femminielli noir continue their tour-de-force with some hard hitting rhythms on malas influencias. acid drenched basslines squiggle within your soul like a demented and unhinged drug binge. heavy warehouse style reverberation adds to the madness, echoing deep and large, like metallic structures being destroyed. seeking pain in pleasure, this is your only choice.12- ep, vinyl record, varnished 350g premium quality paper sleeve, with obi strip printed on vellum paper. limited edition of 199 hand-numbered copies

the debut release for atrophic society, home to label founder vohkinne, is the culmination of years of experimentation with different ideas and aliases. slithering and raking across heavy groundswells, centering around a whisper and a groan, chanting through the thud of drums and ritualistic rhythms, battery introduces us to vohkinnes vision. different from its origin, breeding an atmosphere of deliberate anxiety without fear or compromise, the veteran ben sims crafts a clenched fist,unrelenting in purpose. dark and urgent, both interpretations ring clear through the fog.

sonodab is a new project that consists of a series of exclusive limited vinyl issues and sounds themselves, with the highest quality, both in audio processing and the manufacturing process of vinyl, all 100% analog. the first release includes four tracks, textures, sounds and rhythms where deep bass and creating a timeless constant groove predominate. an indispensable ep for any moment, can not miss in your bag.

vinyl only - limited 2014 repress !!
support from : ricardo villalobos, radio slave, ame, craig richards, onur ozer, dixon... petre explores his skills in classical music and his understanding of dance floor rhythms to create a stunning vinyl only release >marcel si fiii<

philipp weber is a musician living and working in leipzig, germany. his main focus when creating music is to capture the moment by using all kinds of instruments in a playful and intuitive way, experimenting with rhythms, sounds and melodies. his songs are ideas, emotions and thoughts that he tries to translate into music. »its like speaking a language«, he says, »without knowing its grammar, still trying to find the right words.« philipp is one half of the project webermichelson a two-piece band focused on merg- ing kraut and experimental music through drums, synths and guitars. webermichelson have been a core ingredient of the holger universe from the very start, one of their live shows actually being the moment where it all began. with his first mini album weber now joins the holger family also as a solo artist

the latest installment from the labels mystery man takes us out of the jungle and into the mountains, where syncopated analog rhythms dance beside electric melodies surrounding a caravan of textures and reflection. not much else needs to be said about this one except its either for you or not, if so, enjoy and elevate.

frankfurts frank heinrich aka reboot was raised on a diet of real techno, gorging on many nights at sven väths legendary omen club. today he gathers influence far and wide for his own productions, often delving into the realms of world music and jazz, and combining them with his unique and relentless dancefloor rhythms. now one of the most in demand producers on the scene, reboots music regularly features on labels such as supplement facts, moon harbour, cadenza and cocoon.
reboot makes his circus recordings debut with two new cuts that encompass a desire to own the dancefloor, coupled with his micro-particular drum programming and relentless demonised funk. label mate harry romero returns to lend a hand on remix duties, stripping samson of his locks and replacing it with loopy techno. another huge ep from circus recordings.
pressing on translucent blue vinyl.

for those who caught furness four 4 the floor ep, and are familiar with his work, this release is further evidence of how much of a fledgling purveyor of deep grooves and heavy-hitting rhythms furness is.

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

rising label releases its second ep with an original track by victor martinez, another artist from the agency, that gives life to this record and gets completed by remixes from oscar mulero, ness and adriana lopez. the original track by victor, -anything called dead consumerism”, is all about visceral and obscure techno with broken rhythms and high levels of hypnotism. following, we can find oscar mulero’s remix, a version that suggests another groove but maintains the essence of the original making it a serious and effective weapon. on the b side we can find ness’ remix, a track that captures you since the beginning. deep, elastic and elegant at the same time where hypnotism reigns and this few characteristics of the italian producer. adriana lopez closes the ep with a more percussive and energetic version. fine techno that catches you from the first beat, a perfect track as a dj.

this is christian liscos first ep. its rhythms and beats are tough and robust, its early 90s techno melodies are irresistible, the acidic bleeps also redolent of early dance music and liscos arranging is

time for another dirty south rider, going deep south back to the a. its been two years since his landmark debut on peoples potential unlimited, now b is back with his latest long play entitled -ii-. eight previously unreleased selections from hotlanta producer wes gray, recorded over the past couple of years at his home studio. moon b s signature slank rhythms and cutting basslines you ve grown accustomed to are all here.

• fourth installment from the artist and label.
• other titles have sold out fast - don t be left out...
• special hand stamped white label release a fast paced aggressive a1 made of fast 1/8 note kick drums spliced with distorted pad sounds and distinctive snare. the a2 is a broken beat affair with evolving percussion and a rave line that will cut through in any mix. b1 is papers signature acid jam, simple but effective. b2 is a unique beast, with locked rhythms and distinctive arp synth line...

• follow up release to last year s side project by uk producer shifted
• full colour mira jacket design from silent servant...
revealed last year as a side project by uk producer shifted, covered in sand now returns with a new ep: crescent shaped scars will be released on the sister label of his own avian imprint mira, which serves as an outlet for the more experimental and duskier side of electronic music. the release features three abrasive noise workouts. thud of drums and ritualistic rhythms define the opener luarica on the a-side alongside a near-melodic whine that stays present throughout the tracks. orapa (an interview) on the flip swallows and evokes scuffed voices of a conversation, striving into isolation, while venetia resumes the haunting rhythm and layers of distortion. as per previous mira releases, the artwork is done by juan mendez aka silent servant

building on the momentum of 2013s two excellent split eps from andy ash/circular rhythms and deep space orchestra/bantam lions, scenery records now serves up a full ep from liverpools much loved house and techno inventor, john heckle.

kopf artefakt presents a new 12inch single, driving rhythms, bouncy bass line and bright synthesizer fanfares are the ingredients of this release.

peur bleue records is pleased to present the release of nummers first ep, >beyond time - interpretations<. the london-based duo offer their perception of atemporality through rugged rhythms and enigmatic collages. their exploration of new, analogue passages clearly reflects their inspiration in detroit techno, whilst offering unexpected sonic twists along the way. from classic four-to-the floor to outer-space arrangements, nummer layout raw drum work and emotive atmospheres with finesse

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

the 2nd soulfood release is presented by the greek housekid kindimmer. deep rhythms, soulful chords and full of sexiness. the british james dexter is on remix duty on this one and delivers a more uplifting remake on the original title track.

another mysterious release from the take the elevator camp. once again no info just mechanical rhythms, dry acidic synths and weird deathly vocals.. just the way we like it from this great designer label. highly recommended!

lphs unpredictable sister label, lph white, is back with another juicy 12inch, one that marks the imprints first foray into japanese clubland. atsushi yano, a kobe based producer, serves up three, as the title indicates, chewy tunes, all doused with african rhythms and set ablaze with fidgety keys, chopped­up vocals, and groovy bass lines. filling the release out is jacques renaults no­nonsense, squared­up, lead­footed remix of stomping on the verge.

san francisco threepiece live band pillowtalk are surprising dance music treasures. manipulating pop melodies, classic r&b, soul and boogie into the loose rhythms of house music and performing live on stages in nightclub settings across the world, they have bridged an impossible gulf between worlds and created new expectations for electronic producers and live musicians alike.

fulfilling its aim to be a platform for upcoming talents, rora is proud to present takashi himeoka for its seventh establishment. signing his first release, takashi himeoka is a dj/producer based in tokyo as well as the first japanese producer to join our label. both tracks will take you through his singular universe, combining meticulously assembled rhythms and sophisticated atmospheres!

the latest drop from retrometro is not for the faint-hearted, as germanys myk derill brings the metal machine music. you are is a stomp and grind monster, with speaker-troubling kicks and torture chamber soundscapes. zerone is a brutal, relentless berlin warehouse workout, with deep reverbs, on-point percussion and a juicy roll on the low end. alert brings yet more of the factory floor pump, with its white noise build-ups and decayed percussion. and the caustic rhythms and haunting synths of between bring another dynamic to the ep! bruising!

this time, the marvellous nighttime world of buenos aires is reflected by the rhythms and sounds of carisma (carolina stegmayer and ismael pinkler), who live together in the centre of the south american capital. since three years they are delivering these tracks directly (directamente) from their flat through the citys dark alleys to its underground venues – producing music to play it right away, written in a dialogue between studio and booth, at the djs parejas legendary fun fun parties, the famous dengue nights, and other spots.

following his widely celebrated macro habitat ep of last year, santos returns to dissonant to deliver another three tracks, laying down detailed rhythms that shimmer with the infectious energy in which the man has made his twenty-year career on

hypnotic groovin 4 tracker! leaving behind trendy peak-time sound, io delves deep into the depths of house music and takes to it like duck to water. firstly, jazz riffs and abundance of syncopation, draw attention to themselves and make the sound more >mature< and original. samples, without which it is difficult to imagine io are softer and deeper, rhythms are slowler. thanks to the creative production techniques, percussion grooves organically develop into melodies, this will most certainly please real music lovers. following a string of differently brilliant ep projects, io are finally releasing their debut album. the outlet for the album release is, a very well known to io fans, label mulen. without any exaggeration barefooter can be called a longplayer - album, as it consists of 14 tracks, 10 of which will be available in digital format and 4 only on vinyl.

rising concern dan shake has achieved what no other has in over a decade: with his debut release in the music world, he has become the very first producer without a detroit heritage or residency to land a release on moodymanns prestigious record label mahogani music. based in london, the former leeds student secured the feat in a charmingly anachronistic fashion: having just watched kenny dixon jr perform alongside the 3 chairs at dimensions festival, dan simply handed over a demo cd with a collection of unreleased tracks. moodymann was hooked almost instantantly, taking the first plunge on welcoming an outsider into his tight-knit crew of detroit strong artists. citing influence from the layered percussive rhythms of afrobeat pioneers such as tony allen and fela kuti, the soul-drenched sampling of j dilla and the kind of dark, dense grooves laid out by contemporary producers such as flying lotus and motor city drum ensemble, dans situation in winding up on a label renowned for encompassing all those traits is obviously a blessing for the young producer.

supported by: rhadoo, cassy, raresh, onur Özer, alex celler, zip, vera, dan ghenacia, kreon, michael melchner, seuil & dyed soundorom.
concealed sounds return with a new 12 for 2014. this time around we have invited our friends from mysteries sylphe label to remix the title track by martinez, and they delivered a monster! on the a side we find >consolidation (sylphe lydlos dub)<, were we are taken a true journey thru sound and rhythms for about 13 minutes. the remix kicks off in a kind of tracky way, with a strong focus on the irresistible groove laid down by holdie gawn & micawber. after the first small breaks and manipulations to the groove, we are introduced to some very trippy modular sound design. these sounds takes the lead of the remix and forms into small melodies in a very organic way. while you can still sense the ingredient from the original track, sylphe takes a slightly different directions and offers a good opposite to the original with their own special twist. the original version of >consolidations< is presented on the b side of this 12. its a dirty groove ridden track that goes on for well over 10 minutes, developing from a broken groove into a more danceable techno pieces, with its shattering metallic sounds, bubbly baselines, deep layers of sub rhythms and lush pad chords to give it some more atmosphere. two very different version of modern instalment in techno music. we hope you enjoy it as much as we do… and as always there is a special hidden track on this 12.

the manchester-based label, music is love, has made some serious headway in their debut year with a flurry of impressive releases from a pool of highly talented up-and-coming artists. moving into 2014 and the mil crew continue to unearth fresh talent with the creation a new sister label, a label devised on bringing together a broad range of musical aspects and inspired by a desire to nurture a sound with more sonic craft. for their inaugural first release they welcome colman buckley for his first full ep. with 4 tracks of uniquely differing styles, the ep is branded by percussive rhythms and slick grooves, with acid-fused textures and deep house melodies piecing together a strong collection of tracks.
pressing on translucent, black splattered vinyl.

completely unique music in its own cosmos, the first long player from the sibylline panoram. experiments in evocative soundscapes, minimal rhythms and mood. hand printed sleeves. tipped on heavyweight card sleeve. screen printed by house of traps. no repress, limited edition, download code included.

bolder is martin maischein who used to record as henrich at hart on position chrome and peter votava also known as pure who has recorded previously for mego and was half of ilsa gold. with their combined background in electronic music of all angles bolder introduces a significant proposition to the current experimental electronic boom. blurring the lines between industrial, techno, dub, ambient and narrative forms, the work on bolders debut presents a dance amongst the abyss, a world where organic rhythms provide the path amongst a swarm of foreboding electronics. herein lurks an atmosphere where hostile electronics weigh the hope and paranoia of todays climate. one humans listen is another humans challenge.

from the suburbs of stockholm korridor transmits three ultra deep and slowly progressing techno tracks, carefully crafted in a thin layer of ice cold atmospheres and twisted rhythms. another nice release on abullah rashims northern electronics label! (ltd supplies)

berliners dirk leyers and nomad expressed their hard earned musical freedom in a dogma: the use of a roland tr-808 analog drum machine in every single track. they programmed the machine to lay poly-rhythms over multicultural drum and percussion tracks, fascinated -and sometimes puzzled- by its own characteristically sudden swing and accent changes, and named it: africaine 808 - their third and first female band member. in the first year of their musical joint venture, the three spent quite some time in remixing and editing some of their favourite african and island funk tunes, transforming the old gold into modern dj and dancefloor friendly tunes. the sound of organic grooves mixed with 808-beats and analogue synthesizer basslines became soon a trademark sound, and more and more samples got replaced by live played guitar, bass, organ and percussion. the trio experimented with different tempos and styles ranging from slow cumbia and exotic rumba themes to island-funk and percussive disco, electro and house. in spring 2012 they first took the project to another level, turning their tracks into a full live act at one of the vulkandance nights in berlin. today the project is growing and integrating guest musicians, drummers, percussionists and vocalists - for live performances as well as for recording in the studio. 100% sonic voodoo golf channel every time!

when the aquaplano records were first released in 2008 and 2009, emerging out of hardwax with little fanfare, they were distinctly out of step with the way techno appeared to be heading. the minimal detour was reaching its logical endpoint, and producers were returning to the 1990s for inspiration, with berghain and sandwell district at the vanguard of a new techno movement. what the aquaplano sessions shared in common were slower bpms and finding inspiration in the 1990s, but there they parted ways. the influences these italians were drawing on were rather different, returning to tribal rhythms and ambient textures to sketch out a much more heady, psychedelic form of techno.

nultd001 come signed by the argentinian alexander d niel, he starts with ellie, a world of drums, cymbals and synthesizers in a restless and powerful technos key. meanwhile, the swedish mattias fridell s remix shows us a smart and elegant construction of technoid rhythms performed in a depth and accurate way. kingdom is the second original track of alexander d niel, and where he shows his most aggressive side with a wrenching techno as a continuous sound storm. ungars remix respects the original tracks style but it breaks its rhythm giving more depth and versatility to a techno packed of groove.

unfortunately it took a bit of time to present here our third release, but luckily enough we are happy to show you now we are groove cirqus ep. the duo from italy brings three great tunes with enormous, nice rhythms on drums and percussion. semiprofessional musician a smoot and deep track pepper

2014 repress

rhythmic theory makes his debut for happy skull with two of his darkest, otherworldly productions yet. >decadance of delay< is an unflinching sprint into techno-jack territory, all distorted machine rhythms, hallucinatory whispered vocals and hypnotic electronics.>endocrine creeatures< is a dystopian blast of 808 electro built around titanium-clad kicks, snappy snares and rippling acid lines

as 2013 draws to a close, sylphes very own holdie gawn & micawber are delivering their first release for 2014, sylphe 05. taking shape in the familiar split format, the sylphe duo is delivering their most daring work to date. a side features >thron<, an acid influenced deep groover which expands over 11 minutes and builds up slowly with stomping sub-bass notes, combined with smooth sonic textures: a fine blend of new and old school influenced with a modern approach. on the flip, >f7< sounds a lot like an ongoing computation process. riding along edgy electronic soundscapes and a heavy kick & bass combination, it evolves evolving gradually into an experimental jam, packed up with shuffled glitches and rhythms. one copy per customer

mechanical rhythms, whip-crack electronic riffs, insistent robot vocals: ctrls proved to master these sounds very well on his past eps and he only seems to perfect his skills on this 4th instalment.early support from shifted, oscar mulero, marcel fengler, truss, steve rachmad, rrose.

this is a vinyl only release! vidabs 2nd ten inch vinyl release comes from milans hiver. hivers musical spectrum contains dark and distant elements, ranging from the darkest rhythms of dub-techno to melodic capturing lines.

gipsy music is a new music label offshoot of the famous gipsy club in moscow, the current russian home of everybody from big stars like sven vath, luciano and loco dice to great underground acts and parties like half-baked, next wave and many others! the label enters the world with style to the swinging rhythms of house gangster #1 from russia - tripmastaz. with remixes by the leftroom boss matt tolfrey and parisian house breakthrough djebali. pressing on translucent, blue colored vinyl.

distinct sequences of sound, noise and rhythm. genetouche spits fire before going into acidic arp waves. hana bangs hard over a squelching bassline with seductive vocals. postulating creates a lush wall of sound. symp, emotive phasing patterns and slow harmonic rhythms.

kopf artefakt roar back into vinyl release action with a various collaborator artists called the pleasure box 1. first up the london-based artist lewis ryder presents on the ground is an 808-fuelled cut with a hefty dose of dub techno relentless, unashamed, programmed sounds with a glowing human touch and a penchant for melody, sometimes faltering rhythms, a swaggering bassline and fluttering arpeggiation..in short a real hit.melokolektiv is no stranger to success, his amazing trademark quirky house beats as crosstown rebels release, have made their way to imprints as big as defected or nervous, he now presents his 98 east track, with a storm of garage-infused deep house ready to drive the crowds mad at any dancefloor, flowing bassline and melodic vocal work. this is one strictly for the dancefloor! individually all of the artists on this box boys release are heavyweights!!

the fourth instalment of local talks series crosses all genres of house and have been delivered by producers from sweden, argentina, germany and finland. its a wide and complete mix of deep and thumping 4/4s. the opening track from combo loops a killer stevie sample over some mid-tempo electronic house beats…its pure shuga! tim vita, oliver gehrmann and xavier hirsch does a similar thing using a big voiced motown legend together with dark but jazzy house rhythms. < finnish house legend sasse (mood music) delivers a classic deep but electronic jam that definitely sets a deep mode. we finish off with a classic us garage track from argentinian producer tom noir, a real club filler with some serious breakdowns.

limited to 300 copies.quickly making his mark on the techno scene, romanias plusculaar has one of the most unique styles in the game - his intriguingly complex and intricate rhythms stand out on any dancefloor, and hes produced an ep of prime cuts for us here at metroline.

fort romeau continues to roll out thoughtfully detailed productions for ghostly in 2013. in march, the london-based producer released the chicago house influenced *sw9* single on ghostlys sub-label spectral sound, and showed his versatile house rhythms in july with its follow-up, the jetee / desire single. 2014 will see his debut album for ghostly — it is his second full-length record, with his debut album kingdoms being released last year on la outsider dance institution 100% silk. in the meantime, he continues to forge masterful house on this four-track ep, entitled stay / true.

raw machine rhythms and pulsing analogue synths from this curious project. staying strictly true to the foundations of techno & machine music. four killer jams mark the return of bratha!