we are so proud to welcome the talented producer from chicago, kate simko, known for her great work on spectral. kate send us 2 amazing pieces of music... a-side, >lost in time<, made during a trip in argentina, shows the deep, intense and intimist sides of kate music. dark grooves lead by an amazing atmosfere made of pads, synths and keys... like dop said... they were in love with it, and wanted to remix it badly. on the b-side, the dop remix is a great reinterpretation of the track with a pop feeling, where jaw bring his vocals. another version of the remix, a really and special one will be released in 2010 on eklo. the second track gets in a more housey feeling, but still deep with famous kates rhodes/synthssounds, and a great toms hooks leading the track through her groovy organic and analogue rhythm.

the soul square were born in 2005, when 3 french hip hop beatmakers (arshitect, guan jay & permone) influenced with the same musical roots (mainly jazz, soul, funk?,) decided to work together. on the same year, they released their first remix album, the fresh touch, available for free on the web...

rush hour kicks of its direct current series with nyc based falty dl. this series is about today’s electronic music in all shapes by new and upcoming producers. falty dl is known for his releases on planet mu and ramp. his sounds shifts somewhere between hip hop, funk, dubstep, house and techno. its this cross breeding that gives falty dl his signature sound. with >all in the place< he delivers one of his best releases to date. four tracks that sound classic, yet futuristic at the same time. essential ep!

monkey records is the brand new label from spain! from the likes of gt muzike, techon, etc. feel good techno music that will appeal to all those who are in to the mentioned labels and labels like patterns, basics, adult and relatives. warm music for the winter months!

after its first release rework closer moved bass cadets and techno heads alike, the label returns with some fearless offbeat pressure in round two. a side sun touch aint about cherishing the first sunshine in springtime – rather like a fierce ray of light hitting you right in the eye, darkening everything for a moment. killer broken beats, rumbling subs and a gloomy atmosphere run the program until a nasty acid line takes over and funks things up even further. drain on the flip continues where closer (ams01) left off, the warm synth blanket this time appearing as a melancholic drone sequence over beats syncopated to the max. bonus cut untitled is the 2006 original of a tune bass music heads will be familiar with by now... beats from the machines, heartfelt lfo’d chords and arpeggiated bleeps round off this uncompromising twelve.

from a land a swim away to the banks of detroit proper comes kero (detund, detroit underground), to add his brand of tech savvy kookiness to the cryovac machines soul. unafraid to change the rules of standard programming, kero does what ever it takes to ensure the freshest product. cryovac works to wrap a tight seal around the many interpretations of the detroit sound and what it should mean. cryovac believes in the truth of the vinyl format, and believes that this is the only way its music should be heard. cryovac is committed to preserving the unique style of the artists that describe detroit.

coloured vinyl! yoshihiro hanno aka radiq is a highly acclaimed musician and composer from japan, now living and working between tokyo and paris. he did releases on imprints like sub rosa, logistic and progressive form. hanno worked with the new japan philharmonic orchestra as well as arto lindsey or ryuichi sakamoto. besides he got international fame as a composer for different film scores including work with asian movie master hou hsiao-hsien and film director jia zhang-ke. radiq is since some time well aligned with the philpot camp. when he and soulphiction met again last year during the philpot tour in japan, co-operation was affirmed and tracks were committed. two of those funky nuggets are released here, one coming with a brilliant soulphiction remix treatment. >thanks for purchasing a real copy!!<

after several hot releases on labels like cadenza, kling klong, globox, capsula and his own imprint called andes music chile based producer francisco allendes is back on the street and debuting for phaze records. 2 great tribalistic tracks with hot remixes by someone else and the bad boys!!

gadi mizrahis first ep embodies the kind of musical promiscuity that informs the parties and label output generated as one half of nycs infamous wolf+lamb duo. a languorous, supple pulse, before introducing a surprising degree of musicality and complexity-the nominal disco doesnt just reward frequent listens, it demands it-for such an effortlessly inviting work. all told, i can never get enough makes for a wild ride and a blindingly bright debut from mizrahi

men in trees are back with their third ep on its own platform audio parish. this time they take us with a healthy portion of groove to mango city. once there, we meet barfly, this track draws us immediately into its spell with its deep character and hypnotic groove and the insane vocal part in the break. this give us finally the feel we are actually in a smoky bar in the middle of mango city. this is an amazing super warm and rollin piece of house music. alabasta on the flip, with its bright and massive sounds, is a dry forward rolling peak-time-mover. this track is jaunty fun that will get the crowd moving for sure. return to mango city is the next killer release with the typical men in trees-groove, two different house tracks, which will provide a lot of dancefloor action.

spectrum recordings returns after a lengthy break to bring in the new year with a bang! 2 brand new tracks with the vibes straight of detroit circa 1993, brought up to date in a 2010 style, all courtesy of mat puffett - aka future beat alliance.
>diagram< has already caused a stir with its gruff roaring bassline juxtapositioned against the warm uplifting strings and pads. this is an intelligent and beautiful piece of electronic music, but still has the weight to work on the dancefloor and will appeal to a wide range of house and techno djs.
the flipside >crying sine< is a hypnotic groover surrounded by lush, atmospheric pads and spacey percussion: its also very dj friendly and across the board support is expected.
spectrum have taken a look back to move forward, and manage to sound as current as ever in an ode to the glory days of techno.

tevo howard is the new unsung hero of chicago house music! after his debut 12 for hhyr move, tevo now delivers a six track double pack. all six tracks are warm, emotional, raw, hypnotic, long and deep tracks and take us back to the original vibe of chicago house music. though his tracks are heavily inspired on the early days, his productions sound very crisp and ‘today. we love tevo!

new label with a phat house release that is playing with the heritage of more then 20 years of house music history. royal oak is delivering heat with these two tracks that are produced and created with knowledge of the roots of our dance music. the roots from where all its offsprings have grown. according the labels promo text its like a royal oak standing proud in the middle of the forest overseeing its offsprings.

a landmark house record to kick of this series. a very important release and produced by ron hardy - one of the most important djs at the time and instrumental in shaping the (chicago) house sound. real body music! this ep was released in 1985 and is one of the earlier trax releases (th 109). it remains one of the hardest to get and most in demand trax releases. originals go for over 100 dollars and even the late 90s repress is expensive, let alone the original limited edition white vinyl. we are happy have this available again in its full glory and remastered. first 300 copies will be white vinyl in tribute to the original

submissions opens the new year with a brand new doublepack lp by mister ogi! ogi is one of the most succesfull submissions artists and he send so many good tracks he deserves to have his full artist album! great music for techno lovers around the globe

daniel stefaniks >in days of old< makes kann05 kind of a concept ep. his three intoxicating untitled tracks feel like a tribute to his own influences and inspirations. we are very pleased to give him a cherished home for that. heart-crafted, beloved dance music.

support by : karotte, varoslav, mike monday, gel abril, anthony collins, laurent garnier, anja schneider, atjazz ...
alain ho aka dj yellow is one of the electronic music artists who established himself as one of the forward thinking artists in general. in the eighties dj yellow pushed forward french hip hop and he also had big influence on what french house music is today. with his label yellow productions (founded 1993 with his mate bob sinclar) he released artists like salome de bahia, dimitri from paris, joe clausell, bang bang and kid loco. with his second imprint poussez music (founded in 2003) he created an outlet for his own sounds.

seasoned producer, musician and dj, mike monday has always been at the forefront of the uks electronic music scene. his skills have been honed and developed through years in the late 90s spent producing a variety of styles of music. time well spent indeed as this fertile training ground prepared him for the presentation of his critically acclaimed 2nd studio album, songs without words. heavily influenced by the dubstep and funky scene, yoppul has the ethnic sounds of london written all over it. its warm drums sounds, hefty bass and quirky melodies epitomize mikes signature sound and are a tribute to the soundtrack that is currently ruling his citys streets

an essential collection of fela kuti’s most popular and controversial tracks.

after the success of >mostro<, the french wonderboy play paul - mainly known for his works on kitsune, gigolo (>lalaland<) and craft music - is back on absolut freak records with >9am<. the ep starts with a massive remix by the german sensations disco trash music (freshly signed on the label) which will smash your head, until the break... everybody say yeah! back side, the most exciting turkish band gooseflesh is also back on absolut freak (after their remix of dro & lodzys >now yet now< on the af13) with a powerful version in their own style. a killer! then, the original version by play paul takes you to a lovely journey, with a warm melody for melancholic mornings. you can enjoy the artwork made by the incredible falk klemm from the german collective the zonders. get freak!

nice price deal !!! extra deep, original, electronic sound, just what the market needed in the sea of musical monothony lately. really driving music that will rule any dancefloor. steal vybe presents the latest musical chapter in their dance floor saga, a story spun in a variety of flavors to touch your soul and suit your every mood. in a series of exciting new eps that tell a different story with each release, steal vybe begins this new leg of the journey with... track 2 the future. listen closely and leap through time!
already getting support from notable djs like: louie vega, joe claussell, dj spinna, kevin hedge, mr. v, kerri chandler, ian friday, joey negro, dj deep and udms mark stone and many more ...

nice price deal !!! fantastic music with its mix of minimal club beats, great elements of pop and lyrics somewhere between confidence and skepticism, randnotizen from idiot town is a seminal work encompassing different aspects of urban music and cultural styles. the singer behind school of zuversicht is dj patex who is also known for her performances at the most famous dockside shack, the golden pudel club

well known for her electrifying panoramabar sessions, representing her love for all things deep, sensual and musical about house music steffis talent has blossomed out of her relationship with the musically entwined cities of amsterdam and berlin.
her touching, classic-jack inspired productions continue to gracefully bubble towards the international surface with this 12 inch. her debut cut for the label, >24 hours<, featured on tama sumos >panoramabar 02< compilation set out her production intentions quite eloquently. >kill me< continues the warm, traveling night-time vibes and opens steffis signature sound up into a full vocal-led celebration of house.
besides steffis killer chicago inspired throb and moody melodic structure, >kill me< features the sultry vocal talents of close friend elif bicer, also recording partner of label mates prosumer and murat tepeli. elifs tender and instinctive story of a love lost and found flows honestly and creatively throughout the vocal version. an instrumental dub is also included for the creative use of the dj.
steffi also shows off her skills with the >crushed soul< mix, allowing her intuitive, sentimental yet dancefloor tuned chord progressions to flow stronger. baassline led and focused on clean, precisely measured beats and synth lines to tell the story, this alternative version goes even further to suggest what treats are yet to come from this talented producer.

after their great debut >motzbaz / indeed< on afao recordings and the following 12inches >hello kool nice< and <langenthal ep< on quintessentials recordings, which found its way into the bags and charts of djs like quarion, laurent garnier, jimpster and many more, jagged strikes back with a 12 on bonzzaj recordings. this single also contains a hot remix by the dutch multi-talented man aardvarck, one half of the rednose district. jaggeds productions are restrained and minimal in the right way - they doesnt let things get overloaded. they focuses mainly on straight beats and functional house music but always with the right ingredient of soul and rawness. the title track ten to twelve is a heavy cut with a lot of disco influences, funky basslines, cool house-grooves and surprising changes all over the track. the remix of ten to twelve comes from aardvarck, who releases on rushhour, kindred spirits and delsin. he transformed the original in an broken beat stomper, which sounds like it emerged straight out of londons co-op. the b-side contains chicago, a deep house number with forward going percussions, warm strings, oldscool-house-vocals and a slight acid flavour and last but not least the track an orange drippin, which takes you with its deep synth, percussions, basslines, bells and things in the deeper shades of…jagged nation. hot shit gesundheit

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

limited soundtrack 45 of music and dialog from the the 1974 ozploitation biker-psych cult classic. including exclusive unreleased tracks not available on forthcoming lp and cd!

on his new album, pantha du prince, who lives in berlin and paris, claims: music slumbers in all matter, any sound, even silence, is already music. the mission, then, must be to render audible what is unheard and unheard of: black noise, a frequency that is inaudible to man. black noise often presages natural disasters, earthquakes or floods, only some animals perceive this calm before the storm. black noise is something archaic and earthy. the music on black noise balances precariously on the slippery threshold between art and nature, between techno and folklore, which lends it a certain spectral and intangible aspect. black noise also features a couple of special guests - noah lennox of animal collective sings on >stick to my side< and tyler pope of !!! and lcd soundsystem plays bass on >the splendour<.

the first ever album retrospective of one of new yorks most revered of all producers, bob blank, this album traces the history of his independent studio, blank tapes, one of the citys most important creative dens during the vibrant arts scene of the mid 70s to mid 80s.

this e.p. is a composition by two artists who release their feelings thru their music. g.marcell presents >breathe<. on this side of the e.p. breathe is a musical adventure were g.marcell expresses a time period of release from the everyday drama. sometime in our everyday life we need just a little relief from the everyday pressure of the issues we encounter. this is the reason for the inhale mix and the exhale mix. the inhale mix is the more laid back groove where as the exhale mix is the more energetic groove strictly for dancing. on the other side of the e.p. >necessary sanctuary< is amirs experience of the dance floor when he hit the club scene. the original mix is full of energy and a for sure crowd pleaser. the 3am mix is more of the mellow late nite groove. over all, the e.p. is something for everyone to relate to in one way or another.

incl. rmxs by antonelli & drei farben house
easy house grooves and deep, chord-driven techno – two versions of electronic music paulo olarte is particularly interested in as he has proven with his records on diynamic or his own imprint fresh fish. for his first 12 inch on frankfurts new entry, polytone, former hamburg-resident olarte gives full scope to his perferences. >vayas donde vayas< comes with a wonderfully housey feeling and a rich fund of harmonies, whereas >sweet sugar< plays the role of the techno bouncer for the tradition-conscious and discerning dancefloor with its deep detroit flavour. in his remix of >vayas donde vayas<, antonelli concentrates on the lightness of the or iginal and moves towards a maximum of funkyness with a mulitude of thrilling details. drei farben house rounds off the remix flip side with one of his long suspense arrangements he has come to be known for, which sends us to house heaven when the fine chords eventually fully unfold. polytone remains one of the most interesting, diverse newcomers of recent times.

big with: mathias kaden, ryan crosson, anja schneider, seuil, sven väth, 3channels, adam marshall, axel bartsch, antohy collins, agaric, alejandro vivanco, bill patrick, dop, fabrizio maurizi, kiki, pheek,.... this remix ep features 3 outstanding remixes of lee jones incredible track closed circus. mark henning, nick hoeppner & digitaline all added new main hook lines and their signature sound, but all mixes are keeping the emotional relationship to the original. enjoy, this is warm music for the cold winter!

support by luciano, reboot, sebo k, raresh, nuick curly.... chris carrier, one of the most respected names of the french underground house scene for more than 10 years, delivers his debut ep for off recordings. la fabourienne is the kind of peaktime tracks that you know and love off for, jacking grooves, a strong bassline and an infectious saxophone theme will turn your dancefloor upside down – guaranteed! jeudi is a completely different affair – a laidback sparse groove, garnered with 100% self-played live instruments and percussions show carriers deeper side, making this outstanding piece of music the deepest and most musical track released on off so far. william kouam djoko, one of biggest fresh talents of amsterdams ever-growing house scene, delivers a unique interpretation of jeudi for his friend and house-hero mr. carrier, straightening the deep original into a twisted techno-jazz-experience for the feet and the heart in two interpretations: the vinyls perky mix is more aimed at the dancefloor, while the trippy aftermath mix is perfect for afterhours. the ep is finished by cycles gladiator, a deep and timeless housetool typical for mr. carrier, perfect for the earlier or later hours of the night

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

what a start into 2010. tokyos mega house hero satoshi tomiie is making his debut on stir15 with big time support from keepers of the house motorcitysoul. originally planned for digital release only on new york based saw recordings satoshi, hector and the motorcitysoul guys decided to license the original & remixes also to c rocks stir15 outlet to keep vinyl alive and all vinyl djs and lovers in the loop! the music speaks for itself. fat house with oldskool elements but not sounding anachronistic at all. even more, all four mixes made big waves already at green&blue festival and at cocoon london / matter with massive feedback! a sure shot for all house and techhouse heads and a very welcome relief from the current nonpersonal toolhouse releases out there. keep vinyl alive - we take you back to basics!

the young producers from zuerich present their first 12 inch ep.
the original track, a smooth deephouse tune, is perfect for each warm up set.
bungalows remix by canson (gs zuerich / bar 25) shows how music can take you to an afterhour scenario.
great vinyl!

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

body electric has been in very high demand for years. steen gjerulff made this obscure gemm back in 1984, it was only released on limited 7inch. collectors and music lovers has been diggin after this fantastic release for years. now moustache records proudly presents this masterpeice on 12inch for the first time ever. flemming dalum teamed up with steen gjerulff and made this project come true - even with brand new special extended versions. now feel the magic electronic! this power release also contains the ultra rare 5595 track, an out of this world and time futuristic cosmic electro gemm that rocks your socks off for sure... modern space dope sound on top non stop. limited, full colour sleeve and cutted by the only cutter ome lex in this world that still cuts totally analog...

after a year claudio mate is back on klap klap! and during this year he has worked on his profile, making it stronger and more known around the world. his lush but driving and emotional detroit inspired techno has really been gaining strength within the circuits of those who know. this record will not make his reputation weaker for sure. we believe it will make some heads nodding in the right direction. let the music speak for itself!

another fresh release from nublu. on the a side, in flagranti adds their own signature disco funk sound using a very catchy saxophone hook, making this a killer remix that is sure to light up the dancefloor. on the flip, i:cube delivers a classic deep cosmic techno remix. the 12 inch also includes two original tracks by the trio (whose bass player who also plays with sun ra arkestra) that encompasses jazz, indie and dance all at once, a sound that nublu is known for. the music is taken from the bands latest album release >peace now<.

another bosconi anthem for the winter... sex baby please!
we are so happy to finally release this song by chronic flakes aka alex picone & kay sand already on mixworks and cadenza.. this track really represents our philosophy of dance music: extremely forward thinking boogie tech house with strong and powerful 909 drum machine sounds, sensual, jokey and funny vocals, an essential dry feeling filled up of chicagoish memories, so complete and rich of elements that makes it more than a common track, it is really for the girls, no music for techno machos, for us, just innovative and properly coooool stuff... and, being not selfish, we dropped also two other gems by our chronic mates... >easy cure< is a stunning, ethereal and bouncey oldschool/newyorkish deephouse track with a solid groove in the vein of kenny dope and early strictly rhythm, while >output< is a trippy technoid bomb for the likes of hardwax fans and dimbimans >vibration of v< addicts... what more were you looking for? have a listen baby ...

support: steve bug, jay haze, someone else, mark henning, matt star, pan pot, agaric, jason emsley!!! 2009 has been an extremely busy year for billy dalessandro. on top of having recently relocated from his hometown of chicago to montreal, the year has marked his most engaging yet in terms of gigging and musical output. along with a successful three-month european tour, billy released a string of highly acclaimed singles, and his latest artist album (not to mention his growing catalog under the huge hephner and tyrone aliases). however, it should come as no surprise that the producer has saved the best for last.
>strombooty< (for details, consult your local urban dictionary) is the modern dalessandro sound, combining heady experimentation with dance floor prowess. the eps title track is a deep, yet explosive number that creeps in subtly like dark clouds on the horizon, before raining down a devastating thunderstorm over the speakers.
the latin-flavored >el tapatio< and super-deep cut >speak to me< make up the b-side. although the tracks represent different aspects of the dalessandro sound, the commonality they share is a thoughtful approach to dance music that much of the formulaic output these days lacks.

ilya santana originates from the canary islands (spain). he started to discover his passion for music 20 years ago, while his father was listening to alan parson, vangelis and giorgio moroder amongst others. 15 years ago he started dj ing around all the clubs in gran canaria. not long after that he started producing his own stuff. his first release was on balihu, daniel wang s label. in the meantime he also released records on tirk, permanent vacation and gomma, and remixed artists like human league, the phenomenal handclap band, lindstrom... now we are proud to announce ilya s first release on eskimo, burning jupiter. it s the predecessor to his artist album coming up later in 2010 and showcases perfectly exactly why we wanted him so much to join the eskimo family

including tracks by larry tee feat. roxy cottontail, reboot, steve aoki feat. zuper blahq and tomcraft & tim healey feat. dj assault!!

right on the heels of aux-records enthusiastically received 1st release featuring very contemporary revisits of the 1950s classic >fever< by franco cinelli and club rayo, this 2nd chapter of the aux-rec project travels to different eras, into different styles. and this is precisely what we had set to do: zig-zag through dance music history in search of personal favorites and classics to be revisited or refreshed. for the present release, we travel to two distinct dates: 1989 for the a-side, and 1979 for the b-side. two tracks that are 10 years apart, but that both share a fiercely upbeat and affirmative musical profile, as well as a certain ageless, core, compositional quality.

minimal wave: both a genre of underground diy electronic music from north america and europe in the late 1970s and 80s, and the name of the label devoted to unearthing these recordings. the minimal wave tapes is the first official anthology of minimal wave music from this label. most of the songs were originally released on limited edition cassettes or vinyl by the artists themselves, and only a handful of people knew about them. they ve been remastered from their analog source tapes and compiled here by minimal waves veronica vasicka and stones throws peanut butter wolf.

alex smoke returns to the fore with his new single lux+ in advance of his third album >lux< which will be released feb 2010. the new album is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors.

marcin czubalas track titles are starting to closely mirror his career path. like a swift gazelle czubala bounces back and forth between mobilee records and nick curlys 8bit recordings, leaving in his wake a trail of triumphant releases. >zoo comunale< springs czubala back to mobilee after the success of his >minskaya< ep on 8bit, and jumping in the cage with him is none other than well renowned artist hugo. an impressive discography and busy touring schedule have made hugo a reputable name in clubs around the globe. as a fan of his jazz educated, funk inspired sound czubala approached hugo to collaborate. the subsequent intertwining of these two musical animals produced >zoo comunale<, its bouncy grooves and hypnotic loops tinged with a bit of funk. animalistic stuff. >zoo comunale< is comprised of two tracks, a-side >zoo comunale< and b-side >no tu no<, as well as a digital bonus track >polita<. every track has its own unique twist, each proving perfect for dance floors world wide. mobilee says welcome to the zoo, and enjoy!

for fans from burial... hamburg based fauxpas musik imprint is born to deliver vinyl only high quality music as limited editions. our idea is to share the music we love with our same-minded fellows. as vinyl is the only medium for real listening pleasure both in clubs and at home, you won t find our releases in any other format than vinyl. we are very proud to present our first release with desolates heroic death ep. desolates visonary idea of sound has a tremendous breadth and adroit touch for a producer of his experience, incorporating elements of modern classical with minimized dub, deep house and detroit techno. his outstanding previous releases under other monkiers are set to be future classics

as with all diynamic releases, we keep the text short and let the music do the talking… and boy does diynamic 034 talk! the fourth installment in our remix:session series sees two of the most in form producers of today get to grips with tracks from solomun’s highly acclaimed debut album ‘dance baby’. we are excited to welcome ‘mr. 2009&#8242,,,,, joris voorn, who delivers a stunning rework of ‘after rain comes sun’, and ‘mr. 8bit’, our funky brother, gorge who turns in an equally impressive remix of ‘boys in the hood’. shaking house grooves and funk fueled basslines rule the day, and we couldn’t think of start to 2010! enjoy!