nicole has returned to drumcode all guns blazing with her new bittersweet ep. the a-side i know where ive been, is a deep rolling techno machine that uses a constant building percussion loop that eventually explodes into some serious funky signature moudaber techno! bittersweet is a techno belter that uses a hypnotic synth rhythm that will take the listener into another world. the repetitive claps induce a flurry of energy and excitement whilst supported by the crisp highs.

ladies and gentleman, aliens and extraterrestrials, im:ltd finally make their 2014 come back with the intergalactic perspectives. rolling at 140 beats-per-lightyear, our cadet kantyze has knocked us into hyperspeed with a dubstep album that can only be described as from the deepest, bassiest, and funkiest quadrants of outer space. going where no producer has gone before, they have put together 12 tracks which would have the whole mos eisley cantina calling for rewinds and firing their blasters at the ceiling. one things for sure, you wont be phoning home - youll be calling your local record store for this one.

thirtyonetwenty - the international dialling code for amsterdam - is the city s hot tech-house imprint co-founded by sandy huner and dave ellesmere in 2007, now run solely by sandy. for thirtyonetwenty s next strike we welcome mesquitas including g-man remix! mesquitas: from dark rolling techno

following last month’s uncompromising ‘yearn’ ep from j.tijn, pennyroyal continues to invest in techno’s kicks of tomorrow by welcoming myler into our family circle. with releases on fifth wall and apothecary compositions already under his belt, myler powers forward with three hits of medicinal grade club fuel. the saturated drum bump of lead track ‘gorilla biscuits’ dunks hard with its rolling groove and percussive hook, playing out with the bounce of 90’s strictly rhythm counterpointed by fierce snarls and switch up’s that evoke 90s’ reinforced. the shortbread edit is for the happy faced warehouse crew, pushing the same driving groove through some toughening acid treatments. ‘carol vorderman’ is the most abrasive of the pack spitting out stressed kicks and crumbling stabs for the won’t leave the venue crew.

after quenums debut album, the richly textured and atmospheric masterpiece * face to face*, serialism prepares to release a striking remix package featuring three distinct voices in electronic music. * basic solution*s raw fluid energy is encased in a pulsing, staccato framework by cesare vs disorder as the meandering bassline emerges and gives way to the original distorting synth line. 5am is first given a more pumping dancefloor sheen by tiefschwarz and next a typically epic and mindbending journey from mathew jonson. lastly frank haag delivers a spooky rework of * ritual* that tightens the groove into a rolling hypnotic head trip that will also move the floor.

>> oh it was gorgeousness and gorgeosity made flesh. the trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. oh, it was wonder of wonders. and then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. i was in such bliss, my brothers.<

so far in its fledgling career, the ultra knites label has been populated by collaborations of the same name from the two founders sem marini and mike sharon. this third release sees the pair showcase their talents as solo artists with the first in a series of knite grooves releases, with sharon calling shotgun and manning proceedings on the a side. with a lilting female vocal hook, soft pads and jazzy rhodes touches, -people- is a classicist take on ny house that features some weighty kick drums, whilst -field of dreams- opts for a approach that s more indebted to the likes of mr fingers. marini delivers a peak time bumper in the shape of -voltage- which contrasts nicely with the deep rolling business of final track -music takes me-.

infinity ist yann tiersens nachfolgealbum des 2011er werks skyline, das von mojo -life affirming- genannt wurde, vom rolling stone -schön und abenteuerlich, voll von ungewöhnlichen, schwirrenden klängen, aufgehenden sonnen und dunklen wäldern, noise-gebirgen, unterwasser-sounds und psychedelisch wabernden stimmen-, während piranha -fasziniert- war von -seinen geheimnisvollen melodien-.
die doppel-lp erscheint inklusive download-code und booklet.

der erfrischende psychedelic-pop des gleichnamigen django django debütalbums wurde 2012 direkt für den mercury prize nominiert und in den weltweiten jahresbestenlisten abgefeiert (musikexpress #1, nme top 10, us-rolling stone top 30). nun stellt die band ihre persönliche afterhours-session zusammen, in der sie zeitlose perlen aus den plattensammlungen ihrer eltern (roy davis jr, nilsson, james last) mit hip hop und modernen bass-sounds von heute (ramadanman, tnght aka hudson mohawke & lunice, outkast) mischen, ohne dabei ihre einflüsse von sonnengetränktem sixties-pop (beach boys, seals & crofts) zu vergessen. als exklusives bonbon steuern django django zudem eine eigene coverversion des *porpoise song* von the monkees bei. und wie üblich beendet eine exklusive gutenacht-geschichte jedes set, diesmal erzählt von topdarsteller benedict cumberbatch, bekannt aus filmhighlights wie *12 years a slave*, *star trek* oder *the hobbit*

ltd to 180 copies - max 1 copy per customer / max 1 platte pro kunde.theres something thrilling about the ludicrously limited nature of this debut album from sometime mathematics, live at robert johnson and lets play house producer san laurentino

title track don t stop is a loose and playful thing that chucks loopy, circular drums, little vocal riffs, synth stabs and tumbling toms into the mix and lets them all groove along for almost six infectious minutes. its a spritely, silvery and slithering concoction that makes you shake your every limb. stare is a deeper, darker thing with rattling snares rolling over flappy kick drums and wobbling synths ducking in and out of the space left behind. its a tumultuous, drum lead affair that toys with your expectation, threatening to drop or explode but never quite doing so, instead keeping you right on the edge of your seat throughout. the final offering is nian which again has super well defined drums and hits all tumbling and sparking off each other. it s spacious stuff, too, and the indecipherable foreign language vocals add another layer of intrigue to what is already a fascinating cut.

tori amos gilt als rätselhaft, bizarr und voller leidenschaft. in den letzten 20 jahren ist sie zur kultfigur aufgestiegen und hat den ruf erlangt, eine der versiertesten künstlerinnen und songschreiberinnen zu sein. jetzt erscheint ihr 14. studioalbum unrepentant geraldines. nach einer serie mehr klassisch inspirierter und innovativer musikalischer ausflüge in den letzten fünf jahren, offenbart unrepentant geraldines die rückkehr zu ihrer ursprünglichen identität als schöpferin zeitgenössischer songs von außergewöhnlicher schönheit. diese werden mit großartigem bandsound zum leben erweckt und bringen tori amos genau zu dem singer/songwirter pop zurück, mit dem sie mehr als 12 mio alben verkauft hat und weltweite charterfolge feiern konnte. es ist auf gewisse weise eines der spannendsten comebacks des jahres - wenn tori amos auch nicht wirklich fort war, so hat sie doch andere pfade beschritten - und man wird davon beeindruckt, wie gut dieses neue popalbum klingt

following on from the release of innershades no stopping ep on creme organization last summer, the dutch label revisits the a side cut nina with two remixers in tow. those remixers are bristols bass pioneer kowton and the inimitable production duo of tuff city kids. unterton and delsin duo gerd janson & phillip lauer aka tuff city kids turn in a bulky, piano laced and acid riddled remix of nina that is a pure party starter. idle hands and hessle audio man kowton reworks nina into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. its stormy and tumultuous and is full of frosty textures. these are two abrasive tracks designed for maximum impact on the dancefloor.

horse whisperer by day and rhythm maker by night, burak sar aka sis is next up on crosstowns deeper offshoot rebellion - delivering an essential ep packed full of groove, expertly winding textures, unexpected kicks and turns and cinematic allusions. slider is a groovy, eternally evolving masterpiece while the rolling paspartou builds with suspense and plays with haunting melodies and switching tempos and breakers paradise flips the style with a more voice and fx heavy, minimal framework.

latest iib release features the north easts version of csn last waltz. a double header, the first track just hold on is a collaboration between last waltz & smoove. heartfelt vocals over a pastoral rolling chugger, deep bassline folky guitar strumming making this a favourite at iib hq. on the remix ess o ess raise the tempo a little bring out the electric guitars and increasing the chug to almost krautrock levels. on the flip side last waltz give us tribute. a deep atmospheric acid affair. mellow electric keys and percussion lull you into a false sense of security before the heavy kick and acid bassline drop with dark cello notes. machete savane take on the remix. replacing acid for guitar and adding some machine groove this slowly builds and builds into a top bubbler.

(180g, glossy 380g sleeve & mp3). 1st album of sebastien tellier incl. fantino (used in sofia coppolas lost in translation film), noticed by the rolling stone mag. one of the loneliest sounds you will hear this year, december 1998).

with *closer* masterton debuts on blackfoxmusics 19th release (bfm019). *closer* is a warm track with a deep groove and beautiful melodies. it relates to living in a long distance relationship and overcoming a lack of proximity.
robert babicz (babiczstyle, systematic, bedrock records) created an incredible remix. he used lots of the original melodies, combined them with new elements, added rolling drums and a thick bassline to give the track the extra drive. his remix became a constant part of his live sets and was debuted with great response at grelle forelle (vienna) and ritter butzke (berlin).
channel x (stil vor talent) remixed *closer* into a pretty cool and clubby deep house track. you can feel their berlin origin when listening to the groovy bassline with variations of the melody. finally the breaks capture the mood of the dissonant sounds from the original track.

steve murphy joins the lobster theremin stable with a roaring and varied ep. the a-side plunges a big room sensibility with eyes behind the door and relax both rolling on the back of techno-driven house music. the flip sees trams electro-tinged wave drops and try it, possibly murphys deepest track to date. two bumper techno locked grooves too for good measure!

smoke & mirrors - is a breaky house track with old 70s vocal samples & a heavy sub bass rolling beat. smoke & mirrors (hanfry martinez remix) - rolling bass stabs with that apollonia esk percussion. amazing remix of an already fantastic original.

limited to 300 numbered copies. brand new label out of london town! alex & digby channel vintage perlon vibes on this debut 12 on their flash as a rat imprint. stripped back, rolling numbers with an unforgettable vocal loop on the a-side. these will cause absolute devastation on the summer terraces!

following up on a stellar 2013, timo maas kick starts the new year with the final vinyl remix sampler taken from his album, lifer. this is his latest offering since tantra ep which was received with rave reviews and featured across rolling stone, xlr8r, clash, as well as played by some of the finest djs on the circuit from seth troxler, maceo plex through to luciano and danny tenaglia.

torrebros (numoment recordings / komplex de deep) is a french duo delivering in melted faces a subtle collage of samples and original floating textures. melted faces original mix reminds, by its driving beats and low-slung bass, the early nineties detroit moisture. borrowed identity (mistress recordings / quintessentials), a german-romanian producer, which last productions has been released on dvs1s new imprint mistress, gives here his layback and savoureuse interpretation by rearranging the original sample groove. dj steef (retrofit / gomma / numoment recordings), the mysterious french producer, finalized the ep with 2 more deep and downtempo remixes with a catchy and seductive rolling bass perfectly seated on a powerfull drum loop pattern.

this vinyl includes all-natural special ingredients that will easily satisfy tech house lovers. daniel gorziza comes with a huge ep: iam your door with a groovy bassline and a rolling synth monster, plus disco fog that its a great start up for every peak time set in the club

cologne vinyl only operation rough house rosie return with a fourth release and a full label debut from russian producer shine grooves (also known to make techno as quadrat) whose track *pure reason* featured on the silent movie sounds i split release issued by rhr earlier this year. the cairo ep sees the yekaterinburg-based producer drop five cuts that slip between various moods of house and techno.

with *believe in love* yousef returns home to circus recordings with 3 cuts that have been turning heads all summer long. the title track features the legendary vocal of roy davis jr who once again, asks the world a poignant question. a rolling, infectious and gnarly groove develops and unfolds into a long and harmonic breakdown before a blistering crescendo. designed for the heads but with still enough action for the people that follow yousefs more musically trickier offerings.
just a beat is exactly that. yousef busts out a stripped back boogie bass over tight drums and oddball acid. no messing around, heads down, hands up. what is revolution is completely reworked by circus label mates acid mondays. remixing one of the stand out cuts from yousefs recent *a product of your environment* artist album, the mondays show how to bring authentic house music into the 21st century.

odd socks 006 comes in the form of a collection of remixes. max graef gets the ball rolling with his sophisticated take on glenn astro & imyrminds >kdim<. a hypnotic patchwork of original themes and maxs refined style. rounding off the a-side, imyrmind weaves a psychedelic web of saines fragile tones. schizophrenic, squiggly, and finally jersey jackin. on the b-side, james creed presents a shuffling housed-up version of josh t & arkists slow jam, >fleabag<. re-appropriating its faux-vintage stabs into a dreamy central motif matched with warm portamento-laced basslines. finally, josh t closes the record with an ultra deep workout in his interpretation of james creeds >undone<. sustained strings and ice cold hi-hats meet muted percussion in this classicly fashioned revision.

subb-an is back with one of the most hyped tracks to land on crosstown rebels in recent times. a collaboration with cedric from azari & iii under new moniker s.y.f (starving yet full), say no more shows the wunderkind producer on a wholly satisfying song-based tip. a killer weapon for any peak-time dancefloor, its a bumpy infectious ride with a wonky edge - steeped in the soul of cedrics vocals rolling over immaculately crafted grooves

culprit enters the new year with one of its most eagerly anticipated releases yet - the full ep return of adriatique. the swiss duo has become the labels core artists in the past 15 months. their prolific output for the la­based imprint has included two compilation tracks, a remix of one culprits signature tunes of 2013 (edu imbernon & los surubas fayer) and now a second ep of original material.

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

nachpressung des album-klassikers von 1984! produziert von prince jammy mit der hi-times band und deren bandleader earl chinna smith im channel one studio, am mischpult saß als toningenieur soldgie hamilton. mit half pints größten hits: mr landlord, puchie lou, you lick me first, one big ghetto.half pint (buergerlich lindon roberts) wurde in 1983 schlagartig bekannt, als er den song winsome veroeffentlichte, der von den rolling stones als too rude gecovert wurde.

a monster rolling dubby track clocking in at over 8 minutes. amazing production work. play loud! mr beatnicks signature organic drum work, coupled with additional melodies and beautiful strings take this track somewhere completely new, while still retaining the feel of the original. 400 hand printed sleeves, made using raised wood grains.

waxing egos ep is system2s debut release.waxing egos is an electronic/techno rolling 909 inspired track. with a distorted bass & clean drums, weird builds & simplistic drops the track is an up tempo stomper

the late 2010 album soulbooster from command strange is now split in two parts for the collectors. plate 2 contains you cant touch this.. command strange takes the vibe down a bit for a vibing deep roller for those special moments.. if r&b could be d&b then this would be its slow jam..for the last side we turn to want you back.. one last time we crank it up a notch with some good ol rolling breakbeats and smooth piano touches.. a brilliant jazzy roller with a vibe like no other

following a noticeable entrance onto the dame-music roster with the dame-music 021 *the jonh red hawk project*, anaxander returns on bloody marys imprint for an other fine ep. with a deep, spooky and atmospheric introduction, *you saved my life (brothers and sisters)* cruises through with rolling drums and metallic bass softened by pads. this subsequently evolves into that anaxander signature melody as the track twists it way to an uplifting mood.

fast making his way on the underground circuit, rising star samu.l is back onboard one records home ground delivering his first single release for the label with the entrancingly dark and driving monster *invitations*. rolling with effortless groove and an all encompassing depth in the atmospherics, this is essential dj weaponry perfect for the late hours or early morning. warmly welcomed to the label we see the highly talented martin buttrich conjure up a powerful remix true to his distinct style, with a grumbling bassline and sonic force that will undoubtedly dominate any dance floor at peak time, complemented with a raw and chugging dub version to complete the ultimate package.

limited to 300 copies. rolling, bass-heavy deep house and techno from loopdeville on new label delooped. fans of the odd music releases will go nuts for this!

using rolling percussion and a thumping kick, primo really is unbeatable! luigi uses synth stabs that add character and finesse to this outstanding piece of music. hypnotizek rounds off the ep being more upfront about where its going. this cheeky, groove based track will warm up a dance floor quickly and get people in the mood for a real party!

vinyl only! chunky beats and rolling bass will give the party something to remember. groovy and trippy release by clark davis. incl. huge yokoo remix.

this 5 track ep from chicagos noble square is based on the rolling canvas artwork on various freight trains in chicago and features cuts by lifes track (2 young italian producers), defend:r and label boss ricardo miranda (who also did the label artwork and photography).

fourth single of the recently released gummihz presents alles claap vol.1 mixed compilation. for the last single we have two of claaps finest nikola gala and john dimas, who have remixed each other. the result is two tight grooves to keep you bouncing all night. sweat it out with nikolas raw take on johns quick dance. a remix heavy on the pressure! then john gives full swing to nikolas party people rolling out the originals tight arrangement to loose joints on the dancefloor!

mike gill who has already featured on roots for bloom teams up with taymor zadeh to bring us the coppin a feel ep featuring a john dimas remix. the a side *coppin a feel* brings us hard hitting groove with a hypnotic vocal line carrying the track. loose percussion and bold tom drums really cement this to work on any dance floor. the b side cut *the message* is a more rolling groove with a strong rhodes line that features later on really making the track evolve. john dimas takes *the message* and takes the atmosphere up a notch, with slick cut up vocals. this one will work in the early hours.

italian soundtrack funk that sounds like goblin recording at stax! (wax poetics magazine)
record kicks proudly presents the new album by italian soundtrack funkateers calibro 35! there is one thing that italians do better than others, funky soundtracks. quentin tarantino knows best: soundtracks from italian movies of the 60s and the 70s are the thing! calibro 35 does with music what tarantino does with films. they borrow what they love and they make it their own. with rolling stone magazine words *calibro 35 are the most fascinating, retro-maniac and genuine thing, that happened to italy in the last years*, think at the budos band that meets morricone.

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

the manic brothers - voices huge hypnotic stabs generate a late night dub that uses sparse percussion and interesting delay effects to mesmerize the crowd. hidden history includes lots of snare rolls and a stab that is infectious whilst rolling over a heavy kick drum.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

jamal moulays radio telepathy ep is a rolling, swooning piece of dub house with an expansive, deep and head-swimming effect. and , not to forget : its vinyl only - no digital bullshit

nycs escort, founded by eugene cho and dan balis and fronted by the enormous vocals of lead singer adeline michèle, delivers a danceable blend of disco, funk & soul that pays homage to the classics while remaining fresh and modern. mysterious dance duo tiger & woods are known for cutting pop melodies with sourced disco, boogie & funk edits. check out the *barbarians* (tiger & woods remix) space invader where it premiered with pitchfork. following a critically acclaimed self-titled debut album that was hailed as one of the best albums of 2012 by both spin and rolling stone, escort will release the 12 inch vinyl package complete with remixes by italian nu disco kings tiger & woods, jkriv of deep&disco/razor-n-tape and a dub by the mysterious rance muhammitz.

gone too long from rising duo him_self_her is a bonafide bomb - house with feeling and a massive bassline and killer vocal from kieran fowkes. reinvigorated by crosstown rebels for a re-release after it came out on mexican label cream couture last year, this time the infectious original comes backed with remixes from belgian hero compuphonic, who injects more bounce, bleeps and emotive melody and the mighty yousef whos darker circus rework is a deep affair of rolling drums and dubby textures

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.