fresh from his massive release on dj dies clear skyz label, s.p.y rocks up on traffic to drop a polished twelve that bristles with thinly veiled menace. stuttering breaks, high tension pads and bursts of static introduce out of the blue, before unleashing the distorto drums and 20.000 volt bassline, laced with echoing laser stabs, and snatches of oldskool mentasm.

hot on the heels of sync 24s >we rock non-stop< ep cultivated electronics continues into 2010 with its second release for the year. ce006 sees miami meeting london via cuba, with interdimensional transmissions alpha 606 and cultivated label head sync 24 teaming up for their first full release. these two bubbly analogue electro jams follow up their 2009 debut on the touchin bass complilation >geometry<. the a sides >lunar passport< is a minimal, linear affair with stripped down 606 beats, rolling subs, clicky bass and a spooky lead line finished off with spacious pads. the flip sides >forest communication< leans more to the funky side with deep 808 kick drums, quirky sound effects and wet wobbly bass lines. watch out for various realeses from sync 24 this year on cultivated electronics including remixes from scape one, ed chamberlain and plant 43. as well as alpha 606s first long player on interdimensional transmissions scheduled for later in the year.

nemanja nikolic was born in belgrade, serbia. a couple of years ago, he decided to move to sydney for the purpose of audio production studies. rejection and a new world are nemanjas vision of dub techno, evolving pads, reverbs, space and delays. highway of thoughts and the voice of my youth are an attempt of experimental, darker, minimal tracks with lots of sfx, samples from the real world and live instruments. delta funktionen (ann aimee, delsin) appears for the first time on dpress and delivers a top remix of >a new world< that finds its place near the solid techno sound of sandwell district, etiku, ostgut ton.

fat beats, slow bpm, funky samples and a heavy bass are the new ingredients for jefferson velazquez latest deep release. on the b-side, fueled with high octane, legendary detroit producer rick aade delivers a dancefloor friendly signature piece with strings and pads that made him world famous. as for every terpsichores record: a must have.

mowars 6th release is delivered by label boss franco cangelli, 2 solid deep techno cuts accompanied by an exquisite mlz treatment. >paper cut< is a smooth and hypnotizing dubbed out techno track for the deeper dancefloor moments. stripped down and most efficient, paper cuts intoxicating dreamy pad sucks you in from the start and gets you hooked on the dubby chords and an addictive bassline. simplicity and solid deepness!
>when they come< on the other hand is a darker affair with ominous pads and fierce kickdrums backed up by deep basses and funky schizoid sounds. dark detroitish techno for brainwashed dancefloors. mlz (half of pendle coven), turns paper cut into a darker cut. dark acidic basslines, a pinch of robert hood mixed with the deep dubby side of the original. very captivating until the very end of the track. another strong mowar cut!

hailing from the suburbs of paris, von ds soul soaked sound is an expression of his multi cultural roots. bon is a breezy cocktail of soothing pads, crunchy garage rhythms and the angelic tones of french soul sensation zhakee. for argon number thirty blasta & distinction delivery two impeccable remixes.

much hyped previously unreleased remix of blackpocket (steve spacek) track from producer #1 album.
d-bridge keep things in-house giving his brothers production a tough stripped down refix. simple yet effective with a brooding bassline, glistening pads and spiky synths combine with brutal drums to build a deep, ghostly backdrop for spaceks fragile vocals to glide over. a favourite in sets for the autonomic crew as well as a regular feature on their highly-lauded podcast series. limited to 500 copies!

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

nice price deal !!! as a close follow up to runaways >the fire below<, otps new >broken man< follows suit with sprawling mood and tension. laced with hypnotic detroit-esque organ riffs, disco flourishes, detuned pads, and the repeating chant >broken man<, its proper runaway dance floor frenzy.

the original mix of >slow burn< is a lush slice of ambient techno that immediately sucks you into its subby atmospheric realm and gently lulls you into a netherworld where chords and pads playfully bounceoff one another. the neverending bass arpeggio beneath will gently wobble you into submission.
the b-side features a steller remix from londons rising techno/dubstep talent sigha. his trademark psychedelic techno leanings shine through as he delivers just over 8 minutes of dub techno that is destined to hypnotise dancefloors worldwide.

after having contributed a remix a few years ago, green are proud and excited to welcome deetron for what is his debut release with us.
whether its creating the deepest and most soulful of house, or the grandest of emotional techno. deetrons ability to craft exquisite, timeless pieces is second to none.
>deetron is not only a good friend, but also an amazing producer who keeps the detroit spirit alive in his music.< - joris voorn
on >collide< that detroit spirit is evident once more. a majestic track, thats power is held in its euphoric synth arpeggio, which builds constantly to its climax. >dark matter< on the flip is a bassheavy, almost steppin affair, with a darker atmosphere that is brightened temporarily by the lush pads in the break.

after a couple of succesful releases on her label vinyl did it and the limited series they are changing it, dia comes out with the next single on this limited one sided series (300), twelveinchesoflove. moody pads and a walking bassline simmer under sharp hi hats and playful cymbals as serene chords steep the vibe in the ambiance of a hot smoke filled room. all of this is brought to a boil as urgent vocals and whoops get slapped around by chicago uprock hand claps. jazz grooves drift back in on top, rounding out this versatile house stormer aimed squarely at those who dont need to be told twice that its time to dance

italojohnson greets the dance floor with his first vinyl release embodying three functional tracks appropriate for any party mood.
the a-sides systematic drumming maliciously rumbles through the prime time floor as the mellow waves begin to take form and surge into a hysterical tsunami of beats. an emotional sunrise paves the tracks finale.
a similar functional sound continues on b1 and soon after, exposes itself as a percussive chicago house track as the 707, 727 and abyssal bassline protest against loungy house.
the dubbier interpretation of the italojohnson concept can be found in the final track on b2. the 808-thunderstorms and melancholic pads have lived through more than one summer, yet have only triumphed through charm and optimism.

producer toby leeming is making quite a name for himself. after a year of sowing the seeds on the underground, this london-based artist makes his first high profile release on arts newly formed dance division series. >messier 66< contains all the classic elements of pure dancefloor techno. driving ur style beats merge with basic channel chord delays - all underpinned by a menacing acid line. techno doesnt get any more sci-fi than the alien soundscapes of >anadine< - its classic detroit-inspired string stabs and abstract vocal washes are highlights of a frantic, scattering track that will keep the feet busy on the dancefloor. >paucity< ends this no-filler ep with its majestic, sweeping pads and uplifting melodies. the beats are still tough and relentless - making a perfect finale to the second release on arts dance division series.

femme fatale with audiofly remix of the longest day following the success of layo & bushwackas last release the longest day comes femme fatale plus an additional remix of the longest day by audiofly, stripped back but beautiful and haunting. the a side, femme fatale with its winding hypnotic synth and deep pads harks back to the birth of house music whilst maintaining that up front feel, the track began as a play around with some well known 80s music but then developed into a track of its own.

the new minimalrome series for clubbers in sick-leave! the hacker known for his classic releases with miss kittin comes with a new track called -haunted- which is a kraftwerk, dopplereffekt inspired electro track, with an 808 punching pattern counterpointing a deep analogue bassline enveloped in rich, harmonic pads. on the b side, a remix by feedback remix who delivers a solid acid electro techno work out as we know of some lory d and early passarani works. the second remix is the banda banetti remix (a new minimalrome project) with pulsating acid lines and fast paced hautning techno electro beats. get those strobe lights flashin!! mrx records are sadly limited to 250 copies

here is finally the first single from yakine, a close member to the eklo family. after his featuring on the hooksey vol.1, he gave us four tracks which he worked specially for this ep. yakine explored a new sound, some more melodic and deeper works, different from his usual stuff. captor of sin, the main track here. we find yakine in a more pop dimension with the vocals. the metric rhythm is mix it up with sub and perky shuffle grooves, everything harmonized through a lead ambiance made of weird synts & pads. then shirp, lead from synths, the track go on in the same vibe, more excentric and percussive, rounded beat, and a slap bass, 80s funk type. on the flip, temptation, a more singular track, a great detroit techno influenced, with his unusual keys and some indus sounds. the story ending with aferone, a deep and sensitive balad, overhang by a poetic piano coming and going all along. solid and versatile 12 inch.

the in the box e.p. is a fine example of niedermeier & whiteheads no-nonsense style, combining melodic, muscular grooves with deep basses and balearic percussion, the e.p. is a slice of raw tech and deep house class. with a relentless funky beat, in the box pays homage to classic tech-house form whilst maintaining a tracky musical edge that highlights the pairs dj background. with their penchant for diversity, short fuse is something truly unique, quirky pads and filtered fx gives this track a deep house vibe whilst a smoky lead ensures the techy theme is maintained. tales of old has all the essences of modern deep techno, it rolls along with a straightforward beat and a clean unpretentious production flavour. the simple vocal stabs and smooth fx hits are driven along by a wonderfully deep timpani that shakes some air but never interferes with the warm, round sub bass pining the groove together. lastly is out of place, a deep grooving track with an aggressive manner. through a series of dynamic peaks and troughs, technoid percussion and funky vocal hits, this track provides an appropriate addition to this perfect release

lunar disko records presents a stunning debut ep by texas producer, submersible machines. five beautifully crafted electro-techno tracks for lovers of the deep... the tranquil >upwelling< introduces the ep, deep pads, warm melodies, and supreme 808 programming prevail this outstanding opening track. >when whales fall< submerges you into even more mysterious melodies and curious sounds from the deep. the aquatic >blue hole< concludes the a-side, delicate twinkling melodies, precise 808 beats, and an analog acid bassline which will have you lost on a journey into the depths of the oceanic abyss. the flipside offers two more cuts of equal quality from this new talent from the third coast... >braving the benthic< opens the b-side with its bubbly and pulsating bassline, while expertly blending more intricate analog sounds to create another timeless track. finishing the ep is >cold seep<, combining both the 707 & 808 to brilliant effect alongside an inducing chi-town bassline, and a deep mysterious string which sweeps over the track perfectly...

the new minimalrome series for clubbers in sick-leave. limited to 250 copies. j.t.c. is the techno alter ego of tadd mullinix/dabrye. his style ranges from caffeine techno to dark ebm tunes to sick house. this time tadd brings two jacking 4/4 chicago house monsters, embroidered here and there by dirty 303 loops, whistles, eerie vocal samples and crispy pads. both amazingly packaged in a loud analogue production.

its still like that: even though digital is everywhere there is still something very special about having your own tracks on a vinyl release. so this is it again: the very best of the last releases on koletzki_s sublabel stil vor talent digital on a double-sided vinyl edition. starting off with two tracks by bruch & junior that couldnt be more different: while >fiesta de la residencia< sounds like somebody threw some spanish vocals and trumpets into a pool of tech-house beats and basslines at a maniac afterhour on the white island (ergo: great),>sunset< is the deeply euphoric sound for the morning after. the synthesizers so crisp and all around you, the beat and bassline so warm and seductive: this is purely magical music that will make you forget when the sun went down or up the last time while still making you want to shake your legs to the strong bassline and chunky loop. hit! on the flip then comes a re-work of a massive hit on stil vor talent: a 2010 version of nicones >una rosa< complete with the original spanish vocals, but a much more grooving loop that turns into an absolute percussion fest. claps turn into effects and we all raise our hands to those reverbed original vocals. last up australian murat kilic with the wonderfully oldskool house anthem >summer traffic<: great melodic pads, a superbly harmonic bassline and when the breakdown kicks in, an ever-indulging xylophon melody. this whole record has got summer written all over it and helps us all get through this icy winter.

untracked recordings had a killer year in 2009, and if this is any indication things are only going to get better for the vinyl only label in 2010. release eleven at the label is the incredible new all i ever wanted ep from rising star red rack em. the title track is straight beatdown, theo parrish esque stabs and rumbling sub bass underpin a low slung heavyweight, for the true underground connoisseurs. the track, however, thats had everyone freaking out is in love again. serious support from gilles peterson, and endless inquiries as to its release date has ensured this record won’t be around for long. deep warm pads, an emotive vocal and beautiful detroit strings bring this straight to the heart of the matter. 300 copies only on 180 gram vinyl.

we are so proud to welcome the talented producer from chicago, kate simko, known for her great work on spectral. kate send us 2 amazing pieces of music... a-side, >lost in time<, made during a trip in argentina, shows the deep, intense and intimist sides of kate music. dark grooves lead by an amazing atmosfere made of pads, synths and keys... like dop said... they were in love with it, and wanted to remix it badly. on the b-side, the dop remix is a great reinterpretation of the track with a pop feeling, where jaw bring his vocals. another version of the remix, a really and special one will be released in 2010 on eklo. the second track gets in a more housey feeling, but still deep with famous kates rhodes/synthssounds, and a great toms hooks leading the track through her groovy organic and analogue rhythm.

spectrum recordings returns after a lengthy break to bring in the new year with a bang! 2 brand new tracks with the vibes straight of detroit circa 1993, brought up to date in a 2010 style, all courtesy of mat puffett - aka future beat alliance.
>diagram< has already caused a stir with its gruff roaring bassline juxtapositioned against the warm uplifting strings and pads. this is an intelligent and beautiful piece of electronic music, but still has the weight to work on the dancefloor and will appeal to a wide range of house and techno djs.
the flipside >crying sine< is a hypnotic groover surrounded by lush, atmospheric pads and spacey percussion: its also very dj friendly and across the board support is expected.
spectrum have taken a look back to move forward, and manage to sound as current as ever in an ode to the glory days of techno.

roberto bardini is a deep techno producer from turin (ita). he is amongst the few enlightened producer/djs who declared independence from the current minimal-techno mainstream. his musical approach is by all means deep, and through this he casts his vision of a more mature and alternative dancefloor.
well known alongside labels such as shyan music and plastic city, in 2007 starts a collaboration with eclipsemusic and this is his second apparence named >new perspectives ep< features a slow-motion deep house vibes especially >through together< amazing synth texture running on pads pattern in classic robs style deep as the ocean, music with soul and appropriate track for sunset landscapes and beach time dancing, the titletrack >new perspective< is more techno oriented production with dub style chords and raw clipped bass, a new form of dub techno music better for dancefloor situations. rob confirms himself as a innovative deep man walking!

the ep kicks off with the title track >we rock non-stop<. tight kick drums layered with pitched 808 subs set the basis of the track. chopped up machine and voice samples are then layered with smooth pads and delays to complete the track. the second track of the ep >solvent abuse< sees sync 24 sticking to his dark roots. distorted vocals, haunting pads, trippy sequences and dirty bass combined with rolling beats and subs!
the reverse side of the 12 inch is slightly deeper, techy affair. >chosen module< is a spacious wash of delays and pads mixed with robotic bass and crisp round beats. the final track >marios mushroom< carries on the spaced out trippy theme of the side with more spooky pads, bubbly bass lines and hypnotic rhythms.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

new remixes ep for dops 2nd single on eklo, means great artists in the game.thats why we are really proud find of this one this 2 genius of the modern scene, bodycode aka portable andkalabrese.
on the a side, the bodycode remix of vsop is a superb deep floorish track, combine in the same time the energyin the detroit synth hooks and those phase beats which reminds the bodycodes unique grooves, and in the otherside, the deepness of this pads and vocals that we recognize on his last portable productions. a perfect combination from this double personnality artist, who bring here a sexy and deep mindtrip on eklo.
on the b side, the kalabrese remix of dein verlangen goes stripped down, superb re-interpretation of the track.the talented mysterious musician brought a deep and sexy bass, add recorded acoustics sounds, and playedsome horns & trumpets, who bring the track in another dimension, one more acoustic, where all the kalabreseunique swning take place along the track. i let u discover more by yourself the others mysterys inside those cuts.

nice price deal !!! with his new single kude leon segka emerge a cut of detroit dub and electro. an outgoing kick and bass driving his dark atackless pads while spooky whispers are crawling in beetween. at the b side bodycode from spectral clearly reinstall kude to his future retro style.supported by damian lazarous, mr statik, siopis & felizol

repress , back in stock !!!including anja schneider remix of >three weeks<. part 2 of his album released on three 12 inches. massive top dj support!
the choice of anja schneider for remix duties was an obvious one, the pair first met on a shuttle bus to an event and in short stead paul was co-writing for anja, becoming part of the driving force behind her huge debut album ‘beyond the valley’, now she pulls out all the stops to reciprocate with this standout reworking.
first up on the package is the anja schneider remix of ‘three weeks’, the opening cut from paul’s recent album. here the pair, deconstruct the parts and rebuild things into a deep and hypnotic version that has instant dancefloor appeal stamped all over it. solid, chunky drums rub up against simple spacey synth lines and warm pads to huge effect. bearing in mind the superb quality of the original this is a job well done, and a real addition to this great package.
next we have the original of ‘three weeks’, a track named after the extensive time it took to record. paul had originally intended to record the album in 6-8 weeks, then ended up spending nearly half of his allocated time on this opener. but it has to be said it was worth the effort. this is a slice of solid tech inspired house with subtle vocal elements and a musicality that cuts through the records club based nature. excellent stuff.
finally we have diamant flute, another winner from the ‘me, myself and live’ album. deep and highly engaging this again displays paul outstanding talents as a producer, weaving melodic elements deep into the mix and retaining an incredible underground electronic sound.

well rounded records launch with the debut 3-track ep from the up and coming south londons boy wonder: deadboy! three instant and memorable dancefloor gems that effortlessly combine elements of house / uk garage & funky. all tracks are characterised by twisted yearning vocal hooks, classic analogue pads, substantial subs and crisp original drum patterns. there is style and vibe in abundance here as you will no doubt recognise! these tunes have already gathered notoriety thanks to their inclusion on influential mixes by the likes of jackmaster (wireblock/numbers), ben ufo (hessle audio), oneman & braiden (both rinse fm), brackles and shortstuff. deadboy has already been tipped as one of the producers to watch in 09 and this is likely to be a one of the 12s of the year.

klas henrik lindblad (aka sasse / freestyle man) follows up his vibin ep debut on hairy claw with his tasteful 3 tracker, the century ep.
things open up with >century< is all about forward thinking groove, jazzy stabs & some tasteful samples. >master class< is all about the bassline and deep house sensibilities whilst >for the streets< conjures up images of detroit with its housey drums, cross-faded pads and slightly wonky keys.

rauwkost are floris regoort and jasper löwik, a techno duo from the netherlands. after a release on thirtyonetwenty - one of the 100% pure, remote area... sister labels - and an exclusive track on michel de heys latest compilation >no nonsense<, here they offer you their latest outings. three minimal techno dancefloor anthems with rolling drums and beautiful melodic pads.

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

ranking records 10th release sees russian producer/vocalist marina faib burst onto the scene with a 12inch that is frankly nothing short of astonishing. for a girl born in the 1990s, faib shows astounding maturity in her restrained approach to sound and rhythm, employing stuttering drum loops to underlay soundscapes that would put many a hollywood composer out of work. ticking clocks is a spine tingling example of this: the texture of the track comes from a euphoric choral sample which soars over a deep chasm of sub bass energy, climaxing in the perfect placement of a slithering arabic reed solo. whisper of trees shows the same mastery of atmosphere and musical arrangement - this time the tune is built from blissed out vocal lines, warm synth pads and a pulsating low end.

following the great international success of glitterbugs album >supershelter<, everyone has been curious to hear what this unique and unmatched producer will bring us next. and truth is, there is a lot! glitterbug has been working on piles of new enchanting materials, tracks, projects and remixes.
as a first release in a series that will lead to his next (double cd) album, is the >dim flares ep<: a dream-like, intense and deep moody ep that carries that very special glitterbug sound to a whole new level, touching on deep emotional techno with a utopian 4/4 perspective.
this beautiful ep opens with >so much more>, an epic track that releases its melancholic-euphoric mood slowly over the course of 9 minutes, turning itself into a beautiful, hopeful, hand-raising screamer that floods the dance floor with overwhelming warmth and heartfelt love. side a ends with >deadpan<, an intense dark ambient miniature that lets us peak at glitterbugs world of score-like ambient compositions.
the b-side begins with >daubed beams<, a deephouse track all glitterbug. >daubed beams< feels like what mid 90s detroit techno released on warp would have sounded like: unbelievably deep, pensive, warm, divine and pumping.
c.sides latest emotive ep culminates with >be content<, a warm track with a deep drive of warped pads, a dark bass-line, airy percussion and unforgettable arpeggios. this exhilarating dance track is layered with bottomless emotions, the kind you want to close your eyes to, hug the person dancing next to you and wish it would never ever end.
the >dim flares ep< is the first in a series of 3 magnificently moving eps (by glitterbug, christian löffler, and a collaboration between glitterbug & ostgut ton s murat tepeli) to be released on the c.sides label in 2009-2010, all leading up to glitterbugs extraordinary next double album which is currently in the making and will be released in spring 2010.

support by falko brocksieper, beaner (bar25), solomun, mathias kaden, pete tong and more. danilo schneider comes with his new release to celebrate the last warm breath of summer 2009. fragrance is floating with a tenderly smelling hookline in to the sound system, using the breaks for breathing. snapper, discreet percussion, vocalcuts, smoth tamburine pattern completing the sound track. cat eyes in the morning is combining a heavy drumline with cheesy latin percussion and dicriminating pads to a deep track. perfect for the peaktime-startsup! with naughty cat remix by dana ruh a great rework is stumping around the corner! the massive bassline filled with deep pads, a driving organ, reversed vocalcuts not betraying the secret, turning this track undeviating through a one minute break in to a rollin smasher!

we are pleased to deliver the latest single from the lovely lisa shaw! already receiving massive support from dj spen, johnny fiasco, inland knights, richard earnshaw, jask, raul campos (kcrw), julius papp, dj mfr and many more.... taken from her highly appraised recent album free, like i want to fuses quality and soulful electronic ingredients together along with lisas unmistakably lush and smokey style. on remix duty is dutchican soul with 2 stellar reinterpretations. the vocal rub combines subtle tech elements with jittering synth stabs and a striking electronic bassline. the classic vocal remix leans more towards an early naked music style with warm pads and lush chord changes for a more classic house feel. fred everything takes things in a deeper and more stripped down direction including dreamy pads and a filtering techy b-line resulting in a laid back dubby atmosphere with lisa s seductive vocals sitting right in the pocket

die mobile fidelity record cleaning brush ist die moderne version der altbekannten kohlefaserbürste. noch einfacher in der anwendung reicht eine einzige plattenumdrehung um diese schonend vom staub zu befreien. die breite dieser bürste entspricht der bespielten fläche einer lp und sie eignet sich somit auch hervorragend zur verwendung mit plattenwaschmaschinen und l’ art du son. profis arbeiten mit zwei bürsten: einer zum entstauben und zur entfernung grober verunreinigungen und einer weiteren zum nassauftragen. die mikrofasern können sie mit destilliertem wasser und einer zahnbürste reinigen. falls dies nicht mehr hilft, erhalten sie die pads mitsamt klebestreifen als austauschteile.

everythings here is a special record. constructed to epic proportions typical of a danny howells production, this is a building track for the bigger rooms. evolving through swaying drum patterns and a gentle rising and falling melody, the moment comes from the mammoth pads in the break. liquid thang is a funked up floor-mover for the tail end of summer. jazzed up by splashes of horns and flutes, there is a clear old-school feel to the track that marries neatly with the low-down bass grooves, cosmic-sounding distorted keys and chopped up vocal refrains. smooth and shiny!

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

dachshund & modeste present here their respective views onto dub influenced club entertainment. dachshund strike first with an absolutely stunning cut. deep and highly effective drums, warm pads and superb dub horns along with the ever tight dog productions skills. the track might sound simple at first but yet again, what does sound simple is something you can listen for hours, this is one of thosetracks! modeste launches the big round wooded ball on the flip side. a lethal raw beat, inviting to dirtiness vocals and a snare that hit and hit and hits again… pumpin dub chords lands in and check the effect, club surprising for sure…we hope you like it, thanks for your time

here we go with the new defrag from our brazilian friend gui boratto. >i feel love< is one of those very special records that goes far and further from the boring trends of the moment. as we like to say it is a timeless techno tune, an open air magik track with vibrant pads full of synthetic feelings and processed voice that reminds the best moments of the disco from the 80s or, if you prefer, as our friends at kompakt, you can define it: elegant techno.

absolute madness from immerse here, as october is released from his minimal techno day centre to wreak havoc amongst the dubsteppers. elephants is a pretty appropriate name for the a, as bongo loops and ominuous machine noises are summarily flattened by the phasing bass crunch and trumpeting midrange. add a dash of running breakbeat to the mix and you have a strange yet effective dancefloor worrier. flipside, medium opts for broken techno stylings, simmering pads and clattering percussion setting the scene for the tense main event. 8/10 recommended review by diccon c/o idjmagazine

techno/ techhouse. forever is a big rocker for the outdoor (summer!!!!) season with warm pleasent vocals and the pads get under the skin. bizarre on the other hand is a dark driving tune and good alternative for those who like it a bit stronger.

already played by karotte & tobi neumann !!! the initial these days trilogy concludes with a collection of works and remixes of new york artist and resident filsonik. >diva jaguar< is a deep and mosaic journey which weaves vibrant percussion between subtle textured pads and flowing melodic synths to create a unique spiritual moment. raw elements of the original are extracted and distilled to leave an organic, hypnotic flow in these days beats version. argys tool version of filsoniks >can u< features on the flip side as an absolute percussive dancefloor groove. alexander ross takes >diva jaguar< in a completely different direction with a soaring, spacial cut which layers a driving beat and echoing, dubbed synths over bass and textures from the original !!!

the latest offering from truesoul come courtesy of joel mull & cari lekebusch. the a side >passing thru< is a sexy little tech groover, already getting the boys and girl particularly moist on the dancefloors, apealing to both the house and techno posses. the flipside >landing strip< is more fo a chugging groover with gorgeous synth stabs and rising pads. the swedish fraternity are leading the way with awesome electronic music!

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.