songs from amrc bolan and t-rex reimagined by elton john, u2, kesha, nick cave, marc almond and many more! double vinyl in gatefold sleeve.

ltd 2022 repress, compost black label 14 !! excellent raw move d sound
move d has been the man behind the legendary source records label. in the past three years he has released an incredible string of big tracks on labels like running back, smallville, liebe*detail, philpot, workshop, fax +49-69/450464 or modern love. with the -silk & shmoove ep-, the heidelberg based dj and producer contributed to compost s black label series in 2006. slightly reminiscent of his legendary -kunststoff- album and all his warm analogue techno, house and deep ambient works. pure class! there are so many things to say about move d… like his own successful labels source records and km20… his musical education as a classical drummer, jazz guitarist and piano player… his works for the german goethe institut and bauhaus university… his countless live appearances all over the world as dj or live act… but most of all his sheer endless output of high quality electronic music!

limited picture vinyl (black & white logo only).

limited picture vinyl (james bond in front of black & white logo).

hans zimmer’s original motion picture soundtrack for “james bond: no time to die” on limited golden double vinyl, housed in a gatefold sleeve.

hans zimmer’s original motion picture soundtrack for “james bond: no time to die” on limited white double vinyl, housed in a gatefold sleeve.

reissue

limited red coloured double vinyl in gatefold sleeve. includes 3 bonus tracks.

there is no doubt that the native detroiter jeff mills, as >the wizard<, put his own mark on the cologne psycho thrill club-nights and thus the entire west german rhine area in terms of techno in the years 1991-2007 through his innumerable appearances in the cologne clubevent institution. mills track >mosainga<, which was given to claus bachor in 1996 for publication on his own label, also played a significant part in this well beyond the 2000s. in 1997 for the first time (unofficially) released in advance via roland caspers essence label on a >psycho thrill ep< white-label limited to 500 copies, mosainga finally appeared remastered in 2004 on psycho thrills own >motor city dayz vol.1< (ptne 2111) compilation including a dj-friendly bonus loop and then finally made its way straight into the clubs of the world. the track then received renewed attention beyond its natural decay value in the cologne bnkr years (2011-2016), which were deeply shaped by psycho thrill itself for colognes nitelife, in which the cologne label completely redefined the entire techno culture of the dome metropolis in its own way 2 be propelled forward once again.

in the very depth of rummelsburg the one has arisen. and his name was franzis skanner. him and his accomplices are meant to change the world. forever.

remastered reissue of the 1973 album from german band faust.

limited coloured 180 gram double vinyl in gatefold sleeve.

coloured double vinyl (1x brown / 1x oxblood red) in gatefold sleeve.

he new bitflash dj-backpack was designed to fit all your djing essentials. whether you travel with a laptop, control vinyl or production equipment, this bag can handle it. it is also perfect for carrying a portable turntable such as numark pt01 scratch or reloop spin. the bitflash dj-backpack is based on the popular riot dj-backpack and features our unique bitflash-camo exterior design with light-grey interior. the “tube-pocket accessory-panel” is perfect for keeping your smaller gear like bluetooth speakers, gopro camera, cables, needle-case etc. organized and accessible., outer dimensions: (h/b/t): 53 x 33 x 16-22 cm, inner dimensions: : 40 x 31 x 12-16 cm, + weight: 1.83 kg

studio album nr 13

ltd. col. lp: (transparent (mit 10% weiß anteil))

the third album from flora cash finally available on vinyl.

second album from australian musician stella donnelly. limited pressing on red vinyl.

second album from australian musician stella donnelly. regular pressing on black vinyl.

as the serpent spiralled around my spine i knew it was time to surrender.

2022 repress edition

cover not mint - vinyl unaffected. another clr release is due and this time it consists of a powerful remix package for bryan black s new project >black asteroid<. the highly recommendable originals by this unconventional techno innovator have been released as clr 049 and have been sounding frequently on dance-floors all over the planet ever since. two of the three perfectly balanced remixes have been crafted by clr s mastering wizard, renowned live act and busy producer brian sanhaji. his widely known warm and organic trademark sound characterizes both of the versions, giving you the choice between two rhythmically and sonically diverse options for different occasions. dave clarke, who already played an early demo of the engine ep long before it came out, contributed a highly energetic remix for the peak time moments of the night. his take on engine 1 is called >unsubscribe remix< and was produced by himself and mr. jones. the remix takes the essence of the original track and adds clarke s punk attitude in its purest form. though there has been a long studio absence, we are pleased that he took this remix duty. clr is more than happy with this combination of high quality remixes and hopes that you enjoy this memorable release.

cover not mint - vinyl unaffected. hand written label! another clr release is due and this time it consists of a powerful remix package for bryan black s new project >black asteroid<. the highly recommendable originals by this unconventional techno innovator have been released as clr 049 and have been sounding frequently on dance-floors all over the planet ever since. two of the three perfectly balanced remixes have been crafted by clr s mastering wizard, renowned live act and busy producer brian sanhaji. his widely known warm and organic trademark sound characterizes both of the versions, giving you the choice between two rhythmically and sonically diverse options for different occasions. dave clarke, who already played an early demo of the engine ep long before it came out, contributed a highly energetic remix for the peak time moments of the night. his take on engine 1 is called >unsubscribe remix< and was produced by himself and mr. jones. the remix takes the essence of the original track and adds clarke s punk attitude in its purest form. though there has been a long studio absence, we are pleased that he took this remix duty. clr is more than happy with this combination of high quality remixes and hopes that you enjoy this memorable release.

this new volume of the electronic music anthology is dedicated to techno.

experimental / new age

the legend ed dmx back on srt. acid bomb. tip!!

in den 1980er jahren waren die züri brännt-krawalle gewalttätige proteste gegen die exorbitanten kultursubventionen der stadt, die auch die kulturprogramme für die zürcher jugend abgebaut hatte. der platzspitzpark war seither für seine prächtigen gärten und seine barocke architektur bekannt, bis er zu einem treffpunkt für heroinkonsumenten wurde und fortan -needle park- genannt wurde. die behörden erlaubten den illegalen drogenkonsum und -verkauf im park, um das problem zu lösen, aber der mangel an vorschriften führte dazu, dass drogenhändler und -konsumenten aus ganz europa anreisten und kriminalität und Überdosen überhand nahmen. zürich verwandelte sich in ein chaos aus gewalt und wut, schlamm und benutzten nadeln. aus dieser atmosphäre entstand die musik auf diesem album. ursprünglich wurde squares and crossings 1986 auf calypso now veröffentlicht und sollte teil einer reihe namens the guild sein, einer sammlung von musik, die von schweizer musikkritikern geschrieben wurde. mario scherrer war der einzige, der auf diese einladung reagierte und somit der einzige, der für dieses projekt verantwortlich war. diese produktionen sind mit punklack überzogen und vermischen gleichzeitig elemente von new wave, pop, musique concrète, improvisation, poesie und ambient, was nur sinn macht, wenn man aus der gleichen stadt kommt wie die heimat des cabaret voltaire, dem geburtsort der dada-bewegung. dieses album ist nicht nur ein künstlerisches tagebuch, sondern hat auch eine ökologische affinität zu dieser momentaufnahme der schweizer geschichte.

2x 140 g black vinyl, 5 mm sleeve, 2 x black inner sleeve, 4 page printed 30cmx30cm booklet, sticker

3x orange vinyl, gatefold sleeve with 2 wallets, 2 x black inner sleeve, 4 page printed 30cmx30cm booklet, sticker

2x cd, 6 page digisleeve with 3 wallets, poster booklet, 12 cm x 3 cm sticker

the second album from creux lies on clear lemon yellow vinyl, housed in a gatefold sleeve.

succeeding his profound and forward-thinking album >depth charged< which was revealed last february, terence fixmer returns with >depth charged remixed< featuring ostgut tons answer code request and uk’s underground techno hero steve bicknell. >elevation<, originally the final track of the album, emotional and reflective, is kicked up a notch by acrs patrick gräser by adding ponderous drum patterns making it perfect for the floor. conversely, steve bicknell takes on >unforeseen<. with its fast paced rolling bass it is now put into top gear shivering with feverish reverberations. to compliment each variation, included on the ep are fixmers own live versions that have energetically filled dance floors throughout his tour.

repress - the previous 3 volume series is now compiled as a compact 2lp. the late, great j dilla is rightly celebrated as one of the greatest hip-hop producers of all time, in part because his ear for music was so diverse and expansive. as dilla’s mother ma dukes explains, “he didn’t come with a limited capacity, and real producers produce, produce, and produce. “there are no formats for genius workers ... just non-stop creations.” now, a fresh batch of those creations will be made available to the world for the first time, in the form of the latest official j dilla release, dillatronic. presented by ma dukes and compiled by djs alien villainz (fellow detroit natives who worked closely with dilla), dillatronic contains over 40 rare instrumentals that showcase dilla’s undeniable electronic influences. j dilla’s music was impacted by the diverse musical history of detroit - the birthplace of techno and one of the most important cities in the history of electronic music. “you can hear it in songs like ‘raise it up’ for slum village or ‘make it hurt’ for busta rhymes,” says young rj (dilla’s protégé and member of slum village). “the detroit influence is part of what gave him an edge in production.” with today’s music sounding more electronic than ever, dillatronic has a shockingly contemporary feel. “these tracks are still ahead of their time sonically,” explains rj. “the things producers are doing now, dilla did that 15 years ago.”

limited edition of 1500 numbered copies on yellow coloured 180 gram vinyl.

a collection of essential solo tracks and collaborations from dutch saxophone player candy dulfer. audiophile pressing on black 180 gram double vinyl.

new album from jack white (of the white stripes). regular pressing on black vinyl.

a reissue of the vaselines debut full-length dum-dum, originally released in 1989. available here on limited edition of 1.000 clear colored 180 gram lp.

reissue of the first album from israeli guitarist charlie megira. limited pressing on tri-coloured vinyl.

tripmastaz startet ein neues label respect the craft, das sich dem widmet, was in der musikindustrie oft fehlt.

es geht um respekt, geschichte, entwicklung, aufschwung, leidenschaft und liebe.

es ist kein label, es ist ein statement.

reissue of the 1996 album from einstürzende neubauten.