asd008 sees the return of alex krueger and a welcome one at that! this oneÆs 5 tracks deep (including a digital exclusive) and includes a pair of fine remixes from londoner-in-berlin, mark henning, ôblasted bitchö is tigerskin at his best. the title cut is a feast of sonic trickery, with sounds playing off each other beautifully to create a wide, dense soundscape which, paired with clipped percussion, clever dancefloor arrangement, evil laugh & crude vocal sample this one delivers tough. henning, a man known for his abilities with sound design himself, takes a darker route with his interpretation which, while still driving, is more of a heads down late night affair û riddled with oddball delays and some unnerving vox efx. ôwhat theö takes a turn to the darkside, moody, sharp, reveb laden and pulsing, the track is real heavy business watch out for that unholy belgian hardcore synth riff a la ômentasmö, thereÆs a real æmomentÆ in there. to round off the original cuts. responseö continues seeing tigerskin provide a straighter groove but one which displays some sterling keyboard work and strong break. finally, henning provides another remix of the title track as the digital only addition all too important these days. futuristic deep, tech-house is about as close as a description anyone needs for this superb final piece of an equally superb package.

neeve is for a lot of people one of the stand out tracks from the recent woolfy vs. projections album the astral projections of starlight and finally gets the single release it deserves. alongside the original album version comes a pair of fresh remixes. the first one is provided by the time & space machine aka richard norris, erol alkans partner in crime in the beyond the wizards sleeve project who just did a great remix for franz ferdinand. he stretches the original into an extented dance version. seconded by the debut remix from the brand new permanent vacation production outlet formed by the label heads tom bioly and benjamin froehlich. the boys turn neeve in their tropical heat remix into a percussive and hypnotic voodoo disco/house groover.

spectrum continues to move full steam ahead into 2009, and follows with another solid release this time courtesy of marco bailey with his track spektral. this deep and dubby groover is sure to keep the progressive heads happy but still carries enough weight to keep the all techno tots smiling too, a seriously good track from the belgian techno don.

cool tussle 12 inch featuring remixes and collaborations mainly based on tracks from their latest full-length cream cuts on smalltown supersound. a remix record that plays through like an ep!

played by karotte!!! his first release on leena music and old pal, falko brocksieper, jumps straight into the game, spinning heads into you-know-what with his new ep, >oblivion<. these two segments display brocksiepers attention to detail and clean cuts. its classical meets modernistic. >oblivion< is smooth in its nature adding a few tweaks, keys, plus a thumping baseline here and thereû mostly keeping it simple and real. a delightful treat for your feet. its b-side, >chemtrails<, is a melodic tool taking the baseline down a notch and pulling keys in and out of the background as subtle symbols and perfectly cut vocals weave in and out sounds of an evening dust. the digital bonus >breezer< will blow you away into an unknown world of modern electronica with hidden tweaks and minimal influence. former cologne scenemeister, falko brocksiepers leading edge producing skills have landed him recent releases on turning spork, treibstoff and, not to mention, his own thriving imprint, sub-static. the latest of his renderings, >heavy day<, came out after a long five years from his debut album release sweeping the club scene of its feet. of course its no secret that brocksiepers specialty is mixing his time capsuled goods into his new work

in the back room at the raw fusion club in stockholm is where the tropical treats crew hold it down every month with their selection of the undiscovered black vinyl jewels from around the world. now they ve taken their world funk sound to vinyl for a classic gamm release. their re work of oneness of jujus african rhythms is an absolute blinder while waarewaah is another afrodelic monster that is sure to turn heads...

2006 split ep by dday one and dextah!! definitely one for the heads!

there s not much information about franck valat, laurent flaoh and their project 2buddies. but who needs words in the face of these 4 beauties? clear drops of cool rain drip down from fresh green onto our heads and it feels like flying through fluffy clouds.

new kanada enters the year of darkness with two cuts of techno that go straight for the throat. raw house music for mixers, jackers, and people of ill repute everywhere. side a features a slamming remix of murr’s “stay” track by adam marshall. murr’s original moog bassline gets jacked into a dj-friendly mix weapon of the highest calibre. 10+ minutes of erratic hats, swung snares and some weird noises that would do octave one proud. sibe b is a homage to our favourite analog mixer of days gone by - the numark dm1950. mood edit embraces the chaos of chicago house, and the class of new york city in this long playing dub tool that will be sure to evoke fear in the legs - and passion somewhere inbetween. complete with off kilter bassline, counterpoint bump, and a long deep mix for the heads.

support by: andre galuzzi, paco osuna, jpls, jeremy p. caultfield, afrilounge, yapacc, channel x, lunatik, kaufmann & ferdinand, niko schwind, berlin mitte institut, skoozboot, the sixth release from berlins kassette records is ready to rock! this vinyl features two techno smashers from the label heads click click and m_ferri. both are known for their ecstatic and highly energetic dj-sets, which is reflected in these two powerful peak time tracks. nothing left to say, then play! play! play!

1999 claasic for all the heads by bedroom productions aka dj snax (captain comatose) and tara delong!!

this solid dutch groove techno with a housey tip will spin your heads and feet on the dance floor. december, emo glithey techno anthem. badalos, strong techno for the bigger rooms!. peak time al over again! played by: adam beyer, karotte, shinedoe, marco carola, josh wink, sven vath, len faki, anja schneider, radio slave, richie hawtin, 2000 and one..

with recent releases on emergence and token, grovskopa debuts for labrynth and hits the floor hard with treacher collins . re-processed percussion and rolling low end seem to cause sensory overload at every turn. the perfect floor tool. aa/ balamber sees grovskopa maintain the industrial focus, but heads further into darkness and despair. driving forwards relentlessly, a rolling sea of bass and mechanical abrasive tones force us to move and dance! b/ trademark michaelangelo sounds here on the 4/4, reminiscent of some of the mid 90 s synewave recs releases. sirius carves into an immense sonic landscape. chaotic and crackling high frequencies modulate and break up over our heads, while monotone subs meander and bounce with the kick. big room techno. big sound. quality. bb/ massive offbeat techno from telesthesia, a collaboration between michaelangelo & coefficient. complex rhythms continually weave throughout the track. the journey deconstructs and falls into darkness, re-emerging again into precision synths and digital modulations

watch ya feet is a beast with two heads as not one to do things by halves gavin has presented not one but two mixes, which both reflect the mood and scene of each of his homes. on the berlin mix, gavin captures the innocent late night energy and rawness of a berlin dancefloor. the twisted bassline, eerie tech house groove and warped noises roll along while the chicago-esque horns shriek out over the chaos. the london mix truly conjures up memories of londons finest venues, whether it be fabric or the end through to the afterhours of kubikle and retox. the groove here is a lot crisper than the german offering with the horn hook taking the to a euphoric climax. ewan pearson is one of the most highly acclaimed producers / remixers around, with past work including goldfrapp and the chemical brothers. his remix is one of pure energy as the track is transformed, through flawless production, into a sinister powerhouse of rising electro-techno that would feel at home in the sets of the likes of smagghe, weatherall, richards and mayer to name but a few.

for the 25th release on recognition, one of the premiere polish export goods, label boss jacek sienkiewicz teams with a longtime friend, and extraordinary musician, chilean maestro pier bucci. both have been playing together for some time now, and this debut studio recording hopefully will not be the last. despite obvious cultural differences, both artists share some curious sensibility and/or sort of modern romanticism - underpinned either with latin optimism (bucci) or a kind of slavic melancholy (sienkiewicz). add to this the dopest tech-house beats available today, and dancefloor destruction is guaranteed.the title track is a cross-genre time bomb, obviouslydesigned to mess with the heads while the bodies can t stop moving. kicking off with driving, solid beat of almost live feel, soon it develops into a symphony of carefully crafted and meticulously assembled sounds. we are treated by some strange woodwinds, jokingly reminding of jacek s previous hit outing, beacon , and... is this the pope we hear talking for a moment...? …

so this is how it sounds when osama is behind the decks somewhere in the afghan mountains... brilliant! too bad there are no women or booze allowed, or we d all be there. hot on the heels of the great mike burns release the rubber room guys are back with a new devil. taliban discotheque is a superb track, with a chorus you re not likely to forget after you heard it once. incredibly strong bassline, great percussion, thats all a good track needs! on the other side tonights the night is indeed a soundtrack for the night, this is going deep! essential for all you heads out there!

debut release of nexes on neophyte records! the man who brought you slammin hardcore stuff on labels like enzyme records & bionic recordings proudly presents his first solo release on the mighty neophyte imprint, and what a debut it is!in total 3 outstanding hardcore tracks are offered by this highly talented producer, all in his typical style... dirty distorted kickdrums, phat leads and cool sample use make this 12 another neophyte monster release which will cause total mayhem on all international hardcore floors!already heavily supported by the total hardcore top, essential disc for all hardcore heads out there!!

part 1 is a murky, cinematic epic. a heads down, hands in the air anthem which has crowds saluting the speakers and has already pricked the ears of some of the industrys key players, inc nick warren, pete tong, nic fanciulli, erick morillo, carl cox, m.a.n.d.y tomas himself finishes off this package with a fine dub that has only added to the outstanding club support. 5 plays on pete tongs essential mix & tipped for massive things by tong himself

ueber strong remix package with mixes by dirty vegas (dub & club), vector lovers & great northern. a must for electro heads!

eargasmics 10th release showcases 3 different perspectives of the house sound from 3 different producers. all night dance - the debut from bjak and the unofficial eargasmic theme song, is an ultra smooth stomper thats reminiscent of the mid 90s loft party scene. a definite pick for all the deep heads. tetrode musics (and long time eargasmic member) specter adds his signature 5am beatdown sound style to this 12inch with i dont need. on the flip, the sun god makes a valiant return to eargasmic with an 11 minute beat track pulled out of his archives thats, as you ve guessed, complete mayhem.

two slamming hard techno traxx from uk producer bad boy pete and polish newcomer anjay and collen vax. title track from heads of stay up forever collective, chris liberator and sterling moss. chris da break after slamming hong kong (nsr005) this time releases a phat funky techno tune!

a track is a track, is a track is a track. but not every track is just a track. trackletons stands for much more than just tracks. on his debut ep you wont get to hear the substandard generic ordinary music that can be found everywhere. he has it all. disco, house, minimal, techno, you name it, he brings it. welcoming our latest act >trackleton< with his first appearance in form of his >jump ep< adds a variety of deep styles to this 3-tracker like we have not heard it a long while. the a side is a detroit influenced dance-floor sweeper with melodies so deep and beats so sharp that will leave no escape from making heads turning and get your feet dancing. b1 plays it cool all around the bass-line, laying things down in a old-school sounding manner - minimal to the bone, but done so cleverly to ensure that the basics simply sit right and will get you moving. the b-2 track then surprises you with more than just a hint of disco that will be standing out from the norm and creates a nice diversity. one does not often hear music so warm, on point, deep and yet fully dance-floor oriented

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

a four track ep with two tracks from incogdo (carl craig & derrick may) and two tracks from kenny larkin. very rare tracks, this is massive, with real crossover potential for house-heads, lindstrom fans, classic techno freaks, disco re-edit bods etc etc etc. i have attached mp3 clips for you to check. see >tasteful< artwork below (check for tracklisting), also comes in a >blood-spattered white disco sleeve..>!

one of the uk’s most respected labels, huddtraxx never deviate far from their proper house manifesto. release no19 sees kelvin k, ex head honcho at moulton studios and a san fran stalwart. with that background, you know he knows a thing or two about deep house and he serves up 3 joints from the cooler spectrum of house that appeal to the heads whilst still naiiling the floor. a corking ep!!!

anorak 002 from the mysterious fat camp collective heads to the deep south for feeling and rock your georgie, both of which have a gator swamp feel to them with a slight twist of jambalaya, crawfish pie and fillet gumbo. yum! they are aided in their culinary mission by penthouse disco, whose nipples are rather daringly on display in a wanton admission of fallen virtue.

limited nice price action !
- deus ex machina is a snarling, tension-filled track. pacey beats, drawn out builds and rolling snares all combine to provide the perfect footing for the rolling bassline to do its damage. this is a track to set alight the harder, darker sets. que loucura de som (that crazy sound) has a rolling, heads-down vibe with plenty of techno punch. classic sounding warm stabs provide the main hook to carry things along to a trademark mojo twisted breakdown with distorted sirens spinning things out

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

with the majority of deep electronic music being provided via europes minimal hive - berlin, its an enlightening prospect that one of belgiums key players in the scene is behind the musical direction of new imprint miconn records. having produced a string of successful remixes of artists including chab and bedrocks polefolder, whilst appearing regularly across his native club scene, it was only a matter of time before miquell santos turned his attention to a dedicated output for his music. whilst an exciting new remix of rennie fosters slamming >devils water< is being released in 2009 on rebirth, the debut release under his hermanez moniker is scheduled for an appropriate new year release on 12inch . turning his production to a more early morning vibe, >gold coast< is a carefully selected debut of crisp deep house beats with just enough wonky additions for even the most demanding of minimal heads

supported roman flügel, dan curtin, remute, darko esser, radio slave, jack de marseille, toni rios, steve lawler

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

>theres a rat in the kitchen what am i gonna do? theres a rat in the kitchen what am i gonna do?…im gonna teach that rat thats what im gonna do, im gonna teach that rat, thats what im gonna do<… sang ub40 back in the day but these days the best way to teach a rat to dance is to hit it with the latest made to play release from jan driver. the shadowy figure that is jan driver lurks in the depths of the berlin dance scene and only exposes himself to strangers in the park and via the medium of unleashing massive sonically charged dance floor bombs like >rat alert<. for more than twelve years he has been producing on labels as diverse as polydor, am:pm, virgin, southern fried and klang elecronik as well as his own imprint, grandpetrol. this release is causing a massive stir with the heads that matter including roland rat, ratty out of wind in the willows, stuart little, splinter and most importantly dean gaffney aka rat robby out of eastenders who uses it to ease the pain of being an unemployed actor. whether youre a cat, rat or straight up t*at you need to buy this, love it, play it and scare the sh*t out of the local vermin in a club near you.

a huge tech house output!! the a side proposes >welcome to the moon<, a pure underground anthem with his instantly recognisable and wicked drum programming style. then the track drops a huge and energetic bass line with a screaming 90s rave-influenced synth loop. the dark voice rises among random effects giving that spacey atmosphere when the break push it up to the standout climax. are you house heads ready for this? the b side drives us to another planet >mars<.this progressive-tech track stands into dark-prog line. packed with loud bass this is another big room tune that everybody should play. the bass line rolls on a simple drum pattern giving to the synth the main objective to make you shout. then the whole track is served up by a constant acid line creating a sinister feeling to this club monster

this volume showcases a highlight form the underground alias of heller & farley, roach motel. the night was originally a hit amongst the heads from london to new york through the late 90s. here romanian new kids on the block livio & roby (who have had recent success on steve lawlers harlem nights label) follow in the footsteps of minimal superstars pedro, raresh and rhadoo in taking the relentless romanian house sound to the mainstream.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman-in-new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peak-time territory with the sinister sounds of >john boy<, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. >innit< takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion.

against the grain / hot on the heels of dancehall thrilla, comes the second single project from deekline & wizards sophomore album, >back off, coming through<. spread across two 12inchs, this release boasts the cream of remixing talent. we have mj cole turning out a jazzy, two-step gem, dj bomba keeping the house heads happy

deep and fresh innovative minimal house/ techno 3 tracker. from the first beat on the bass drives through the stamping groove, tears away vocal snatches and sound fragments like acoustical driftwood and heads straight for the peak. the flip side comes along a bit calmer without being less powerful and surprises with a deep vocal theme. the package is rounded by laufmasche s forensic remix which again reflects his unique style.

a hefty pounding bassline with seductive r&b vocal hook keeps the grooves steady while you get plenty of dells trademark dubby drops in to measure for the tech heads. flip it for the mighty dub version and there you have it.

support by dave clarke, cari lekebusch, laurent garnier, john selway, anderson noise, bryan zentz,.. actually joey beltram needs no introduction. he is one of the leading international techno heads for a decade who characterized the music with his voluminous tracks that included razorsharp melodic elements. born in 1971 in queens, new york, he started djing at the age of 13 in 1983. since releasing own tracks in 1989 the triumphal procession of his music was sealed. since then he released on labels like transmat, trax, tresor, warp and more. his remix for adam beyers >swedish silver< burned the floors, the releases on r&s are legendary and we are looking forward to the first mix compilation >lost in new york< on harthouse.

the second part of the medusa edits serie by chicago native jamal moss. 3 hot industrial re edits that harken back to the days of the legendary all ages chicago night club, medusas. the first is an extended nitzer ebb medley b/w re edits of spks mouth2 mouth and severed heads. industrial meets techno!

nice price deal !!! hailing from japan free disco moved to london two years ago and brought with him an ear for deep music. already an accomplished composer, record collector and disco selector when he sent out a demo of his new recordings it wasnt just electric minds that took note but also new yorks rong music where he will release later this year.. the a side >psychedelic symmetry< is a fast paced track made for the dance floor. heavy bass through out which is bound to find favor with the house heads as well as the lovers of the nu disco sound. the b side >hippe can dance with boogie< leans towards the cosmic with a spacey sound accompanied by live bass and keys.for this project we have commissioned our first remix with stevie kotey. kotey chose to remix >hippe can dance with boogie< creating a spacey disco excursion. he has added live percussion, new drums and replayed the synths so the full treatment from one of todays finest remixers

incl the game, freekey zeke, stuey rock! feat. lloyd & jim jones & lil wayne

under the radar ep big with: carl cox, funk dvoid, jamie jones, luca bachetti, slam, nick curly, paolo mojo, kiki, dario zenker, trickski, geddes, chris carrier, jeff samuel, davide squillace, lee burridge, luke solomon, thomas schumacher, solomun, chloe, shinedoe, nic fianculli amelie is the newly born production outfit sophie oliver & claudia lovisa, already a highly acclaimed duo on the dj circuit. their names have been on everyones lips this year for the dynamic and stylish way in which they bring adancefloor to its knees. on this their first ep they team up with supernature founders audiofly for a two tracker that will certainly raise many heads in the techno and house scene. ‘move employs clever drum patterns with an insistent looped female vocal working the track into a groove that never lets the listener go. ‘generous for one has a similar smoothness in its production but in a more driving manner. the surprise in it comes in the way of some jazzy keys half way into the track that will uplift the crowd to another level. hot romanian starlets livio & roby get to work on ‘move with a very current interpretation. this amelie v audiofly ep is proof that claudia and sophie have the talent and charm to put them ahead of the game in very little time indeed.

motor citys new electronica talent joshua harrison presents with his strong debut release on psycho thrill recordings, four hot burnin as floor efficient slammin minimal tracks from detroit technos new school. this vinyl hits real house feet as well as techno heads and defines more like another tech-house biggie. ears, minds and hearts are opening for a fall of real electronic music

after the success of apple pips 1st release from martyn, we are back with another treat for music heads.. our 2nd release comes from brendon moeller aka beat pharmacy brendon. on the a-side under his real name, brendon has created an 127bpm big room classic, submerging the original elements under layers of delay and echo, deep but grooving…on the flip he dons his beat pharmacy guise, slows things down to 120bpm & spaces things out in fine style, utilising the originals abstract riff and resetting it in a really exciting new house tempo context.. with releases coming on rekids, third ear, & deep space and remixes for echospace and others coming up it looks like a great year for brendon and pips is proud to present this exciting clash of styles…

clear yellow vinyl! >ammo dump< once again from the dread camp serum comes with another dance floor smasher. with a subtle build-up and complementary vocal sample, this track explodes into a mighty bassline. serum manages to work his magic with a simple roller, but trust me, this is to hurt those bassbins. inspired and taken from the dub dread iii compilation of various artists, this is a lovely slice of dread cake for you to taste and savour

rekids have decided to release a small amount of radio slaves secret dancefloor weapons in a series called >cabin fever< tracks….this 2nd release draws it sound from the early 90s and will definitely take a few heads out there back to 1992

little louie vega deep house classic !!!

3 powerful tracks for all gabba heads