!! we have been working on new material for the last couple of years - honing, rejecting reworking and occasionally performing it out live. the objective of this gramme re-birth has been simple, but the decisions involved are always complex: simplicity is always the toughest of aspirations. we have been jamming together over the last few months and we have set up mobile studios wherever and whenever we have been able, including some of our office spaces after hours

for soweso no 12 we are proud to bring you beesmunts debut ep >circulations<. beesmunt consists of david van der leeuw and luigi vittorio jansen, two rising talents from the amsterdam house scene. they started working as a dj-duo in the summer of 2006 and have been busy djing and producing ever since. the five tracks on this ep have a typical beesmunt style that has been tried and tested on the dancefloor. make sure you try this one out!

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

limited edition of 200 numbered copies in sleeves handdrawn by andrea amaducci!
supported by the whole eclectic balearic community and leftfield thinkers like tim sweeney, coyote, tiago, a love from outer space (andrew weatherall & sean johnston), massimiliano pagliara, chida, red rak em dj rocca, mushrooms project, ivan smagghe, luminodisco ...
>vannij< is a remix collection by italian social-kraut-disco pioneers crimea x for the likes of bjorn torske, twin sister, a classic education, banjo or freakout, bremen…
on this fantastic limited 12 inch the epic balearic workout on welcome back sailors chillwave anthem >i ll be there<, crimea x first remix ever, the space-disco journey on luca baldinis massive >hooked<. b-side gets cinematic and darker with the awesome takes on banjo or freakout >upside down< and post-balearic classic >oceanica< out of dyno latest album: blissfull stuff.

in the last couple of months the names taiki & nulight should have come across your paths. these 2 artists have been gaining respect from the likes of skream, benga, n-type, mistajam (and many more) and are set to blow up any time now. and because subway likes their beats fresh and new they are kicking off with these boys their very first release entitled the coming up ep. coming up is a 100 procent to the floor slammer wich sees the dubstep sound merging into more clubby territories. the 4x4 beat and soca influences make this track a unique piece of work that not alot of people can resist. get on this and get those ladies shaking their rear ends because once they start a skanking the men will follow. pure takes it back to the dubstep vibe we all know and love. a hefty skanker that will deplete any raver from any energy it has left. tearout basslines and insane switches make this one track that will destroy any dance! impulse is one of t&ns early productions but is not a letter track for that matter.its a mean destructive stomper that shows why these guys have been picked so early on by the subway label. it pounds,it shakes, it rattles & it wobbles. a deadly combination!watch out for more t&n releases coming up really soon on subway and labels like benga beats, sin city to name a few! play support comes from: skream, benga, n-type, walsh, mistajam, antiserum, unitz, dream, laxx, megalodon & tonnes of others!

the dirty dutch! anticlub a notorious collective from eindhoven, the southern capital of holland, was inspired to push itself into a new direction. the inspiration came from a painting by an old lady that drew the attention and gave the impulse to create the album freaks and followers. as the title suggests there are two kinds of people, people who take risks and people who do not. as anticlub used to be a risk-taker but slowly settled in an unwanted comfort zone, this created dissatisfaction and led to a creative standstill. seeing the painting everything became clear again. one should not stand still but keep moving and evolve oneself into new areas that one has not yet explored creatively. as lessismore is from the same dutch city, this state of mind also hit the lessismore label, which inevitable resulted in both parties joining forces to release this diverse album by a former underground techno crew called anticlub. as the lessismore label is known for its typically styled techno, lessismore was searching for a new impulse sound wise and visually, to ensure creative satisfaction in the years to come. with this album everything came together and the lessismore crew reunited to renew their input into the label, which was once founded to be a creative platform and an artistic journey and in retrospective clearly not a platform where one should repeat itself time after time. freaks and followers is an 8 track album with raw electronic based music combined with a variety of vocal work by different new anticlub members. the overall feel of the album is a dark punky attitude that reminds of the good old days of rave, which in the early nineties dominated the dutch club and party scene. this period can be defined as being careless and not taking credibility into account, trying new things, being blunt and just partying your hart out. being older this is a feeling that will never have to die, proved by the old lady whose painting was used as the art-work of the album release.

introducing >the courts 12 inch, the first single from jam citys forthcoming debut album, out later this year on night slugs. a double-a side release that showcases the two extremes of the lps material - the sublime and the industrial. on the a-side is >the courts<, jcs rawest dancefloor-orientated work yet. hyper-tense club music built of skids, dribbles, passes, big jersey kicks, and permeated by an ostentatious slap bass. the result is a pounding, jacking grid of a rhythm track, moments of on-court action reassembled with robotic efficiency. on the flip, jam city links up with oaklands main attrakionz for a very special collaboration called >the nite life<. squadda b and mondrem.a.n. drop mesmerising other-wordly verses over jam’s low-slung beat. the atmosphere is dense, hazy with purple smoke and submerged in the smoggy californian marine layer.

born out of a shared vision of musical inspiration, the duo of d-nox & beckers has, over the last 4 years, firmly entrenched itself into the landscape of the worldwide electronic community. working as a perfect fusion of studio expertise and an impeccable dancefloor touch, this creative combination of christian d-nox wedekind and frank beckers has become a an unfailing source of massive grooves which have successfully infected (infiltrated?) all corners of the globe. with more than a quarter century of combined djing and producing experience between them, d-nox & beckers effectively merge a seasoned musical grounding with a dynamic creative spark that never fails in its ability to adapt to the ever-changing vista of electronic dance music.

marking the release of their debut album ‘dream cargoes‘, tj kong & modular k present ‘end-game‘, the first single to be lifted off the cd on poker flat. shuffling and sparkling with urgent, peak-time electronic disco vibes, ‘end-game‘ is one of the calling cards from their album, which as it happens is jammed packed with stand-out cuts. freaking and peaking over almost 10 minutes, the pair are not afraid of fully exploring and expanding a jam until they have worked it as much as possible! the pumping reference remix leads us into even bigger room zones as an old school techno vibe lifts us up and carries us into the late night. strong, rushing and full of tension, this mix is a guaranteed festival goosebumb moment!

born out of a shared vision of musical inspiration, the duo of d-nox & beckers has, over the last 4 years, firmly entrenched itself into the landscape of the worldwide electronic community. working as a perfect fusion of studio expertise and an impeccable dancefloor touch, this creative combination of christian d-nox wedekind and frank beckers has become a an unfailing source of massive grooves which have successfully infected (infiltrated?) all corners of the globe. with more than a quarter century of combined djing and producing experience between them, d-nox & beckers effectively merge a seasoned musical grounding with a dynamic creative spark that never fails in its ability to adapt to the ever-changing vista of electronic dance music.

welcome reissue for this super-rare space funk album from 1983, one of the holy grails of the cosmic scene. extremely expensive and hard-to-find in the original, this lp was created by legendary french producers jean-pierre massiera and bernard torelli (listed here as areisam and bernie) and released on french label savoir faire. it is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. stand-out tracks are the italo classic >challenger< - heady synths, tough bass and astronaut vocals combine in a strange space odyssey, >cruisin<, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic >on the border<, a tight funky percussive workout whipped by wild space-rock guitars. but as you would expect from the massiera/torelli trademark, all tracks are great and the lp a worthy addition to any self-respecting italo / cosmic collection.

bria valente (born brenda fuentes) is an american singer based in minneapolis. she released her debut album, elixer as part of a three-album set with princes lotusflow3r and mplsound in 2009, which debuted at #2 on the top billboard albums chart.
she first met prince at the age of 17 at paisley park studios while working with keyboardist morris hayes and later began her association with prince, contributing vocals to his 2007 album planet earth.
in 2009 she recorded the elixer album, singing lead vocals with prince on guitar and morris hayes providing beats. out this week on vinyl and picture disc formats featuring brand new club mixes by jamie lewis (purple music) & david alexander (icon collective).

limited picture disc edition!
bria valente (born brenda fuentes) is an american singer based in minneapolis. she released her debut album, elixer as part of a three-album set with princes lotusflow3r and mplsound in 2009, which debuted at #2 on the top billboard albums chart.
she first met prince at the age of 17 at paisley park studios while working with keyboardist morris hayes and later began her association with prince, contributing vocals to his 2007 album planet earth.
in 2009 she recorded the elixer album, singing lead vocals with prince on guitar and morris hayes providing beats. out this week on vinyl and picture disc formats featuring brand new club mixes by jamie lewis (purple music) & david alexander (icon collective).

the mike series returns as a split 12 i nch this go round, featuring mike simonetti (italians do it better) and chris burns. the two have been collaborating and producing music under the ingenious name m+c for a few years now, and chris also worked as engineer on mikes debut record capricorn rising last year. we are hoping to see some sort of m+c release out soon on italians do it better, but in the meantime this will have to suffice. the two each split a side of a record this time, delivering no holds barred, peak hour tracks in the handy house bootleg format. edition of 300 copies. no digital. punks is hippies

matthew burton & kate rathod are the next duo to leave their distinctive mark on the visionquest imprint. delivering a deep and dreamy melodic work out with softly fractured beats and reverberating vocals >the flip side ep< is three wintry cuts of understated house music

this is the 4th release in the now popular vinyl series personally compiled by legendary detroit producer & dj terrence parker. the a side features a brand new tp production called street skate which has elements of his classic releases from the 1990s. it was first leaked on youtube and after many requests is now available on vinyl. the b side features the return of matt veloce with his blazing hot disco cut up track called,woman from moscow.this track is so hot that many have personally inquired with matt as to the true identity of this woman.perhaps one day we will learn of the woman who inspired this track.also featured on the b side is another disco-jazz-house fusion track called running out by dj leandre of paris,france (the man who brought you soul juice and love 4 sale).all 3 tracks were remixed by terrence parker and guaranteed to become another must have for your collection!

exone 12 comes from fresh italian talent andrea zannini. born in terni, a major industrial town in central italy, andrea began fiddling with electronic gear at school where he had developed his passion for music, playing locally and experimenting with production. but terni is small and it was just a matter of time for berlin to become the place to go, try out, learn experiment, live. the place where while working at night on his music and during the day in a pizzeria, he met the exone fellowship, who are eager pizza eaters. fantasy dream ventures right to the highest feeling you can have on the dancefloor, with a bassline that builds and bubbles increasing your grin with evey shift. fantasy dream is remixed bydave vega who reveals an epic deeper side and pleasantly surprised us with his expansive mix. certamente shows the funky house side of zannini, well he is italian! phantasmeano delivers a beauty of a remix. gentle, precious, simply gorgeous it surrounds you and captures your body completely as the bass kicks in - best of all, the phantasmeano remix is for vinyl lovers only.

limited yellow coloured vinyl!
robosonic return in full effect with the stunning and beautiful >the sweetness<, after a brief hiatus with regards to original releases the berlin duo present this unique track to the masses via jackmode.
j phlip takes the remix duties head on with a great interpretation, the american dj and producer shows her flair for all things bass with a track drenched in low-end loveliness. a tough kick underpins a hypnotic loop that rolls out into a spacious breakdown. the final drop doesnt disappoint, big drums and dark percussion make this new version a surefire dancefloor work out.