allen saei aka aubrey has over 22 years hands on experience of the scene. his dj career took him from his first residency in portsmouths central park, to playing londons biggest raves and parties in the 90s. launching his own solid groove records in 1990, aubreys career went from strength to strength. releases and remixes followed for labels including sublime, the end, ferox, mosaic, reel, intec and leftfields label, offshoot. his material was licensed by derrick may, terry francis, pete tong and carl cox. today he steps up with high pass highway ep. a selection of sounds, all with that oldskool touch and feel.

the new minimalrome series for clubbers in sick-leave. limited to 250 copies. j.t.c. is the techno alter ego of tadd mullinix/dabrye. his style ranges from caffeine techno to dark ebm tunes to sick house. this time tadd brings two jacking 4/4 chicago house monsters, embroidered here and there by dirty 303 loops, whistles, eerie vocal samples and crispy pads. both amazingly packaged in a loud analogue production.

supported by monika kruse, damian lazarus, slam, lauhaus, audiofly, chloe, heidi, lee curtiss, ryan crosson, john digweed, julien chaptal, gorge, sian, adultnapper, kiki, burnski, ralf kollmann, ..

jetzt hats mal wieder ein wenig gedauert dafür freuen wir uns umso mehr endlich den erstling des analog roland orchestra auf pastamusik präsentieren zu dürfen. und los geht es gleich mit >jacks highway< einem bewusst gezügelten , hoch energetischen und dabei in sich ruhenden minimal house-track - eben einem klassischen opener. die vokalbegleitung vermittelt ein gefühl von bewegung, der Überwindung von grenzen egal ob im club oder auf dem weg, wo immer der auch hinführt. give the zombies what they want da stellt man sich unwillkürlich die frage: >was wollen die eigentlich wirklich< (vom verzehr ihrer lebenden artgenossen mal abgesehen)? wie wärs zur abwechslung mal mit ein bisschen unterhaltung und wir liefern dazu gleich mal den soundtrack. geradlinig und mit ein paar schöne acid-schleifen verziert kann man bei der nummer bestimmt alles mögliche sitzen bleiben gehört ganz sicher nicht dazu.>diverse< name = programm, roland nicht name des künstlers. dem exemplarischen abarbeiten an seinem 303/606/909 (und wie sie alle heißen) analog-elektro-tierchen habe wir sehr gerne noch ein kleines plätzchen auf der b-seite eingerichtet. was sonst bei einer so schönen nummer...

we re not sure if theres been a whole lot of russian vocal led synthy disco around of late / ever, but we definitely like the idea of it. and so we have the first release on the brand new tirk affiliated label nang. d pulses sound is a sonic cocktail that represents the different flavours of its ingredients. great for dancing, as well as regular home listening, making love or preferably cooking. you can call it russian house, full of spirit, soul and its own philosophy. now on to the tunes. the foto mix of more combines cold robo synth bass and stripped back rhythms with the haunting tale of love, loss and the ultimate fulitility of existence (probably). the original mix lives up to the live jam side to the d pulse manifesto with organic funk and jazzy chops leading the way. fellow russian alcos coolkas carries on where his new work on tirk left off, with simple but sparkling and sophisticated electronics working away with snippets of the vocal to mesmerising effect. the package rounds off with the spacey, warm, instrumental highway to saturn. nang has launched!

this young house label pops it s second release.. definate dancelfloor pressure...remixes from fcl (san soda + red d) + jus ed (underground quality).

strong melodic / neotrance infected techno / b2 (star catcher) = paht minimal techno

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

second beat broker release featuring the killer high energy space disco track >my way or the highway<. a big big tune in patrick cowley tradition that works its way to an exploding climax. flip for >night shift<, a beautiful melancholic emo-disco tune that has >beat broker< written all over it, pure class. featuring a dance-floor disco/house remix by john daly, the man who can do no wrong.

support by 2000 and one, matthias tanzmann, daniel stefanik, anthony collins...on our easy-rider, not only the wheels, also the raver s are burning. back on the house-highway, the journey leads through the a1 district of the ‘wild coyote’ who sneaks up on velvet paws to turn into a grown 4/4 fox by dusk. after this impressive encounter he call out for ‘dixies diner’ because the outlaw mesteno knows one can not nourish on ‘tossed to’ women slip s alone and orders a warm a2 menue to collect strength to chase the horizon with ‘full throttle’ again on the b1 side.

after their robot-pop hit with eurostar sebastien tellier, principles of geometry weirdo beardos come back with a new version of interstate highway system. then poni hoax deliver their first official remix, putting their hands on the fierce and epic prophet. but the most epic of all tracks on this ep is certainly eat s remix of golem. eat comes from berlin where they released a few >extra-ordinary< eps on their diamonds & pearls inprint, occasionally releasing tracks by their friends henrik schwarz or ricardo villalobos. think the globins meets lindström meets carl craig. last but not least, young frenchies fieldtripq made an oldschool electronica mix of colfax, close to early autechre stuff.

classic metal tracks by ac/dc and judas priest in a 2008 funk/soul/house outfit!!

follow the same raw and dirty house road as we got to now with ljs first two tracks and so you know what to expect. tiësto: support for tokyo speedway

cool groovin and pumpin new york tech-house to techno

in 2008 slowfoot will be making their first forays into the world of vinyl launching a new series of vinyl eps featuring their eclectic roster of artists. first up is the >teenage laptop wizard< (q magazine) robert logan who delivered his staggering debut album cognessence last year, gathering rave reviews from critics and creating a buzz amongst fellow musos and practitioners of the dark arts of experimental dance. logan s grinder ep features two stand out tracks from his debut album

support comes from paul mac, ben sims, reynold, fabrice lig, russ gabriel !! a solid detroitish techno ep from franco cangelli. digging deep into his roots, he delivers 3 brilliant tracks that exemplify the machine soul of techno. >highway< pulsates with deep bass kicks, slowly evolves to a rhythmic orgy of beautiful detroitish chord layers. future classic deep techno. the darker and moody >things coming together<, works the dancefloor with classic 808 sounds, a square bassline, dark strings and a nasty melody. dbx meets detroit. >presumably so< starts off on a minimal trip slowly evolving into a funky track with a moving bass string, squelchy electrifying sounds and a sweet pad to add a nice deep touch. reynold then comes along with a mind shaking remix, funky chords, electro bassline, building up to an unrelenting dancefloor experience

originally released in 2003 this is true high quality deep house music mille & hirsch offer 3 different mixes of highway to hell that leaves no wishes left a must have

***massive club anthem**** finally the first production pouxy prod, new label angevin of oups well-known association of the magnet medium. on this first maximum vinyl, two tracks effective composed by arno gonzalez and elysse, >higway11<, first track deep magnet felt well with an acid environment and incisor, intended for the hottest afters. the other track, >need hit<, certainly the tube of the reentry, with a monstrous kick, a station-wagon hip-hop tortured and altered with the sauce made in >very bad kids< will turn over, undoubtedly, next the dancefloors of france. to listen and dance in the modern evenings with the jungle

excellent 80s inspired electro disco phunker !!!

extrem grooviger minimaler funkin detroit stuff

repress!! super futuristisches electro album !!!

classic, back in stock

auf „blame it all on love“, poolsides viertem studioalbum, verlässt jeffrey paradise (aka poolside) seine eigene komfortzone und taucht in die tiefen seiner eigenen kreativen stimme ein. die elf tracks sind funky, gefühlvoll, entspannt und voller hooks, die poolsides sound zu ergreifenden pop-höhen erheben

what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

paul rose, aka scuba, the mastermind behind the incredibly well curated hotflush label, has been enlisted to create his own dj-kicks mix. featuring a healthy helping of exclusives from his camp including new music from addison groove & boddika, the mix treads the line between the uk bass music scene in which scuba came up, and the techno sounds dominant in his current home of berlin, creating a new sound in the process.

its been a wild ride since back in march 2009 when the demo of sare havliceks white russian hit landed in our inbox. since then sare has gone onto be one of the scenes musical and dj bright spots. his debut >toscana nights< album in 2010 was warmly received by press and public alike and a series of remixes has firmly cemented him as one of the best nu disco producers around

nach der veršffentlichung des neuen albums tomorrows harvest, das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthŠlt diesmal zusŠtzlich einen downloadcode sowie einen boc sticker aus der jeweiligen zeitphase. zuerst erscheinen die alben music has the right to children (1998), geogaddi (2002) und the campfire headphase (2006), im zweiten schritt das minialbum twoism (1995) sowie die beiden eps in a beautiful place out in the country (2000) und trans canada highway (2006).

live on red vinyl !

progressive rock / electronic. white coloured vinyl lp limited to 250 copies

urban/soul/blues/r&b/gospel

electronic/dance

180 gram audiophile vinyl, includes 8-page booklet and 2 bonus tracks, printed innersleeves, remastered audio

limited first pressing on red opaque vinyl.