ein meisterwerk aus dem jahre 1976 wird offiziell als lp-vinyl wiederveröffentlicht. king tubby (bürgerlich osbourne ruddock) ist die lichtgestalt des dub reggae, die tragischerweise am 06.02.1989 im alter von 48 jahren bei einem raubüberfall erschossen wurde. surrounded by the dreads- erschien ursprünglich auf dem wenig bekannten fay music label des produzenten winston edwards und wurde mit den musikern der natty locks band in king tubbys studio eingespielt. auf drei der zwölf stücke sind die stimmen von tony brevett (von den melodians), prince heron und carvin bradford zu hören.

limited repress without cover artwork.
the second single from francis harris debut full length, leland contains three remixes of pharoah in the morning,one of the highlight tracks on the album featuring the phenomenal vocal talents of danish singer gry who performs here in here native tongue. two entirely distinctive remixes come courtesy of labelmate black light smoke and the other is by nsi., who should need no introduction. pharoah in the morning remixes will be out on limited edition vinyl from scissor and thread soon. look for leland in february 2012.

the supremes, the most commercially successful girl group in pop history, were one of the jewels in motown records artist stable. given wonderful material by motown s amazing songwriters, the group scored numerous number one pop hits, as did singer diana ross when she left the group and went solo, and motowns bright, modern, and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. two dozen of those number one hits, both as the supremes and as ross solo, are collected here, including the timeless classics *come see about me*, *you cant hurry love*, *you keep me hangin on* and *stop! in the name of love*. the album also features a bonus remix of *you keep me hangin on*.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

sounding quite like nothing you have heard before, the excelsiors come correct with their debut album, control this. the latest project from shane ‘sureshot’ hunt, known for his sharpshooters group, and for his highly-regarded soundbwoy reggae breaks series wherein he has liberally dropped science, sharing his in-depth knowledge of ska, rock-steady, reggae and dancehall for the instruction of the hip-hop massive, the excelsiors is the logical extension of shanes passion for classic jamaican music (and more) of the 60s through 80s.

chapter ii of the the untold stories, begins with the beat circle, a new project of denis kaznacheev and ol, an epic work of attitude, an anthem for a new beat generation, filling the whole aside with groovy sliding bases, crisp clean cut claps, eccentric electric interactions, rich moments of imagination: decaying tones come as if some great engine then arrives to take the dancers further on their journey.
first vinyl is translucent yellow, 2nd solid black.

shottas b/w come again is the debut 7-inch release from brooklyns dj prince. having toured the world as skyzoos dj, prince has amassed his debut compilation lp, test my sound, which was released in may of 2014.

golf claps original is a deeper tune that still works on the floor. remixes come from reset safari, jafunk, and mike millrain.

the deep explorer boss makes his way to the spm universe once more with this long awaited ep. appearing in 2011 on the come compilation the unexpected became a full-on project backed by an above smoke remix.

a1, entitled the weapon, is a pushy tune driven by sheer 909 rawness and that legendary dx7 bass we have come to love on many of jacob s tracks. a2, appropriately titled -from the underground (jmf s fatty rub), remixed by the english producer, jmf. keeping up with the energy of this release, a2 brings a tech-like jack vibe to the table. b1, entitled from the underground, is the original mix from which jmf reworked on side a. this track brings a tougher, darker vibe to the mix with a strong bass and steady pumping 909 riffs. b2, warehouse stomp, doesn t fall shy of its name.

vier jahre haben sie sich zeit gelassen für den nachfolger von the king is dead . the decemberists, colin meloy, chris funk (gitarre), jenny conlee (keyboard), nate query (bass) und john moen (schlagzeug), entschlossen sich nach erfolgreichem tourende 2011, eine bandpause einzulegen und sich persönlichen dingen zu widmen. sie hatten mit the king is dead immerhin gerade ein album veröffentlicht, das in den us charts sofort auf platz 1 schoss und ihr song down by the water wurde für den grammy in der kategorie best rock song nominiert. aber ganz von der bildfläche verschwanden sie dann doch nicht. ihre animierten alter egos traten bei den simpsons auf, für den soundtrack von hunger games lieferten sie den song our engine , meloy veröffentlichte die prämierte kinderbuchserie wildwood und das livealbum we all raise our voices to the air , das ihre atemberaubende intensität auf der bühne widergibt, erinnerte uns immer wieder an die wunderbare band aus portland.

refined selector and esteemed producer, steve braiden breaks out on his own with the off out label after some excellent releases for the likes of rush hour and joy orbison s now defunct doldrums label. its a good day when there is some new braiden productions to soak up, and hopefully the establishment of off out will see them appear with more regularity in the future. as an opening statement, apex of the sun s way is a powerful one indeed! the title track is characterised by the sort of rhythmic poise we have come to expect from a braiden production, with searing emotive textures rubbing up against some of the crispest drums heard this year. - solar poise- is equally memorable, with strange ghostly vocals trapped deep in the mix and an unpredictable synth careening around the channels.

ltd repress 2015 !!
before dj gregory was point g. point g is an alias used by the french produced to explore a gritty, raw sound steeped in abstract vibes but with a very basic approach, which makes it all the more captivating making a strong impact on the underground scene in the 90s, point g gained much respect amongst his peers with timeless releases like the raw ep, on the raw again ep…. originals vinyl copies of many of point gs early tracks are notoriously hard to find, giving this comeback even more kudos.

as we have come to expect, pluie/noir again challenges what can be achieved within the parameters of dance music by empowering its carefully selected epertoire of artists. as standard, the album will come as a limited pressing, this time around of transparent green vinyl, with a beautiful hand-drawn black and white artwork cover, ensuring this is as collectible as it is listenable.

after an a-side debut on m_red ltd’s heady 10’’ series, shadowy outfit overall severity return with their first full outing for key vinyl. much like the slabs of steely sonic wares that have paved the way before it, “knowing the healing” presents three works of on-point dance floor material we’ve come to associate with the underground tastemaker. “explain pain” is the ep’s aggravated opener. a pounding kick and itchy percussion unfurls into a din of claps and noises, spliced with melodious peals and a low-slung sort of groove. “backfiring nerves” is one of those cool peak-time weapons: frantic yet subtle, deeply groovy and plied with much-loved vintage crashes. “parasympathetic” then concludes in the form of a chugging basement bomb awash with bleary acid tones, crystal hats and muted dissonant chimes. all in all, “knowing the healing” marks a powerful entry into the ring from these ones-to-watch newcomers.

after five years of throwing parties under the name green villain, the label green village was founded in 2014. their second release, come through for me features a single from new york city based dj/producer, policy. following his two recent albums on 100% silk in 2013, and rush hour in 2012, this will be his last release for 2014. the flip features a more dance floor friendly remix by london based, thefft which focuses on predominant percussion and off beat bass stabs.

collision with the past, part ii the drama continues. a set of immersive and moving experimental techno outbursts by our man boris bunnik aka conforce. conceived to reach beyond your emotion circuits, send shivers down your spine and make your neurotransmitters shake. true beauty doesnt come from the unavoidable music industry promotion cosmetics. real music should reach your soul, and can only be explored through direct transmitted waveforms. from our frustrated minds to yours.

luca lozano drops 3 sheffield bleep anthems plus a dj fett burger remix to burn yo azz up!

in -music be my lover- alex sander combines a fusion of special electronic sounds and elements of the 80 s and 90 s with interesting and exciting new rhythms of today. this is deep house that will certainly climb the charts and fill every dance floor. the voice belongs to lamont prince, a singer and producer from washington, dc. his singing style combines the roots of gospel with elements of art rock.the amazing remixes come from patty kay, boy next door and samuel fach.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

returning to the southern fried home, machine loving disco oddball andy meecham aka the emperor machine is back with a new single from his album, and it comes ahead of a full new ep in 2015. *pop the lid* comes with remixes by hotter than hot international talent jacques renault, with whom meecham has also collaborated on a new ep forthcoming on jacques lets play house label, and will come in the form of a hand stamped and numbered white label 12 inch, limited to 300 copies.

parrish smith s debut of dystopic forbidding sets the tone of this label s impressive first release with a superb stark, acid ridden slab of body music. helena hauff adds to the proceedings with her remix of pankows >das vodkalied< taking no prisoners and using heavy percussion in contrast to a wonderfully tense set of arpeggiations, which all descend into skull crushing pressure. carrying over to the flip side are pankow, pioneers of the italian industrial/ebm scene, with two tracks from their legendary first tape -throw out rite- from 1983. with das vodkalied disembodied vocals are cut up and come from every direction driven by a raw, off-kilter energy and pounding beat. i m food for you cranks up the drive and anxiety to create a killer track based around stark arpeggiation. last of all, perseus traxx provides an acidic stripped down venting of frustrations which he spits out with vehemence.

the last shout präsentiert die in vergessenheit geratenen superhelden der blues-shouter-generation, die die amerikanischen nachtclubs und r&b-charts nach dem krieg dominierten. trotz des aufkommenden rock n roll sturms erhielten viele durch ihr erarbeitetes standing in der musikindustrie mitte der fünfziger ihre letzten chancen zu aufnahmen. the last shout dokumentiert diese zwielichtige zeit und bietet die letzten großartigen werke des genres zwischen 1954 und 1962. die limitierte 2lp-edition enthält 32 ausgewählte stücke der 97-track starken 3cd-edition. die linter notes stammen von r&b-kenner und compiler dave penny.

wayne gardiner is something of an unsung hero in the deep house world. his productions on numerous labels (nervous, strictly rhythm, ibadan etc) under his own name, as classic man, logic, track masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound. the ep features 2 mixes of killer a-side come on, do anything, 2 mixes of the slamming b-side cut i need you so bad and finally the basement jam which rounds things out. 5 tracks of pure 1992 nyc garage, one for true aficionados and house heads!

limited nice price action
massive french styled disco infected remix by dynamic rockers, flip for an electro approach by fred pellichero

i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here is the new compilation by jerome derradji with kevin starke, aka the infamous jackmaster hater and owner of kstarke records in chicago. &#8232,,,,it is one of the sickest slice of chicago house music ever released. this compilation features ultra rare and lost chicago classics paired with a nice selection of newer tracks produced by jackmaster hater and his friends, all nicely laid out on a dcd and 2 dlps. the dlps come with a killer poster and the dcd features a booklet about kstarke records and kevin starke and a few more surprises. it includes rare tracks by ron hardy, james -jack rabbit- martin, terrence woodard, traxmen and many more. this is the real sound of chicago.

alan fitzpatrick is back with a three-track ep that encapsulates what alan s drumcode sound is all about. hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top. check! in short, this ep is everything we have come to expect from alan over his long history with drumcode (this is his 10th ep as a solo artist!), but still his sound remains fresh and super-charged for 2014.

the maghreban. i saw this name for the first time when ayman sent me afric, out on his own label zoot. i really got into this raw, percussion heavy stuff. asked him some new track for versatile and here is the result: smack, with his rave vs chicago vibe, and two deeper jams. more to come!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
rabo & snob eschew the worn rhythms of disco injecting a heretofore unheard blend of middle-eastern rhythm mixed with western influence. equal parts studio musician and disco academia, this tel aviv duo know their history and can see the future. here we come is an appropriate maxim on their maiden vinyl release. these two weave a groove combining original and sampled elements to create a three track ep, each cut as strong as the next.

massive two tracker from jonny miller on his 2nd edits release on kat.what you did is quite simply a whopper! disco music as god intended it - arms aloft, eyes shut, inhibitions nowhere to be seen, smiles bigger than life itself. what we have here is not an edit as such but a reworking of chaka khans what you did, subtly housed up, re-arranged, chopped, fil-tered and re-mastered within an inch of its life - chaka herself pretty much always sounds in-credible but here the vocal just seems to stand even taller than usual. on the other side we have something in which some of our slightly older party folk may well recognise. dionnes house classic from 88 gets the full edit treatment and the timing on this just seems so right. originally released on the ace bigshot label out of canada (and was just huge in the hacienda), re-mastered, stretched out, re-arranged and making the most out of all those old school stabs, ploddy bass lines and timeless vocals.

nice price deal !!! raw waxes continues the release number four with one more original track from the noisemaker. the edition 4.2 is enriched by the remixes of korova, duo who were protagonists of our first release, and inigo kennedy, old school artist truly appreciated by raw waxes. on side c, point x15 advances as an acid robot going ahead with swollen broken baselines covering sinister and rough ambients. the rhythm gets darker and nimbler as far as the stylus moves on the decks. on the side d, korova delivers the mirror of their hypnotic and straight techno soul. drums play hard, ambients are kept happily enjoyable, while the acid synths and chords go with the flow embellishing the original version. inigo kennedy’s reinterpretation seems to come from early ’90 productions on missile records. acid elements and palpitating hi-hats, followed by the syncopated bass drum, gradually fire the minds up and accelerate the roll of weird but deep moments. pure industrial machine guns.

here comes a new project on philpot records, bringing together two of the most consistent german producers of the last decade: soulphiction and move d are pairing up to bring you some deeply rooted, funkafied house music on this one! >the limelight< is a subtle, shiny piece of neo-disco for the believers, rolling along with funky licks and a demanding bass, a sureshot for the music lovers! manchesters trus me takes it up and delivers a fantastic remix, adding his trademark sonics as well as a new bassline, played by tom >boom boom< johnstone. the third track >the essence< is a nod toward a great jazz label and a blueprint for further things to come by soulphiction & move d! shake it!

producer and boss of mathematics records, jamal moss a.k.a hieroglyphic being is a one-off musical explorer. jamals music takes cues from the ebm and house that played a huge part in the city s musical underground in the late eighties and early nineties, notably ron hardy and adonis, but also industrial, avant-jazz and noise. his tireless schedule of rough low-key releases over the last 12 years and his intense, very physical, psychedelic music, have made him a key exponent or maybe even a pioneer of what has recently come to be named outsider house, although he prefers the more sun-ra like descriptors of rhythmic cubism and cosmic be-bop.
the double vinyl lp includes a download code for the full album.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

ltd 2014 repress
sandwell districts rrose launches a new label with a follow up to >motormouth variations<, last years unlikely collaboration with legendary improviser and synthesizer pioneer bob ostertag (named one of 2011s top 50 albums by the wire magazine).
for the debut release on eaux, rrose searched through ostertags cassette archives to discover a lost gem of studio improvisation from 1977. >the surgeon general< sees the barely post-teen bob ostertag exploring feedback techniques with an early buchla modular synthesizer, tape delay, flute and violin. the results are uncharacteristically moody, spacious, and well ahead of their time. on the flip, rrose provides two new revisions. >no child left behind< is a noisy and hypnotic acid-laden beast designed for dancefloor damage, while >her insides laid bare< takes the original into murky subaquatic territory. look for much more to come from rrose and eaux in the coming months.

ample play records release a heavy duty collection of richard norris recent time and space machine mixes on double vinyl, including download code. a man of many guises, he has operated as a duo - as the grid with dave ball, as beyond the wizards sleeve with erol alkan - but when it is time for some solo sonic action, he records and remixes as the time and space machine. we find him at it here: *the way out sound from in*, reworking the most cosmic beat combos around into hitherto unheard psychedelic shapes. warpaint, jagwar ma, temples, psychemagik, the sufis and more fall into the time and space machine and come out the other side with wider grins and shinier eyes. it is the way out sound from in ... all aboard.

the original motion picture soundtrack for marvels blockbuster *guardians of the galaxy*.

kenny dope and louie vegas nu-yorican soul project was responsible for some of the biggest underground club hits to come out of nyc throughout the 1990s, their collective vast musical knowledge, impeccable taste and legendary status as djs in the city only helped elevate them to the highest level.
the nervous track is a fine example of the duos deep musical heritage, originally released on nervous records in 1993 its deep pads, bassline and solid as a rock breakbeats captured the ears and minds of any self respecting dj or dancer who came within a hundred miles of it, the very definition of a classic! fusing the worlds of jazz, latin, hiphop and house maw set the blueprint for generations of djs and producers to come with records like this.
here, re-mastered and re-issued from the original dats in conjunction with nervous records nyc is a piece of dance music history, the nervous track is available again and still sounding as vital and groundbreaking as it did on its original release.

limited to 250 hand-numbered copies on transparent red coloured vinyl!
killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure

for most people, seth troxler is a name associated with detroit-leaning house and techno. yet this only scratches the surface of troxler s musical outlook, hence the formation of soft touch records, an imprint focused on peeling back the layers of the exotic and the strange, where interstellar guitar, calypso disco and seductive techno tracks can come together in unison and feel totally at home. on the labels first 10- release, long time friend and guy gerber collaborator, clarian, collects three tracks for soft001, a kaleidoscopic journey through 6am electronics, afro-beat indie pop and sixties west coast heartbreak. it s a bold opening statement for a label prepared to break the mould, get you on the floor with a whispered promise through the dry ice.

with his accomplished barcelona ep having turned the heads of seth troxler, maya jane coles, ben pearce and maribou state among many others, church head honcho seb wildblood returns with a hugely assured ep that matches his nascent labels promising recent output.

killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure

after a storied recording career that has so far taken in albums for further, mathematics and danyy wolfers strange life label, spanish artist vagon brei added label boss to his cv earlier this year with launch of mystic & quantum. record labels come and go but few arrive driven a real specific concept in a way that mystic & quantum are with each album length release conceived to show stories of adventures, magic, science. having launched in auspicious fashion with albums from dmx krew and san laurentino, vagon brei helms the third release with a nine track set entitled the secret of swamp castle. seemingly taking influence from giallo horror, brei s album comes across as a compelling collection of synth explorations that will have you returning again and again in order to uncover the swamp castles secrets. limited edition of 180 copies on pink vinyl with special artwork, first 75 copies include a fridge magnet.

respected black dance music dj, jo wallace, was commissioned to create a bespoke track to accompany this summers must see exhibition return of the rudeboy by its creators, dean chalkley and harris elliott. in order to deliver the track in a limited vinyl format, jo had to create a label. thus, ramrock was born. paying homage to the glorious heyday of jamaican rocksteady, jo tailored the sound to fit the flavour of the exhibition - more argyle socks than on the rocks. gathering together the production skills of the legendary ashley beedle, the talents of musical supremo darren morris and the mighty mc doxman, jo oversaw the whole project in the studio even lending a hand on backing vocals and percussive teacup.gentleman rudeboy is a track that will continue to fill dancehalls for many years to come. welcome to the world of ramrock

with this first release the labelheads mm:ms present the musical direction of the newborn techno label writtentozero and give you an imagination of the things to come. solenoid (graphene, belief system) delivers a remix on top.

*gussie presenting the right tracks* - the original 70s classic collection with 11 selected tracks on wax. a true parade of jamaican greats horace andy, dennis brown, gregory isaacs, augustus pablo, leroy smart etc. - the next decade gussie clarke went truly outernational with global hits galore but these are the crucial cuts that paved the way!

the 18th installment from aesthetic audio brings together four deep architects to form a collective that methodically articulates a symphony of sublime textures, lush chords and unique musical visions. keith worthy (detroit - u.s.a.), miruga (japan), jose rico (spain), and michael zucker (orlando – u.s.a.) are the unusual suspects, and they are here to remind us that it is okay being labeled as unorthodox … it is okay to move to your own rhythm … and in fact … it is okay to applaud the unusual.