marcello napoletano is an artist gifted with a special raw energy and his talent is shown on this debut ep for neroli. four tracks with that ‘music box’ swing only few producer have! the neroli track in particular is set to jack hard any dancefloor!!!

leap is back! #006 of the catalogue offers two deep journeys by label operator a:lex on the a-side: “soul shower” cuts to the chase with dubby toms, shuffling hats, sharp-ass claps and an infectious warm synth progression that manifests that “body thang” referred to sample-wise. “long way to detroit” is a groover of a mpc-styled workout that stitches together various voices that comment on the city of cities all the while shuffling hard snares around a bubbling baseline - laid-back reminiscence guaranteed. the flip side features one hell of a funky jam entitled “places (live take)” ripped straight from a modular acid session conducted by the mysterious outfit richmond wagner. sparkling hats sprinkled over relentlessly warping bleeps and a thumper of a kickdrum will make crowds go off their heads during upcoming festival season as in any place alike.

italian producer and be free label head jäger makes his debut on underyourskin records with a haunting ‘mystical journey‘ that turns out to be a playful minimalistic techno approach in the beginning, before evolving into a dark synth driven and more techhouse dominant tune gaining its dancefloor eligibility with a heavy baseline. louis kolben, part of agents of time, takes on the technoid approach to create a wobbling stomper that could easily tear in any location it is played at. ‘mizar‘, the ep‘s second track, partly connects with regards to content to ‘mystical journey‘ but focussing merely on that dreamy aspect that claims its listeners and leads one to a state of trance. steffen sonnenschein builds up the track slower to delay its peak that hits heavily when the synth sounds are let loose and set the pace throughout the end.

on “the neptunes present...clones” (2003), chad hugo and pharell williams (aka the neptunes) snare an all-star cast of featured players, and they ably demonstrate how their skills can adapt to any conceivable personality. the album features four singles, “frontin” by pharrell ft. jay-z, “light your ass on fire” by busta rhymes, “hot damn” by clipse and “it blows my mind” by snoop dogg.
limited first pressing of 1500 numbered copies on blue marbled 180 gram audiophile vinyl.

the true definition of a “rare-groove”, “windy city theme” is a triumphant, funky paean to the spiritual home of the blues, jazz and house music. often closely guarded by the rare record cognoscenti this scarce 45 on the chi sounds label was originally released in 1976 and became a solid staple of london’s underground rare-groove scene, finding favour with dj’s like norman jay and giles peterson with the track even appearing on their groundbreaking “journeys by dj” mix. b-side cut “show me the way” is not to be overlooked either, a smooth, stepping soul number with lush orchestration and yearning vocals featuring the amazing arrangements of the chi-sound orchestra, sounding like a beautiful cross between mfsb and marvin gaye. an utterly essential 45 for any serious soul or funk fan, legitimately repressed and remastered with love on dinked 45 for 2016.

four incredible songs on one 12 inch..... featuring atjazz, rocco, tomahawk bang, si tew, trueself, at one & ben marc this second installment of the bi-annual mini-compilations from atjazz hits you with 4 stunning cuts from the second half of 2015. these songs were made popular by our public fan-base. we dont want any fillers on our plastic so we listen to you. four incredible pieces of music, with some serious remixes to boot! fans of deep house / tech house / afro jazz house & dub-step will find something to suit their needs right here.

previously half of pseudo-kitsch acid-electro force light year, and now gone solo, mikey melas aka jensen interceptor joins the binary cataloguing cpu with a perfectly formed electro cut. any artist who samples ghost in the shell, arguably one of the greatest anime films of all time, are all right by us. mikey does so to great effect on the big beat / trip hop tempo model 2029 , which sits alongside three unrelenting electro bass bin destroyers. mactavis being the toughest cut, utilising a fierce driving 808 with a robotic bassline interjecting throughout. electro is often overlooked for the club but it s obvious this e.p. was designed from the ground up to smash a big room. jensen interceptor m e.p. limited edition (300 copies worldwide) 12inch vinyl in shrink-wrapped printed sleeve with paper inner. includes microbial, minor arc, mactavis and model 2029.

13 summer cruising tracks very much in the style of legowelts ppu release from last year. gold plated cassette in faux plastic luxurious case.

the second tape on legowelt s nightwind records cassette series. through his remote viewing powers danny wolfers channeled the music of saab knutson of faroe islands circa 1993. 60 minutes of nordic ambient with a disturbing undertone of dark melancholia with vague notions of distant happiness. saab knutson is a man with many issues, but on the faroe islands there is no time for issues. to stay of sound mind, saab plays his synthesizers in the few spare hours he manages to find, unmistakenly influenced by faroe s spellbinding landscapes and grim climate. though danny has never been to the islands he has a definite puzzling calling to them, a luring force, so to speak. hopefully he will sell enough saab knutson albums so he can fund an expedition and find out more about this mysterious destiny... played on yamaha dx100, roland jx3p, alpha juno 2, emu 16 bit digital sampling keyboard. ruby metallic cassette tape in luxurious faux plastic case

analogue, one of the main techno projects in athens (greece), steps up into the vinyl world in order to offer quality dancefloor techno music. the debut release is taking place with one of france’s fresh & hot producers, birth of frequency. three driving, hypnotic, full of bass tracks that will work on any dancefloor.
early support from oscar mullero, christian wunsch, zadig, dimi angelis, kwartz, keith carnal & manni dee.

ostgut ton reissues neun of zehn with original tracks by ben klock and ryan elliott as well as len faki revisiting rainbow delta. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. without any doubt, the best klubnacht moments are when dancers let go in trance not peak time, not big hitters, its the subtle nuances that matter. ben klocks first solo production in six years on a internalises this formula: a simple beat, pulsing sirens, a shimmering melody, some sprinkling flute notes and ben’s your uncle. sirens is a pure, hypnotic cut, shrewd and stylish. on b1 ryan elliott underlines why he has been playing both of berghains floors regularly: smith lake is somewhere along the lines of micro techno/macro house, something living inbetween musical worlds and floors, combining tribalist bongo percussion with ethereal synth pads and a delicate bassline. is it safe to say that rainbow delta is a modern classic? because it is! on b2 len faki revisits his 2007 release in form of a stripped-down, bare-naked and intimate ambient version. a modern classic, turned seren

“prÉvision #02” is the second compilation and third vinyl of forecast label, french record label originated in 2012. it gathers six house, electronica and techno tracks in varied styles for various artists. the original idea was to make artists exchanges ideas together to create tracks that would exactly define each one’s identity. while cheaper shepherd’s “weasels” show again their shiny and catchy vintage house, romain play explores several music genders through a train trip across jazz, psychedelic rock and house. the new comer roman s releases his first track ever, showing his talent for groove and minimal house. on the b-side, d°c, breilitz and sir squi explore three kinds of techno. first track of this side, “erebus” shows a kompakt-like new wave but club-oriented techno. “raw interference” could without any doubt be played at berghain. last track, “(crashed)” is on the psychedelic slope of techno. it uses a sitar, to ends the compilation on a shinier note.

edo is a personal view over the modern asia, japan in this case. inspired by the street sounds and bugged out day to day world of tokyo his debut ep is four tracks of slippery head music. chiseled from the deep seams of an intergalactic mine and informed by the dark heart of house and no wave disco this is club music from the oily underbelly.

freamon is a denizen of the modern world, allegedly hailing from ny, according to some, not relevant, says he. what matters is the music -in this case- three finely honed and carefully crafted dancefloor gems, presented together as “the black grid ep”, served up with love the way they used to be, the way they ought to be.

tresvibes soundsystem, the trio of satoshi otsuki, dj pi-ge, and kikiorix, is based in tokyo and their label, vis rev set is about to kick into gear. their first release will be pressed on wax introducing the unreleased tracks from their mix cd -playground-. a-side includes a track with its original groove made of complex yet excellent minimal sound by hello?repeat soundsystem, a unit of daze maxim and jan krueger. b-side offers a minimal house track with jazzy and soulful live sound by dewalta from meander and also dj pi-ge s deep tool-track full of analogue sounds. the contents of this ep are all prominent modern minimal house tracks. you should drop them in your house set but they can really be played during any kinds of sets! they come only on vinyl!

mental groove records is thrilled to announce the debut release of french dj/producer vax1 aka marion xavier delivering a subtle, gorgeous and much valuable house / electro e.p. for your eerie nightlife moments that will make a lot of people jealous. headlining the ep with his straight to the point remix is alexander robotnick, the amazing italian veteran, the one responsible for the 80s electro favorites problemes d’amour and dance boy dance who takes the track to stripped down electronic territories that will fit comfortably in any set with that satisfaction guaranteed label.

one of kompakt s most mythical entities, superpitcher has always followed a thoughtful and rarified release policy, rather honing a record until it s perfect (and risking longer periods of time in between outings) than rushing it out, its a release rhythm that suits his idiosyncratic approach to dance music, not so much churning out floor fodder than creating timeless classics on his own terms. as one of our longest-serving artists, he has still managed to build an impressive portfolio, especially if you consider the ratio of iconic tracks per release. it s no wonder, then, that at any given time, a big part of his back catalogue seems to be sold out. five years after the highly acclaimed, award-winning full-length kilimanjaro (kompakt 222 cd 80), it is time to revisit superpitcher s unique body of work with so far so super, an enticing selection of some of his most cherished cuts - acting as our 2016 vinyl offering for this year s record store day, it collects highlights from all stages of his career, the underground club bangers as well as the conceptual album work. from opener jackson (as featured on pop ambient 2012) and early successes like heroin, baby s on fire (from total 4) or total confusion/speicher anthem i walk to signature tracks like happiness or rabbits in a hurry, you ll find lots of magical moments to unearth or rediscover - all in one jam-packed, gorgeously wrapped vinyl release that no serious fan of electronic dance music should miss out on.

we finished 2015 with a six-track jumbo ep from borrowed identity and thought we d repeat the same trick for 2016, though this time with originals from okayama-based producer keita sano. eye begins with keep an eye out, pt.2, a propulsive song that sounds like a lost contender for the knight rider theme. own signal keeps things dark, but with a spartan bleakness. the side finishes with smoker, another manic cut that ll give you chills. the flip finds keita exploring brighter sounds without losing that industrial, jagged edge. trmk is essentially a beat track that ll ignite any dance floor and fix is a herky-jerky ditty that ll get you stomping around the club like a possessed reveler. the 12inches cherry on top is think twice, a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. a fiery finale for this hedonistic party.

5 x 12 inches each in picture sleeves all contained n a boxset case.
hand numbered 1-500
in recent years, adam beyer has been propelled into the limelight with his pristine productions, astounding dj sets and his fun, energetic drumcode events. now a figurehead in the techno world, beyer is constantly building the drumcode platform brick-by-brick to maintain quality and drive emerging new talent into the world of techno. the first drumcode bricks that were laid were done so on a solid foundation of raw techno tracks produced by beyer himself. a select few of these vintage tracks have now been remastered and repressed to create a unique vinyl boxset that highlights the talent that is adam beyer. comprising of 21 original tracks that helped put drumcode on the map, this special boxset of classic tracks includes compressed , tasty bits , nutcrusch and more. the tracks encompass a heavier techno sound of dirty, gritty analogue machines that let beyer express himself through music and have so forth, seen him become the king of swedish techno

side a: let it go featuring blake baxter - a mid 90 s ghetto house instrumental with moving bassline, that raw chicago beat track and a groove that will keep you dancing until the early morning hours. side b: new dub featuring kool rock steady, unreleased recording by tyree cooper with outtakes from his 1988 release turn up the bass with a rocking baseline groove, and those classic chicago house chords, sure to move any dance floor.

celebrating our 20th release, glasgows dave clark returns to optimo trax as sparky. he was responsible for the third release on the label as luma which featured the club smash -john broadwood- and recently had another big club hit with signals- on numbers. we are delighted to welcome him back in what is a contunuation of a relationship that stretches back further than we care to remember. all four tracks here are certified dancefloor winners, from the reach for the lasers, kickless things fall apart through the synth rhapsodies of black swan and my prophet, climaxing in the jacking seven daggers. all killer, no filler is often a trite cliche in these blurbs but is entirely true in the case of this ep.

(limited double 12 with printed inner sleeves) -action- is the 1st single of cassius s new album (release date 24.06.2016). this ep features 6 tracks, exclusively for the record store day, the first single -action- from the upcoming album releases as a double 12 inch edition. it features remixes that wont be published in any other form. a delicious foretaste before the main course.

limited to 300 copies, 180g. vinyl only. no repress. for the first release on randall m s new imprint, bucharest artist guy from downstairs presents two tracks packed with groovy moods that flow with a vibe of pleasant oddness. on the b side is a stellar dub remix coming from none other than mosaic boss steve o sullivan. early support from the likes of tini, bill patrick, livio & roby, alexkid…

rsd 2016 itemn - must not be asold before 16.4.2016. j ohn frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciante’s using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

wicked bass label is excited to announce its 10th vinyl release with a debut from wuffius, a ukrainian producer from crimea. in the pines crowns ep comes with three original tracks which unveil the inspired beauty of the peninsulas nature via his psychedelic house beats

horisontal mambo is a new sublabel from full pupp. although horisontal refers to laying down and mambo is an exotic cuban dancestyle, there will likely not be any ambient mambo records coming out on horisontal mambo.

when an artist truly lets their music speak for them, there is no need for words. with his discography packed tight for the last 3 years and almost no information online, this seemed to be the case for ld nero. so when he dropped 4 original tracks at our doorstep, we knew we had to pay attention. let your body speak is ld neros ep debut on get physical, already appearing with his bombastic remix of roland leeskers my warehouse alongside chris liebing, cardopusher, m.a.n.d.y. and dj t. ld neros fresh and unique sound is abundant throughout the ep.

dj jus-ed share s some of his special moment track s from as far back as 2008. he hope s that they will bring you enjoyment on the dance of any level. all six tracks have their own personal sound and purpose. best description of these 6 tracks is...make your own! if your a dj jus-ed fan you have to have this double pack in your collection!

mike ash returns to super rhythm trax after providing the very first release and gives us 4 authentic and acidic warehouse smashers. mike ash may be familiar from early releases on moving shadow and rising high records under a variety of pseudonyms in the early 90s but in the last 10 years has become synonymous with releasing mind blowing and true electro under his own name. when he turns his hand to acid house, the results mirror the high quality and his no nonsense approach shines through having lived and breathed the music and culture back when it was exploding in the late 80s and early 90s. in his own words i tried to keep with the original 1988/1989 vibe. i didnt use any synths / sounds / samples that weren t available past 1990. its all juno / sh-101 / 303 / jupiter / 808 / 909 / 707 / 606 and samples from the beats breaks & scratches vol 1&2inch the tracks exude a raw and strangled soul and are a bold and comfortingly honest take on the warehouse and pirate radio sound of the uk.

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).

ellen allien s work lism is already being referred to as a milestone in the label s history: rarely has an album from the circle of bpc artists deviated so far from the club context as lism. the label boss has radically disposed of all established musical templates and created space for 45 minutes of sonic experiments that lie well beyond any functional paradigm – a highly emotional soundtrack for one s -inner cinema-, but also a creative process with a considerable fun factor.
key selling points:
- released on vinyl for the first time
- include a free cd version of the album
- printed inner sleeve
- artwork by maison blessing

1983 to 1988 anthology from the west coast electro hip-hop pioneer. recordings taken from original master tapes. the vinyl box set contains four lps plus download code housed in an all-black case with gold foil print, 20-page book with photos, liner notes by jeff weiss, and detailed track history by egyptian lover. recordings taken from the original master tapes.

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

the vrv label pushes its sound further with its 6th vinyl release, featuring rai&#769,z. opener * coruscate* stuns with brilliant energy designed to meet any sets intensity requirements. the fip side starts with * inner sense* , a stripped-down, claustrophobic drive somewhere between apprehension and urgency. * primeval*pulls the layers back even further, for an aggressive track thats reminiscent of technos drum-driven tribal era. all tracks are primed for cutting edge techno djs. pushing the exploration of concept and expression with the vrv circle, this release features artwork by rai&#769,z family member vanessa vargas.

soft talk is the latest alias that natal zaks - our longtime danish friend and a musician we have been constantly releasing under different monikers throughout the last 5 years - picked out for us. he is hands down the most talented producer we have ever met and it is always a privilege to be able release his music under any name he chooses. we have seen his music go through many transformations and they were always for the best. this time we feel the exact same thing, that this is our favorite music ever and we will never want to release anything else again. that is never true of course, but the mercy ep does feel a lot like that.

after the mindblowing release of andy kolwes, its time for matei tulbure to step up and do his thing. first making waves as part of the infamous groove duo tc studio, matei is here exploring sonic science on his own. for ptx007 * gateway ep*, he crafted three superb and diverse cuts for any occasion. we are really looking forward to this one!

three cuts of heady, cerebral bliss guaranteed to push any dancefloor a little further out into the interstellar, in russell s hands, clay wilson s e4 becomes a spaced-out stepper s delight. his rework of romans coptos lets the acidic undertones of the original run free while snappy percussion holds focus. and while were not one to pick favorites, russells remix of zemi17s rangda, stripped to its bare essentials, is almost a purer representation of the original than the original itself, designed to lift a willing crowd into a trance state

terence fixmer his known in the late 90s , early 2000s as the creator of the tbm, described as techno body music. a mixture of the ebm soundscape with the modernity of techno. his muscle machine album (including tracks lile electrostatic, body pressure) released in 2001 became a reference of the genre. in 2003, musician terence fixmer and legendary singer from cultissism band nitzer ebb, douglas j mccarthy embarked on a project that spearheaded the fusion of techno and ebm. they named it fixmer/mccarthy and they were the precursor to a new breed of techno artists that manage to traverse between an array of scene specific genres without being tied to any. since releasing their first album, >between the devil<, in 2003 terence and douglas have ridden the line between pure techno and the recognizable song structure of classic electronic music and ebm. now, with over 13 years working together for this project and playing around the world, they return to their signature raw sound and delivery. >so many lies< is quintessential and brooding techno, while the instinct mix epitomizes their ability to craft a catchy bubbling baseline whilst all the while dispatching cold steel aggression.

grit, noise and relentless machine funk form the foundation of angls 004, dimi angélis latest release on his own imprint. opening track >spitzer< lets growling, angry analog synths and unyielding hihats do the talking from start to finish, almost as if it cant wait to be unleashed. on the flipside shifted coats his remix of >spitzer< in a signature pitch-dark, slowmoving sound. closing the ep, >orbiter< brings a tireless and stripped drive, tailormade for any set ready to change gears up a notch. early support by jonas kopp, zadig, oscar mulero, sigha, regis, shifted, ben klock, pfirter, rod, truncate, ben sims, kwartz...

for the 9th release on concealed we offer you the debut ep from ddalmh, a mysterious copenhagen based artist. daniel lyons (as his real name is) may be known to people on the scene as the owner of the well respected lomidhigh imprints, but his music production have been kept in secret until recently. daniel’s sound is a very deep, unpretentious and dubbed out kind of house music. on the flip side we invited thomas melchior to make a remix, he turns “sun” into a timeless tripped out deep house tune that will hypnotise any dance floor in the early morning hours.

arts desire for the best, in this case we are pleased to welcome you one of the future iconic artist talking about functional effective techno, jeff rushin debut on the label is a perfect craft of what this artist knows best, functionality. 4 cuts that stands out from any bag out there, use carefully.

oliver schories is neither a friend of dogmas nor an antagonist of reflection. he winks affectionately to his musical past with his fourth album, to at the same time bethink himself of his musical core. accordingly profound and day-dreamfully rests relatively definitely in itself, without having any demand to be danceable. schories has allowed to let himself go and to listen into himself. in twelve tracks he tells about his experiences and allows a very deep view. who listens to music with the heart will understand what his ensouled basslines and oceans of melodies are telling. he came down to rest solid as a rock and knows where he belongs to. and apparently he feels relatively well over there. how sweet, that he lets us listen so closely.

the first release from sign bit zero features two powerful edits from mick wills. giving new life to the track, ‘center’ by ale mania, a san diego based band, the cuts here contain wholly new structures with a greater focus on the oppressive yet powerful vocal parts and the uplifting string section. by extending the (acoustic) drum track and giving it the groove and strength we have come to associate with his edits, mick has created for us a unique take on the new wave / dark wave genres – ideal for any dj who wants to showcase this sound in a club-focussed context. ‘center’ originally appeared on the ep, ‘a, who sings that beat?’ on volar records and was written by andrew montoya, who has kindly granted us the permission to present this record to you all.

our latest 12 inch comes with super solid 004-to-the-floor vibes by suzanne kraft from la. you probably love him as much as we do as is - so dont sleep on these three jams! we dare you to not play that aside out at any chance you get, kraft bringin that sauce (s/o 2 gucci mane) to the kitjen!

alpha 606 on it with a visionary remix from anthony “shake” shakir. a secret dance floor anthem that works in almost any context from bmg and a beautiful spaced out take on “electronic flotation device” by erika. this was the last record mastered by mark richardson at prairie cat mastering. all tunes from the lost alpha 606 lp “afto-cuban electronics”. miami post bass from a cuban perspective. what is it to be an exile of the country you love? the largely cuban city hialeah, part of the sprawling miami metropolis, is home to not only alpha 606’s exiled family, but also to miami bass.

fabio jeffterry is starting a new journey through detroit and chicago house landscapes without any borders. the artist, who was heavily influenced by black music of the 80s gives life to the fresh tracks, which wait to be discovered by all house music lovers.

oxia returns with a striking 5 track ep including 2 remixes by visionquest’s shaun reeves and 8bits own steffen deux! the bedrock of french quality techno has already created countless classics that proved themselves against the test of time and with unity ep, he’s bound to to it again. the up and down mixes of „unity“ take over with tight drums and rich bass carried by an airy vocal. oxia’s keen ear for detail adds the rest, making them perfect dance weapons for almost any setting. steffen contributes a deeper take on „unity“ working with subtle effects and evolving spheres to create that early morning vibe. „soulsa“ original and remix by shaun are completing the package with laid-back grooves and a fine tool for darker hours. this quality set couldn’t be more versatile, 2016 couldn’t continue any better!

nyc loft trax unreleased vol. 2 give me shelter. not much known about this release but made by seminal production outfit in the mid 90 s nyc. never before released in any format! all killer no filler! the first volume sold out in days... dont hand around.

mirko takes his vision to the next level, producing two tracks that defy any convention in todays often monotonous and stagnating music market: * undo* minimalistic intro leads on to a bunch of spooky vocals looped throughout the whole piece, squelchy synth melodies and percussive stabs all around, while * solaris* atmospheric, bright and ethereal pads make for a more than 12 minutes long trip of blissed out magic.