side a brings the original sound of chicago acid sharply back into focus, subtly reusing the elements that made those records so special whilst bringing the sound up to date with modern production techniques and banging drums whilst maintaining the wigged out alien sounds of the time- for fans of everyone from todd n tadd to eddie fowlkes to sleep archive. the flip side brings a truly amazing track from rei loci again- playing with all manner of spaced out fx laden elements, and underpinned by the subtle interplay between machines- dreamlike, deep, intense and epic in all the right sense of those words this track sees rei moving into a more mature and complete phase in his production

dj support by adultnapper & matthias kaden !! cynosure is proud to present the debut ep of one of italys finest house and techno djs, andrea fiorito. hailing from the southern city of bari, andrea brings new warmth to the otherwise ice cold italian house sound and delivers a timeless deep house original. things commence on >moderato mistico< with a subtle tribute to a close a friend that has some serious issues with partying called >boti world<. a stripped down minimal house groove with several different monster bass hooks. a killer bumping, grinding, walking bassline that heats the floor with every change up. but as we all know this is not enough to really push things to the limit, so andrea answers the call and brings the furry with givan on the sax. imagine that moment where things in your night boil over the edge and you begin to loose control. thats when givans post punk style sax attack begins to push things past the threshold of insanity. next we have the lovely >betty loop< feat the sensual voice amelia saul. a layer of percussion a la spring reverb set the pace leading into some piano chords and a giant bass hook that make up the foundation of the groove, laying the sonic rose pedals down for amelias presence to be heard. with a voice sweeter than honey and some twisted lyrics, she creates a sexy yet warped feeling in this track. and of course if the vocals were too much, you can play the dub version >betty goes to gio< and mix your heart out. with >moderato mystico< andrea fiorito lights the deep minmal house flame for cynosure closing the summer releases in style by producing heat that only a southern italian can. howie mangel

with frankly amazing singles on his own glimpse recordings and matt tolfreys leftroom earlier this year, 2007 is shaping up to be one hell of a year fro christopher spero aka house/techno prodigy glimpse. here, he delivers his debut for the uk-based bastion of quality that is four:twenty with a superb collaboration with critically acclaimed taka boom (sister of chaka khan) in the form of we existed. another great uk talent, tom demac is first to remix we existed and does so in fine style. its plain to see why so many labels of note are requesting releases from tom on first listen to his skilful, deep and dubby excursion into detroit inspired house. jay shepheard, not to be outdone, turns in two remixes for the package. his alternative remix is up first and is a driving affair with a percussive punch and nagging fm chords providing the perfect base for takas vocals and some well placed keys. the main rmx from compost man shepheard carries on the mantle of quality with a decidedly more electronic and epic feel: a shrinking violet this is not

claremont 56 sublabel with another collection of stunning disco tracks. track one is a peak into the album by jaz that will be released later this year and is a driving disco number for peak times. on the flip manchester s cosmic janes edits are not the obvious choice of tracks...but therefore much more interesthing then many of the edits combg out these days. diving into the 80s obscure pop releases we have some excellent tracks that will get the party started!!

new release on millions of moments by a unknown artist (or maybe not so unknown?). all we know is that this is delivered to us under the name of ohrwert). comes as no info orange labels and has 4 deep, deeper dubby techno tracks cut into the delicious black vinyl by the people of dub plates and mastering in berlin.

side a of the 4th record from monotone leidenschaft provides furore. the producer newbee ash cawlin proofs once more his potential with this track. with wondrous slight devices and a very long breath he is able to design a timeless minimal techno sound, which reminds a little on g-man. with the track leda he provides a genuine hit potential more than the presence as a dj-tool. jack else aka subtronic produced a really succeeded and modern track, which matches perfectly between functionality, friskiness and brightness as well as between techno and minimal sound. the blowing groove is always multi-layered and a little capricious. in spite of that it radiates a defeating naturalness, which is slowly burning into the brain. the new track provides the typical heavy, pushing beats, which let you step on the same position. along with it there are endless traces of crackling and rustling

while on a months hiatus in the australian countryside jaymz nylon began recording the dirty wonderland ep stretching his afrotech sound into a more experimental jazz territory a direction that would make herbie hancocks 1970s band head hunters very proud...dirty wonderland ep is filled with 4 gems that will leave a lasting desire for the ears, heart and your dancing feet.

u2x productions is pleased to announce their new release by recording artist niko marks, aka the maestro of dance music. side a - hueman density contains filtered strings that morph into a soulful rhythm that makes you want to dance your pants off...thats how funky it is! side b1 kicks off with a remix of west 8 mile which was released on logos recordings. it is an incredibly uplifting production built around a powerful groove that together with the southern soul vocals and jazzy keys creates an irresistible vibe on the dance floor. side b2 – stay or move on features amp fiddler on vocals. this one is a creeper...sure to catch you later with deep..

koyla, mastermind of russian composer and producer nickolai serbryakov, rips into the electronic scene with his slickly produced acid jazz style sound. the 25 year old producer from st. petersburg drops his first single on bombay&#146,s subdivision manali records &#147,bowel&#148,, a solid deep soulful disco groove. the b side is an in house mix that brings us into a late night bumping funky direction with ambient tripped out textures and hard detroit style chords. koyla and dj primat are true musicians and deserve the fullest respect in this genre, stay tuned for these boys with singles and albums to follow.

it only takes a mood from the past to make a today s dream come true: phil fuldner and daniel dinsing get back to the very beginning of their love for real house music from the 80 s and 90 s. they may have gone in different ways musically, but with this brilliant-modern backview they pay rescect to what they have shared for the last 25 years: fascination for the real rare groove, funk and house tracks. powerded by two stunning mixes by label owner ian pooley, this release will shurely make its way into people s hearts and record cases..

joonas hahmo is back with cocktail bar, a worthy follow up to last years ibiza anthem together.this time the talented finn has cranked things up a notch further, with a floor destroying piano houser that whilst different in style and groove, has drawn inevitable comparisons with pjanoo, in terms of dancefloor impact. cocktail bar should appeal to a broad range of floors, either as a peak time banger for the house heads or a set builder for the trancier jocks.remixer ben macklin brings the track further into mainstream house territory with a tightly produced electro tinged rework.

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

spanish electronica label semantica brings part two of this limited release by vladislav delay, and this time its the turn of the remixers. andy stott (modern love) stretches the original out into a typically deep and tweaked out dub-tronica version, while fibla (spa.rk, expanding, quatermass) makes a somewhat gentler and more melodic piece. very nice

three hot cuts by editechnique. these guys turned some nice tracks into killer tracks and added some own flavors to it. sounds like they found some crazy wack tracks and turned them into hot peaktime material!

without a doubt, chicago native huge hephner has garnered quite the reputation as an international playboy - pimpin and whorin his way into the electronic music worlds stream of consciousness. however, behind the tough guy persona is a highly underrated producer with an unbridled passion for music and love of the analog gear he uses to produce such increasingly in-demand sounds. it is this perversion that lends meaning to the title of his debut album, nymphotech, released on none other than the label that helped launch his career, siteholder records. unflinching in its house vibe, yet relentless in its dance floor attack, nymphotech is a highly impressive debut album by a producer who continues to up his game with each successive release. hephner kicks off part one of a two-part vinyl album sampler with the chugging acid burner sharing the same title as the album. nothing less than 4 a.m. packed club material, to play nympotech at any other time would be a failure to recognize this bombs full potential. jack n coke is undoubtedly huges nod to his hometowns house legacy, showcasing a flirtatious bass line that screams funk in all caps. wheres the acid? fans of hephner might ask. leave that up to freaky $ean da don, featuring the vocal debut of huges body guard and reputed hitman who bears the same name as the tracks title. if nymphotech is any indication of whats to come from mr. hephner, we can only hope huge will manage to stay out of jail long enough to produce a follow-up

excellent 2005 album!!! finally back in stock!!

is there more to life than house music? for the swedish dj/producer mikael nordgren: probably not. since 2004, he has been steadily churning out some of the best future house tunes from his studio located in stockholm. his productions have been released under many aliases including dmalicious, 12th floor and for get physical under the mighty moniker of tiger stripes. the blacker the music, the sweater the sound. a potential anecdote that fittingly could have inspired mikael when he composed the warm and supple portion of detroit fueled funk that is, blackroom entertainment. yet another presentation of his programming prowess and ability to mold and mend melodies into a sophisticated groove. especially utilizing his signature catchy drums to get the vibe going, then introducing a melodic synth stab before the track takes you away with complex variations of rhythmic lead sounds. abacus may remind listeners of his stellar mad at me ep released last fall on get physical - albeit reformed with a more analog approach. springing tones get the groove rolling before it is taken over by a cabal of sci-fi sounds, at which point a thick, modulated analog bass sound ups the overall energy. the lack of audio imagery is little if none, as the sounds invoke so many moods, feelings and sensations that only a seasoned dj and knowledgeable producer could fabricate such a convincing theme. blackroom entertainment ep again showcases mikaels ability as a formidable contributor to house music

while for many of his contemporaries repetition became a new standard rather than innovation, jacek sienkiewicz with every release seems to be broading his musical horizons and challenging new territories. beacon seems to be even more organic than previous recognition releases, and the warm, yet unstoppable beat workout suddenly goes all jazzy and cinematic, with irresistible saxophone hook. big surprise here, but jacek blends the sounds into one of his trademark, 12+ minutes long, massive club anthem. another surprise is brought by the flipside - this remix is courtesy of the man of the moment michel bauman, here applying his soulphiction alter ego to dark, smoky and very tropical variation on a familiar theme. all over, another very impressive release from jacek sienkiewicz, man who never fails to impress.

after his successful first release on wavetec, entitled >deep joy ep<, madrid-based producer tony lionni (also on versatile, mulemusiq) returns with a much-anticipated new ep, >mamadu<. this album brilliantly demonstrates lionni s musical production talent ranging from techno, dub, to progressive, acid and deep tech-house. the title >mamadu< is a sure reference to the warm, melodic techno inspired by afro rhythms that are layered over the abstract electronic tunes and minimalistic soundscapes on this ep. the title track evolves into a fast-paced atmospheric techno journey, while >deep odyssey< merges haunting deep-house rhythms with a dubbier flavor more in the vein of the deep space-sound developed by francois k

rhodes accents and analog synth melodies, while a vocal chorus ups the soul ante during the marching strut of who am i, a beautiful example of timeless house music if there ever was one. in futuristic funk, a looped voice incessantly repeats too late now, thereby adding a touch of delirium to the tunes stomping swing, after which the vocal line expands into the chanted pray for brighter days / too late now / lose myself in the future / too late now. warmed by old-school synth flourishes, congas, and rhodes melodies, millers rich and seductive club music makes surrender the only possible proposition and a release so rarely deep and musical, which is therefore not to be missed.

it hasnt been long time ago since the last coup made by clark and schatz hit the streets but highgrades head-honcho tom clark and the true berlin talent markus schatz allready go for the next round. the original version of >hot choc< makes the start - playfully swinging, the track developes itself into a masterpiece of an easy going groove without being half bad. the french dj and producer tom pooks - well known for this productions on ovum, kompakt and other wellsounding imprints gives >hot choc< a whole lot of jacking energy to take along. he sets the percussive elements free - and rightly so! punch meets hypnotic deepness - perfect! with the hot choc re-edit on the flipside by markus schatz he eventually letting the cat out of the bag. without any detours and in best daniel bell-like mannour he jump into a real inferno made of funky bleeps and weird sounds. delivering with this one more than just another highlight on this release - because last but least it’s the best evidence, you gotta reckon with these two!

techno is alive and kicking! cyp onthe a-side and victor martinez on the flip side prove so with quality tracks - ment to take dancefloors into the deep. cyp previously released work of his on inceptive, psychoskunk and limetree. victor martinez is known for releases on his own imprint psychoskunk and on offaudio. these guys know how to make a crowd dance - check it out !!

ianus71….is a newborn project by system of survival (lasergun / freak n chic / tenax / vinylclub), amor t and dellis. behind this aliases there is a team of european djs, producers, >professional music enthusiasts< based in london / ibiza whose aim is to create and promote new music. this first release, naturelle ep, sees the label trying to infuse a new attitude into the modern dance scene by injecting musicality and inspirational good feelings back into a scene which has become oversaturated with monotony and a lack of imagination. system of survivals vast array of influences infuse naturelle ep

played by: jimpster, nick curly, martin eyerer, eddie richards, stryke, rulers of the deep, tom novy, c-rock, leandro gamez, timewriter.... hearing the new single from gorge seems like he slices this three tracks into big pieces of love and everybody gets one of it.the clear and simple arrangements create beautiful appearances of soft and light energy in mind, body and soul. this three tracks will take you on a ride through your inside and you ll skim over the waves we promise!!!

gorgeous sound, sweaty beats and a dream of a female voice! no, i am not talking about the new jenna jameson movie, but from the 1st release from the djs jay pariz & meave de tria. dancing with tears in my eyes, a hit from the 80ies by ultravox, and converted it into a danceable club dream from vinyl. youthfully cheeky they play with the a bit long in the tooth gotten song and planted on a living cell therapy which is listenable. incl. 3 remixes by niels van gogh, doc phatt and spacekid

all god s children is pure deephouse with driving percussion, a classic house groove, lush keyboard work and a bassline that brings you through the night. the bside sports two versions of the track anything is possible. the maison vumbi edit by xaver hinself is very faithful to the original version, which is a disco tainted take on early chicago house, and simply streamlines the track for ideal dancefloor compatibility. the filiberto marmelade remix on the other hand turns the track into a psychedelic piano-house jam with a highly addictive additional hook, a real summer tune..

lcd soundsystem returns with a song written for the soundtrack to the sony pictures film 21. james murphy’s concept of what a big rock song made for a movie could sound like more than a balls-out big rock song, the track delivers in unexpected ways, from the edgy opening two minutes that alone could serve as the score to a car chase, to the sudden explosion of choirs, blissful harmonies, and larger-than-life chorus. babytalk, who has created quite a buzz with two top-notch releases and is currently the toast of underground dance music and disco heads, remixes the track into something seemingly slower and definitely more sinister

with more then two decades behind the decks, this detroit native has the knowledge and experience to throttle a dance floor. this debut is celebrated with custom packaging designed and illustrated by trench wich expands into a 24 x 36 poster. this pivotal record is a must have for collectors, featuring remixes by pioneers that need no introduction, dj bone, aaron-carl and donna black

stilistische dämme brechen hier wie reiscracker, denn die tanzfläche 2008 braucht - angesichts der immer noch vorherrschenden monothematischen dürre - neue töne nötiger denn je. hier gibt s exklusive reisbrecher von: freiland, justus köhncke, supermayer, jürgen paape, schaeben & voss, dj koze, jörg burger, thomas fehlmann& superpitcher

byron bogues is coming with a huge release on skript music. his dark, minimalistic techhouse track >bass 2 bass< is straight for the dancefloor. the record comes along with two different remixes by two_em(rotary cocktail/ dekadent/ snork) and bernd krull aka andomat 3000(cadenza/ platzhirsch). two_ems version is a good driving tool with a lot of percussions. bernd krulls interpretation is more housy and fits perfect into the summertime. support from acts like tomcraft, superflu, dave shokh, martin donath, nudisco, avex axiom

limited to 500 copies on coloured vinyl !!! the mysterious intrusion project (feat. on echospace 007) emerges once again and delivers another epic release. throughout the original mix of >tswana dub< you find smooth textured pads and a bassline even the mighty king tubby would surrender to. the melodies evolve in slow motion over time as the synth hits open and close into a fierce midnight skanking session so lo-fi you would think this was recorded at studio 1 in the 1960s. on the flip side brendon moeller serves up heavy bass reductions, live melodicas, brass sections and spatially aware dub fx. the phase90 mix dissects intrusions original into a full spectrum spatial affair as deep as the sea, epic and beautiful...

supported by prins thomas, ame, henrik schwarz !! ypsilanti, michigan based dj/producer todd osborn (ghostly international, spectral, soundmurderer), detroit’s man of many hats, dives deep into japans culture for >bingata<, his first release for running back. the title track is house-not-house between >eurodans< and glenn underground’s early works. also includes >i think it’s me<, a nice cut-up gem in the vein of sound stream. pink alert, the project of running back owner gerd janson and his studio partner curio, have stripped things down in their murky remix. hot like chip fat! limited to 750

minimal phreak out strong release by this swedish dream team of clicks n cuts.. after the fantastic gez varley and geoff white releases in the past few months, persistencebit returns strong once more with the swedish minimal techno artists johan skugge and mikael stavöstrand, who work their collaborative gear into a feverish lather on a new trio of high-octane cuts. immaculately constructed and executed with precision, the duos material isnt as skeletal as one might expect-ample noise and commotion appear alongside the tunesgrooves-and, in its acidy moments, pink phantom sometimes sounds like audion, albeit in a slightly less raucous frame of mind

luciano rmx !! in anticipation of open wide, his upcoming debut album, we are proud to present the first taste of dave aju’s mouth-based wizardry with >crazy place<. a deep, extended journey into aju’s vision of slow-burning melodic space disco. the warm vibe, building synth lines, and catchy choruses are guaranteed to please. on the flip, we are blessed with a great remix by luciano, who stretches the track out even further, traveling into the sublime musical territory of his finest work, perfectly complimenting the original. a strong and truly balanced 12 with >future classic< written all over it! label standard sleeve / jacket

big with alex picone (cadenza) for phonica records london. the record has already been played by dj s such as james pennington, dj buzz goree (underground resistance) dj jus ed, radioslave, cassy, pacou, mad max, ricardo villalobos, luciano, prosumer, marcel dettmann.... their third ep on there independent label is a manifesto of their purposes: to provide to the dancefloors solid analagoue fat sounds not following the trends but always digging deep into their roots with the eyes on the future. the future is the past and the past is the future. restoration is an anti-digital media corporation who fully believe which the only useful ammunitions for djs are vinyls

x.l.r.8.r., the new label from marc o’tool, sends its second release into the race. as a label pendant to mauritius, which can look back on diverse successful releases such as criss source >hugs’n’kisses<, marc o’tool >the sinner in me< and productions from björn mandry, ballroom and marc vision, the team on x.l.r.8.r. approaches things more technoid, rougher and dirty. after the label premiere >showtime< already secured the label a place among the front starting positions of the techno grand prix and according the motto >never change a winning team<, the second release again counts on the dream-team criss source & marc o’tool

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

like a proper immigrant family enjoying the life of culturally greener pastures, the vakant family continues to grow in berlin. closely following the exponential trend of mergers and acquisitions in the multi national corpo borg, vakant heavy industries signs the third in a series of new talent to the team. berlins dewalta a.k.a. david koch, long time friend of vakant, has completed assimilation into the freaky fold. a side salgaro is about as obese as a track can get. its happy, its huge, its pan ethnic, its sensitive, its irreverent. its so good it was immediately used for onur ozers up coming club dj mix cd. on the aa side farina lives. its freakier, its smoother, its quirkier, its cup runs massively over. we are talking insulin shock plump. we cant even identify which genres it spans. it sounds like the amalgamation of everything currently succulent and lots more that will be

1st release on a new spanish label, run by dj link (amigos) - check it out if you are into good grooving harder techno!

nice new berlin label with nice artwork and some sweet cosmic kraut disco. original mix is by grackle (aka galaxy toobin aka smeckulator) who dropped a nice minimalish sahko kind of cut. main tracks are basicly the sweet ass remixes by unit 4 who made a long slowly building track with an electronic kraut rock/disco groove and he managed to take things higher into the comsos as the track develope... nice job! the other very nice remix is by t. keeler who made a more disco-ish affair with nice lush grooves and warm balearic sounds. hot stuff for all the lindstrom, mudd, prins thomas, quiet village fans

played by vera, nekes, raresh, tassilo ippenberg (pan pot), anthony collins, italoboyz, dop, kabuto&koji, federico molinari, reboot, markus fix , sis, lemos , kreon... 3rd instalment of the hyped label. big with all the new school house heads ! here we are for the 3rd release of the masomenos livemix project, croco ep. a-sided >apache-moi< is a tribal yet happy track with nice flutes and big drums. you can picture there desert & dust as for a musical ceremony to pray the gods to let rain fall… on b-side, >pierre & le loup< starts as a journey into the woods on a sunny and nice day, till you can feel the wolf approaching and the pressure rising…nice rolling bass, pumping groove, perfect summer sunrise track. >cherie< is a more laidback and atmospheric b2 track that would fit perfectly for any summer sun-set.

lme starts into the new year... here comes the follow up smasher from luke lawson: >all night long<. dont worry... not just another cover version from an eighties hit. this one is a unique track including a guaranteed summer feeling. the upcoming producer from austria could enlist >the house voice< john whitfield for a cooperation. besides hot rhythms, a pumping bass line and brilliant piano sounds, this track particularly impresses with impulsive vocals and a big remix package with mixes from shootingstarz, lectrostar and falko niestolik & j.k david mix

a seriously heavyweight plate from twisted, a member of germanys acclaimed dutty dubz crew. erratic is a grimey monster of a tune, the subtleties of the intro with its pattering bongos and stealthy pads giving no indication of the carnage to come. dropping harder than a ton of bricks, the filthy buzzsaw bass comes swooping in beneath slamming halfstep beats, squirming between the enormous bashy snares and sinister electro riff topline. on the flipside twisted goes a little more leftfield, tapping into the chiptune flavour thats currently permeating the dubstep scene via the likes of rustie and zomby.

breakin boss ed dmx supplies six tracks of freaked-out modular synth madness mangled through the macintosh into some weird high-velocity electrofunk. edmx is eds alias for the more hard and fast stuff, these tracks are experimental but with lots of sub-bass and high tempo beats with unusual grooves. edmx can be seen performing around the world, recently played in japan with breakin artists ceephax acid crew and also appeared this year at the bang face weekender, the bloc weekend party and will continue to play out globally throughout the summer

first single from the forthcoming album called >toinen< from sasse comes in the form of 2 long, evolving, pulsing deep tracks which bring the finn back into his rootz of house music. big with alex kid, agoria, danny howells, steve bug, mathias kaden, kiki, garnier, jimpster and many many more

daniel mehlhart steps up to the plate for kindischs seventeenth release, origami - an exquisitely deep, languid house jam laced with strung-out, processed spanish guitar and gently euphoric xylophone arpeggios. >origami< is languid, yes, but not exactly laid-back: its held up and propelled forward by a gently vibrating lattice of kickdrum and snare hits, through which a dubby, molten bassline and taut, time-keeping chords dreamily but determinedly flow. the perfect soundtrack to the mixed pace of summers long days and even longer nights. mehlhart harks back to his acclaimed past releases on karmarouge and neutonmusic for >alles klar alles easy<, which sees brushed drum and shaker sounds edited into a quietly explosive techno work-out with serious swing. >fata morgana< begins in a more linear, four-to-the-floor style, but those percussive flourishes quickly accrue into something more strange, and then out of the ether comes an entrancing, south american-style chorus line. the voices mingle imperceptibly with woodblock strikes and caustic snares, injecting the techno dna >fata morgana< with a sick and psychedelic voodoo funk. with this 12inch kindisch once again proves itself to be a preeminent stable for experimental, expressive dancefloor music, and daniel mehlhart affirms his status as one of our most daring and capable producers

after the extremely successful filmmusik ep on rompecabeza, holgi star is back with >not for me<. the ep consists of two tracks with technoid crossover potential! on >not for me< bits of african vocals meet functional techno and seamlessly weave together into a quite sexy and rather danceable number. all the while >dont feel it< coolly, calmly, and with just enough repetition, establishes its class and style without unneeded flourishes. both tracks were extensively tested by the rompe crew at sonar 2008 in barcelona, and reactions spoke of the potential both of the artist and the ep itself!!!

the dirty one slams up the classic dreamer and turns it into a must have summer anthem!! one sided. mickey slim stylee

the a is from rico & starts with an atmospheric pad and a loop of a vocal snippets, which builds & builds until it drops into techy, dancefloor fueled mayhem! the aa side comes courtesy of nightwalker himself & features the classic nightwalker production, huge ultra catchy bass lines, rollin beats & snares that take your face off.