heavy release from newcomer therarelowry on the soft rocks kinfolk imprint. nightshift is a meandering acid tinged trance-dancer with a nord-esque bassline under pinning it. the morning after goes on a heavier route but the mournful strings keep it on the light side of the dark with great intensity. on the flip side soft rocks take the nightshift into their specially designed acid fuzz room to deliver a pounding percussion filled remix....all trax are receiving support from the alfos duo of andrew weatherall and sean johnston.

with this first ep, s.o.n.s pays homage to the early age of electronic dance music, when techno, house and trance were friendly to each other, when tracks were full of deepness and harmonics, when drums were crazy and raw, when techno was soulful. yeah, this is all about this ep, some soulful deep techno excursions. while the a1 is an after-hours emotional weapon freely inspired by an obscure m. goddard production some will recognize, the a2 is a more straight forward electro track with dark vocals and rising chords, as they made it in detroit back in the days. on the other side of the record is a techno journey through a rainforest with pan flute, deep chords and old school bassline. plus there is a little bonus locked groove: a mere 4/4 tr909 bass drum s.o.n.s personally uses in their crazy obscure techno mixes. turquoise vinyl + foil sticker on cover, limited to 200 copies. mastered by matt colton (l.i.e.s, apron…)

it was the light. that was it. she was trying to remember what brought her to this desolate, godforsaken place. the way the moon and the stars made the shadows dance, it was magic. she slipped into a trance just thinking about it, forgetting at once the decay and the damned all around her. the shadows had fallen still long ago. then the darkness poured in. it had filled her. swallowed her whole. how long had it been now? she couldnt remember. the paper of her hands, the dust in her mouth, she barely noticed. far from any road there was a massive building with a lot of concrete rooms. inside it, a labyrinth path to bid farewell.

this new release by trinidadian deep celebrates the oldest instrument known to man, the drum. on this 3 song ep, trinidadian uses the drum to put you in a trance and become part of the ritual: dance.

ltd edition 200 units
nabla is a mathematical function that when applied, gives a multi-dimensional figure the ability to have many slopes in different directions. like the label’s name, the artists’ of nabla interest in all genres and textures will reflect in the varied nature of their future releases. for its first release, nabla artist lakehead continues the well-trodden path between techno and sci-fi but with a more eerie waif-like approach. raw lo-fi influences impose themselves through interesting percussive mechanics and ghost-like synths in a1. the ambient weightlessness of a2 gives way to a greater intensity on the b-side. the offbeat delivery on b1 is guided along industrial sounding landscapes while heavy metal hi-hats and trance-like melody of b2 rounds off a versatile first release

for the second release, ahrpes founder delivers three progressive techno cuts with some trance and acid arguments.

home records is founded by marcus henriksson aka minilogue, nobody home, son kite releaseinfo: since the beginning of time we humans have been using different methods of inducing altered, heightened or trance-like states. like the native humans used rituals, drumming, dancing and chanting to get into an trance-like state. trances and altered states follow the pattern of a journey: departure, traveling through (inner worlds and dimensions) space, and then returning home. in the classic shamanic journey traditions, rhythmic drumming, rattling or chanting is used to facilitate the entering into, traveling through and returning from the spirit world

the swedish trance duo son kite is back, releasing their first album in ten years. and they are on a mission. *dancing is a very important ritual. our main mission as artists is to make people get into this trance state*, they say. since the release of their third album *colours* in 2004, marcus henriksson and sebastian mullaert have been focusing on their other project minilogue, touring the world and gaining increasing popularity in the house and techno scene. with *prisma*, released on november 17th and consisting of seven tracks made between 2007 and 2014, the duo leaps back to the endless energy and enthusiasm they felt when they first started making music together in 1996. and back to what it is all essentially about, according to the two musicians: getting into the all-important dance ritual and reaching the trance state.

groovin hypnotic tech house / house
limited edition, handstamped, 300 vinyls only. entlet brings up the spirit of the ancient paraguayan tribe enxet. for the past twenty years, we have been delighted to discover shrewdly on the dancefloors his capacity to develop such a bestial jungle and magnificent rituals. he produced this trilogy with cosmic tones in the vein of the other label releases, an appeal to the collective trance and an evocation of the festive traditions that have transcended the past centuries. after countless epic adventures on the drum’n’bass scene, he has performed and produced mainly house and techno tracks. the echoes of his live appearances often reverberate long after the following day. some people say that he has the ability to pay a superhuman attention to the sound. through mystic condor, you will rise towards a joyful and powerful hypnotic state of mind. the feathered serpent will delicately bring you in an extraordinary journey. tramontina is a groovy and spatial evocation, an atmosphere deserving mr. fritz lang s movie. all the sounds progress constantly towards the highest level, like the sun. night new world is the most chill-out piece of this release, everything stretches and calms down, but never forget the whip lash.

minuendo presents -between earth and space- mnd28#331 new various artists, 12- limited edition, hand numbered, vinyl only & no repress. contains tracks by joey kay, artist from chicago for second time he returns after previous work at -keep the face- now he presents two tracks -i wonder- beautiful vocal deep house soulful and -in a trance- techno tool for the dance floor. spanish producer jesus gonsev owner of troubled kids presents -seppuku- a deep house groove made in spain. finally debuting on minuendo representing swiss artists, allstar motomusic feat nicole b artist from deepart sounds presents -little trinidadian girl- 100% chicago house sounds, real flute and vocal, a perfect track to play or listen.

get a first glimpse into the musical mind of henry gilles. on their 7th offering public possession proudly presents to you another munich local: this is the first part of collected works henry has gathered over the past three years, with the second soon to come. we are very happy to share these tracks with you as we think henry is one of the most interesting young producers out there. whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from hip hop to downbeat and further.

no stranger to the connaisseurs, binh delivers his tight debut on time passages. from peaktime to the later moments, you will find just the right berlin way of setting a great evening.

last year tornado wallace touched down at the esp institute with his thinking allowed ep, a slab of wax that proved pivotal in his musical aesthetic, beautifully complimenting our catalogue. he ups the ante further with circadia, his second 3-track ep that riffs on esp themes whilst sophisticatedly amplifying their character. the title track lays trance-like arpeggiated vocals over thunderous tropical toms, opening up into an epic group chant. time of nectar coasts along, blanketing us with soft pads and soothing pan pipes before jonny nashs palm-muted stratocaster makes its cameo. the essential house jam on the b-side, soft light, will no doubt pump its way through dance floors this summer, dont sleep!

(vinyl only) far out radio systems (f.o.r.s.) is the techno moniker of kiani & his legion (we play house, defected, eskimo recordings..) on the flip, the post-apocalyptic empty the tanks (a new trance is here) with a garnier-like subbass and emotive strings.

after a best-selling debut record, low budget family - an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation return, and how! king solomons mines from simple symmetry is quite a classic in the making - a deceptively simple workout that reminds of mid 80s boyd jarvis jams, but shot through with 21st century twists and turns, that amplify those tough drum machines, anthemic afro elements, chants and marimba riffing. add a truly dynamic arrangement and you have a dancefloor dynamite! it is disco royalty on the remix tip as soft rocks & brennan green step up. as expected, given the incredible ingredients, the two of them shine. soft rocks set up a classic euro flavoured afro-trance workout, utilising the parts against a far more electronic and unrelenting backdrop, building to a sweaty, strobe-lit finale. brennan green may be less than prolific these days, but he is dependable as ever here. working up a synth-soaked, prelude style dub, whose classic elements will work the floor from here to zanzibar…

for the second instance in their reissue series, echovolt records treat us with four lush new jersey house gems, originally recorded by wayne gardiner in the early 1990s. now remastered and pressed loud... tip!

auf green language entfernt sich rustie aus der aktuellen londoner szenerie zurück zu seinen wurzeln aus grime, trance, techno, showgaze und rap. durch die experimentellen passagen flackert seine liebe zu bands wie my bloody valentine und godspeed you black emperor durch. die dreizehn neuen titel produzierte rustie mit kopfhoerern zu hause vor, um sie dann in den new yorker sterling sound studios (jay-z, wu tang clan) zur perfektion zu mastern. fuer seine ersten echten songs lud rustie persoenliche mc-buddies ein, darunter muhsinah (aus alten myspace-tagen), face vega (von den gorgeous children), redinho (von den numbers)sowie seinen alten freund danny brown. neben den rap-songs ragen vor allem die instrumentalen clubbanger raptor und velcro heraus, die in naechster zukunft in den clubs dieser welt breaken werden.

rude 66 does not need an introduction... this dutch acid and electro veteran has been around for a long time. being part of the old school acid scene from the hague with releases on legendary label acid planet and he is one of the originals (again) when it comes to the new wave of electro in the late 1990s. two vocals tracks on the a-side with beta evers and sololust appearing as partners in crime, and on the b-side two instrumental almost trance like tracks. this is were electro, acid and a touch of old school gothic come together!

brooklyn-based producer & 1/2 of the mister saturday night duo offers a saber-toothed, bass-heavy take on techno with an unexpected tender side. flip for a trance-like stomper sporting stirring strings.

this very first debut ep of alex.do shows the unique taste of the young berlin boy. from detroit to trance back to 90s jacking techno and some melancholic dystopian vibe – alex.do can do everything in his outstanding freedom of mixing the past and the future.

david georgos and bendikt frey reprise their roles in exponential real time music making. causing a melting pot of dilemmas to somehow unfurl into a rather stupendous and thought provoking system of ideas and trance inducing meditative practices.

first realese from acid rave, with one lon big acid techno trippaz... and, b-side a superb techno trance tune, with a very gasmask singing acid melody and, a finisher banging tribe acid track to close the project. enjoy !

fantastic reissue of paradises deep grooves seminal * i love ep* produced by nelson * paradise* roman. originally released back in 91, this is one of the true holy grails of deep house. kicking things off is the incredible deep hypnotic groove of * i love*, which became a nyc sound factory classic in the hands of junior vasquez as well as receiving heavy rotation on the underground house scene. the next two tracks * hypnotic flute* and * trance dance* are both excellent but the other really outstanding track is the deep floating * inner mind* with its lush haunting synths and intricate rhythms. top quality house music at its best!

the latest instalment from last night on earth introduces harry klein artist nico lahs. nico came to us with two original peak time cuts full of melodics and emotion that were a perfect match for the lnoe sound. also featuring on the ep is a super stripped back dub techno workout from the man like deadbeat who has always impressed us highly with his musical abilities.

following last years anthemic double-header, waves / shirts off, locked groove records is back with our eponymous helmsman tipping a conspicuous cap to his belgian heritage. rave alerts does exactly what it says on the tin, a thumping nod to the ghent glory days of yore, while dialogues favours the trance-fuelled introspection of the early hours. limited edition, vinyl only by the best belgian since hercule poirot.

while some of you might think of planet rhythm as one of those old labels from back in the day, it may not necessarily be the correct judgement. not only is it a product of its past achievements, but it is also pushing things forward in the present time, with woo york being one of a few new artists emerging from the imprints recent catalogue. that said, 2014 starts with ukrainian duo taking over planet rhythm headquarters as the labels proprietors and getting in charge of all of its future development. first out of press is the duos own ep highlighting their shift towards brand new, hardware-driven studio setup. from abstract tb-303-ish structures of acid rain, through the building peaks of analogue swamp, a perfect example of stripping functional techno, to come closers uplifting trance-y melodies and the closing sequence of strobe 1, this record is shaping up to be woo yorks strongest release to date.

trance inducing techno bomb w/ wonderful, swinging dvs1

somewhere along the line the true spirit of the ku was lost in a sea of buddha bar pish and the anaemic meanderings of anyone with a nine bar and a spanish guitar. thankfully, nado uncork their bottle of vintage san rafael dust and sprinkle it liberally over their seventh release to put the sun and fun back into the balearic discotheque. and who better to call upon for authentic 80s oddities than the irrepressible brenda ray, who has plunged into the naffi hq archive and plucked out four vivacious (& previously unreleased) gems, wholly deserving the full light of day.

japenese guy, takeshi kouzuki is well known for his productions on mathematics, abstract acid or hotmix. he has demonstrated his talent as a producer on every single track he has released. and we are really glad to deliver this ep with 3 awesome tracks of >nu-chicago house<, acid and jakbeat music, be certain that the voodoo is this wax. whirlwind will hypnotize you with its beautiful acidic melodies. * aoiro* is a massive jakbeat raw track on which you can feel the influence of traditional japanese music, absolute dancefloor killer! moon is just beautiful in all those points, it will put you in the trance, takeshi is a master of perfection so far!

limited to 300 beautiful black vinyl records, black lined sleeves, brown jackets.
the first release for silent season and edoardo zerbinati, aka edanticonf, for 2014 is the boundary of nowhere land ep, a four-track excursion through naturalistic ambience mixed with synthy, trance-like textures and a layering of dub techno. it is zerbinatis third release for the british columbian label following his planet ep and forest echo album of 2012 that featured title track edits from adbullah rashim and iori.

zum tollen console album gibts es nun einige zeit später die 2 remix 12inch mit remixen von daniel bortz, nu und der dritte raum runde sache für den start ins 2014

lauers return. post-house-proto-disco-trance rockets fuelled by new wave and sound transmissions from middle-wave caucasus. 3 tracks, 1 beat mix, 4 hits

brilliant psychemagik disco edits

vinyl sampler 5/10 of the sound of belgium - the compilation cd

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

excellent deep hypnotic chicago house groover, coloured vinyl

*episode of love* in its original version is an exquisite slice of slo-mo disco-trance whose tempo belies its laser-guided effectiveness on the dance floor.

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.

de:tuned is the new label of djs, record collectors and party promoters bonny (ruben boons) and konnekt (bert hermans).the label is an extension of the de:tuned parties which they have been organising since 2009 in and around antwerp (belgium). de:tuned stands for proper old school club music, whether its techno, acid, rave, house. de:tuned is about quality music in general. previous guests at the de:tuned events include ben sims, dave angel, mike dred, robert leiner, cj bolland and frank de wulf to name but a few.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

of course the acid rebirth is the masterpiece here, in a sense. a bloody good reprise, totally replayed with hardware of the rebirth from jones and stenfenson on bonzai. finishing on a big frustration: still some work for the dj! but also with the interstellar delivery, mr gasmask brings a superb techno trance tune. at least afx fans will enjoy the last tune, the arboria tribute:a superb acid broken stuff, in the pure oldschool tradition of this owesome style. 200 copy limited!

3 x 180 gram heavyweight vinyl.
new petar dundov album! driving, thrilling and emotionally charged ideas from the pond is set to cross the techno / house / trance divide and become one of the essential electronic albums of 2012.

these amazing jam & spoonesque proto-trance electro jams have been turning dance floors inside out since their inception. benevolent as we are, we hand you these secret weapons and say: no more lame-ass mp3s for the masses, but click cluckin hot virgin vinyl!

ethereal, haunted deep house music from beyond the grave, spirit-channeling from the deepest recesses of electro-spiritual obscurity. the slow to speak label presents its latest offering—a residual of the holy-era of the ny underground continuum, conjuring the ritual and pomp of the new electronic goth without abandoning its undeniable roots in the techno/deep house story. dark-matter melodies interlock in an ever off-centering orbit of sparse percussive return, while the distorted exhortations of some wandering intergalactic phantasm whisper menacingly just beneath the surface. trance-inducing, strangely unsettling and ultimately transcendent—further evidence that electronic music can transport its listeners into the fertile pastures of the sublime like any other high art. clear vinyl pressing with japanese obi.

ein album, das zwischen zwei staedten entstanden ist. zwischen hamburg und berlin. also ein intercity album. aber was liegt zwischen den staedten? wald und wiese. die musik des albums ist gepraegt durch wald und wiese, durch viele jahre festival mit ferienkommunismus, unzaehligen open airs und vielen clubs, in denen vornehmlich aus holz gebaut wird. bass ist holz und holz waechst im wald und die musik ist auf bass gebaut, also ist das album eigentlich ein haus, solide und warm. hae... na egal, naja und dann kommt noch einer der besten basslaeufe der musik-geschichte aus einem wald mit kurhaus von weltruf, da schliesst sich dann der kreis. das debuetalbum >a forest< von soukie & windish ist das extrakt eines eigenen stils, den die beiden ueber die letzten 6 jahre und mehr als 30 veroeffentlichungen entwickelt haben. es ist deep, aber kein deep house, es ist trancig aber kein trance, es ist langsam aber kein downbeat. zeit für neologismen, slow trance, rolling house, down techno... whatever, you name it. auf jeden fall ist es musik, die immer funktioniert, auf den ohren, auf der tanzflaeche und danach, buten und binnen (draussen und drinnen). es gibt kein konzept, es ist einfach eine vorstellung davon, dass musik eingaengig sein muss ohne mainstream zu sein, musik die auffaellt ohne zu nerven. musik mit mut zum kitsch, die nie schmierig wird aber doch im ohr kleben bleibt.