to make it to album number three, a group has to make a compelling debut and then avoid the sophomore slump. if you reach that third record, you are supposed to be a professional, a stone-faced musical grown-up. but don’t tell that to de lux. after their 2014 debut voyager and 2015 follow-up generation, the la duo is gearing for its best and brightest lp, more disco songs about love. the difference between this album and all the rest? let s ask the band: we like to say voyage was our baby, generation was our baby all grown up and more disco songs about love thinks growing up sucks and just wants to party smart.

ght in time to celebrate the 50th anniversary of jacques rouxel and rené borg’s legendary television cartoon, this collector’s item comes in two versions: a limited edition 12&#8243,,,,, + 7&#8243,,,,, vinyl album housed in a high glossy gatefold and with an exclusive shadok drawing by robert cohen-solal,...

incl. tracks von david guetta, alan walker, marshmello, dimitri vegas & like mike, robin schulz, bausa

heaven sent from nigeria’s tumultuous east, the apostles have been preaching a particular blend of funky psychedelic soul/rock fusion for over forty years. on banko woman they threw a little afrobeat into the mix, creating an afro-funk disco bomb that has been energising dance floors ever since.

the 1980 solo album from paul mccartney back on 180 gram audiophile .remastered at abbey road studios.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

this may look like just another lp, but in reality, it s a journey. i always made electronic music, but sometimes i wanted to get a musical point across that a synthesizer couldn t reach: the human touch, the perfection of imperfections, atonal experiments, the euphoria of the slightly out-of-tune fuzz guitar. so 7 years ago, my friend weytkin and me started a guitar combo to see what we could do with our collection of guitars and vintage equipment. the only machine i was 100% familiar with was the drummer: my trusty roland tr-808.- – ruud lekx (rude 66, jagdstaffel 66, lekx).

south african house music artist sir lsg debuts his first album, a stunningly crafted piece of art for which he pulled together an impressive collective of international vocalists, musicians and collaborators. titled Ômoving circlesÕ, the longplayer represents the concept of life seen as a journey. it highlights events of love, life, inspiration, sadness and loneliness in one big turn.

cd jewel-box with 12 pages stapled booklet. keziah jones (born olufemi sanyaolu on 10 january 1968) is a nigerian singer-songwriter and guitarist. he describes his musical style as blufunk, which is a fusion between raw blues elements and hard, edgy funk rhythms. also his nigerian roots in yoruba music and soul music can be considered a major influence on his sound. he is known for his distinctive style of guitar playing, including his percussive right-hand technique which is similar to a bass guitaristÕs slapping technique. his music blends sounds and influences from many sources, including fela kuti, miles davis or jimi hendrix.

as comfortable being played after manuel göttschings e2-e4 as right before a terekke lo-fi house anthem, it is laced with the melancholy of an early morning post-rave comedown. yet for all the references and name-checking, its a record that is hard to compare to anything else, past or present.

with many influences, the musicians of la mano create a peculiar sound, a rock-salsa-ra•-reggae-rap cocktail which they baptize patchanka. manu chao, who writes lyrics, gives to the patchanka a more personal definition: a popular dance with apache lyrics and chorizo spirit. the band starts touring across france in october 1987 and rapidly establishes a solid reputation. a few months later, when the second record putas fever is released, the success is obvious. tracks sung in french, spanish or arabic, pas assez de toi, king kong five or sidi hbibi are immediate hits. after a long live-cruise in 1992 along the south american coasts, la mano negra gets back to france and separates in 1994. its hard to tell the impact of la mano negra across french and spanish speaking countries, with as many particular experiences that people lived during their tours.

der soundtrack von jim williams zum umstrittenen, verstörenden, modernen kannibalen-horror-schocker -raw- von regisseurin julia ducournau in einer belgisch-französischen produktion, der bei den filmfestspielen in cannes 2016 seine premiere feierte und 2017 in die kinos kam. die europäische lp-ausgabe erscheint auf grünem 180g vinyl.

ddd records is a label and a store based in paris. un drame musical instantané is a collective of french composers led by jean-jacques birge. in 1984, they composed their own score to dziga vertovs groundbreaking 1929 film the man with a movie camera.

perc returns with bitter music , his third album on his own perc trax imprint comes in a limited edition deluxe metal case with printed insert and sticker
great dj feedback below

camilles second studio album including la jeune fille aux cheveux blancs and ta douleur.

jewel box with a 12-page stapled booklet. camilleÕs first live album from the 2006 trianon concert

jewel box with a 4-page stapled booklet, camilles second live album from the 2013 olympia concert. camilles second live album from the 2013 olympia concert.

jewel box with a 12-page stapled booklet, camilles third studio album including home is where it hurts, waves and cats & dogs

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

this anthology brings to light the music of robert Æolus myers, featuring recordings from 1982 to 2006 that were previously available only on cassette or cd.
the music within “a retrospective” tells the story of a man whose music elevates its listeners to a place of inspiration and enlightenment. often ethereal, Æolus’ music is driven by synthesizers, melodic flutes, sweeping patterns, and subtle rhythms to seed inspiration from deep within the listener.
one might assume that Æolus carved a new path for electronic music in hawaii, but the islands never quite fully embraced the burgeoning new age scene that Æolus found himself a part of during the 1980s and the early 1990s.
few artists in hawaii have produced a body of work, let alone embarked on a musical journey, such as the one that Æolus has created.
for aloha got soul, this release marks a new chapter of bringing rare and relatively unknown music of hawaii to the surface.

dieses album hat einen weiten entstehungsweg hinter sich, da seine tracks fŸr viele jahre ein teil von mir waren. als ich letztendlich anfing, ihnen die nštige aufmerksamkeit zu widmen, konnte ich sie nach und nach zu dem zu formen, was sie heute sind. einzelne fragmente und elemente bildeten sich nach und nach heraus, nachdem ich ihnen raum zur entfaltung gab. der gesamtprozess war herausfordernd und manchmal auch schwierig, aber die titel verlangten einfach nach ihrer entstehung.

standard edition lp on double heavyweight vinyl with download code included.

dutch producer nathan surreal debuts on biologic records with ?star dust? featuring remixes from adesse versions and neville watson. exploring abstract, ?surreal? and melodic electronic sounds, the dutchman is a perfect addition to the biologic roster. appearing on a host of underground labels since 2014, nathan is set to make a breakthrough with ?star dust’ balancing on the edge of reality and pushing further into the abstract and surreal worlds ?star dust? unfolds through waving synths and dubby bass lines ??? is a darker track, the bassline punchier and driving acid-tinged synths create a dance-floor ready record. next up ?human music? has a more minimal introduction, building in intensity as the synths come through until finally the melody drops, maintaining the dreamy top line that nathan is so adept at maintaining. neville watson provides the first remix on the ep, he adds reverb to the vocal, amplifying its effect on the track. star dust is intensified, perfect for late night, or early morning, dance floors. addesse version?s remix of ?star dust? is a twisted acid remake, a left-field and off kilter beat is slowed down to a psychedelic swirl, pulsating throughout the track.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension. dont worry, the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostface killah, one of wu tang clans members that delivers a punchy performance on the upbeat tempo track thrilla, as well as steve edwards, the house music singer who sang with swedish producer axwell, and whos also known for having lent his voice to bob sinclar on the famous world, hold on. were releasing the album once more, so that you can get back into the fabulous swing of cassius.

the new album by depeche mode

savage times fing als experiment an und dokumentiert die unmittelbare, kŸnstlerische entwicklung hanni el khatibs. ursprŸnglich wurde der gro§teil der songs auf savage times bereits zuvor auf fŸnf eps nach und nach veršffentlicht. diese compilation vereint alle eps und enthŠlt zudem vier weitere, neue bonustracks. el khatib startete das projekt im dezember 2015. die aufnahmen zu den songs wurden in jonny bells (crystal antlers) jazz cats studios aufgenommen. dafŸr fuhr hanni el khatib tŠglich von l.a. nach long beach. auf der stundenlangen autofahrt kamen ihm oft die ideen fŸr seine tracks. hanni el khatib wollte sich nicht mehr auf ein genre festlegen und lie§ sich einfach von seinem musikalischen instinkt leiten. sobald ein song fertig produziert war, veršffentlichte er ihn. savage times zeigt, wie wandelbar sein sound ist: garage rock, punk, disco, grime und hip hop fŸgen sich hier konsistent ineinander, Ÿber die eigenen grenzen hinweg

the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicideÕs second album, and the elegant melancholy of the national. in order to compose, renaud brustlein aka h burns decided to reinvent himself once again. he didnt repeat the live configuration that he used in 2013 with off the map, an electric storm recorded in chicago, with a band, in a single week, with the legendary steve albini. for kid we own the summer, the composer started working in his home studio, by gradual touches, because thereÕs no place like home. the result? a melancholy cinematic stroll across stories of misguided couples, unspoken words that end-up ruining peoples lives, the pursuit of dangerous situations, like an elegy to the end of adolescence - leading to a place were unsure of. born from a keyboard, a piano and a beatbox, these ten songs were brought to light, as always with infinite delicacy, by impeccable guests-friends strings by bertrand belin and vaporous keyboards by denis clavaizolle (bashung, murat, daniel darc) mixed by rob schnapf (elliot smith, beck) and mastered by the great greg calbi (springsteen, dylan, paul simon). noisey said of night moves that it was the perfect record for all the cold and sad months to come

Ôjoy is bbfs fourth album and the first one to be truly vocalist-focused and song-centric. with the help of canadian poet-singer beaver sheppard who played an prominent role the composition, bbf explore what the band-members describe as Ôpost-religious themes, such as struggling to find joy in times of uncertainty and instability. this makes it without any doubt bbfs Ônietzsche album. following on from their latest album Ômiami (2013) bbf keeps moving away from the dark mood of their early releases and the image of a Ôclassical new music ensemble to resemble more closely an Ôexperimental rock band. with much more grit and growl than before, they draw upon genres and styles that are not conventionally associated with joy: krautrock, punk, drumnbass, indie rock, new wave, and pretty much every other Ô-wave from the 80s. with each track offering a contrasting combination of styles and genres, bff succeed in devoting a whole album to a single feeling without making it either monotone or clichŽ. instead, they build on euphoria to expand and enrich electronic musics emotional range

the music here is very much in the spirit of the label s kosmische/space berlin-school agenda, both reflecting his earlier work and exploring new territory simultaneously. lush orchestrations and beautiful synth pads contrast against hypnotic rhythms and delicate melodies, and while the label s mission might be -electronic listening music- tracks like red bird and mistral are surely dj material too.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

aus music is delighted to announce the debut album from long time house and techno tastemaker cassy. the double vinyl lp includes the full album on cd.

the cd included in the lp version features the 12 tracks of the album in the same order. since the release of the album catapulte in 2013, media have been used to describing chevalrex music as miniature symphonies. for this album, rŽmy poncet, the handyman that plays himself all the instruments, writes his own lyrics and even makes his own cover, has decided to keep the same path but meanwhile, has grown in melodic power and maturity. i finally let my teen life behind, and from now on, offer me some peaks he sings in Òaussi loin. with this new release, there is reason to wager that chevalrex will be one of the future pearls that will be used as a reference for those who will venture out on the roads of french pop.

every few years in the genre of hip hop there comes an album that gracefully, yet unapologetically steers clear of the redundantly trodden path that so many artist become accustomed to walking. such bravery is often rewarded by the art gods, this time is no exception as uk born , new jersey emcee cymarshall law & hungarian producer mr. joeker team up for the 3rd time and bring you the masterful, hip hop in the soul 3, the first in the series featuring krs-1 , this time a colorful bunch of guests are invited. cymarshall law weaves in and out of different song topics that have rarely been touched if at all effortlessly as his lyrical prowess has yet again moved forward in innovative and original way. the mcs refusal to “ walk in a straight line” is refreshing in a way that lets you know some artists still value originality and crafting a skill of their own. mr. joeker steps forward to prove he is a true gem in the form of a super producer. the production here raises the bar boom bap reigns supreme, though mr. joeker shows great range by taking us into new musical dimensions of his own creation, the result is hip hop in it’s purest , rawest form with a new school twist, an album that by all means will wake many people up to take notice, as this duo is finally putting the soul back into hip hop.
pressing on translucent green vinyl.

outta sight setzt seine serie mit lp-samplern zu legendären northern soul-clubs fort. diesmal wird das central drive in blackpool und seine kult-djs ian levine und colin curtis mit 13 legendären northern soul-tracks aus der hochphase des clubs zwischen 1971-1979 geehrt. mit ausführlichen liner notes von ian levine.

garden of love one of the first single tracks feat peter hook (new order) on the cover of their new album malamore, their first album for because music, lionel and marie limi–anas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duos home town of perpignan. theyd been playing a dj set, only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks, they recall. the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

cd in 2 panels digipack with spot varnish and poster booklet. les fils du calvaire are a francophone trio from the electronic chanson francaises new wave. before adopting their current name 3 years ago, the band was called dop, and already has a solid background in the music production. indeed, les fils du calvaire were also used to being among the best hip hop beatmakers of france providing rappers such as oxmo puccino and composing for mythical jamaican figure (horace andy & johnny osborne). after a first noteworthy single rester avec toi, they are releasing an album in line with the pioneers of the chanson fran�aise, adding a subtle note of humor and derision. jointly created with ash workman (metronomy, christine and the queens), fils de is the perfect balance between french tradition and modernity.

from piero umiliani, legendary soundtrack composer for numerous italian movies of the 60s and 70s, and the man behind mah na mah na (muppet show, benny hill, sesame street), the omnicron label (sound library works) and the sound work shop recording studio. for fans of experimental music, avant garde, synth experimentations, ennio morricone, riz ortolani, giallo movies, mondo movies, soft erotica, and wonderfully weird stuff. the album is fully remastered for new levels of enjoyment.

bubu, da beatboxologist,jizzy, tagi, the funk spirit, the hip-hop mahatma, the mic buddah! behind all these pseudonyms lies just one man: sly.

texture like sun is the follow up to the much-loved self-titled debut by anglo-mauritian producer, singer and percussionist joseph deenmamode aka mo kolours. nod! tip!

auf seinem zweiten album präsentiert der schweizer produzent deetron (sam geiser) einen multidimensionalen clubsound aus voluminösen deep house-grooves, verträumten synth-sequenzen, elegantem drum-programming und kraftvollen melodiebögen. ihm zur seite stehen viele prominente kollegen wie hercules & love affair, fritz kalkbrenner, seth troxler, ripperton vs. cooly g und ben westbeech.

two and a half minutes of drums rolling under a whirlwind of cranky guitars and vocals arguing from the bottom of a 1990s boom box, thats 51 black super. 11 tracks and 30 minutes to cross the usa, from california with pavement and weezer to ohio with guided by voices and the raspberriesÉ 51 black super isnÕt a band to get lost on its way, or in futilities. written, composed, recorded in an emergency, with short and intense sessions, the debut album by 51 black super is made in the image of its creators: spontaneous and eager to get things out there. sounds like the strokes with less cocaine and more facial hair, said a californian rock critic after listening the two first few tracks

tropisch, festlich und lebendig, dylan starks heartland klingt wie eine parade und der dschungel zugleich. heartland ist ein album Ÿber die eindrucksvolle kraft der musik, Ÿber vier jahre aus tausenden von samples am pc kreiert, die der 24-jŠhrige in portland, oregon ansŠssige dylan stark zum leben erweckt, als ob er ein orchester leitet. es ist ein emotionales erwachen, das dem album eine freudigen €sthetik, die weder zwangs- noch selbstbewusst aber schšn naiv scheint, verleiht. schamlos amerikanisch, ist heartland voller gefŸhl, emotion und spontaneitŠt. dies ist freigeist musik.

imagine bringing together two distinct but complementary musical talents, already established as composers and producers in their own right, one male - with years as a performer on the festival and club circuit behind him - and one female - a rising star with a sirens voice, a maverick committed to live performance. imagine their astonishing sound: an intoxicating concoction of driving rhythms, lush synths, psychedelic effects and instantly memorable hooks drenched in a dark atmosphere of melancholy and brooding beauty.