early pioneers of the german new wave music scene, din a testbild were formed in 1978 by mark eins and gudrun gut (former member of einstürzende neubauten, mania d. and malaria!). din a testbild played a significant role in defining the avant-garde music of berlin. legendary is their partecipation at the festival genialer dilletanten- in 1981. programm 4 is their fourth album. mixed and auto-produced by mark eins near the wall in west/berlin in 1983, the album was rejected at the time by innovative communication, considered too much synth/punk/techno, while the new label managers were looking more into new age stuff. in fact schulze eventually sold the label in 1983, which started to release a plethora of acts loosely grouped around the nam genre.

for release number four octo champ brings his not quite here yet ep to the table and hits a house music home run and then some. two part summery club jams, two part dreamy morning after grooves, packed with deep synth swells, diva-esque vocal samples and sultry basslines. this one’s bringing the summer to winter 2017.

draculas son lp, visual artist jockum nordstrom and music producer joakim ahlund (les big byrd, the caesars, teddy bear stockholm) team up for a second lp, this time draculas son. now availble on junk yard connections here for stay. grab a copy before the stock is out! keep it indie!

a year after his first release on the label, german deepsmith sven weisemann is back on delsin with a sophomore effort entitled separate paths. down for his moody outings on labels like mojuba and telrae, this new four track affair continues to mark out the man behind it as a master of atmosphere. grooves floating in mid air and subtle melodies drift by like half remembered thoughts. head music that also makes your body move. it may only be four tracks long, but this ep truly takes you on a journey somewhere far away from this world.

too many possibilities can also mean a tyranny of the what if.... in this light, celebrating less becomes vital. and thats exactly what swedish producer and studio barnhus affiliate simon haydo does in redux. all of the sounds in the albums nine tracks come from just one synth: the korg ms20. as simon puts it, the idea was to maximize the use of less, basically. less gear, less effects, less input from other people , less everything.using only between 2 and 6 channels for every track, the result is a stripped but surprisingly rich sound, that delineates spatial techno vignettes coated with the unmistakable charac- ter of the ms20 filters. even more interestingly, this restraint is not only applied gear-wise, but also from an emotional point of view. instead of involving my own feelings, i let the voice of the ms20 take care of it, says simon. all this makes redux an expression of techno in its purest form. after all, its a kind of music that has always gravitated around simplicity, austerity and, of course, the believe that the machines have their own soul.

much may have changed over a two-decade period, but drumcodes commitment to releasing the scenes most cutting-edge and refined techno remains resolute. the label pushes forwards again in 2017 bringing fail-safe, club-ready music to the techno community. in the past 3 years, julian jeweil has released on highly regarded labels such as drumcode, minus and mobilee. one of the most consistent performers in the beatport techno chart, this prolific producer is as comfortable in the studio as he is in the booth, with his 2016 show s spanning five continents including an appearance at space for carl cox s final chapter, as well as london s egg and la s exchange. 2017s first drumcode release comes in the form of chart topping regular julian jeweil, who ll be putting out his first solo effort on the label. jeweils rolling ep showcases his skill as a producer and kicks off with the emphatic title track rolling . the perfect soundtrack for the early hours in the club, this sweaty affair proves just why hes at the top of the game right now. venice and blue illustrate his signature sound to a tee, with the eps final track traffic an acid-tinged behemoth, guaranteed to light up any set

new label funky fungi preps its debut release for this march, featuring two original tracks from label boss georg stuby and his production trio the gravy underground. hailing from zurich switzerland, georg stuby is a longstanding house and techno dj, producer and teacher. his new creation, funky fungi is a vinyl based record label working as an outlet for georg and his friends to release their music. aside from the solo release, this ep also features the gravy underground, a collaborative project with georg’s friends christopher lawrenz & jonas, who already remixed one of georg’s tracks on his last formresonance ep. the opening track ‘metro bass’ has a dusty analog feel and delves into the depths with shuffling percussion and reverberated effects which spiral out of control, all saturated in white noise giving off the spatial aesthetic associated with an echo chamber. next up, the gravy underground production trio create a mystical journey in ‘keep it gravy’, as minimal kicks chug alongside off kilter hats and twisted vocal snippets that are delicately layered with field recordings.

new year new r zone. this time the revivalist rave crew, brutal techno lovers and broken beat brothers-whoever they may be-serve up three more tantalising tracks that are designed simply for high dance floor impact. greatest enemy is first and lives in a deep space world where jungliest percussion and pummelling drums are offset with swirling pads and warm synths. it s an emotional roller coaster that gets followed up by spike, a manic and prickly speaker blaster with wild melodies and rave stylings all barely continued by punch and off beat kick drums. last of all, faramore agent is in your face with its frazzled bass, skittish percussion and vocal stabs all panning about left and right. one again this is brilliantly all over the place and impossibly visceral music designed to devastate all who hear it

wrwtfww & palto flats records are ecstatic to announce the highly-anticipated reissue of japanese percussionist midori takadas sought after and timeless ambient/minimal album through the looking glass, originally released in 1983 by rca japan. considered a holy grail of japanese music by many, through the looking glass is midori takadas first solo endeavor, a captivating four-song suite capturing her deep quests into traditional african and asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. the result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience

within the music of galaxians - the duo of matt woodward and jed skinner formed in 2012 - lies a powerfully hedonistic strain that does much to loop a thread through the party lineage of their (adopted?) hometown of leeds. influenced by classic disco and house labels such as sleeping bag and chicago’s trax. from their raucous live shows at punk-associated diy spots to late night gigs with the likes of horse meat disco and auntie flo, this uk duo is making waves with a hedonistic strain of analog funk, disco, and house. includes the epic original and the more subdued siren remix. channeling new york’s late 80s “freak disco” (was not was, liquid liquid, arthur russell) and detroit’s acid house scenes, galaxians produce a maximum output from minimal set-up.
“fiercely danceable astral-gazing house-influenced duo tear up every show they play, regardless of who they’re billed with.” - nme

ultimate block party breaks volume 4 continues the tradition that began in the bronx in the 1970’s, where “break djs” would take that one part of the record that dancers would go absolutely crazy for. that part where all the music breaks down to nothing but the essence: drums and percussion. these are all truly timeless beats that sound as fresh today as they did when the founding fathers like kool herc, bam, flash and hollywood were catching them for the frst time in community centers throughout the city. we’ve edited and extended these breaks for maximum effect on the dancefloor - so you don’t have to. enjoy!

for their first vinyl release, the collective reel beetz feature mc’s possibility and sa mood as well as singer david zürcher. the five tracks on this ep are a colourful mixture between rap and neo-soul and aspire to offer a contrast to the radio tunes that are today’s hits. the lyrics are deep and meaningful, the music from dreamily harmonious to hair-raisingly grasping. indulge yourself in the sounds or catch up on some self reflection. in any case enjoy the trip...

super rhythm trax release their first record of 2017 and it’s a return for jared wilson who steps up with four tracks of deep acidic house music. these tracks burrow away and are certified ear-worms from the opening ‘getting that feeling’ with it’s warm bassline complimented by lush pads and on the other end of the scale, the sparse menace of ‘it’s the message’, it’s another great ep from the detroit acid don.

cin cin is back with their first release of 2017, complete with a snazzy new makeover. musically the quality continues with dublins new jackson following up excellent releases on hivern discs and permanent vacation with 2 new deep cuts, one of which may be somehow vaguely familiar…. on the flip new kid on the bloc elliott lion serves us two peaky discoacidtrax poised for some hands in the air moments.

andre sebastian, a young chef with musical ambitions, delivers our second offering. two tracks with enough carbs to keep you going and a sweet treat to finish off the meal. label info: take away delivers music for you breakfast, lunch and dinner. it s not trendy or rare. just the music you really want to hear, in your own home, whenever you want.

• this is a seriously good compilation of three mr yt ep’s from the 90’s
• originally released on r&s offshoot labels
• the music has really stood the test of time - original vinyl ep’s go for big money on discogs
• for fans of susumu yokota, chez damier, john beltran, carl craig
• re-mastered by matt colton
• pr by tailored
• double vinyl

2018 new years deal - following up on the long awaited -melody- / -stop fantasy- reissue from 2016, mothball record returns with a lesser known, but no less brilliant, double-sided disco bomb from plustwo. lighthearted and infectious melodies on both sides are matched with superb production and unmistakably beautiful vocals: this is no fast food but elegant music to enjoy for years to come. for years a favorite in the mothball record offices, yet strangely unknown by many, -mad radio- and -new sensation- will put some unexpected spark in your next disco set.

already heavy hitters on the house music scene since their first releases back in 2012, waze & odyssey continue to carve out club burners with such ease, and their first release of 2017 finds a suitably fitting home on edible. the duo of firas waez and serge santiago have seemingly not put one step wrong in their ascendency within the house music circuit. be it releases for labels like wolf music, elrow or their own w&o street tracks, or remixes for the likes of disclosure, totally enormous extinct dinosaur and metronomy, w&o have found that knack of delivering sure fire winners time after time. already a staple in label boss eats everything’s dj sets, ‘down with tha’ has all the hallmarks of a bona fide club classic, if the hyperactive drums and looping vocal refrain doesn’t draw you in enough, then the downright funky bass lick that prominently packs a punch really provides the killer hook. the, quite frankly, face melting breakdown surely seals the deal, and we are anticipating this cut to ring out loud across dancefloors over the coming weeks and months. competently propping up the release, ‘seizure’ goes on a spacey, bongo odyssey (geddit?), serving up a rolling, dubby drum workout that culminates in a rather impressive snare roll breakdown that’ll have you frothing at the mouth. snatches of female vox and whistles are dotted around the galloping jungle drums, whilst the elevating key chimes provide the perfect musical lift. another slice of completely freshhouse music from w&o!

we ve all been there, spending endless hours searching, listening, skipping thru tracks and trying to find at least one good one. no more. we ve made it easy for you... tune is all about that one track, the track that will bring the heat. no remixes, radio edits or excess dubs. it s all very simple, one track, one really awesome tune. that s all. the plot thickens, who is theo walbeck?? but maybe it s not that important, after all the music is the key figure and speaks for itself. this is theo s follow up to freek tool which was one of disclosures most played tracks in 2016 and goes down a similar path. in our humble opinion this is an even stronger track and something that is just waiting to get some heavy isolator action. someone 2night got that dark and vintage warehouse feel mixed up with some soulful cut up vocals and lush strings that is just perfect to drop at peak hour. those rumbling drums will cause some serious damage...believe dat!

a mainstay in the underground house music scene for almost twenty years, joeski makes his next move on the mighty crosstown rebels with a sublime ‘tribute ep’ to the great divinity obatalá. the ep journeys through three tracks, where ethereal layers are used to infiltrate the dancefloor and varying tribal percussions, native chants and vocal haunts flow effortlessly throughout. from yoruba religion, obatalá is an orisha, sky father and creator of human bodies. joeski explains -i’ve been wanting to do this tribute for a while now. it’s a creative musical offering to obatalá. i feel like crosstown is the perfect home for it too.- joeski’s roots are in the underground house scene of nyc in the 90s, where he played regularly at historical clubs such as the limelight, tunnel, palladium and roxy. later establishing himself as a producer he began releasing music on nrk, siesta, shaboom, tango, junior boys own and many more. he also runs his successful label, maya records.

caravan’s coarsica ep is a gorgeous six-tracker of wandering drum machines and shiny synths, washed with the burnt umbers and viridescent hues of the australian outback. computer-funk with a green thumb. as the track-listing suggests, coarsica is a tribute to subtle and compelling beauty of australia’s native flora, as if costa georgiadis and dâm-funk got away from the big smoke for a weekend and spent the whole time by the river cooking this bad boy up. like the rugged and stoic banksia, or the regal flindersia, each track on the coarsica ep provides a dappled shade under which the weary dancer can rest in these hot summer months.
support from: tako (music from memory/redlight records), touch sensitive, ben fester

not every story has to always start at the beginning. an unforeseen prequel to an existing story can deliver new meaning and create fresh excitement. vega records’ latest release “a new day” features the r & b music legend, vocalist caron wheeler, and visionary, producer jazzie b. they are widely known as soul ii soul, “keep on moving” and “back to life (however do you want me)” are just a few of their mega-hits. the latter won the group a grammy award for best r&b performance by a duo or group with vocal. this new release on vinyl “a new day” by vega records features unreleased remixes from an all-star cast that consists of producers louie vega, joe claussell, ron trent, timmy regisford, adam rios & tiger wilson. a double pack vinyl of unreleased versions by the talented cast of remixers, nuff said! let the music take you there!

nyc-based duo jasmine golestaneh and eddie cooper write songs through a telepathic kinship thevve developed since they started making music together. we have these sort of unspoken criteria when we re writing music. we never really need to explain what that is but we both know when it s missing or when we ve hit it. the pair, aka tempers, are set to release their fundamental fantasy ep via the vinyl factory on 24th february. creating an emotional and tonal tension of sensual and mechanical impulses, their brand of dark electronica sets haunting song writing to a sinister disco beat, pop melodies floating in an almost industrial soundscape. it follows the bands 2015 debut full-length services. fundamental fantasy is about exploring the creative scenery of romantic illusions. our need for them, how we justify them to ourselves, that moment when the imagined story line collides with reality. the ways we fictionalize people to fit into the narratives we have about love - to reflect our own beliefs, virtues and flaws. it is about celebrating fantasies swelling and getting undone, so we can pick up the pieces and craft new ones that serve us better tempers musically, fundamental fantasy is an evolution in both song writing and process, while still tracing a clear line to their earlier output. many of the eps melodies were born of live improvisation, which helped them create an instinctive, natural immediacy within their electronic arrangements. the cover of the ep depicts the duo on the volcanic island of stromboli, where they performed at the volcano extravaganza, an art and music festival curated by the vinyl factory.it is a perfect landscape to mirror the mood of ‘fundamental fantasy. a seemingly idyllic place that is isolated from the outside world.

ahead of the release of a full length album by the same title, honey soundsystem records presents 3 breakout tracks on 12- vinyl from octo octa s -where are we going?-. side a features the -new school- breaks pumper -move on (let go) (de-stress mix) and the peak-time synth heavy tear jerker -on your lips.- on the flip we share the 9 and a half minute aquatic house opus -where are we going? pt. 2- “do you feel better?” — is the line maya bouldry-morrison aka octo octa repeats like a mantra on the final track of “where are we going?” her newest and second studio lp. “it was the question every single person asked me after coming out as transgender,” she told us “overall i do, but no, i don’t feel better at every moment, which is why the track slips out with a dour bass drone in addition to a beautiful pad. these days, both emotions are ever-present for me.” it is precisely this candor and intensity that immediately drew us in when maya sent over the lp to consider for the honey soundsystem label. as djs we are always looking for music that can speak in our sets, not just the highest caliber productions, but songs that represent the changing landscape of the queer dance-floor. “where are we going?” reads like a diary. with track titles like “no more pain (promises to a younger self)” and “move on (let go) (de-stress mix)” you can’t avoid the autobiographical messages of these songs, but maya leaves no booty un-shaken - this is still 9 four-to-the-floor house and techno beauties to rock your body. her willingness to even model for the cover art of this lp, proved this is a side to octo octa we ve never seen or heard before, an artist ready to let her fans experience an intimacy as deep as the synths and lead lines she has gained notoriety for. applying her years of international dj’ing, this album flows with intention and has effortlessly found its way back into our headphones and home stereo systems repeatedly - pro-tip: you can even have sex to it. needless to say this is the first time in a decade honey soundsystem has thrown itself at a contemporary lp and we know once you hear it, you will know where we are goin

limited anniversary release double vinyl, second vinyl collecting the best mixes from various 12inch of 2006 & 2007. cd inside is the original album (bonus are exclusive to vinyl).
dj mehdis (r.i.p.!) classic from 2006, now in a neat 2017 anniversary re editoon for because music/ed bangers 10th anniversary + original cd + bonus lp (vinyl only!) the 10th anniversary re issue: double vinyl, second vinyl collecting the best mixes from various 12inch of 2006 & 2007. cd inside is the original album (bonus are exclusive to vinyl)

the new label serie ride the wave, a compilation of some of the best fresh wave music coming from all over the world... presented on 2x12” ep format in deluxe double gated sleeve and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gram high quality solid orange vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent... house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 1 you ll find a dark bassline driven house jam from art of tones (check the mad sax!), a proper deep journey jam from nyc s dj spinna, a blaze homage with that classic new jersey sound from sean mccabe, and a bumpy world/jazz inspired cut straight outta brescia from wonder kid corrado bucci. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style!

the musical output by amsterdam trio s. m.nurse generated in just three years of activity, 1980 to 1983 is truly amazing by its volume and quality. the thats the body ep is their third release on domestica a selection of previously unknown tracks and unreleased versions on 12inch format, hand picked with one goal in mind: dancing! thats the body (1983) and on and off (1983) are first-ever releases. on side b, there s new versions of mort automatique (1981) and frutta (1982), previously found on the now expensive 30th anniversary: 1980-1983 album, released by domestica in 2013. edition of 450 copies. mastered from the original master tapes by ruud lekx.

following their massive debut “girl”, danish duo cirkular are at it again with a follow-up release featuring more of that complex-but-danceable electronic music. the “huff / am plingest” release owes homage to the electronic music of the 90s, with hints of breakbeat, underworld style 4/4, dub-house and early autechre style idm.
the remix side features punkrocker-gone-techno antonio gram (of reptile youth fame), longside one of danish technos godfathers, broxgaard (formerly known as patrcik bateman of tictactoe records).

hello! barnbarn means grand child in swedish and is a sub-label to studio barnhus where i will be putting out mostly my own music, apart from my usual engagement in the mother label. it will be a vinyl only affair and always designed by robin ekemark, the genius childhood friend of mine that did so many artworks for me in the past. hope you will enjoy it!

no one else but one of chicagos finest dj lil tal is responsible for the ninth footjob release. the underground veteran has brought himself to attention in the 90s by releasing on the legendary label dance mania. who came to boogie on the a-side is a pretty disco loop combined with tight and uncompromising drums - undeniably an ear-piercing banger - followed by the label owner phonk d’s insane filtered remix version. the b-side consists of the rough, reduced-to-minimal drum track jack your house plus the funky sample tune buzz the doctor with a beat that makes your dancing feet run straight to hospital. footjob german record label launched in 2014. run by phonk d - focussing on house music made for dancing feet.

politics of dancing records celebrate their 3rd anniversary with two vinyl only releases and a digital compilation of unreleased tracks from a pretty impressive line up of confirmed and up and coming producers. the first part to be released sets the pace with four deep house cuts from janeret, d julz, djebali and politics of dancing. janeret s first light is a deep, bass heavy number, with spacy stabs, cut for serious peak time action. d julz offers us a deep tech house killer with sharp stabs and a dubby bass, a timeless one for dancefloors. djebali delivers a fat bumpy deep house tune with his very distinctive stylish and groovy touch, and label bosses politics of dancing drops a deep tracky house piece, with swinging dirty underground vocals and a heavy rolling bassline. this is paris house music firing!

10th release on fasrat is the debut record of mr yo so hailing from the west pomerania region of poland (same as his label mate das komplex), rafal reich is an experienced musician. from playing piano in modern jazz groups to woodwinds in a brass band and synths in his home studio, his music displays rare sensibility and an ear for lovely melodies. delicious brings together six tracks recorded during last few years, from dreamy new age-ish soundtracks to proper balearic sunrise/sunset anthems, with obvious echoes of 70s lords of synth. cheesy, yes, but its this kind of rich, mature, delicious cheese we all like, dont we?

after his collaboration with adam beyer joseph capriati teams up with flavio folco for the second redimension with a fully analogue production in the studio. a wide range of sounds taking you deeper into their idea of space, dimension and possible destinations. josephs creativity received a new drive from the collaboration with the emerging talent flavio folco whose musical roots range from jazz to hip hop and acid house. their studio sessions in barcelona and flavios openings sets at capriati’s shows gave both of them the chance to get to know each other on a deeper musical level which turned into an unexpected and dynamic ep.

marvin horsch debuts on berlins film with an ep of exquisitely produced, cinematic electronica. the cologne based producer develops the colourful house found on previous work for the dorfjungs la-bel, with three playful compositions that draw as much on jazz and krautrock as more contemporary strains of alternative electronic music. opener omnisession 1 marries a beautifully shifting organ with live drum work before segueing into the glorious softness of sun after rain, a rich synth solo drenched in tape hiss. closer negobebo 2 wraps up the ep an energetic, looping recording replete with staccato drum-machine strikes and warm, wet verbs carrying a spirited lead across its six minute duration. an honest record, open and expertly executed fukushisha is an admirable addition to the film cata-logue.

hailing from london, london modular alliance are a trio of modular enthusiasts, often performing live, completely on the fly using modular synths and live improvisation. members include koova. yes effect and pip williams, but on this new ep for hypercolour. pip williams aka phil venture strikes alone with four devastating cuts. with previous releases on uk techno label brokntoys and the kirk degiorgios applied rhythmic technology (art) label, lma continue a fine run of releases with the home grown ep. the production aesthetics across the four cuts are second to none civic society pairs up dark atmospherics and driving electro beats that furl into rolling breaks, whilst home grown is a pacey and bustling burner. more forward motion electro vibes are in evidence on lucid, and ep closer, saunton combines dense ambience, broken beats and acidic bass, all with a gloss and shimmer that makes the music of london modular alliance so engaging. selected dj reactions elephino - looking forward to playing this loud a made up sound - im digging lucid, thanks cosmin trg - heat ethyl - decent this!

embodying a pure devotion to syncopation and dub, and carrying the torch for innovation, collaboration, and bass here in portland, gulls kicks off our new dj music label common language. we sought a record that could bravely blend techno, funk, dub, cumbia, and sound collage into one set of moves. only gulls could fulfill this mission, with bass as the glue in the collage. -eastwood bounce- and -system pools (shock version)- hold down the dub continuum, where -in these times- and -up clean sound- offer syncopated, globally minded un-techno, again run through the gulls dub blender. an endlessly chewy, layered sound is his signature, each track a showcase for contrast between glassy or globular timbres. as one of his few official gulls releases outside of his own label, we are proud to bring this definitive and complete set of tunes in a -something for everyone- 4-song ep format.

vincent inc & his manuscript ltd label are releasing some superb and highly collectable music from the vaults. vincent incs desire to present so many years of music in a coherent way led to the decision to release a series of deep house releases, combining forgotten back catalogue classics with new timeless tracks. now, vincent inc provides the next in a series of glimpses into the label s historic brilliance. these are not usual ep, where an ego is the focus, but a spontaneous venture, setting a new standard to how get deep creative music mind. and deeper than deep s instalment is one you don t want to miss!

nice price deal !!! after just over a year after the birth of riot recordings, frankyeffe decides to produce the first vinyl catalog skills with the manic brothers and markus bohm. riot recordings supported by many artists in this first year of life and then to affirm this success we decided to start printing our music on analog format. the italian frankyeffe known producer of the techno panorama in the world is supported by the great electronic music like adam beyer, chris liebing, sven wath, carl cox, len faki was released on labels such as soma, truesoul, analytic trail, flash, and many other and his productions as well as being played live are also offered in the best radio show. manic brothers duo swedish techno have a great success with the various releases on drumcode, soma, octopus, bond and other great productions. they have a great support form all the big dj’s in the world. markus bohm, italian producer, already known for some collaborations with frankyeffe on afulab, trapez and riot recordings. techno machine. skills ep includes 4 tracks, strong, powerful , shocking, suitable for the great festivals and for the underground club. in these four tracks you can see the freedom of production that the artist gave to this vinyl.

after success of the 3rd release which was entirely made in l.a. and played all over by ricardo villalobos and sneak to name a few, here’s the 4th installement of tripmastaz vinyl only label, where he craftly handpicked the most personal music of his own.
“sweat, blood and tears and it’s all autobiographical- - as he describes it.”
the formula remains the same - dancefloor science grooves mixed with subliminal deepness plus hip-hop beat for those who know what’s up.

here is the debut release from the first lady of the balearic sound nancy noise. her influence on the ibizan sound cannot be understated and, for those who know, nancys place in eivissas musical heritage is carved into es vedra. if you re not aware, it s to be expected nancy isnt one for creating a fuss about what she does or where she fits in. for nancy, its always been about the music. about the vibe. about being moved and taken to a place and time through sound.

gunnar returns with scale no flam, his first 12inch single for the label. scale no flam is both a love letter and a demonstration of why he cant stop getting lost in the sound. according to gunnar, acid is just one of those things that creeps into your life and consumes everything around you - a psychedelic and textural approach to music that is simultaneously intense and smooth.

gondwana records are delighted to announce the signing of composer, bassist and producer phil france. a key collaborator alongside jason swinscoe in the cinematic orchestra, france was responsible for some of the most heartrendingly beautiful music created in recent times. co-writing, arranging and producing on the cinematic orchestra albums including everyday, man with a movie camera, ma fleur and also the triple award winning soundtrack for the crimson wing nature documentary, france s skills have always extended beyond his bass-lines. france who signed a three album deal with gondwana earlier this year, is currently working on new material for release in autumn 2017, but first up is a worldwide re-release for his debut solo recording, the swimmer, a beautiful beguiling -soundtrack- for a film that hasn t been made yet. originally released in october 2013 it is deeply emotive and epic in scale and draws it influences from the great second wave of film composers including john carpenter and vangelis, as well as minimalist composers such as steve reich and philip glass. france s skill, in this album, as well as his work with the cinematic orchestra, is in soundtracking human emotion - the swimmer is full of heartbreak and recovery, strength, honesty and frailty, it is meditative and hopeful. the swimmer will be released on 27th feb 2017. the swimmer will be supported by three remixes: joy of brass - mr. scruff remix the swimmer - graham massey remix (808 state) transition - kristian gjerstad remix full servicing to all key media with reviews in mojo, record collector, bbc music magazine, jazzwise and dj magazine expected. the album and mixes will be serviced to all key international djs with support from gilles peterson and lauren laverne on 6 music, ross allen, patrick forge, dj lefto and beyond.

headquartered in germany, these eyes has a clear mission statement: underground electronic music accompanied by unique design and an uncompromising ethos. the first release comes from founder andré hommen. having ran new york s objektivity for many years, hommen has decided that now is the time to craft something new. title track ‚these eyes has been played by andré over the past 12 months and has received a huge track-id response all over the web. a future classic. b-side ‚substitute is made up of deeper shades and pairs up nicely with the title track. the ep will drop on february 24 and will be available digitally and as limited 12 vinyl.

first vinyl release from lyon-based artist raymonde, also curator of the cassette label mus joutra. four titles oscillating through his latest works as well as unreleased, old archives re-worked on the occasion. from dense, dark ambient to tropical electronics filled with percussions, balafons, marimba and bells coming from voodoo music.

remastered for 2016! another classic by highpriest larry heard. three tracks that prove again the mans genius and unparalleled talent in squeezing true emotions and funk out of his machines and lift you into a state of euphoria. the a-side holds a long, midtempo 80s electrofunk groove with beautiful richly textures synth melodies. flip over for a slightly rawer fingers style workout with highly emotive strings and a perfect end of the night tune with a gorgeous piano solo showing heard s strong roots in jazz. music from a different stratosphere - a record to treasure!

after a three year hiatus night sweats music artist system status is back with his first outing for people must jam. the four-track pale & crazy ep sees a return to the experimental uptempo sounds of uk producer dave rendle.

since 2012, de&#769,licieuse records revealed a few talents on the electronic music scene. among the artists discovered by the label: parra for cuva, jesper ryom, viken arman, trashlagoon and jacob groening. representing a certain era in the evolution of the label, this first page in the history of de&#769,licieuse records is today commemorated with the compilation liquors#1 which brings together one exclusive title for each artist, who all have traveled through a beautiful path since their start on de&#769,licieuse.

the guys at pole jam vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music. they would neither be stopped by the russian tundras nor the deserts of australia in their search. funnily enough, it was actually down-under they discovered sydney based duo falqo with their brilliantly chilled and melodic number across the sea . then, it really was across the sea they went, all the way to the ukraine, picking up sasha anastasov s laidback, groovy smasher sea for two . next up was a much shorter trip to moscow to collect gayana, a band very much on the rise whose since the night has been perfectly reinterpreted by pole jam s very own st. petersburg based all-stars klar&pf. pioneerball is the solo project of tesla boy s lead guitarist who makes his second appearance on pole jam vinyl. this time pioneerball contributes the stunning opening track deltaplane , a track influenced by obscure russian cinematic soundtracks. it s combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.