the new erasure album on black vinyl with download code included.

the 6 track double vinyl release includes the full 14 track album on cd.

brassica is a trusted staple in the field of outboard house and techno, from time served on labels as esteemed as dissident and civil music through to more recent outings on feel my bicep and others. here the uk producer has been snapped up by vivod for four tracks of deep analogue house and electro to warm the cockles a treat. coco diaz is a tightly wound jam that hinges on a broken beat, while splash opens out into a blissful melancholic reverie. nothing to say amps up the sleaze and the acid a treat before blue function heads into more trippy soundtrack territory

making his long awaited return to salt mines, hymns produces a debut 12” flecked with restrained breakbeats, off-kilter rhythms and glistening pads. opener ‘water acid’ is an eerie amalgamation of aquatic electro and tense emotion, built for a fractured dancefloor deep in the arctic ring. a2 ‘searching for the real’ provides a brief moment of introspection, before b-side leader ‘heinz harald frentzen’ crashes down and amplifies the intensity with sharp breaks and rapid, stark percussion. closing the release, title track ‘waves of nothing’ showcases hymns at his best, utilising lonely synths and equally mechanical and organic percussion to create a sentimental, vulnerable climax.

flora cash sind ein us/skandinavisches duo, das sich zur aufgabe gemacht hat, die diversität menschlicher beziehungen musikalisch darzustellen. dabei dringen sie an orten, an denen tränen vergossen, das mobiliar ramponiert und trennungen diskutiert werden. nachdem sie sich online kennengelernt haben und dort auch direkt auf den gemeinsamen nenner „musik“ gekommen sind, erhielt ihr atmospherisch tiefgehender vibe direkt großen zuspruch von z.b. the line of best fit, indie shuffle, noisey us, paste, the music ninja, earmilk, interview magazine, nylon und vielen weiteren.
mit dem release ihres albums „nothing lasts forever (and it’s fine)“ konfrontieren sich flora cash mit ihrem bisher herausfordendsten moment als musiker. sie teilen eine schwere, rohe art der angst mit dem hörer, die erst körper und geist berührt und es im laufe der zeit schafft, sich in fast jeden lebensbereich einzuschleichen.
das duo schafft es, ihre tiefgreifende liebe für akustische klanglandschaften mit einer priese ätherischer produktion zu würzen, die an mt wolf, poliça, vogue dots und kings of convenience erinnert. durch den schmerzvollen dialog zwischen shpresas beobachtungen und coles leiden erschafft das duo ein interessantes, inter-dimensionales und trotzdem mächtiges stück musik.

pilocka krach still means nothing but pilocka noise. she’s the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is „sugar cane“ & „the lost amigos“, her band and all at once.

charlie watts meets the danish radio big band is the kind of album that many jazz fans had probably given up hope of hearing. in the glory days of big band jazz and arrangers like oliver nelson coming up with brilliant music, albums like this were, if not commonplace, at least more readily available. the truth is there is nothing commonplace about this album, it is a sheer delight.
anyone who knows charlie, knows how much he loves jazz. a few years ago when he and i were looking at a photo of the stones playing in the 1960s he pointed at a particular cymbal and said, “i’ve still got that cymbal, but i don’t use it on stones’ gigs, it’s too good for them. i just use it on my jazz gigs.” there’s no doubt, that’s the cymbal you hear on the first part of the ‘elvin suite’.
charlie watts is one of the great ambassadors for jazz and every jazz lover will relish this record, and the fact that charlie is involved may bring jazz to the attention of some that are not sure if they like jazz. listen to this and you know you do.

limited edition lp on double heavyweight vinyl plus exclusive 12 inch, featuring 3 bonus tracks. download code included.

a year after his extremely versatile debut ep for figure, viers comes out with another batch of tunes that again set him apart from his peers both in production value and creativeness. touching on the tropes of classic detroit techno, saxton presents a beautifully delicate opening track, rife with life from within the machines while still steadily thumping ahead. it’s the mix of this vital momentum together with a certain restraint, allowing each element to breath. so much that even the slightest adjuments cause maximum effectmetro, as felt on suitably titled stomper nothing changed where everything hits in exactly the right place. same goes for the incessant dialogue of tones on zehn, which sigha expands into a pensive piece, layering soothing washes of synths. not only an exceptional ep in its own right, figure 85 further cements viers as a skilled craftsman with seemingly endless imagination.

inspired by the likes of raresh, zip, and villalobos, the artist known as kepler has something special in store for your local area dance floor. “making chords” is an exciting new release that’s guaranteed to please. the title track “making chords” can be appropriately described as nothing less than an addictive, bona fide banger that will instantaneously hook its end user after one listen. from the beginning kepler. sets the pace with a smooth, sexy bass line that will command your attention and aggressively compel any crowd to start dancing. this passionate production pushes its agenda with a rumbling tempo, dynamic drums, and intriguing vocals that are well worth repeating. laced with clever sounding samples and purposeful piano licks, “making chords” is made for anyone and everyone. the second offering, “wire” is a quirky, fun departure that gives insight to kepler’s wide range. this spooky sounding track is characterized by its off-beat rhythm, saturating bass tones and curious sounding signals that slide up and down while continually building momentum. as the “wire” progresses, one can’t help but to take note of how its unpredictable nature is dictated in such a well-organized manner. very, very interesting.

queen and disco are back with a two track record nothin fancy ep on their own imprint on the a side we have the slower of the two tracks lets go all the way a brass filled disco delight staying true to its original form. flip to the b side and you are welcomed with a percussion laden groove that is up on tempo as well as excitable vocals with everlasting shouts of be yourself.

this spanking brand new 12 release emerges from the mind of one of argentinas most popular talents focusing on the stripped down side of electronic music. with nothing ep comes a huge first cut, produced by the hottest minimal gaucho man around: fernando vargas. three releaxed tunes for the floor

and the spirits of prophets are subject to prophettes. is there a prophette among you?

departing from the lush green planet earth and hurtling through the atmosphere in a burst of punching subs, clattering snares and flying melodies. number six on london’s ever impressive x-kaly has arrived. four cuts that do the right amount damage via a heady mixture of ethereal wandering pads, pulsating sine wave bass, improv jazz keys, languid stepped bass lines and deliciously skittish percussion all shimmering in a bath of otherworldly delight. next level stuff!

pure lustpoderosa. very limited repress, spartanic cover. white labeled with a stamp. peng

outcast oddity returns for their first full artist ep. who better to ask than sebastian voigt? his contribution to the label s v/a 003 compilation called lux aeterna‘, was a transcending techno trip that turned heads earlier this year. just as the ep s title, or rather the lack thereof leaves room for interpretation, this music refuses to be categorised too easily. rough around the edges but effortlessly elegant, one foot in the past and one in the present, sebastian delivers three mature tracks that evoke memories of acid house, uk rave, sweaty basements, strobe lights and euphoric moments.

calibre’s new album “grow” for craig richard’s label the nothing special.
12 tracks pressed over 4 pieces of 12 inch 180 gram vinyl presented in gatefold sleeve.
all music written and produced by calibre. all artwork by craig richards.
mastered by lewis hopkin at star delta mastering.

three releases from dbridge & radioactive man aka dbrm on the nothing special label - all bundled up for one special price!

-nothing lasts ep- deals 3 tracks of abstract electro/idm, hearkening you back to classics from gescom and early ae. solid breaks and sky-scanning esoteric synthlines sure to elicit a shiver of melancholy and emotive nostalgia. anodyne put a lot of though

son dexter is a talented producer who released two fantastic eps on larry heard s alleviated in the early 2000 s. his influences are really extensive and diverse: deep house, funk, pop, hiphop, jazz, broken beat, rock, t-bone walker, black science orchestra, miles davis, lenny kravitz, al di meola, the intruders...and you can feel that in this eternity ep. when the canadian artist sent them this 4 tracks ep, the downbeat guys could not believe what they was hearing here. 4 colourful and delicate pearls full of nuances, strength and optimism which reminds us that its possible still to find purity and unconditional love for music. house? soul? pop? just music. nothing more, nothing less.

spanish dj/producer hd substance brings timeless techno elements in original tracks. juho kahilainen,korben nice and albert williams offer own and different vibes and elements to this ep.

hailing from the small town of stroud, south west england, marcel lune has been quickly building his reputation as one of the hottest new talents in the uk bass music scene. having discovered an 808 in his parents attic at a young age, it quickly became one his favourite toys and set him off on a musical voyage which is beginning to gather momentum. having already released a string of releases including a full album for studio rockers last year, this release with local talk is a new chapter in the ever growing marcel lune saga. this debut for local talk is nothing short of brilliance. an ep that sits somewhere between the early floating points days and local talk s very own crackazat jamming with harvey sutherland. from the opening track sketches marcel brings broken house rhythms, piano chords and dancing acid lines in a glorius way. the clever vocal arrangement on eat good takes no prisoners and on the flip crazy love , another vocal track, marcel slows things down a bit together with vocalist bluesz. the ep ends with soul music, upping the energy level slightly with its snappy, jazz-influenced beats and dancing synth lines. a beautiful and fitting addition to the ever expanding local talk catalogue.

support by: laurent garnier, pearson sound, noizar, umwelt, simo cell
following his stunning everything is nothing ep, which kicked off the hubble telescope series for solar one music in 2015, luxus varta (aka emeric di paolo) is back with a new four track ep for french label, intramuros. ‘rosenhan experiment’ (named after david rosenhan’s famous study to determine the validity of psychiatric diagnosis, published in 1973 under the title “on being sane in insane places”) takes us on another electro trip into the human mind with paris the black fu from detroit grand pubahs once again making an appearance, on the track ‘losquato’. the ep opens with the wonderfully shimmering ‘wenn’ before luxus varta makes striking use of his background as a drummer on ‘lizzy’. ‘losquato’ is a playful addition with stripped back rhythms under paris’ story telling that bemoans a man’s work frustrations and resulting mental state (“i gave up therapy about a month ago. my therapist jumped out of a window”), while closer ‘tempsun’ is almost melancholy in its measured minimalism. recommended for lovers of drexciya and dopplereffekt.

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

words mean nothing. no judgement, listening as a true value. words from iori. words from modvs.

first release comes from chicago s one and only melvin meeks. with releases on legendary labels like relief and target. there s nothing more we need to say about this great artist!

a collaboration with musician fatima al qadiri, video artist hito steyerl and poet-artist-musician juliana huxtable, produced by total freedom. limited edition of 300 single-sided copies on 180g heavyweight vinyl.

i am havayah, all life is sacred! one of the most important pioneers in techno history, johannes heil, with a new side project and long awaited release on his very own and new imprint >sacred<. music as spiritual and healing art combined with a wonderful artwork. there is nothing more to say about this record. just listen and feel it.

in a world without hope, a world with no appetite for sonic adventures, there s only one man who can save us all. he is... the sample jesus! from behind the enchanted pyramids of egypt comes a man that has nothing to prove but a lot to give. taught by a legendary pharaoh, he has lived the life of an eremite for decades. exhausted after years of asceticism there was only one goal on his mind: to blow all the misery out of our heads. on the constant search for the perfect sample he listened to the finest mongolian folk to experimental tuvan throat singings. it was only recently that he was returning from his self-imposed exile to come up with a record that hits deep in everybody s soul. hallelujah, house-heads and hip-hop-kids, be prepared. listen to the word of the sample jesus!

cold tonic are back with their first release of 2016 - this time its a split 12” between the label boss and brand new signing sandboards. the a side see’s kk take the foundation of squad (tonic001) and extend it into an 8 minute uplifting anthem drenched in euphoria and vitamin d. on the flip - we’re extremely happy to present a new signing for the label - sandboards. this is the duo’s musical debut, a love song for the dance floor. ‘nothing but a freak’ combines rattling drums and melancholic chords sitting pretty underneath a spoken word monologue about the one thing that keeps us moving.

eliptic is nothing but... passion. the first release of bucharest s based label, comes with two great pieces. on a side, julian s track is pure madness, with a groovy bass-line, subtle percussion and crazy effects, just perfect for a good dance. on side b, fengda s track is a trip from the beginning to the end, with a mysterious atmosphere, growing an intense journey for a taste of freedom. two different musical perspectives that completes each other in a 12 vinyl, that you can t miss.

shara music emerges with a concept that glitters by love for a very special woman named sara. the producer of barcelona owen ezarda presents his new record label, shara music, and it starts nothing more, nothing less with this great piece of ep signed by the mexico-italian couple mijo & rodion. a futuristic sound epa charged with hints techno latin and classical italo influence alsoa witha the remixesa included of chapo guzman and our great damon jee. exceptional beginning for this label and where in addition they have prepared for usa a lot of amazing references that will see the light as the year progresses. first reference shara music... shm001 is coming up

you are. listener’s perception placed to the center. the idea is to go to the extremes with the singularity of the listening conditions, by treasuring those slight but essential diversities through which the music is spread in that moment. every context is different. unique and difficult to repeat. as a consequence the same music piece sounds differently, as determined by the distinctive playback’s circumstances. the listener is valued as the beneficiary of that exclusive moment, while who produces for you are are individuals who will remain undisclosed, their back-ground covert, any possible outside influence unrevealed. nothing has to interfere with the construction of a personalized and unique enjoyment of music.

ancient methods & cindytalk, pay homage to the white rose figurehead, sophie scholl - remembered for her role in the passive resistance to the nazis during wwii - with a passionate and unflinching trio of noise/techno girders for diagonal. for those aware of cindytalk’s illustrious industrial heritage - she has collaborated with everyone from cocteau twins and this mortal coil to revolting cocks’ chris connolly and dj scud, this is nothing short of a momentous meeting of epochs, styles and mutual intent. and it’s f**king deadly wi’ it, too.

we are very proud to announce the debut release of japanese brightest hope sauce81 on endless flight. we really loved his past releases on eglo,catune,wonderful noise. this 4 tracks ep is full of love for black music which are his music roots.

this is volume one of a two volume set from edit master gay marvine aptly called dance floor favorites these are some of his most sought after unreleased edits that are known for their strong reaction on the dance floor. they cause an instant heat. includes his own rude jacking acid jam banji girl realness, using lines from paris is burning conjuring the energy of the dance floor battles that would ensue during a ken collier set at heaven. keepyourbodyworkin delivers that filth your dance floor needs, while street life simply elevates your floor, walking on air. and nothing shines the light stronger than weekend, always a peak moment at a party.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension.don’t worry,the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostfacekillah, one of wu tang clan’s members that delivers a punchy performance on the upbeat tempo track “thrilla-, as well as steve edwards, the house music singer who sang with swedish producer axwell, and who’s also known for having lent his voice to bob sinclar on the famous “world, hold on-. we’re releasing the album once more, so that you can get back into the fabulous swing of cassius.

seb wildblood returns to church with three original cuts accompanied by medlar on the remix.

“the earth was incessantly covered in ice, it’s landscape an immense, frozen desert. boulders and sand washed to the valley, crushed under the glaciers’ enormous weight, leaving nothing but the hardest rock behind.” neunau draws inspiration from natural phenomenons, sculpting his indelible and furious expression into materials: a ritual guided only by the rhythm of his own heartbeat. composed exclusively of sounds recorded at the ancient forge museum in bienno, in the middle of one of the largest valleys in the central alps, neunau presents an experience that goes beyond simple listening. his tools — water, iron and microphones — are used to transport the listener through time and place. a true voyage through forgotten ritualism and symbolism, these extracts aim to grind contemporary dance music to its barest essentials, making long-lost times ours again.

hailing from Århus, denmark second largest city, zaks feels closely connected to the rock, punk and experimental scene blooming in his hometown. the same diy esthetics can be found throughout his own, idiosyncratic take on electronic music that, apart from being highly distinctive, is best to be described as incredibly versatile. central s sterling dekmantel records debut is spread out into a montage over four sides of vinyl - dkmntl034 & dkmntl035. on the second ep, the innocuous playfulness of tubelife , the soulful and brooding detour king’ and the jazzy undertones of politcal dance are colorfully-plumed dance tracks drawing on jazz-soul and deep house knitted together with impressive precession.

about a year ago nico stojan and acid pauli met at the studio to record some music. while doing so they discovered their common love for sample based production. so they were basically digging into old vinyls and eventually these three tracks came along. nothing more to say, but enjoy. call of the valley is the first release on the new label ouie: there has been a shift in this tiny piece of massive world and, like all other shifts, they are documented by those who were there. ouie is the label to do just that, created by the people who were there, making those shifts.

glasgows junto club return with their second ep. in their own words. this is the second in our planned trilogy of junto club eps. if the first was the birth of the junto club, this is the middle-aged existential crisis. we ve followed the same ethos as the first ep, allowing the music to develop organically rather than being restricted by considerations of genre. naturally, this was shaped by our experiences of the first ep.

tuppence is a new seven inch single label, the latest venture from esteemed disc jockey and epicurean craig richards (fabric / the nothing special). the debut release is courtesy of electro techno genius radioactive man (keith tenniswood). please note these are limited 7inch only releases. watch out for other forthcoming releases on tuppence from convextion and deadbeat.

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

limited edition of 275 numbered copies on white vinyl.

our friend carli löf – true musical genius, master producer of everything from rugged & raw grime scorchers to straight up eurovision goodness – finally debuts on barnhus, with nothing less than a timeless, laser-soaked rave hymn. on the flip we have our very own pedrodollar nordkvist flexin some serious remix muscle with your choice of contemplative comedown house and/or solemn ode to ancient trance gods.

the new longplayer from kode 9 on translucent green double vinyl, housed in a gatefold sleeve with download code included.

nothing further can be asked of an artist by a record label than what philou louzolo has delivered to tink! music in the past year. after zolo grooves sold out with four classic status cuts, the african descendent based in rotterdam has seemed to achieve the impossible and topped his incredible ep from 2015 with a second attack, four more tracks that are pure party fire!