aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

10 releases strong, poker flat digital has become an important wing of steve bugs acclaimed, cutting-edge label. determined to keep quality levels as high as ever and offer yet more choice to the labels fans, a heavyweight cast starred in this latest chapter of the poker flat story. this special 12 inch release gathers 4 of the highlights from the labels catalogue so far.

transmissions sends us four intercepted signals from the mothership hovering over the motor city primed for the peak-time dancefloor that range from outer space techno trips to alien hip-shaking deep house. theres no fads here and no so-hip move faking, just quality in its purest form, and that alone can seem alien back on earth in these times…

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

simoncino (aka nick anthony) from italian super edit label no more hits crosses the atlantic and finds a new home with on the prowls sub-label party breaks. what immediately stands out upon first listen is the production style, not being able to tell what is a sample and what has been replayed... much like tensnakes mega hit. the simoncino sound is firmly rooted in proto-house and 80s r&b. with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear. all four tracks are subtle hits in their own right. excellent ep!

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

limited to 500 copies on black 180-gram vinyl. includes album download code.

desolat is proud to present a release where veterans meet manon aka manon maeder has been part of the swiss techno and house scene since the early nineties. starting with illegal parties in bern, later involvement in legendary early days afterhours at the >oxa” in zurich, followed by first productions in 1996, residency at >hive< club and her involvement with the >vision< festival, manon is today probably more thrilling than ever before. for desolat, she delivers remarkable tracks that sound like a sonic snapshot of a balearic sunset. pat carnal speaks about manon getting lost in brasil 20 years ago and the conversation was recorded at one >formbar< afterhour. guitar virtuoso mats küpfer added his part at studio willeneger in bern. we d like to tell you more about >que cara é essa” but its probably better to listen to the music. first remix comes from another veteran and one of our heroes, stacey pullen, a kosmik messenger and an innovator from the second wave of detroit techno. he takes vocal snippets from the original and wraps them up in his trademark percussive, driving, stripped down sound. second remix comes from desolats own tini representing a new generation of electronic music talents. she turns manons original in a dark claustrophobic shaker that will gently take you by the hand and stay on your side until the next sunrise

deluxe collectors edition box set!

the most eagerly anticipated dance album release of the year is finally here!

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

limited backstock, old skool classics.

chicago legend paul johnson is back with a limited edition picture disc with added label stickers included.

maya jane coles was one of the biggest sensation of 2010 with the ep >what they say<, released under real tones records. the 23 years old anglo-japanese dj topped legal download sites charts, and this ep put her and the label under the spotlights. now is the time for the awaited remixes, especially the track >what they say< which has appeared to the eyes of the public as highly inspired by 90s house music and particularly by marc kinchens style while in facts, maya jane coles influences encompass many different styles, ranging from hip hop and trip-hop to dub, and nights out in londons drum & bass/ jungle underground scene.
early djs supports and feedbacks by the martinez brothers, reboot, ryan crosson, dennis ferrer, delano smith, laurent garnier, lee curtis, matthew styles, michel cleis, steve bug, sascha dive, damian lazarus, shawn reeves, raresh, dj t, lee foss, robert dietz, anja schneider, jimpster, deetron, sebo k, djulz, nick curly, culoe de song, tony humphries, dj spinna ...

debut album by hotly tipped helsinki duo villa nah, whose pure electronic pop evokes the finer aspects of the 1980s.

>tweet it< comes straight from the book of killer tracks, executed to perfection by tim berg, norman doray and sebastien drums. do we really need to say more? go tell your friends!

this is byron and the boys at their best - vocal house never got better! 3 classics on a special reissue 12 inch: >only time will tell<, >all loved out< & >suspicious<.

first longplayer on knowone - again strictly limited copies ... 3x12inch with dub techno, downbeat, ambient tracks, each track got one side to tell his own story ... 6 tracks with more than 70 min playtime. special handmade artwork ... be fast! only 1 copy per customer!! / nur 1 vinyl pro kunde möglich !!!

>the look<, a 4 track 12 inch is the ep debut by jacques greene on luckyme. get to know him. a legit young house producer brimming with ideas and deep, deep taste for techno, rnb, ukf and chicago house.

we dont need to tell you that rolando is a figure synonymous with the roots of techno. regularly djing in berghain, his unique brand of techno and heavy electronic funk has continued to evolve naturally into the sound youll here today. on rolandos first 12inch for ostgut, we find two diverse tracks each shedding light on the different poles of his current sonic focus. ben klock featured both >de cago< and >junie< on his >berghain 04< mix, and now we can enjoy the full tracks in their own right. the proud heritage of >de cago< is clear from the outset, yet rolando works crisp modern drums and edgy acidic synths into the mix, resulting in a potent concoction of jacking, edgy technofunk. unapologetically raw and gritty - and all the better for it - is >junie<. introducing a different production methodology, this multi-layered half-tempo exploration into eerie harmonics and slow building passages is the latest incarnation of rolandos emotional and instinctive melody writing

some of you outhere has might already heard from the two young talented guys from london named home park. sam fussell and rob glassett with their next record after releases for labels like bliq, consisting of two older tunes on the a side (incl. what a day) and two new tunes on the b side.

simoncino (aka nick anthony) from italian super edit label no more hits crosses the atlantic and finds a new home with on the prowls sub-label party breaks. what immediately stands out upon first listen is the production style, not being able to tell what is a sample and what has been replayed… much like tensnakes mega hit. the simoncino sound is firmly rooted in proto-house and 80s r&b. with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear. all four tracks are subtle hits in their own right. excellent ep!

short about the label:. a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we are gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it… id love to tell you a lot of things about frank agrario but only a few things are known… his real name is francesco brini he lives in bologna he used to play percussion with swayzak the cheesy italian he is he runs a label called mozzarella recordings(where we also snagged >upgrade<from) last but least, hes handed in two tracks for us. both slightly re-strung in the full pupp k16 lab in oslo, both lethal partystarters now go buy it...

us - deep - vocal house

new boy chicago damn brings his debut release via mark es merc stable. he may be the new boy on merc but the quality is not compromised here at all, with 2 slammin peak time chuggers these deep house techno belters have been part of mark es sets for the last month. deep jungle bongo chants crossed with looped up ethnic weirdness. essential! ! you dont need us to tell this is the real deal folks ! get with it...

mamma groove are ermir zotaj & armenti arben. everything started in 2005, where they met for the first time, at the famous >frequenze< record store in florence. this moment was the beginning of a brotherhood between these two talented artists, who shared the passion for house music and djing back to back. after 5 years of musical experimentations and florentines club performances, ermir and ben decided to create mamma groove project. finally in 2010 the artists have found their own sound, releasing 3 greats tracks, >ass ia<, >let me tell you< and a digital extra track called >flower< on the italian label labella recordings. these tracks represent the soul and the sound of mamma groove project. deep house influences, defected lovers will appreciate this release. warm sub base, chords, house pianos, driving soulful male voice and groovy layered percussions create a flowing hypnotic groove

7 inch hardcore-punk release from 1982 with 10(!) tracks by negative approach, the shortest being 9 seconds.

great new release from the kitsune stable. and this is a sure shot. simplicity and logic are logos ephemeral aesthetics mammals. the writing is not narrative, the speech does not have a say. logo does not tell stories. logo is kitsunes latest signing and they really strike a blow with their first ep >la vie moderne< which already features two hits: >junocide< and >la vie moderne<, both in their original and auto-remixed versions.

the newborn record label studio barnhus is the love child of axel boman, petter nordkvist and kornél kovács, three fine young gentlemen who in 2009 ended up sharing a studio space in downtown stockholm. studio barnhus is exploring the outskirts of electronic dancemusic, but also sharing a passion for hedonistic dancefloor madness. on this first release tracks from the trio which represent them in the best possible way. forward thinking dance tracks that bring joy to the dancefloor! studio barnhus presents 4 exciting and fresh house tracks that already created a stir on several dancefloors! we could do a lot of name dropping here and tell why we like it so much... but lets not do to much talking... listen to the tracks yourself!

since first bursting on to the electronic scene, british-japanese 22 year old, maya janes coles has quickly established herself as one of the most respected cutting edge producers in london today. her previous releases have earned her support from the likes of steve bug, anja schneider, audiofly, laurent garnier to name a few. supported by laurent garnier, ivan smagghe, deetron, black coffee, djulz, and.id, sascha dive, jimpster, dj gregory, dj deep, rocco, marlon d, melon, aaron ross, ralf gum, manoo

3rd part of mark brooms >acid house< album comes on blue vinyl.

old punch card is the third solo album by sam prekop with a completely unexpected sound unlike anything he has created before. the vinyl release includes a download code.

yore welcomes ibex to the yore family. tony ollivierra aka ibex, who is no stranger at all to the world of detroit house music, known for his outstanding releases on carl craigs >planet e< or his hot gems on 3rd ear and rushhour, returns in full effect on our 26th release. here he brings us four tracks, so deep (and yet grooving without a doubt), unique and full of class, that it still leaves us simply speechless. the music on this ep is so rich and full of musical ideaÆs, like we havent heard it since a very long time. one can tell you need history and expertise behind to drop something like this and ibex sure has what it takes. hes been releasing high quality house music since early 2000 and has been touring as a dj since the mid nineties, which all you can sense in his music. this is one of our personal favourite releases so far and we can only strongly recommend to get your copy while they last. killer ep not to be missed and already a classic today!

reissue on black double vinyl in gatefold sleeve.

mugwumps geoffroy and kolombo have been on a continuous roll since we heard them last year on kompakt with their genre defying breakthrough 12inch single >fears inc.<. these belgian sensationalists have had a series of monstrosities including maxis on endless flight, cocoon recordings, gigolo, throne of blood and the hit >everything remains/parser< on the legendary r&s imprint. we missed them and if you can tell from this single, its obvious they did too!

nominated as best upcoming artist in 2009 by sebastien leger, siwell for sure is following the path to the sucessfull career in the 2010. between a format b: collaboration, and chris lake remix, here he is on sphera, with this smashing release. useless to explain why it is hammered by umek, leger, knight, popof, format b, lake, lawler, fernandez, karotte and many more not to tell about the fact that bbc1 put it on the playlist !

the two spaniards darlyn vlys and samuel dan tell their tales of when they met with the japanese >aoyama clan< on the >upon you- sweet & sour 03<. samuel had previously changed his name, he used to be known as samuel knob, resident dj at the >barraca< club in valencia and the >electrosplash< festival.

ahhhh, mr mark e. arguably the leading light in the resurgent obsession with all things disco and slo-mo, convincing über tastemakers like giles peterson, as well as countless weekend warriors with his sonic sorcery. conjuring up edits that were so much more than edits, dropping smash hits like the janet jackson rework on golf channel, and the magnificnet womack & womack re-do on jisco, and more recently becoming remixer du jour as well as crafting equally impressive original music, not to mention kickstarting this, his very own imprint! >special fx< weaves snatches of mid-eighties magic into a lengthy groove-out with that patented mark e throb, whereas >christo< drives us down a decidely more detroit bound freeway, sounding as it does like carl craig remixing prince, well. you dont need us to tell this is the real deal folks!

a1 – the price of the beat: balearic funky percussion beats, dubbed out vocal, mellow chorus hook – chilled taste.
a2 – they dont tell the truth: starts off with killer percussion then goes into soul territory, raw groove business.
b1 – we love the theme: serious groove with beautiful strings arrangement comes with beautiful male & female vocal structure…

masterpiece here! selected with love by the groove master dj funky chocolate. two extremely rare, sought after, and highly collectable disco/funk/boogie gems from 1982 produced by the great mark iv band & clausel. killer beats, strong basslines, nice melodies, amazing synth work, and sweet soulful male vocals... this vinyl record is just brilliant!!! ltd restock !!!

1st on side a: big disco boogie re-edited, kicks off with guitar riff building up with female vocal, filtered breaks then comes into main vocal parts.
2nd tune on side a: summery disco with breezing feel, uptempo percussion intro, funky boogie riff into catchy horn section with leads synth… one for the beach session!
1st on side b: mighty disco edit. after the first break the tune really kicks into funky groove with strong female vocal with infectious chorus. keep your attention high!
2nd tune on side b: slowly build up track with big synth lead brings >oh baby< chorus, it holds groovy riff all the way through.

house party keeps heating up the house with more hits for your party!

serge santiago returns to his own arcobaleno label with two hot new edits… in serges own words…
a. serenissma: >i ve heard a couple of mixes of the original that i really liked but felt i could never play them out, it needed a bit more of an edge so i set about doing this version, really hope like it now it finally on vinyl<
b. magical body: >as nearly all italo records go, the original had a chord change that i just couldnt deal with, i took this out, eqd the bass, beefed the kick a touch and re-played the top line, it doesnt sound too bad to tell you the truth<.

return of spanish artist, dj and producer raul mezcolanza that we saw on some labels techno. raul delivers us 3 tracks exceptional funky filtred, with of big break to boost the dance floor, charged with groove including the clasics melodys that we have all in our memories.