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Rhodes Accents And Analog Synth Melodies, While A Vocal Chorus Ups The Soul Ante During The Marching Strut Of Who Am I, A Beautiful Example Of Timeless House Music If There Ever Was One. In Futuristic Funk, A Looped Voice Incessantly Repeats Too Late Now, Thereby Adding A Touch Of Delirium To The Tunes Stomping Swing, After Which The Vocal Line Expands Into The Chanted Pray For Brighter Days / Too Late Now / Lose Myself In The Future / Too Late Now. Warmed By Old-school Synth Flourishes, Congas, And Rhodes Melodies, Millers Rich And Seductive Club Music Makes Surrender The Only Possible Proposition And A Release So Rarely Deep And Musical, Which Is Therefore Not To Be Missed.