played by mathias kaden, someone else, tim green, franco cinelli, katzo and many more. minimood redefines minimal once again, this time bringing you yet another unbelievable talent from the bubbling underground tokyo scene: shu okuyama. the weiter ep demonstrates how they do geometry in a beautiful and fresh non euclidean fashion deep down in shibuya! note how the extravagant a1 punkt represents an irresistible example of the hypnotic hip twitching water crunk sound which is fast becoming one of minimoods trademarks. moreover, b1 strich is simply genius as shu completely axes conventionalism, swinging his sword with samurai abandon through jazzy keys, percussive hits, vocal snippets, analog blurps,..., and then re assembles them all to devastating contemporary effect! one ticket to tokyo, please!

incl spartaque remix !! contemporary techno bass line meets the whistles from early days of rave culture, cold and clear synthetic lead transforming and pulsating on the solid kick drum

big with sonar kollektiv posse, alex attias, peter kruder, dave ellesmere, kiki, agoria, fabrice lig, 3channels, chymera, simon baker, dan ghenacia, sasse !! + quarion remix... already featured on our current label compilation >grand cru 2008<, we now welcome andrès garcìa with his first regular release on our sub-imprint connaisseur supérieur. andrès, a geneva-based musician with spanish roots was early infected with the music virus. he started with classic piano classes at an early age, and moved from there to jazz and improvised music. this lead him to the conservatoire populaire de musique genève, where he attended classes in electro acoustic music. today he’sproducing solo or with partners like dandy jack, quenum or paris the black fu on prestigious labels like crosstown rebels, imploz and num, beside his work in the contemporary art section, for theatres and movies. >no more tears< is a genuine summer track with an alluring groove, mysterious oriental-sounding vocals and an excellent percussion work, which is tailor-made for deep and moody techno sets. drumpoet community’s man of the moment - quarion

two years ago, honest jons travelled to lagoswith the great drummer tony allen, to make his first recordings there since his time with fela kuti an album entitled lagos no shaking, a classic of contemporary afrobeat. since then, the label has widely commissioned numerous responses to those new sides. from legends of dance music culture like basic channel in berlin, for example, and founding father of detroit techno, carl craig, and young tigers like dizzee rascals newham generals, mia producer diplo in baltimore, and carioca sensations bonde do role from rio de janeiro. and newrecordings from cairo, saturn, bogota and kingston, jamaica fresh interpretations or complete reworkings by the space jazz pioneersalah ragab, a street brass band descended from sun ras arkestra, highlife inspired afro colombian drummers from the maroon village of san palenque de basilio, and a veteranof count ossies mystic revelation of rastafari.

get back on board the underdog love train with two very rare tracks that were never released on 12 inch. love committee’s >pass the buck< is another norman harris production that was a huge music box record.. black ivory’s >longer ride< is an early leroy burgess track, he was on the first two black ivory lps. this is a classic example of the deep deep, disco soul sound. both tracks only have slight extensions to aid the contemporary dj

fresh from his recent 24/7 recording sessions comes this ultra powerful double sider destined to blow your headz and keep yer feet dancing on a never ending story. no need being a musicologist to realize where gigolo takes his major influences from sounding like a blatant contemporary response to disco don giorgio moroders classics with a deep cinematic emphasis as created by the synth lines. meanwhile klubhead takes where those ultra magnetic grooves which would make the reputation of the zanzibar such as underground solutions luv dancin or dee dee braves my my lover left in the beginning of the nineties.

the chart buster martin solveig was glad when his roman friend and colleague lorenzo rumi called upon him to return to the roots of house music, starting from the early, glorious chicago scenario and its immediate and infectious groove. so far away came to life, as an impulse with only 2 days of hectic studio session and a few liters of coffee. the guys worked on a stricltly old school basis, then added a full vocal and new elements to bring the fine charme of todays house, turning so far away in a contemporary composition rich of surprises and thrilling breaks. the performance of australian soul singer rachel claudio gives a touch of attitude with passionates and unforgettable vocals. definitely another epic stone in the b2f wall!

this is the indiana jones of contemporary electronics

definitely for the house headz in search of straight in yer face sensations, both the components of this ep are the perfect illustrations of an ongoing movement fusing the countless elements which have made the contemporary groove what it is since the arrival of the electronic kraut and disco in the mid 70s. from the infectious dubbyphonk deeptechy the pressure, to the essential discorgasmic vogue sounding like an unlikely jam featuring lil louis, les l.a. mix adams and the memorable john davis & the monster orchestra.

the new german tech-house and minimal label starts within the deepest zone of contemporary high class club music. a brilliant remix by will saul and tom cooper plus original and a legendary frankfurt/ coocon style marble arts remix ar emaking this one a must have

the chart buster martin solveig was glad when his roman friend and colleague lorenzo rumi called upon him to return to the roots of house music, starting from the early, glorious chicago scenario and its immediate and infectious groove. so far away came to life, as an impulse with only 2 days of hectic studio session and a few liters of coffee. the guys worked on a stricltly old school basis, then added a full vocal and new elements to bring the fine charme of todays house, turning so far away in a contemporary composition rich of surprises and thrilling breaks. the performance of australian soul singer rachel claudio gives a touch of attitude with passionates and unforgettable vocals. definitely another epic stone in the b2f wall!

big follow up to porto hustle and sex girl . rousing vocals, an absorbing groove and phat tribal beats! for the 2nd release of his own label s2g chriss ortega, took the chance and packed this huge track - in usual manner - in a contemporary electronic habit that will cook every dance floor. as the 2nd remixer the boys of s2g have engaged nobody else than the french guy chris kaeser. he recently belongs to the most important french remixers and adapted acts like stonebridge, antoine clamaran, dons and dlg to his typical propulsive sound.

veteran producer blame steps up once more on mampi swifts charge recordings imprint to deliver another strong 12incher! complete with his own unique take on contemporary dancefloor drum & bass!!

maverick music icon miss kittin is set to release her second album, batbox in february 2008. two years in the making, and almost four years since the highly regarded i com, batbox comprises thirteen original songs, all composed whilst touring extensively throughout the world. the album further highlights kittins position as a powerful personality within the contemporary music industry. a true individual with the substance to support the uncompromising attitude she is recognised for, batbox is bursting with signature style kittin observations on modern life.

>life is the only drug i wont ever give up<. this is probably the most life-affirming claim ever forwarded by ware- labelboss matthias schaffhäuser and its made to fit the party. and as hes being the guest on a very special label hes going all the way. totally in accordance with the wir-label-philosophy, the title track shows off lots of modern producing skills, never sticking to just one rigid idea but coming along with a whole bunch of attitudes. pop-induced vocals are artfully woven into minimal beats, housy strokes meet sound concrète, and the whole combines to one neverending track, leaving the elitist style ghetto behind and delivering itself to the pulsating life outside, leading to a truly beautiful work clearly thats one hell of a challenge for every remixer, but lovable atom smahing mathias kaden is the right man at the right place, as he knows how to deal with emotional content under the influence of the contemporary raw. his eleven-minute-opus tightens, focalizes, piles and moves around the original material, but without betraying its spirit. this remix seems larger than life but still maddingly gripping and you get the overwhelming impression that here every angle leads to another, every bit communicating. its a nation under the groove, all in one track, and its here to be heard

played by move d., deetron, agnes, lerosa, quarion, … attention: limited to 350 copies! hot on the heels of his real soon limited release, berlinbased producer hauke freer offers another fab piece of deep house music! hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, rawsounding edge. all 3 tracks maintain a deep, dark yet smooth feel, using some lo-fi percussion. hauke is keeping a >minimal< edge, fusing detroit flavoured electronics with a rough berlin feel. old-fashioned in a good way - just the way we like it! hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

okain, 23 years old dj from paris has released his first digital record as a solo artist on robotronic records last september which got support by artist such as chloé, locodice, djulz, francesco farfa… a bunch of secrets ep include 3 tracks with okains contemporary vision of the oldschool house music. using deep house synth and hip house vocal gimmicks okain creates his unique style. all tracks are suited for the dancefloors and will bring a fresh vibe to your house, techno or minimal sets!

dimi angélis & jeroen search. both artists are among the few internationally acclaimed techno artists from the netherlands. their dj activity and production work reaches back into the early nineties. >the new frontier< melds the firmness and determination of old school techno with a contemporary subtlety. it is amazing how few elements jereon search and dimi angélis need to create a dense and compelling athmosphere. >lunar< is the kind of track that slips perfectly in a wide range of club sets. while it offers the dj a vast span of possible connections to other music, its hypnotic melody does not leave your head for hours. >jupiter< is bolder, it is centered around a demanding groove. while the melodies operate in the background of the track, the complex net of rhythmic patterns shifts indistinguishably. it is the type of music which holds you in a tight grip - and you are not even able to tell what exactly is so striking about it. its implicitness makes >the new frontier< such a special record. it belongs to the rare breed of music which does not demand to go into your box - and this is exactly why it is made to stay there for quite some time

step forward dubfire (aka ali shirazinia from grammy winning dj and production duo deep dish) whos already hit top form this summer with some tasty releases on desolat, funkwelle.net and whose thumping >emissions< features on the minus compilation >expansion contraction<. the beauty of this rework is that it doesnt stray far from the original vibe. dubfire pays the track the full respect it deserves, adding contemporary beats, bass and hat patterns, subliminal efx and tweaks that perfectly compliment the eq sweeps and machine gun snare rolls of the original. panikattack (originally released on plus 8 in 1996 as the b side to sickness) gets a more radical overhaul with guido schneider turning in a typically pragmatic version. by excavating and enhancing the gritty funk that lies buried under the feverish textures of the original, he discovers a totally new dimension. combining the plastik elements with his own trademark swing and razor sharp percussion programming, schneider coaxes the track out of the shadows for some serious peak time action as the bassline bounds forward relentlessly occasionally enveloped by stuttering delays, to negotiate its way through the dubbed out breakdown and on to the end

acid house king todd terry returns to the uk dance scene with a bang sure to be heard the world over. strictly todd terry is an amalgamation of classic strictly rhythm beats and contemporary tracks which is a must for any self respecting music lovers collection. a double mix album which features many of strictly rhythm classics such as morels groove 4, colonel abrhams victims of loving and cls can you feel it (not to be confused with royal house). this is not just a retrospective album, far from it. look out for todds new projects play on and get down which see him working with the infamous my my my vocalist tara mcdonald. both are sure to be big chart successes worldwide. other highlights include the retro sounding marlon d jesus creates sound, and the tracky dance floor number grand high priest my guitar. get it.

acid house king todd terry returns to the uk dance scene with a bang sure to be heard the world over. strictly todd terry is an amalgamation of classic strictly rhythm beats and contemporary tracks which is a must for any self respecting music lovers collection. a double mix album which features many of strictly rhythm classics such as morels groove 4, colonel abrhams victims of loving and cls can you feel it (not to be confused with royal house). this is not just a retrospective album, far from it. look out for todds new projects play on and get down which see him working with the infamous my my my vocalist tara mcdonald. both are sure to be big chart successes worldwide. other highlights include the retro sounding marlon d jesus creates sound, and the tracky dance floor number grand high priest my guitar. get it.

for its 20th release, cadenza turns to romanias petre inspirescu, aka pedro. he may be a new addition to the label, and for that matter a new name to many listeners. (until now hes recorded two compilation tracks and one ep, for the labels vinylclub and a:rpia:r.) in his home town of bucharest, romania, however, petre has long been a pivotal figure alongside his frequent accomplices raresh and rhadoo, and in the last two years, his appearances in ibiza and throughout europe have brought his name to many listeners lips, heightening interest in the fertile romanian scene—an unexpected outpost of advanced electronic music whose rise recalls chiles emergence as a central player in contemporary techno, despite its location on the socalled margins !! this 2x12 brings us four another outstanding minimal and hypnotic tunes. essential !!

joel mull is more than a contemporary techno artist. he definitely will be known as one of few who more than rode but created the wave and will always be mentioned regarding the fact that he underlines the message that techno will never die! he made his choice in his early adolescence attending a music school and spending hours and days at the piano and keyboard. he is amongst the top 4 swedish electronic musicians with the likes of adam beyer, cari lekebusch and jesper dahlbäck. he started traveling around the globe more than a decade ago and quickly made himself well known as tasty bit of the electronic world with great dj-sets and astonishing live performances which are a must have seen even for the hardest critic. he is a quiet guy who learned his handcraft and evolved into a genius producer who incorporates all his listening experiences in his music. code red, drumcode, kanzleramt, inside records, primeevil, loop records, superstition records, svek, tortured records, turbo, underwater …are some of the platforms which aid him spreading the message

real soon is proud to present the debut release by berlin-based producer hauke freer. hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, effortless, raw-sounding edge. my beat is a dirty, gritty, house work-out featuring deep, filtered chords, lo-fi percussion and roughly chopped vocal pieces. old-fashioned in a good way - just the way we like it! we must face our fears is a smoother, minimal track with a delicate, beautifully measured mesh of percussive knocks, slides & bleeps driven by a pulsing sine wave bass. as the track builds, a classic detroit-flavoured chord wash brings it all together. bliss... biography hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

he is back! the inimitable rene breitbarth, master of thousand and one groove, expert for drilling out the funkster-norm and agent provocateur withing the smog of contemporary dullness. this is blissful like deep house, driving like empathic techno, timeless and tranchantly current, with always one fork in the others meal. supported by jeff samuel and mike monday

lead track, keep control, is a prime slice of club house. this is the kind of tune you can be sure is going to rock any dancefloor, and even raise the mood to another level. solomun s sparse production means the track retains an old school vibe while still sounding contemporary. there are enough breaks to give the crowd a chance to make themselves heard too. another quality of this track is the fact that it fits into almost any kind of house/techno set

it was 1883 when the krakatoa vulcano erupted and generated the loudest sound historically reported. about 120 years later, in 2002, the project krakatoa was born, generated by the underground enthusiasms living in the city of turin,aiming to contemporary electronic sound esploration with a special appeal for clubbing. krakatoa was originally established as a cult underground party based at the beach club in turin, where every thursday more than a thousand youngsters use to meet at the feet of the dj booth where the two founding fathers, dj pisti and samuel, regularly perform. they are often supported by special guests such as josh wink

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

yoruba records present their latest artist, the talented teresa jenee, in true yoruba style, this percussion heavy, midtempo song compliments perfectly to teresas thoughts and fears, includes a remix of one of the hottest producers in contemporary house music, karizma, with his kaytronik dub, creating a deep vibe, also with mixes from nomumbah member ale reis, and on the flip side, osunlade comes in once again with his yoruba soul mix

+ big 2000 and one rmx supported by: richie hawtin, luciano, shinedoe, adam beyer, sebo k… mute: produces with >sigh< a perfect conjugation of the most intense techno and old school sound with minimal and contemporary tech-house. it plays wonderfully with

big with magda, ricardo villalobos, vera, luciano, dorian paic !! kreiskollaps is the track which starts the new oslo label,having proofed its ability to rock dancefloors nationwide. christian burkhardt presents a slice of contemporary minimalism, adding lush atmorspheres and rounding it up with a deep pumping bassline. think thats enough? wait till you here federico molinaris remix, hes already showcased his remixing skills on raummusik and 8bit and takes the whole thing to another level. its more on the housy and hypnotic tip but still maintains the whole context of the track and is sure as hell going to move your butt. also dressless by christian burkhardt is more of a housy affair, groovy as hell complementing perfectly the ep

the excellent balearica series goes from strength to strength, serving up another awesome collection of rare and in demand party treats from the original ibiza playlist. kicking off with the full 8 min version of love internationals classic followed by more rareness and classic including the highly sought after il veliero which has been played by dj harvey and recently sampled by lindstrom on the contemporary fix, then all the way until jorge bens samba magic, an essential collection

big with aquaviva, oxia, huntemann , tuomas salmela from finnland is no stranger to the dance world. besides running his own phonogenic audio label, he still finds time to put out records on other labels like 2020 vision or get physical. his style could be described as scandinavian electro soaked housemusic – it always contains a certain dose of melody and rump- shakin drums. swedish taboo is his view on contemporary techno in the vain of border community or stephan bodzin productions……

get physicals belgian protege strikes again with a release that brings together deepness and contemporary beat-programming - one more evidence, that hes one of europes finest new producers for this refreshing style of warm and melodic club tunes

the sound of miami wmc 2007! celebrated us producer/dj john julius knight returns to the production forefront with his highly anticipated soulfuric trax ep trax for my head.it features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjks ability to create varied sounds to maximum effect. the cut rolls in as a captivating french kiss style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental only track. most likely the biggest surprise production wise, the rush is a laid back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with what is love jjk delivers a prime time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production.

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

through their involvement with leipzig-based netlabel 1bit wonder, daniel stefanik and sven tasnadi became acquainted with each other. recognizing similar approaches to production they decided to throw things together - cargo edition #3 being the result. daniel s unique feeling for melodic harmonies meets sven s preference for vivid complex rhythmic structures - the outcome being two enthralling tracks, at the same time driving and deliberate. this is stuff for real music lovers - it appeals to fans of contemporary dancefloor production means as well as to those who appreciate highly emotional records!! already played by mike shannon , jay haze, reynold...

three tracks that look straight to the dancefloor and shout out loud: fight for your right to party! pablo clearly reveals that he is up to pushing grooves, provocative tunes and approves the more functional gangue of karmarouge noir. pablo akaros distances himself from contemporary explicit minimal techno by adding some real dirdy sound elements always well touched with a pinch of vodoo. the a-side track >konnekt köln< is an euphoric rave track wich is characterized by a sophisticated sound architecture of lovingly selected rough and disturbing elements. hands up. >pestana pegada< on the flip side is dark but funky

originating from the city of lille in northern france, terence fixmer has been one of the key protagonists in the connection of electronic body music in the style of front 242, klinik or nitzer ebb with modern techno since the end of the nineties. with releases on his own label, planete rouge, and the albums >muscle machine< (2001) and >silence control< (2006) on dj hell s label, international deejay gigolo, the 34 year old berliner-ofchoice is positioning himself at the cutting edge of a techno concept that is as aware of the past as it is relevant to the contemporary

second fat release from hugo on floppy funk! after his much acclaimed >ubitquity< (floppy funk 04) and the fabulous tongut releases, >hugoist< is a 100% pure hugo style: electronic, minimal, funky, deep, rough and clubby! yes, we dare to say it s a bit fuckpony stylee! 4 tracks of the a new italian sound hailing from torino, where hugo is part of the scene together with mates like titta. hugo is also involved in >concept<, a contemporary answer to the necessary integration of different media. concept starts from the music, spreading its contents through various channels like radio, magazines, multimedia and club nights. you can t resist the hugoist!

bugz in the attic release the second single from the inspired debut album back in the dog house,a live favourite and deftly handled cover of yarborough and peoples 1980 bassline heavy dont stop the music. bugz, pioneers of deep and dirty dance music, brought a brimming confidence along with the experimentation of their debut, which glistens with stone cold funk, boogie and disco but remains resolutely contemporary thanks to their immersion in club culture and the broad pool of guest vocal talents at their disposal. for dont stop the music former basement jaxx collaborator sharlene hector was given the task of re doing a bugz favourite, and the result is an out and out west london bruk up twist that takes the basslines from p funk, the soul of the original and a certain pirate radio grit and delivers the very essence of bugz.

the fission trips ep contains 4 tracks of disco techno excellence as usual with spirit catcher! the polished and classy sound which oozes out of these lovely belgian fellas has rightfully placed them amongst the premier league of contemporary electronic music producers.they divide their attentions between coveted labels such as freerange, silver network, rotax, 2020 vision and the mighty and unstoppable winding road recs.anyway less of our modesty. heres their new ep.

wagon cookin joined xan blacq in salvador de bahia where they recorded this sultry piece of nusoul called the week the weekend.later xan blacq did it again at his london studio in an uptempo style, rerecording everything. result is a great piece of contemporary soul made with the heart to move the feet. original has the distinctive wagster jazz touch, but this time with and slightly electronic feel. flip the side and you will find a broken beat remix of the original brink on dreams included in their amazing last album. electronic but yet jazzy broken production that will rock the place!

the a-side of his new release, a minimal-moover with a certain progressive touch, brings the necessary portion of darkness to the dancefloor, whereas the hypnotic pendant >minority existence< with its 303- bassline screws into every convolution of the brain.. techhouse with a strong crossover-appeal, exciting and adult, contemporary but although full of personality, thats the sound of electribe !!

circle music is very proud to present sébastien léger – one of the most outstanding artists in the recent electronic music business, an exceptionally gifted producer who is operating far beyond all the french filter house clichés. sébastien léger is bringing you the funk, now widening the boarders of techhouse on alex flatner s circle music! consequent progression in his production work, the great variety of house music colours in his tracks, the construction and arrangement of its electro and funky rhythms, all these ingredients helped to establish his position at the forefront of reconstructing contemporary electronic music. as a result of this you can find sébastien léger s releases on world famous imprints such as carl cox s intec, defected or josh wink s ovum just to give a brief summary

following january s sampler 12inch, headspace releases we are the ones we ve been waiting for, a 12-track album of the finest modern techno music. from powerful floor-burners to mellow, laid-back grooves, this is an album at home on the headphones as pumping through a big system. deeply rooted but never backward-looking, dan s sound is as relevant today as it has ever been - and it displays a confidence and maturity few contemporary techno producers can match

christian attersee is one of austrians finest contemporary artists when it comes to painting but he always was musician in heart as well classy examples of his musical art going as far back as the 70s monkey music now has unveiled these early recordings of attersee and cafe drechsler mastermind alexdrum alsongside with don summer produced up to date versions of attersees early material featuring vocals by german hip hop legend flowin immo

a combination of traditional brazilian/latin music and contemporary electronic dance featuring vocalist janaina rodrigues da silva the sophisticated arrangements and energy the driving beats and the irresistible original brasil vibe will draw you on the dancefloor

mobilee presents new stuff from sebo k . with his first release in 2006 he opens up a new horizon for the mobilee sound lab. sebo k s releases so far have always reached next steps and has been groundbreaking. sebo k is responsible for the most successful mobilee release >rancho relaxo< in collaboration with anja schneider. be prepared for horizons and moved feat. prosumer. some more powerful tracks from berlin s finest sebo k. horizons is a straight forward goin up groove monster with a perfect arrangement. just plug and play! moved feat. prosumer shows another side of sebo k s creativity. with the lyrics and vocals of prosumer he created a deep and seducing house tune. it reminds us a little bit to what, again? we waited to long for a contemporary re-interpretation of dubby sounds! a new sound colour for mobilee and a helpful track for the sexy djs of you. summer season is starting now