quakers is a hip-hop collective boasting 35 members which orbits around a core of three producers: fuzzface (geoff barrow), 7-stu-7 and katalyst.

debut album with finest classic, yet fresh sounding house music, vocal features include, kholi aka kholekile twalal, a fresh talent from south africa, already featured on atjazz and global soul releases, max c aka charles salter from louisville, kentucky is a singer/songwriter, performer, dancer, choreographer, and even actor and was a member of 3rd nation who scored several billboard top 10 singles. later he toured with bands like bomfunk mcs and blacknuss,devon dunaway, another protege of roberto who was already featured on his floppy sounds release on wave music. roberto rodriguez is one of the most prolific producers from scandinavia, hes also known as manolo and responsible for remixes like 6th borough project (the soul), akabu (ride the storm), energy52 (cafŽ del mar), crazy p (stop space return), yoko ono (give me something), vanessa daou (once in a while), moodymanc (preacher) and more

2 x cd in gatefold sleeve for those who want to know the background, it is something like this. i bought an italian drawbar organ module around two years ago. apparently italian organs from that period had a bad reputation but i was so happy with it that it appeared on most of the tracks i had been working on. i thought i had an album together and was supposed to get it mastered on the day after the mastering session for the pinch and shackleton release on honest jons (sometime towards the end of summer 2011)

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.

dieser ravige hardcore-style dominierte die 90er jahre und brachte stars wie westbam, marusha, charly lownoise & mental theo u.v.a. hervor! diese sagenhafte 3cd praesentiert nun 100 wahre klassiker des genres, von grossen clubhits bis zu den besten raritaeten - tight gemixt von dem hollaendischen urgestein dj buzz fuzz! eine zeitlose compilation, nicht nur fuer die raver der ersten stunde! sneakers & shorthose an und ab geht die party! 3 cds mit 100 tracks zum top-preis!

come take a journey down memory lane with us on back 2 the old skool garage classics, the greatest collection of garage anthems ever compiled!this essential album retrospectively maps out a journey through garage with over 60 vocal anthems across 3cds and provides a documentary of the seminal tracks which have shaped clubland and beyond. just some of the anthems on this epic anthology include shola ama imagine, monsta boy sorry and tina moore never gonna let you go alongside chart favourites like artful dodger movin too fast, dj luck & mc neat masterblaster, pied piper do you really like it and shanks & bigfoot sweet like chocolate. not forgetting the darker side of the bassline - those with a penchant for mcs can get their fix on early grime foundations from so solid crew 21 seconds,ms dynamite boo and oxide & neutrino bound 4 da reload.

a journey through the worlds finest house music

its a great honour for us to be able to present conrad schnitzlers last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bj¿rk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bj¿rk, mum, sigur r—s etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

hospitals sublabel med school prŠsentiert blood pressure!

on his debut album the host works in a spacey interzone, using vintage gear to create dramatic panoramas for the headphoned mind. he creates a unique suite of modern impressionistic sonics that tumble and waft in and out of the mix, earthed with strong melodies that take inspiration from net-age genres while never recalling them directly. throughout, he masters all the potentials of vintage synths, drum machines and reverbs, along with guitar and bass to explore a sound that sets him apart from producers working on computers, creating something much more band-like but rich with lively micro-detail.

bassheavy dubbin techno !! 11 tracks as we like it

now is the time for aitor etxebarria, better known as el_txef_a to expose his innermost feelings,as hes already begun to on releases from labels like hypercolour, suol and wazi wazi.this time,he is undoubtedly on his best of form.

the new teenage bad girl album is full of energy and obvious hits such as keep up with you (stardust from the 80 s), the rock-orientated black hole, the electro-break of fight night or the dance-house tonton funk. but there are also the synthetic and melancholic eponymous slow backwash, a minimal discoid ballad like heart zero beating (tangerine dream 2.0) or even the hedonistic and poppy hip-hop tune x-girl, the bandÕs next single.

very heavy native and progressive sounds in the afro rock direction with all it takes to raise your hands. its the right thing from the right people and the right people like you. it reproesent the new world of progressiveness in music.

the yearly summit of keiji haino, jim o rourke and oren ambarchi continues with imikuzushi, which finds the group extending the power-trio strategies of last years highly praised in a flash everything comes together as one there is no need for a subject (bt05) and bringing to them a newly sustained intensity. for this performance, haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums. the tendency towards driving free-rock which surfaced on moments of the trios last release is cemented here, with o rourkes fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with ambarchis drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time. like all of hainos best work, the trio transcends any rock genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. presented as four unedited excerpts salvaged from an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. francis plagne, melbourne, nov, 2011 released as a 6 panel digipak cd and as a limited edition double lp in a lavish gatefold with printed inner sleeves. design by stephen o malley with high quality live shots by ujin matsuo and stunning images by tokyo based photographer and sound artist shunichiro okad

the legendary act terranova return with an explosive new album, bridging modern pop and classic house like never before !!

please allow us the pleasure of introducing axel willner s loops of your heart. hailing from sweden, the man behind this record alone needs no introduction, as he is already well known in the electronic music scene for his project the field. loops of your heart reflects axel¼s experience in germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of cologne tape, a group that formed while he was staying there. you can also hear this on the much sought after debut render, which came out on magazine last year. only a foreshadow for what was to about to come, willner has been living in berlin and letting his creativity go crazy. with an arsenal of special synthesizers and guitars he has put together and never ending nights . after touring worldwide with the field for the last 10 years, and never ending nights is like coming home again. you can hear german children speaking outside his studio in berlin (on the track neukšlln ) and it is not only the track titles which tell of things that have come to an end and or are about to happen. the old german musical tradition of letting yourself go (holger czukay, you, anima, cluster, you name it) is in the air, and willner breathes it. his highly personal approach to music and composition leads to nothing less then a matchless album that embodies beginning anew

slamming 80s nyc disco classics

straight outta bristol kommt rob ellis aka pinch mit einem exzellenten dubstep-set aus stimmungsvollen, deepen melodien, energetischem dub-techno und aussergewšhnlichen bassstrukturen, die mit maximalem effekt gekonnt zusammengefŸgt wurden. die feine selektion aus einzigartigen kollabos mit shackleton, photek, quest & loefah, gro§artigen tunes von eqd (aka shed), emika & addison groove, sowie vocalsamples des bristoler mc jakes lŠutet verheissungsvoll das neue fabric-jahr ein!

following on from the debut artist album from marco bailey and the second album from guy j which have both been well received internationally amongst press and public alike as well as huge compilation releases from label owner john digweed himself in the form of the structures and bedrock 12 releases. following on from the second instalment of the structures series bedrock proudly present the debut artist album from rising star stelios vassiloudis titled -it is what it is-. a fantastic double cd release showcasing forward thinking music and once again showing why bedrock is one of the leading labels in the electronic scene. in addition to the many original pieces of work on this album, stelios has also teamed up with a vast array of talented vocalists and song writers. -the z- is a collaboration between himself and sasse who owns and releases music on his esteemed mood music label. based in berlin sasse has a long history of successful releases and support from some of the biggest names in the scene. john dalagelisinvolvement with the project (he co-engineered and co-produced the continuous mixes) resulted in him contributing his songwriting and studio finesse to -sunrise on the avenue-. john runs the very hip dieb audio imprint and has released music on a wide variety of labels over the years. the album is rich with the many vocal talents it hosts with notable contributions from the likes of astrid suryanto, tomomi ukomori, anna maria x and darren murray. astrid has an established history of working with some of the greatest names in electronic music such as todd terry, king britt, dj yellow and morgan page as well as a plethora of great labels like nervous, plastic city and armada amongst many others. based in japan, tomomi ukomori has also worked on stellar releases with key labels in that territory like avex, apt international and green parrot recordings working with the likes of mathias kaden, hernan cattaneo, omb and hideo kobyashi. anna maria x is a name synonymous with the music scene in greece whether it be as a dj or a producer/singer. anna has been one of the main names in the electronic scene being involved in clubs, radio and of course a whole host of releases with her studio partner, gpal.

nun endlich erscheint >arabxilla< - ein album voll Ÿberraschender post-popsongs, die irgendwo zwischen techno, house und elektronik tanzen und zu denen aŽrea negrot variantenreich auf deutsch, sowie gelegentlich auf englisch und spanisch geschichten aus ihrem abenteuerlichen zigeunerleben erzŠhlt. ihre stimme nutzt sie dabei je nach lust und laune - mal klassisch operettenhaft, mal in kesser spoken word manier oder einfach so, wie sie frei nach schnauze redet. >i really enjoy hearing a twist in music, like the music of yma sumac who used her classical voice to sing mambo.< seit 2010 leiht aŽrea negrot dem disco-house-projekt hercules & love affair ihre stimme und nahm mit der band um den us-produzenten andy butler das album >blue songs< auf und tourte durch die welt

2 cds with 29 hot tracks!

ibiza rocks 2011 liefert uns auf zwei cds die indie und dance hits des jahres inklusive songs von adele, jamie t, simian mobile disco, darwin deez und und und! zusammengestellt und gemixt von den ibiza rocks resident djs nicola bear und doorly gibt es 35 tracks und remixversionen von miles kane, example, toddla t & shola ama, beardyman, africa hitech u.v.a.!

the most in party on the island for all those saturday night clubbers, this cd mixed by danny leblack and fran morin is an amazing example of just what the cafŽ ole fiesta is like. these 20 incredible house tracks will take your breath away. just go ahead and enjoy such sounds as eric morillo and eddie thoneick feat shawnee taylor, hitch, feygin, coco silco & santy lafonte, jairo catelo and many more!

ibiza clubbing institution amnesia celebrates 21 years of ibiza anthems. amnesia is arguably the quintessential ibiza clubbing experience and one of the main sources of inspiration for why dance music culture has thrived around the world. two massive rooms, one a dark cavernous cauldron and the other an expansive arena that is flooded with light when the sun rises, are guarded by the notorious amnesia ice cannons that could strike the crowd at anytime. regularly voted the best global club at various awards ceremonies worldwide, amnesia is quite rightly considered amongst the best clubbing spaces around hosting the world s leading djs and brands across multiple genres. amnesia is currently home to legendary ibiza club nights such as cream and cocoon and its own infamous espuma (foam) party nights. from open air clubbing in the 1980s with dj alfredo s ecletic mix of house, disco and pop, sparking dance music s explosion in the uk, through to a lead roll in the massive harry enfield movie kevin & perry go large, amnesia is part of clubland history and is a name that resonates with dance music fans across the uk and beyond. spread across a 4 cd set, each cd charts a chunk of amnesia history: cd1 covers 2006-2011 with artists such as swedish house mafia, deadmau5, axwell, above & beyond and ti‘sto, cd2 curates 2001-2005 featuring big names like david guetta, bob sinclar, cassius and the egg, cd3 looks at 1996-2000 with moloko, ultra nate, nalin & kane, three drives and more, and finally cd4 closes with 1990-1995 taking in anthems from robin s, real 2 reel, orbital, bucketheads and sven vath.

allein die juengsten erfolge von keri hilson sprechen fuer sich: ihre single -i like- machte letztes jahr dem titel alle ehre, sie hielt sich drei wochen lang auf platz 1 in deutschland (sowie ein vierteljahr in den top-10). mehr noch: gold gabs schon nach vier wochen, -i like- lief auch im radio rauf und runter und entpuppte sich schlie§lich sogar als einer der zehn groe§ten hits des jahres 2010. nun also die fortsetzung: -like- buttons werden dieser tage wieder etliche angeklickt werden, denn keri legt mit -pretty girl rock- ihre neueste single vor und knuepft damit nahtlos an die erfolge von 2010 an. mit -pretty girl rock-, der ersten auskopplung ihres kommenden no boys allowed-albums, wendet sich die in atlanta geborene r&b-ueberfliegerin, die in den letzten jahren diverse hits fuer superstars wie z.b. britney, ciara, ludacris, kelly rowland, mary j. blige und usher geschrieben hat, ganz klar an ihre weiblichen fans: mehr selbstbewusstsein Ð so lautet die botschaft, die hilson ueber dem von ne-yo und chuck harmony produzierten midtempo-track artikuliert. eine message, die in anderen teilen der welt bereits angekommen ist: platz 4 in den us-amerikanischen r&b-charts (24 in den billboard-charts), und auch bei der britischen bbc wurde die r&b-hymne schon als -lovely single- gefeiert. 2007 hatte keri hilson als vokalgast auf timbalands -the way i are- single einen mega-hit gelandet. zwei jahre spaeter ging ihr debuetalbum -in a perfect world- in die top-5 der billboard-charts und wurde auf anhieb fuer zwei grammys nominiert. no boys allowed, der zweite longplayer der 28-jaehrigen, erscheint anfang juli.

mad decent is proud to announce our very own -mad decent volume 1- compilation, featuring 18 tracks hand selected by our leader diplo from his favorite overlooked remixes of past releases plus a variety of new music from our next crop of artists. the compilation presents a selection of mad decent artist who ve helped shape the labels unique personality since inception. featuring huge new remixes of classics such as bosco delreys -wild one- (reset! remix) and malucas -el tigeraso- (sticky k remix) to unreleased gems like boy 8-bit -house on the hill- and dillon francis -beautician 2.0-, to in your face bangers like ruskos -everyday- (netsky remix). mad decent vol. 1 is as much a showcase of the labels biggest names and tracks as it is an illustration of its incessant efforts to bring new genres and cultures to light. the label has come a long way from the underground philly scene where it all started, collecting a diversified group of artists along the way. from blaqstarr, to rusko, to savage skulls and po po, the sound and influences come from all over the world, and somehow work together to form a unified front of weirdos that make music outside the lines.

overview in the 1980s, as hip hop caught fire around new york, sparky d was coming up in the van dyke projects in brownsville brooklyn. she would go on to be one of the first recorded solo female rappers and rise to hip hop stardom. early in her career she was a pivotal player in what came to be known as the roxanne wars. it all kicked off with utfo s roxanne roxxane followed by roxanne shante s debut roxanne s revenge and then a salvo back at shante with utfo and a female mc known as the real roxanne. sparky d then started a trend that ran for what some say was over a hundred assorted answer records and nearly the rest of the decade by jumping into the roxanne trend with sparky s turn (roxanne, you re through). massive spins and sales throughout the city followed. the success of the cut lead to another handful of 12 releases, and this release, her proper full length debut this is sparky ds world,- produced by her boyfriend and old school legend spyder d. though the record didn t take off to the extent that her label mates boogie down productions found with criminal minded....well, what ever did take off like criminal minded. to this day the release serves as a testament to the power of one of hip hop s first female mcs, after all, this is sparky d s world. traffic entertainment group in partnership with b-boy records is proud to release this extended version of the album, out of print in any format for over 14 years. housed in a handsome 6 panel digipak featuring extended artwork and audio including all the 12-cuts, mixes and instrumentals from sparkys classic -throwdown- and -i can t stop- vinyl singles.

in 2009 the flamingo records crew compilation captured the white isle s club-juice in ibiza and 12 months later set their sights on the big apple for a new york chapter. now, with the city s musical mercury at sky-high levels, they ve returned flamingo nights to their home streets for the amsterdam edition. this year flamingo honchos funkerman and fedde le grand have ceded the mix controls to label lieutenants nicky romero and deniz koyu - two of central europe s fastest on-the-rise spin-masters.

the late steve reid, veteran jazz drummer and percussionist, and kieran hebden (four tet), the british electronic musician/producer young enough to be his grandson, present the fifth and final installment of their momentous synergy. the music on this double cd was recorded in concert on 20 june 2009 in the foyer of the queen elizabeth hall at london s southbank centre, as part of the meltdown festival curated by free jazz legend ornette coleman. for this marathon workout, reid and hebden were joined by swedish power saxophonist mats gustafsson, whose fiery blowing style had inspired kieran to seek out a drummer like steve to work with in the first place. live at the south bank stands as a memorial to a thrilling and productive partnership sadly cut off in its prime.

status quo are set to release their new studio album at the end of may, which will also featuring an exclusive official bootleg life albuum recording in amsterdam & melbourne in 2010.

he is one of the hardcore scenes biggest icons for almost twenty years. after five albums, neophyte returned to his favorite chamber to produce his first album in more than five years. a unique album: for the first time in hardcore history, an album will be released in two different parts. on monday january 16th, neophyte will present the first chapter of rechtoe rechtaan s successor: mainiak . jeroen streundings formation dropped its first ep in 1993 on rotterdam records: they released tons of tracks on the legendary label. next to these activities, neophyte came up with several aliases like bodylotion, hard creation and masters of ceremony to produce on terror traxx and forze records. in 1999 neophyte founded his own label neophyte records, which is considered to be one of the leading labels in hardcore for more than twelve years. neophyte developed himself as one of the best producers of the hardcore scene and helped new artists like evil activities and tha playah to get to the top of the hardcore olympus as well. mainiak proves why neophyte is hailed as a true leader of the hardcore scene. the first chapter of the album is packed with an arsenal of brand new material: besides a lot of solo tracks, neophyte has also collaborated with a selection of other artists such as neophyte records colleagues tha playah & the viper. mainiak s tracks have been edited for the album to keep it flowing in the best way for the listeners pleasure. the dj s and his diehard fans won t have to mourn: the album s tracks will also be available for download in full length.

dj-superstar paul van dyk praesentiert zum dritten mal in folge die staerksten tracks des jahres aus seiner weltweit uebertragenen radioshow -vonyc sessions-! eigenhaendig ausgesucht und gemixt, liefert pvd ein masterpiece von einer mixcompilation ab, die die elektronische clubmusik heute in all ihren facetten perfekt widerspiegelt! neben den besten trance & progressive-sounds hoeren wir elemente aus house, techno, electro und dubstep. das tracklisting ist vom allerfeinsten, eine jahresbesten- essenz 2011, die die hoerer der 52 stationen in 23 laendern weltweit zu schaetzen wissen. paul van dyks woechentliche -vonyc sessions- sind zu einem trademark des modernen club/dance-radios per digitalem breitband und satellit geworden. jetzt auch gespresst auf 2 silberlinge in top-qualitaet beim haendler deines vertrauens!

little pianist is the stunning debut album of japanese duo bocca grande. formed by music producer kousuke ishida aka trio and piano teacher yuka kobayashi, bocca grande music gives an high value to the classic piano mixed with the electronic vibes. their beautiful single procedere, that anticipated the release of the album, shows magically their concept, a magnificent and emotional record, above any trend ! trio started to compose at sixteen years old. his sound reflects the deepness experienced in his life and that we find in the japanese culture and his dj style is influenced by the old school, from the deep side of chicago house to the detroit techno etc. their productions have been already released on labels like mathematics (chicago), four roses (germany), black vinyl (uk), nice and smooth (canada) and futic silver (tokyo). the tunes have been getting huge responses since played out by motor city drum ensemble during his guest slot at tim sweeneys legendary beats in space into the radio show in new york. an incredible album from start to finish. blending the majestic piano work with electronica, house, downbeat, dub and a cinematic vibe in a creative and innovative way, little pianist is one of those records that warrant to be listened to in their entirety... repeatedly!

deep, dramatic, abstracted d&b from exits most esoteric operator, consequence. test dream is an advanced follow-up to the burial-esque scapes of his 2009 debut, live for never, scanning sci-fi inspired minimal d&b topographies with a filigree attention to detail. ultimately, its not the kind of d&b thatll have you firing shots in the ceiling: its strengths lie in the vivid evocation of dystopian futures and plugged-in, cyber-surreal dream states, conducted with the ability to suspend disbelief and submerge the willing participant in a whole other headspace. that said, there are dancefloor-ready moments like the sinuous, sub-heavy soul sees spirit, but the best moments occur when the dancefloor seems to be receding beneath your feet / sofa, as with the whirring autechre-ian dynamics of magda trench and the majestic loveshell, or the flickering, skeletal remains of marlo.

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer. bundicks latest is no sloppily assembled bunch of pine session throwaways. the freaking out ep was put to tape in june during a period of touring quiescence. the release finds bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the gap band and mtume. while the first two tracks are modern takes on the 80s post-disco vibe, -sweet- sounds like the product of a todd edwards and teddy riley collaboration, with smooth synths weaving in and out of meticulously chopped and arranged vocal samples. the new jack influence spills over into the cover of cherrelle and alexander oneills -saturday love-, in which a swingbeat carries along fluttering piano lines steeped in delay. the eps crown jewel, -i can get love-, sees bundick assimilating styles of each of his to-date releases, with the synthesized funk of causers of this, the irresistible hooks of pine, and dance alias les sins penchant for filter effects and house beats. full of energy and crafted with a conciseness that begs repeated listens, freaking out is toro y mois most concentrated venture into pure dance floor hedonism.

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

with a scraggle of noise and feedback zone beginning 26000, ilpo vaeisaenen and dirk dresselhaus continue their angel duo with a work that inhabits its own zone of cryptic anger and contemplation. if anything, a sense of structure destroyed has been the hallmark of both vaeisaenen and mika vainios work away from pan sonic, but 26000 in particular - with angel added and abetted by performers such as oren ambarchi and b.j. nilsen - introduces a sense of unspoken story to the proceedings, a soundtrack to a sci-fi film that emphasizes cosmic horror by implication. the slow roil that -before the rush- settles into, a combination throb and mechanistic growl, both parallels and contrasts the concluding -paradigm shift,- the subtlest of bass rhythms anchoring overlaid drone murk and screeches of noise shaped and controlled like an event horizon reached and held. central piece -dark matter leak- sounds it, deep echoes and distant footsteps and other outer space haunted house noises interspersed with up-front bursts of percussion rattlings and glitches, a robot companion in space rapidly going on the fritz. the overlaid clatter of -in- and similarly frenetic mess of -out- frame said dead center equally excellently.

2011 album from the anticon founder and instrumental rap innovator. fever dream is alias s most inspired and dynamic record in years. spurred by the psychedelic sound and off-kilter groove of electronic experimentalists like flying lotus, modeselektor and bibio, he ditches quantized beats, embraces warmth and sets the whole thing wobbling to a warped dance pulse. incorporating generous amounts of chopped, pitch-bent r&b vocals, plus sprinklings of live instrumentation and loads of left turns, fever dream is a stylistic whirlwind of hallucinatory house, homespun big beat, swinging downtempo and melodic break music.