few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they dont mess around. in fact, if these tracks were steaks they d still be walking around eating grass.

first album release from italian house instigator enrico mantini which is going to set another mark in his discography. 8 of mantini’s best tracks from years 2012 - 2014 personally chosen by the artist and splitted on this 180 gram double different coloured vinyl release. debut one from mantini’s very own label down da mountains.

fuckthegovernment.ltd, a.k.a. f.t.g (alfredo trastulli) and music box head honcho, marco riff, return to the skylax fold in 2016 with a cache of house nuggets for our listening pleasure. their last venture on skylax saw f.t.g collaborate with a bunch of his friends, resulting in some of the best tracks we’d heard all year, including the unforgettable fuckthegovernment theme. their tracks have been celebrated and hailed by some of the best djs in the game, names such as derrick may, ricardo villalobos, raresh, and dj harvey. the bar set by the first record remains sky high, and somehow, these two manage to raise the bar even higher. it may be the biggest cliche going when talking about an album, but the duo certainly do take us on a journey, through the past and present of house music. it’s a record not too dissimilar in tone to paranoid london’s from a few years back, but f.t.g and marco strip things back even further than those guys did, in our opinion, the sound is more raw with less frills, and no track names to predispose feelings in the listener either. this eight track project is cohesive and elaborate, with movements through sounds both acid and jazzy, minimal and maximal. it explores sounds that came to prominence in famous house locales such as detroit and chicago over in the u.s., but the underground european influence is definitely present, from paris to berlin, and of course f.t.g and marco’s home of italy. with this album, these guys add to the underground sound that has cultivated in the city of perugia for years now, a place that has seen the likes of simoncino and nicholas hone their craft.don’t miss out on a piece of skylax history

for the first release on raw m.t.’s jinn records imprint, japanese producer yoshinori hayashi continues his left-field electronic experiments debuted last year on going good with a visually-evocative voyage through ambiguous collages of distorted broken-beat tropes and far-east soundscapes. on the flip, dj sotofett provides a stunning 12 min-long oriental reverie to get things even deeper.

repress, this year we have reached our long term goal as a label which was to expand our releases into the wax department. we feel like we ve done a good job bringing upcoming and original local talent to the surface so far and it is only fitting that our first vinyl release is done by the icelandic duo david & hjalti. the duo has been busy with the production since their arrival from manchester and have played a number of great live sets underlining their skills as producers. we feel that this release is the high standard we set ourselves before going vinyl and that this is just a small first step in a fruitful beginning for the producers david & hjalti.

true romance label boss tensnake channeled the disco gods once again and brings us his brand new 3-track freundchen ep. a frenzied, sun drenched package filled with dance floor magic. the title track freundchen features a raw and infectious bassline, filtered funky loops, thumping rhythms and blissful vocal stabs all blended into an irresistible disco bomb. a future tensnake classic, it has been spawning serious contortions wherever it lands. heavily road tested by the man himself. on the flipside, tazaar brings the heat up with a killer african groove brilliantly combined with classic house vibes. while no fool plunges into the depth of the nights going into a darker hallucinatory trajectory with its minimal pumping kicks, dreamy synths and echo-drenched vocals.

played by neuman (maddisco edits), eddie c
emotional especial comes together with future nuggets for a -special- one-off collaboration. reinterpreting the music of steaua de mare are four remixes from rising (eastern) stars khidja and mehmet aslan. the first in a short series of especial -specials- - where new artists are brought together for unique releases - we start by teaming up with future nuggets to present again the sonic offshoot in the unique band, steaua de mare. returning in remix form, songs from their self-titled album, as well as extra additions, are specially reworked. first khidja take album track babadag to new psychedelic depths, adding multiple layers of guitar and synths, all inexhaustibly dubbed and re-dubbed until a whole new track emerges for the more discerning minds. next mehmet aslan is focused on the dance-floor, carefully reconstructing new track shop into a club orientated groove, aiming straight at the feet with inevitable results. on the flip, mehmet then reworks album highlight, doamne ce greseala am, amassing tension in careful, subtle ways, crafting a version that is a proper meeting of hearts and minds. to finish, khidja return to remix the previously unreleased 1 septembrie. going to great lengths in managing a myriad of details, with balearic, kraut, pseudo-disco and exotica reverberations all pulsating, here then are on point examples of remix manipulation. a perfect way to start this series and showcase these wonderful artists.

toy tonics going afro house. the mushroom house compilation series part brings 4 unreleased tracks. including two of the most relevant names of the growing scene: auntie flo from uk and mysterious producer hyenah. hyenah is a favourite of the scenes main man black coffee and djs like dixon and the innervisions circle are heavy fans. also on this ep a new track by toy tonics very own zhut & kapote. kids from berlin with a good buzz right now. inside their track afro rico an senegalese child choir meets some zappaesque marimbas going crazy… and as a bonus track you find munks nigerian jam: a nigerian funk band rolling over an heavy disco beat. very deep, but very effective.

as &me’s last two eps on keinemusik have been hitting the bulls eye of public perception immediately, his km034 for sure will meet high expectations from djs and crowd alike. what should one do within this sort of spotlight? boil up the same old formula? milk the cow? play it safe? well, &me is rather going for the ‘don’t overthink it and just do whatever you like’-option. which in case of this “one on one”-ep is a collaborative effort with english singer/songwriter-enigma fink, that’s letting musicality rule over functionality.

after a short break adelaide soundworks returns with an exciting new release from perth based artist ewan jansen. following up from successful releases on going good and chez damier’s inner balance imprint this past year ewan is back with the ‘dispersion ep’ featuring 6 new beats from the present and days gone past.

crackling electro by lobster theremin newcomer privacy, a melodramatic dance tune by robert johnson resident chinaski and skittering house by partner in crime dj s aka dj slingshot. completed by giallorific tones of umberto and harsh compressor-experiments by nick klein.

nice price deal !!! new years deal - alleviated records is proud to present the first edition of underground files . we hope to introduce you to new artists/producers/technicians with this series. this first edition includes selections by 2 memphis-based dj/technicians/producers, adam arthur and michael kuntzman. side a features arkansas native adam arthur starting off with rogue intent . if you re looking for radical-pumping house, look no further to get your crowd going crazy on the dancefloor. next, we change the flavor a bit with flamenco for when you need some downtempo warm seductiveness. side b features 2 selections from memphis dj/producer michael kuntzman. first up is shutter with a bumping sci-fi-house flavor. then we have mondane with a pumping abstract-tribal-surreal tone.

nice price deal !!! supported by yuksek, boombass, designer drugs, stereoheroes, sinden, jess & crabe, sayem, guido, minitel rose, candy clash, malente, la violette... born in 2006, man&man started organizing parties in paris paris and triptyque, inviting various artists such as yuksek, naïve new beaters, klub des loosers or plasticines. little by little, alexandre, nelson and luc became djs, and played in many clubs in france, while becoming resident djs in the defunct but still beloved flèche d or. they re going to release their first ep les grandes vacances. they self describe their influences as coming from heavy metal to hip hop, from italo disco to early 80s punk rock, which boils down to an innovative organic kind of pop, with a slight touch of feminity siobahn wilson (mymajorcompany) added backing vocals on les grandes vacances. theyre now playing as djs, but have developped a brand new live show, with real instruments, microphones, and animals, caught in the jungle with bare hands. nelson, alexandre and luc are also still assisting guido in panic rooms programmation, with their comme a la maison parties, and gave their name to a cocktail there!

nice price deal !!! this new p recordings is going to be an absolute killer.. 2 famous producers, your never going to guess who touch this track in an incredible way. starting of with a minimal grooving rhythm, the track slowly builds and builds to a incredible dancefloor climax with vox and everything. in the break you will hear kylie doing whats shes best at. the flip side is a minimal impression of plastic dreams. another well known classic, touched by another of our favorite hot shot producers

limited edition 12inch with printed deluxe sleeve, 140g vinyl, sticker included.
endless field has been supported by philip sherburne (aired last month in his set for pitchfork radio),sau poler in his monthly radioshow for bloop london and lapsus radioshow, among others.endless field (2016), the airabois debut ep is dedicated to the power of changes. changes always mean something better is going to happen, for sure. with a total of 3 tracks endless field is the result of a big change in his life, where the tireless struggle for many years culminates in a difficult but right decision. the excitement of a new era.

nice price deal !!! shades & shadows is an epic forward thinking creation. it is about taking chances and making a statement rather than going for the safe follow up of the well-succeeded trust release.

the 5 past blank tape was originally released at the mikrodisko boombox & tape station at about blank 5th birthday. it is a benefit for the lovelazers, a activist group which is producing leaflets with update infos about new safer sex in english & german. all earnings are going to support the print of up to date brochures about the latest news concerning hiv research + treatment (prep, pep etc), prevention, responsible use of substances, sexual health and positive awareness (see lovelazers.org). both 30min mixes are contributed by mikrodisko artists: nike.bordoms a-side feels like 80‘s dark electronic and the b-sides campfire power ambient is coming from mikrodiskos graphic floorwalker diashi.

nice price deal !!! featuring vinyl exclusive track! signor andreoni and alessio mereu team up yet again for another solid effort as bunkers! although they have just formed this year, this italian superduo has already released three eps, with their most recent finding itself at the #1 position on richie hawtins chart for september. aside from his work in bunkers, mereu has appeared on a variety of labels like cmyk, harthouse and toys for boys. meanwhile, producer and classically trained guitarist andreoni is known for his releases (both solo and in collaboration with samim) on tuningspork. from the swelling tension of >holding back< that evokes suppressed love, to the staccato onomatopoeia in >please say whoo<, to the swingy and syncopated soul of >back to reality< – its clear that bunkers have mastered the house tradition of tension, buildup and release.

the first place the world heard the lead track from this new love notes from brooklyn release, where pathways meet, was on deep house legend mike huckaby s my life with the wave show volume 2. pascal viscardi was one of many great artists to take huckaby s warm tones and turn them into a work of art. pathways. wriggles with deep funk and soul, and is paired with 3 other likeminded tracks for this very well-rounded ep. oshakusan is the dancefloor track, juxtaposing warm chords and an insistent sax sample over the a tough bassline and rhythm combination that s aimed staight at the floor. free at dawn is the fathoms deep effort, going miles below the surface in a emotional expression of soul, and and i showed the clouds (how to cover up a clear blue sky) provides a perfect outtro, and end to the statement made, making this ep feel truly complete.

another absolutely instant classic this collection is! one can only imagine what the history of each of these lost grooves could be surely referencing larry heard s mystery of love in the title no doubt! you can believe there is something special going on here taking you in many directions with something special to feel. this is yet again another magic moment coming from this unknown entity of who knows who.

new ep by joey anderson on his own label.

just this is a milan based label collective. just this is the expression of a social, metropolitan and underground movement we are living and going through all together. our mission is to give room and importance to art and music which are still evolving day by day. expressing his own unique unclassified genre, it grabs you into an unspringy flow bringing the listener to a vintage ambient atmospheres

fangos non-traditional journey through the human body continues. after the first essay on interior organs viscera 1/3, its now the turn of the central nervous system to be analyzed. and here comes cerebellum, nervum and cortex, three delicate operations of surgery on the inner workings of fangos head. part 2 of a trilogy that fango conceived on the physicality of music, tracks that are going straight to your heart, to your stomach and so on. in this case its your brain and we hope to give you a nervous breakdown. enjoy.

a storming four tracks from newcomer scott marshall heralds the return of wrong island communications. going from the slinky love in booty to the stand-out dancefloor pumper musical chairs, this is a 12inch made for those who long for the days when roulé put out classic after classic, without being a complete homage.

in 1979, the critically acclaimed artist ralph macdonald (who co-wrote just the two of us with bill withers) released his third lp via marlin records. though the reception for the album was mixed - most agreed on it s musical highlight, east dry river . 37 years later, and just in time for the arrival of summer, fly by night music s calypso weighs in with a fitting edit, respecting and captivating the original beauty of the track, making just a few subtle changes whilst revamping the percussion. someone pack the suncream, this party s going outside..

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

firstly, a huge thanks to everyone for supporting us so far - 2016 has seen the dext label continuing to go from strength to strength, with our callahan and mella dee ep s backed with remixes from hodge and endian which have been been super well received. now for the third ep of the year from our resident comedian bodyjack. bodyjack has been an integral part of dext since he remixed dubspeeka on our 2nd release and headlined our label takeover of privilege in ibiza last summer. we are very excited about his return to the label with this 3-tracker (and our first full solo artist ep!), and we think you re going to dig this... the title track cobra effect is one of those tracks you aren t going forget in a hurry. intense and brooding, we are hard-pushed to categorise this, but layers of sinister bass coupled with dark, driving snares and eerie synth work culminate masterfully, making this the perfect dext track. hydra effect lifts the vibe with a straight up peak-time house jam with a sting in the tail. a raw-but-infectious bassline winds along under bodyjack s signature killer drum programming, before blasting off with something you aren t going to expect. rounding the ep off is slowine effect: a proper dancehall workout (reminiscent of bodyjack s earlier work) and a real cross-genre party starter. the most upbeat of the 3 tracks, this again takes all the elements of what we love about the music from the past and cleverly works them into something special for the rave. and that s not all for bodyjack on dext this year - he will be back with a one-off ltd record called -hot shot-, backed with a very special remixer...but more on that soon!

new years deal - 10 years of thema is not a milestone we take lightly, and we have absolutely no intention of slowing down. in fact we will be celebrating with a string of releases commemorating this accomplishment starting with this ep and going through to our 50th release with an all star line up ready for battle. sometimes there is a sound that lifts you so high you can’t possibly come down. its the kind of sound that many strive for, but few can ever reach. uk mainstay aubrey has been hitting this pinnacle for years through his releases on renowned imprints such as metroplex, ostgut ton, and skudge, as well as his very own solid groove records. * the reflection* ep comes as no exception. as only a dj and producer of his stature can do, aubrey goes above and beyond to take the listener through a spectrum of moods that culminate in a rounded and complex experience. from the uplifting, fast paced pads in *peligro 45* to the disorienting rhythmic voodoo of * roger doger* and peak energy drive of * train to the fire* there is a sense of direction and otherworldly ambiance that will take any dance floor to the place it needs to be

greg belson s divine disco is a snapshot in time encapsulating the raw power of a spiritual performance, set to the pulsating 4/4 rhythms that were in vogue with the dance floors of the day. tip! labels like savoy played a key part in identifying artists that fit nicely into this brand new style with performers like shirley finney and the gospelaires, both of whom were established within the scene, but carried the disco torch brightly with their tunes featured here. divine disco also paints a picture of the lesser known acts that privately released their message to the hopeful masses, such as the gospel ambassadors and the inspirational souls, whose recording budgets would have been significantly less than any major label.

2x180gr vinyl) ltd ed. repress of 300 copies. including theo parrish remix. this has been recorded& mastered to give you the full vinyl experience & is the first album of an on-going series. a super disco project to celebrate far out recordings 20th year, recorded in rio de janeiro & finished in london.

primitively made sample­ based electronic music w/ drum machine, tracked live. music which has no right to exist ­ sampled, then resampled. second release and first widely distributed material by a project which fermented in the basement cave for a few years before going public. music about loss and the developmental/gentrification hell which has blanketed once homely neighborhoods. tricks of the eye, tricks of the mind, what was never to be again.

second album of the avalanches on double vinyl with album-cd icluded.

paul johnson is back again on bosconi with a massive two tracker after the 2015 summer hit * i like to get down*. on the a side * lets sing* is a joyful and sunshiny dancefloor winner with a vocal theme reminding us of 60s-70s italian soundtrack a la piero piccioni or armando trovajoli that will dangerously stuck in your head and, with no doubt, that you are going to sing it again and again…on the flip side instead you will find the sick, filtered and groovy jam of * show me*, an hypnotic burner enriched by the trademarked, whispering and sexy words unmistakably from paul himself, pure honey for the ghetto house heads.. just be careful not to get squeezed on the dancefloor!

new emmanuel top label. lost in berlin is a mechanical angry monster with multiple arms that swings around for destruction. it’s unstoppable for words, you have to accept the fact that you have been hit by a concrete wall. what i love in records is the menace inside it that builds up. the impossible energy that drags you in to this tunnel of a white dimension with grey electric colors. bipolaire: it all starts with a kick, not a simple kick but a et kick and before you know it you are struck by lightning. the subs are playing with you, simple but again with atomic temperature. the acid sound that hits you is never going to surrender his inferior temper. capture: only that words remind me of the spirit capture and it’s not easy make an equivalent of the original that is not even made with the inspiration of the mod wheel. it’s not just a wicked intro that can take you to different roads. you can decide what way you will take but be careful with what comes next.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denite’s sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the album’s innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

floating astronomical objects and the void in between – jon hester enters the dystopian circle with four gravity manipulating techno tracks coming directly through the wormhole. jon hester got his start in the midwest us, living in chicago, minneapolis, and connecting with detroit. after years on the dance floor he took to the decks, going on to work in a record shop, host his own events, and hold residencies that developed his sound. music production and a move to berlin followed, but dancing and mixing are still the inspirations that drive him to create. his dj sets are built on physical rhythms and adventurous programming, effortlessly combining diverse varieties of techno and house. with an engaging presence and a knack for telling a story, he builds a unique connection with each audience, and works any room until it sweats.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

up next on good company records is the hi vibe ep, a four-track trip into the outback of your mind, with synthetic friends timo l and deni deni, aka long body. setting off early in the piano-led landcruiser on a big trip , the listener is then invited to drop out by the spring of fuzzy logic ... over on the flip, it s (inner-)spacesuits on, until the dreamtime kosmische of stay vacation awakens to endless going and re-entry procedures can begin... -splashdown- !

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

st. petersburg talent ivan latyshev drops a killer ep on the ever-dependable dessous recordings. ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as what’s in the box, street king and spaghetti monster - but this to my youth ep sees the young russian step up to another level. the title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. the sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. cant go away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. old ages also highlights ivan’s love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - its infectious stuff and suggests ivan latyshev is going to be name to watch in the next months and years.

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

do you know that feeling when you are going home from a party and you grab a small slice of pizza on the way back and than when you have your first bite in it you feel like that you are in the center of the universe? we got you covered. this is our time - a 101% hungarian label run by your homies route 8 & soundbank aka the lathèquex boyz - presenting a special 10” from route 8 with 2 tracks to make your lonely pizza nights better.

karat welcomes the talented andrade ! already heard on labels such as dessous, innercircle, mixmode or d’julz’ bass culture, he delivers a 3 tracks ep gorgeously groovy as hell, some kind of deep but punchy floorfillersto please any kind of crowd. a nice release just perfect for the spring to come! welcome!

when heavyweights collide in any arena there’s always going to be fireworks, and the violent five ep sees two such goliaths, black sun empire and state of mind, go head-to-head across four dark-edged dancefloor killers.

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

late&cie is guillaume val and paul cuts collaborative project. the first finished results of this project are four hypnotic house ballads tinted with pauls keyboard improvisations. the rhythmic energy going on from the first beat, textures,, loops, form the essence of oems atmosphere...
special remarks: 12 inch with printed sleeve, 300 copies

quite a few months have passed since adam port released his last original material on keinemusik. it’s been almost too long. but then again, every expert will confirm, you won’t see a “sonnenfinsternis” every other week. port’s new ep is going under the name of that very astronomical curiosity and accordingly, the like-titled cut on a can only be the result of a rare cosmic constellation. it starts with a spoken word field recording. could it be, someone secretly recorded parts of the internal pre-release labelmeeting? we’ll leave that to your imagination. but then, all solid facts. a forceful beat, decorated with hihat-hiss, stoically pounding synthbass, rattling snare-staccato and space-opening synth-layers. finally, some siren’s wailing, just in case someone didn’t get the immediacy of this material. classy floor substance, that is, with the scarcity value of an eclipse. “working for it”, as the first track on the flipside, is rather going for the deeper realms. this coproduction with jennifer touch, a singer/producer that just moved from leipzig to berlin, is built up on a cosy, warm synth-priming, that touch congenially contrasts with her undercooled wavy vocals. an emotional rollercoaster, if you will.

raffaello & palermo is the union of two friends and old lph brothers, damon palermo, aka magic touch, and raphae&#776,,l valensi, aka laura ingalls. palermos an angeleno who came up in the bay area scene of the mid-aughts and valensis a frenchman dwelling in shanghai, perhaps best known for his work as the horses, a duo comprised of him and cle&#769,,ment pony. so there s the backstory. what s actually on this slab of wax, though? four chunky anthems that nimbly weave ravey mayhem into filter house and disco edits, sometimes touching on almost psychedelic trance-like tropes. if you dont hear one of these out every weekend night this summer, you re going to the wrong parties

space echo - the mystery behind the “cosmic sound” of cabo verde finally revealed! in the spring of 1968 a cargo ship was preparing to leave the port of baltimore with an important shipment of musical instruments. its final destination was rio de janeiro, where the emse exhibition (exposição mundial do son eletrônico) was going to be held