over the course of the last few months a small coterie of djs have been armed with specially encoded secret weapons. from clubs and festivals across the globe, cod3 qr 001 & 002 have been road tested, extensively scrutinized and passed fit for public intrigue

lazybones is the debut ep from a new character in town, gene on earth. he awakens in the hazy sunlight of his own world, heading towards the horizon on the road to everywhere and nowhere all at once. once a monochrome existence, he s found himself now in submerged in a vivid technicolour dream world. wherever it leads, he ll find out soon enough.

outernational sales pack including outnl006 & outnl008.

the new album from yann tiersen on 180 gram double vinyl with etching on side d. housed in a gatefold sleeve with download code included.

the complete live performance of the springsteen on broadway show on 4x12 inch

the 4th longplayer from anderson .paak on black double vinyl, housed in a gatefold sleeve.

fresh off the success of their latest album fear of a brown planet, brownout hit back with a limited gold 7inch featuring album highlight trackstar the dj to the edge of panic, backed by a scorching non-album cut she watches channel zero. 2 public enemy classics brought to life by the tightest and funkiest band on the road today!

fantastic 4 electro tracks..

debütalbum von yamila mit elf starken songs zwischen elektronischer und analoger musik.

modern jazz and avant-garde jazz from japan.

black vinyl pressing with download code included.

debut album incl big bangers like lucid dreams !

audiphile 180 gram double vinyl in gatefold sleeve with download code included. remastered at abbey road studios. includes the full 1973 album plus unreleased tracks, singles and b-sides.

for the 5th release of deep minimal label adult only shape, sub division of adult only records, roumanian funk e and his germain conspirator ogeid bring us a fresh energy which is fusion of sequences and space sound.
on side a, a characteristic track of funk e and ogeid in search of the miraculous with synthesizer and piano in the shuffled house beat, we can also feel a funk in the bass, a magic pad leads them all.
b1 law of octave recalls us good old trax records accompanied by a simple rhythm which is effective..
the ep ends with road of purpose, which has massive techno influence with splash of synthesizer and endless modular sound. a long journey no trap. three sublimes cuts you can’t miss

spiritual jazz

vinyl lp with download code included.

versatile house record , just listen

hypnotic soundscapes oneohtrix point neve

“cliché’s principle” exhibits the two-sided aura of an artist long familiar with the cultivation of diy ethos: an effortless expulsion of playful immediacy and the unfolding of a musician well versed in unpretentious composition. lucy cliché’s five track ep for fleisch records is a jacking romp through 120-125bpm electro/new-beat, swooning through downcast ambience, lobotomised vocal samples and sweat-drenched hardware rhythms.
lucy’s musical oeuvre piles high, as a figure in the sydney underground for the past 15 years she has always explored sounds that playfully antagonize the status-quo, the dysfunctional no-wave approach of her band naked on the vague and the manipulated tape ambience of half high echo throughout cliché’s principle in the form of chorus buzzed synth chords, abstract drones and ethereal evocation. while there is the strong presence of a live veteran at work behind the machines, cliché’s principle holds five tracks produced purely with the intention of paving the dance-floor.

the 2011 album from statik selektah & action bronson back on clear double vinyl in a limited edition of 500 copies.

our third release comes from alex picone an artist and early supporter of our label that we deeply respect for his many skills both in the studio and in the dj booth, and his musical approach that allows him to stay away from trends and clichés. the 3 tracks contained in this ep have been road tested in alex’s live at hoppetosse back in february and weekly dj sets and for us they represent the peak of his relentless audio research into achieving his best mix and eq’ing, so much so this ep comes to you without any audio mastering, recorded straight out from alex’s gear.

the next installment in cold diamond & mink’s soul investigations introduces a three part harmony group from california. “my my my baby” is a smoking hot group harmony groover that should drop a few jaws at your next dj set. thee baby cuffs was born out of love for soul music and chicano culture. their first 45 “where did our pride go”, came out in 2017 on the raza del soul label, covering an unsung early 70’s larry saunders production. “my my my baby” continues on the same lane of midtempo soul over funky drums and soulful horn lines. the lyric is your middle of the road love song material, but the group harmony lifts it right off the ground like it’s meant to happen in this kind of music. get a few copies and rock the instrumental on the b-side before dropping the vocal, if you feel like it. soul music that’s this potent is better enjoyed in excess.

detroit’s d-records is back with the detroit bounce ep vol 2 with santonio echols (kms/tresor) & switzerland’s lot 6. santonio features the tech house “dawn of the dance” & “changed” while lot 6 provides the deep house joint “the road” with remix by the legendary dj mark archer. acid & club vibes!

kawuku sound is the coming together of uk producers contours & cervo and ugandan percussion troupe fonkodelis arkestra. this is the culmination of a month-long creative process that was born out of the nyege nyege affiliated boutiq studio in kawuku, kampala - uganda. the music was written and recorded in this shared residency space, home to musicians and visual artists from all over east africa and beyond, and a hub for kampala s underground electronic music scene. boutiq studio s diy mentality provided the perfect environment for experimentation, allowing the fusion of these disparate sounds. kawuku sound is a reflection of this, merging the hypnotic and trance-inducing percussion of buganda drumming with elements of contemporary electronics and traditional instrumentation. this the first album release to come out on manchester imprint banana hill as they continue to push the boundaries of afro-electronic sounds.

(2x12 inch gatefold lp+cd) kinobe scored one of the biggest chill-out club hits of the noughties, the deathless slip into something more comfortable. known from dancefloors, club backrooms, bars, radio spins, cafe del mar compilations and tv spots the world over - most famously the femme fatale kronenbourg beer advert - slip established the duo at the forefront of a scene that still includes groove armada, air, royksopp and zero 7.

the first release on tava discs arrives courtesy of label-founder beigean, confidently establishing their remit of discovering and showcasing charismatic house and techno from a gritty, diy perspective. influenced by a diverse joyful musical upbringing of east coast hip-hop, turn of the millennium tribal techno, uk bass, punjabi folk and bollywood disco, each of the four tracks on beigean s ep flawlessly but daringly weave each of these specific musical avenues into hyper-specific and utterly physical tapestries of sound, road-tested and engineered to turn open-minded dancefloors outside of their heads.

limited gold tape version max graef and julius conrad are ratgrave. electronic p-fusion from earth. recorded over a period of 3 years in different locations. stop wars and investors. all tracks written, produced, mixed and performed by julius conrad and max graef additional efx by ludwig l. made on earth, recorded over a period of 3 years in different locations. stop wars and investors.

limited orange tape version max graef and julius conrad are ratgrave. electronic p-fusion from earth. recorded over a period of 3 years in different locations. stop wars and investors.” all tracks written, produced, mixed and performed by julius conrad and max graef additional efx by ludwig l. made on earth, recorded over a period of 3 years in different locations. stop wars and investors.

the modern master of subliminal deep house is back with a new album. galcher lustwerk has rightly earned a sterling reputation for his understated, always entrancing approach to 4/4 grooves. after last year s dark bliss lp and recent diversions via his road hog alias, he s offering up eight heavy-lidded cuts to suit the smokers as much as the dancers. get blissed out in the sax-licked delights of skits like -blue lotus- or lock into the mellow raps and steady-ticking rhythms of see you when i see you 200% galcher goes down smooth from start to finish, like all good albums should.

the 1974 album from deep purple back on limited purple vinyl with download code included. mastered from the original tapes at abbey road studios.

the 1974 album from deep purple back on limited purple vinyl with download code included. mastered from the original tapes at abbey road studios.

the 1976 live album from deep purple back on limited purple vinyl with download code included. mastered from the original tapes at abbey road studios. housed in a gatefold sleeve.

the 1972 album from deep purple back on limited purple vinyl with doanload code included. mastered from the original tapes at abbey road studios. housed in a gatefold sleeve.

the 1972 live album from deep purple back on limited purple double vinyl with download code included. mastered from the original tapes at abbey road studios. housed in a gatefold sleeve.

the 1977 live album from deep purple back on limited purple vinyl with download code included. mastered from the original tapes at abbey road studios.

the 1973 album from deep purple back on limited purple vinyl with download code included. mastered from the original tapes at abbey road studios. housed in a gatefold sleeve.

das album spiegelt die vielseitigkeit im musikalischen universums dirty doerings wieder das nicht nur aus einer gerade 4/4- bassdrum, sondern auch aus gebrochenen beats, hip hop, jazz, weltmusik, gitarren, klavier, klassischen elemente und vielem mehr besteht. es überrascht uns mit sounds, wie zum beispiel die downtempo-stücke timeless, &#769,,,,luisa way und monday only. zusammen mit den clubbigeren tracks wie black forest, &#769,,,,burning ham oder high level road und purple disco entsteht ein spannungsbogen, der einen unwiderstehlich in den bann zieht.

label head honchos rhode & brown finally debut on their own imprint, slam city jams, after putting out music on fellow labels toy tonics and public possession. produced over the past two years, the wave 100 ep might be the most versatile record by the munich-based fellas so far. on the title track we have an euphoric hint of 80s synth nostalgia, slapped bass and banging woodsticks (did someone say safri duo?!). sparkle on a2 feels like the joy of a fresh breeze on hot summer days whilst living la vida loca in the clouds - b/w phat bass, sweet flutes & strings. on the flip there is love lane, a classic house track with a funked up bassline, shuffling snares and the most erotic vocal in human history. moon bells on b2 is the soundtrack to that road trip you did back in 86 with a juno 106 arpeggiator bassline, percussive drums and airy synths all around. over europe on b3 rounds off this special 5-tracker with beautiful ambient spheres straight from outta space.

the first studio barnhus compilation, studio barnhus volym 1, is coming out at the end of august.
the 19-track release will feature music from the stockholm label s three founders—axel boman, kornél kovács, petter nordkvist—plus various associates, ranging from local newcomers to superstar friends of the label like dj koze, john talabot and superpitcher.

next up on nang it is time for a slice of spot-on male vocal house and disco. liverpool based thomas lang made some fine albums in the 80s and 90s with john murphy (who went on to carve a highly successful career in movie tracks) and david hughes. somewhere in between that and a string of recent albums (“torch songs” and “the german alphabet”) he also managed to buy one of the finest recording studios in north west england, parr street studios (the “abbey road of the north”). we are pleased here at nang to see a new avenue turned in tom’s life, his first foray into the dance world. “scared” was written with late liverpool songwriter john uriel quite some time ago. it first emerged as a b-side to tom’s comeback single “august day” in 2011. here at nang we always loved the smooth and sophisticated vocal and melody. when tom suggested some remixes we were on board.

fantastic edits of a ukg classic! entity : london present one of their all-time favourite garage tracks with new mixes, one more on a minimal meets ukg vein while the flip is more of a 2-step version... already getting the attention of four tet! all proceeds from the pressing of this record will go to grenfell charities. -it s been one year since the fire at grenfell and our hearts and thoughts continue to be with the residents, bereaved and the latimer road and ladbroke grove community. growing up a stones throw from grenfell tower, spending most of my years in and around the area and seeing close friends and their families seriously affected by such a travesty, it s only right that i try to use the platform that we have to raise awareness and pay respect. hopefully, eventually, we can get close to justice. in honour, we have one of our all-time favourite uk garage tracks - one that really strikes a chord with many who have lived the true london life - re-interpreted by our friend from russia, lost-act.-

originally released in 1970, now finally back on vinyl. remastered from the original 1970 analog master.

max essa - lanterns is a brand-new artist album from the japanese based producer & dj and his first release on copenhagens music for dreams label. tranquility, alone in a taxi riding through empty streets, neon fades into sunrise. a refuge from the disorientating energy of the night. the sleeper train to izumo. an okinawan beach at dusk.

remastered reissue of bruce springsteens greatest hits on double vinyl, housed in a gatefold sleeve.

in many ways, it s difficult to believe wehbba only dropped his first full-length ep on drumcode this year. released in february, the four-tracker eclipse was a monster statement piece of the brazilians talents and followed on superbly from fake, his contribution to last year s a-sides vol.6 inarguably one of the biggest tracks on the compilation. with the confirmation that wehbba will take part in drumcode s off week party in barcelona, followed by the brand s takeover of resistance in ibiza, its indisputable proof that his crisp, chord-driven take on techno has become a vital component to the expansive palette of sound adam beyer has drawn for the label in 2018 and beyond. catarse marks the rapid-fire follow-up from the prolific producer. opening with the eerie she lost control, wehbba says he took inspiration from the joy division track of almost the same name (‘she s lost control ), but instead of crafting the dense sonic atmosphere with vocals, he employs an analogue kick drum and stealth-like moog bass with dramatic results. process follows, a cut which begun as a cover jam of laurent garnier s crispy bacon and ends up incorporating the cut-up vocals of legendary minimal composer steve reich, who is one of wehbba s chief inspirators. the resulting track is an ice-cool percussive work that s rich in dancefloor functionalism. the title track will be familiar to many who follow drumcode radio, a goose-bump inducing highlight of beyers dcr392 at awakenings in eindhoven, catarse is driven by a memorable melodic riff resplendent in 90s techno euphoria. the ep concludes with the terrific mind awake, a powerful concoction of reverb heavy basslines and glitchy effects, that s been thoroughly road tested by both beyer and wehbba and kicks like a rodeo bull.

a deluxe 3-lp-set on 10 inch vinyl, celebrating the 60 years of miles davis’ revolutionary soundtrack to louis mallevs movie. first vinyl edition comprising both the original soundtrack and the complete session takes. includes the previously unreleased track “l’interrogatoire de julien” and new album notes by franck bergerot. remastered from the original analog tapes, cut at abbey road studios.

the legendary gig that joe strummer, singer from the punk rock band “the clash” attended and inspired his writing their classic ‘white man in hammersmith palais’ took place on the 05th june 1977. at the hammersmith palais venue on shepherd’s bush road w6, london during the height of punk mania. the full line up for the show were all jamaican artists dillinger, leroy smart, delroy wilson (all the first time from jamaica) and ken boothe. “ken boothe for uk pop reggae” who had already scored some hits with ‘everything i own’ and ‘crying over you’ in 1974. joe strummer was expecting roots, rock, reggae but the sound system this evening ‘admiral ken sound’ was playing ‘four tops all night’ as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in joe’s eyes the music should have reflected more jamaican roots based music. the song also deals with bigger issues of black and white unity, but some people including the punk rockers. “they’re all too busy fighting, for a good place under the lighting”. joe strummer himself was looking for fun. “i’m the whiteman in the palais... just looking for fun”.

this is the debut release on noir music from brazilian k.a.l.i.l. we have been working quite some time to perfect this first release from him on the label and give it the edge needed to stand out. after tons of road-testing and going back and forth with production ideas i am now happy to have 2 perfect tracks ready from k.a.l.i.l. that really showcase his super solid techno sound and production flair. “involved” (co-produced with any mello) is a quite simple trip with any’s spoken word in center of industrial elements wobling it and out. this track works really well in the clubs because of its on point minimalism, the high intensity stacatto synths and the catchy vocal line from any. it’s not easy to do big tracks without big basslines – but that’s what k.a.l.i.l. and any mello truely achieved with this one. “revolved” is a track i signed already last year and since then k.a.l.i.l. has been perfecting everything about the track from small details to bigger arrangement improvements. this track has that big bassline that sits right in your face. it also has the right build for those peaktime moments in the clubs. i have been playing “revolved” a lot over the past months and people go crazy for those big bass drops. we are honored to have another great producer join the noir music family and proud to have another belter of a release ready for you.

max graef and julius conrad are ratgrave. electronic p-fusion from earth. recorded over a period of 3 years in different locations. stop wars and investors.” all tracks written, produced, mixed and performed by julius conrad and max graef additional efx by ludwig l. made on earth, recorded over a period of 3 years in different locations. stop wars and investors.