an audio visual exploration of truth & myth across the state of new york by media artists the light surgeon. the double vinyl lp comes in gatefold sleeve and includes a downloadcode.

look who dug a hole through the earth… fresh in berlin from the subtropic suns of la, draveng is coming up in your schrebergarten with a cup of coffee and three exercises for allergy season.
side a: first comes *dubious smink*, a rubbery wink of a snake’s housework. then, open up and say laaa for the the vocal mix of synth rearranger, *no flex fit*.
side b: things get dramatic here. wilderness whimpers while wind whips water before moses staff parts 4 to the floor kicks from divine mathematics. j. tijn does what he does best and sears *for thin soles* into a blown out roller.

marking the start of an exciting new collaborative project, wolf + lamb proudly share the debut release of the waves & us. formed out of a creative meeting of minds between maayan nidam, markus nikolaus and louis mcguire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. maayan has already forged a formidable career in electronic music, both under her own name and as part of mara trax, scoring releases on such celebrated labels as perlon. markus performs his own solo project cunt cunt chanel, while louis is part of ballet school, a band releasing on noted indie label bella union. the whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers the waves & us. maayan s electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. markus guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. louis bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. with their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

harbour city 2014. sometimes people from different environmental backgrounds cross paths with one another through similar interests, and they notice that they have more in common then a certain taste in music alone. boris bunnik (aka conforce) is hailing from the small scenic dutch island terschelling, that can be seen as the complete opposite environmental background as the dirty streets of rotterdams south side that drew the first guidelines for frustrated funks watchword: mad drama from everyday life.

following a double headed debut on our recent nasty rips comp. – a crisp remix of hackmans ‘ always’ and a fizzing solo outing -‘not afraid’, montreal producer reagan grey makes her full shifting peaks debut with a high grade 3 track ep, alongside 3 useful remixes. opener ‘owl’ featuring sandy duperval on vocals, takes a neat song of love and life and rolls it over a punchy ukg/house groove, adding classic sounding organ stabs and swingy rhythms, with a tight arrangement keeping things moving along. ‘feel the pressure’ features christie nelson on vocals, with an equally strong , r n’ b inflected song woven in and out of a looser, spacier arrangement, rgs snappy drums again underpin proceedings. not afraid reappears, having made friends along the way via it s nasty rips inclusion thanks to driving detroit-influenced synths, a pulsing bassline and sweet builds and drops. on the remix front, lukas ( future boogie ) keeps things simple on owl, with a fat, kick-lead groove and sparing use of the vox before drifting into a crowd-pleasing breakdown halfway through. benway (aka fast rising muscovite nphonix) takes swathes of the feel the pressure vocal for a ride over broken beats and a bass heavy backing, with hints of techno torque setting his pressurize mix apart from the similar de pressurize version.

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe. once inducted into this particular charged vacuum embodiment you have only one choice but to go on and familiarise yourself with the history and people involved in the hope that you ll find a way through to the other side, but beware the experience and sensations may be seductive, you may choose to remain. be aware it is an audio, visual and kind of literate assault on the senses. the beginning in the loosest possible use of the term starts with the creation of the creature known as d-roid. as a new entrant, before conducting yourself through each chapter, perhaps you should familiarise yourself with the characters involved in those disreputable individuals featured in this episode.

rsn004 brings together 4 tracks that set the scene of harsh terrain, cut through with icy winds and menacing soundscapes. ** a shot across the bows** is sure to solidify pris as a force to be reckoned with and fits perfectly within the resin canon.

this is for those with hard heads, black lungs, and scarred hearts. it is for the dreamers who construct darts on loose-leaf and those revolting against corporate life and casual fridays. it is castles return of the gasface, released on mello music group, remixed by has-lo with a new track and revamped verses. the new record tilts at a different angle, but the beats still bludgeon without sacrificing soul. the raps are rugged yet introspective. the north carolina natives voice is grizzled and shot through with the fatigue that comes from late nights, cigarettes and coffee. has-los beats coax a deeper melancholy out of castles hymns.

limited edition of 300 numbered copies on colored vinyl: 1st record white with black splatters, 2nd record transparent with black splatters.
ah the humble double pack, isnt there something so very satisfying about this format? sccucci manucci evidently thinks so as the nine bows ep is the labels second release in succession to embrace the double pack. it s another high profile cast that contribute to the eight tracks here, with montel, mikki funk, jackson ryland and aashton all featuring. it is the latter, brighton-based producer who opens proceedings with *i cant shake it*, a summer house anthem in the making that showcases his love of a classic rnb vocal. maverick follows with *wait for u* which is not only his sccucci debut but also the parisian s first production committed to wax - hard to believe! the mood swings through various shades of house from here with *lemme hold u* from montel a mid point highlight thanks to a killer vocal hook.

second chapter on horizontal ground from your favourite misleading named artist. a restless paranoid journey through your deepest fears, into the abyss, heading straight to a complete catharsis. there is no way out from the cerebral maze of alienation.

the fourth ep from raw waxes includes two tracks from the noisemaker, italian producer already on fire during the last years. both original tracks have got a delightful groovy soul, amplified by a dark arpeggio, which drives strong energy in stomach and legs of the listeners. the sounds he choses are captivating, dynamic, and push feelings to an high vitality. the deepness of the original tracks is perfectly interpreted by the remixers, who kept his mood and added a personal touch to it. on the a side, mike parker keeps a sinister atmosphere and beautifies it with noisy and raw sounds, which coherently distinguish his productions from many others. on the b side, haiku develops mostly the dance floor mood of the original track with an upbeat based production going through mind trip breaks and industrial pads, giving to the entire release a summer breathe.

love or hate his infamous twitter beefs there is no denying the legendary status of this house music vanguard. with 20+ years of djing and producing under his belt, this is dj sneak s first release on exploited: a collaboration with murk (oscar g and ralph falcon). back in 2003 murk released dark beat - a track that topped the billboard dance charts and became the underground smash of the year. a few months ago we asked sneak for a remix by mail but we didn t get a reply. after 4 months he suddenly popped up in our mailbox, apologized and said that he finally had some studio time. in the end he sent through some tracks to see if we like them. the rest is history as you re probably listening to one of the tracks right now. this quirky and funky house track (a 10 minute journey) is only the tip of the ice berg though.

the maghreban returns after the success of the afric 12 inch to take a little trip through space with two star trek inspired cuts. amok time is an ode to the brutal vulcan mating ritual and is punctuated by a large laser and heavy 90s progressive house sonics. the empath is more mournful and melodic than previous excursions, perhaps even world weary.

stomping, industrial leaning, excellent techno 12 inch (coloured vinyl pressing)

infrastructure is proud to introduce the debut record from campbell irvine, the 23 year-old outsider talent who hails from australia and has recently re-located to berlin. part industrial mantra, part musique concrete, this immersive and captivating debut continues infrastructures re-launch, bringing genuine new talent to the table.

three modern cuts created from a new swedish duo, mount liberation unlimited. the duo have a long heritage in the swedish indie-pop scene but have now taken it further. with a lot of inspiration from techno and house have the appearence become something between indiepop and house, with a great body of analogue expression. junk yard connections is super happy to give out this lovely debut ep!

a special dj double pack from emotional rescue brings together a collection of razormaid remixes, plus unreleased originals, of two projects from georg kajanus, the founder of 70s pop group, sailor and 80s synth poppers, data. with a career spanning late 60s psychedelic folk-rock in eclection, through to chart success as a member of 70s pop group, sailor, before embracing the synthesised sound of early 80s new wave and synth pop via the excellent data, georg kajunas music has covered a lot of ground.

2014 is doses year. known by his grandma as chris truman, dose is one mutherfucka of a kiwi. hailing from the broken city of christchurch and recently relocating to auckland, mr truman, has knuckled down to finally bring us his long awaited debut lp, mind the future. you might agree its quite an lp too – giving fans and champions of doses music an exiting and varied platter of his sound from driving and energetic cuts right through to tracks with a deeper, intimate style. since his first release in 2006 dose has forged a solid reputation as one of the top solo d&b artists to come out of new zealand. consistent releases on a vast spectrum of top labels including ram, renegade hardware, shogun audio and commercial suicide combined with dj sets of exceptional power, depth and quality, dose has built a well respected reputation as both a dj and producer. the 2x12 vinyl format comes with the full 12 track lp download.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

this record tells the story of a detroit groove from the perspective of the speaker, taking you through time from luomo s to the hardware syst3m parties, and the first leaky warehouse roof no way back where dean syst3m worked the door, with all the disrespectful nature one would naturally expect from a true detroit groove. created by two veterans of detroit grooves, bmg & derek plaslaiko, who now calls berlin home, in bmgs studio in the center of detroit. this song celebrates some of the out there characters and crazy cowboy outlaws that made this detroit scene happen on the underground level, that made such an impact that is still felt around the world today.

gradus records is an unique music journey running by eskuche and nu sky. the history beginning from the moment when two great friends decided collaborate they music into something special. they left the country where they lived and moved to new york. inspired by this crazy city they built their studio, produced new music far away from day-in day-out madness of the life they left behind for a while. this imprint is oriented to deliver underground sound in originally native way - vinyl. the sound concept of gradus records integrates from the most ground-breaking house and techno through dark and deep organic grooves.

p. lopezs new ep may be called the same beat. however, rest assured that this is most definitely a showcase of the paraguayan urban and tech house producers chameleonic capabilities. we ve seen lo¬pez on labels such as dogmatik, tirk and rationalism just to name a few, and he s even grabbed the attention of berghain who welcome him for his debut performance there in april. now he stamps his sonic dexterity all over this five track dark techno aeon ep. expect to be led through a progression of styles and emotions, fist pumps and foot taps all in the name of true quality music.

rich nxt, one of fuses core residents, returns for his fourth ep on the fuse london label. the *waistline ep* sees him build upon his fine earlier work with another mesmerizing journey through expertly crafted underground sounds.

words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.

2014 is the 10th anniversary of the san francisco based producers 40 thieves releasing their first ep and now they come through with their debut album *the sky is yours* for leng records. it will be released on two separate gatefold double lps each containing 10 tracks.

2014 is the 10th anniversary of the san francisco based producers 40 thieves releasing their first ep and now they come through with their debut album *the sky is yours* for leng records. it will be released on two separate gatefold double lps each containing 10 tracks.

first to go is evolent with their smasher *the legacy*. a slick, yet powerful journey through the depths of sound and rhythm. known for their 100% hardware based live performances, evolent proofed once again their love for depth and details in this massive tune. *we just keep on searching for the perfect balance between a somehow minimalistic approach and detailed storytelling* state the two guys from evolent. and thats exactly what they did. this wonderful piece of music will be available on a limited number of 12 inch vinyl, including a massive remix from michal ho (get physical, nice try) and a twisted afterhour remix from monkey maffia (freudeamtanzen).

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

moj001 delivers to you five tracks from little nobody which fascinatingly branch through diverse genres and influences which here, on the one record alone, manage to represent this artists wide variety as well as nicolas. judging from this artists extensive bio, since hes delved through techno, idm, hip hop, jazz, disco, electro, etc, the wide-spectrum approach becomes evident. like many artists from the 1990s, little nobody brings with him the healthy baggage of music with a message, polemic subjects, thoughts, ideas, humor, you name it. this comes as an aural statement: music has the power to challenge us, the way in which we perceive the world, and points out things which could potentially generate change for the better — if we only stopped and considered looking that much deeper. so this record couldnt come at a better time, a period in which we live where everything is disposable and a numbed societys music attempts to reach out for our consciousness — posing for us the opportunity to stop and think.

the central executives what can we say ? not much as it turns out - the generally very forthcoming golf channel crew are remaining tight-lipped about the architects of this, frankly mind-blowing debut long-player from this new nyc collective. a walk in the dark is exactly that, a situationist song-sheet & sonic chaperone to guide us through the back street escapism these troubled times demand. from gently over-driven punk funkin mascara stained hymns, to house that has been thoroughly smudged to the edges of its live music incorporating limits. sitting very comfortably, in a moment of stewed elevation alongside sound signature style machine jams, bare bones vocal led improvisations, discordant arthur russell moments & the distorted reflections of roots house that run to the very core of the big apple. a drop-jaw debut then, that wears its influences proudly, but takes them somewhere entirely new.

in october last year, kompakt presented until the end of time (kompakt 288 cd111), a new full-length from hiroshi watanabe aka kaito putting an end to a long and meagre period of time for fans of the veteran producer who saw his last proper release and that was the way (kompakt 208) three years ago. as with hiroshis earlier full-length offerings, we are truly excited to bring you a special beatless version of the new album called less time until the end that shines a different light on the original opus.
the vinyl lp comes with a cd-copy of the full album.

the long awaited single release from marc evans soul descendant lp *supernatural* is here! this beautifully, funky re production is star studded with musicians and arrangements that you seldom hear on dance music these days. it funks, grooves, and jams with a vibe that we could only capture in a live session. you will definitely roll through the credits in amazement. adding to this release are the remixes of by john morales whos work is the stuff of legends. his mix of *supernatural* will amaze you with his killer drum patterns and wonderfully crafted arrangements. quantize recordings is proud to present marc evans doing his thang once again ... it is supernatural!

straight out of st petersburg comes a brand new drum & bass label from russia with a lot of love. an offshoot of already established audio plants recordings, burelom (pronounced boorelom) is the russian word describing rugged outdoor terrain, windswept landscapes and fallen trees. this image sets a precedent for the music to follow, expect some of the most breathtaking d&b from deep, dark sonics through to ethereal vocal-led dance floor infusions, starting with release number 1 due january 2014.

sect returns to the heart of the history once more. chicagos legacy is finally represented on the label by one of the finest producers of this city and sound, dj skull. words cant do justice to the legacy of this legend of house and techno music. for almost three decades skull has produced of some of the finest dancefloor tracks ever made, be it through saber (trax), djax, hybrid, majesty recordings, tresor, or many others. here the dark knight offers four very special cuts that reaffirm his legendary status. the title track combines the most up-to-date techno production techniques with the inimitable chicago jacking sound. *promise of peace* retrieves traditional house values on the mellower end of the musical scale, while *reboot* gets back to the straight-up techno, with some nicely understated acid elements, and finally *big girls* is informed by both reggae dub and forward thinking techno.

limited to 300 beautiful black vinyl records, black lined sleeves, brown jackets.
the first release for silent season and edoardo zerbinati, aka edanticonf, for 2014 is the boundary of nowhere land ep, a four-track excursion through naturalistic ambience mixed with synthy, trance-like textures and a layering of dub techno. it is zerbinatis third release for the british columbian label following his planet ep and forest echo album of 2012 that featured title track edits from adbullah rashim and iori.

hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.

for one day ep is the second release of ftwr recordings.
môme (fragil, 4lux, housewax) drops here 2 housy & deep dancefloor bomb. och (trelik, bass culture, autoreply) & jonas sella (telegraph) take you in a brilliant journey through house music, micro-house & techno.

after recently inaugurating its run with a crop of tunes aimed squarely at the dancefloor, brooklyn s newly launched peach label—an imprint headed up by turrbotax® co-founder rem koolhaus—has shifted gears on its second release, broadening its vision beyond the club and offering up a pair of wonderfully immersive tunes from earth house hold

ltd repress .... be fast ..yer boy beato is back with a run of heavy-hitting club shit. as is come to be expected, all tracks sound like theyve been put through the audial meatgrinder. maybe theyve been put through an actual meatgrinder. absolutely killer

file under disco have steadily been building a seriously strong back catalogue of 100% original disco music. so far this has taken shape through digital eps of original material by artists like drop out orchestra and jkriv & the disco machine, plus a series of big hitting vinyl remix releases from acts like the idjut boys, ron basejam, dicky trisco, pete herbert and duff disco amongst others.

heavy moving rhythms and interwoven throbbing modulations guide you through dance floor euphoria

following spanish producer j.cs debut 12 inch, label head andres zacco is back on his own greener imprint, with a new format for this fifth release. breaking from the usual two-tracker we got used to receive through greener, here are four original numbers from the argentine talent – a bare minimum to represent zaccos versatility

ministry have licensed this huge track from defected and commisioned three new mixes by marc kinchen, lil silva and route 94.

with code is law 003, label head moerbeck plays with this artistic device with great success >movies for the blind< takes direct aim at our imagination without allowing its intent to shine through to the surface. xvii from leipzigs institut für zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. delta x, moerbeck and eomac are telling the rest of this mysterious story with a four-to-the-floor-beat.

hvnxx is one of the most special projects weve taken part in as a label. some months ago the xx and young turks asked our artists to remix tracks from coexist. it was a big honour and also a big responsi- bility, specially considering that the xx is one of our favourite bands. the outcome of such challenge is a four-track ep that showcases the sound of both well-established members of the hivern family, such as marc pinol and new jackson, and upcoming talents such as round and mistakes are ok. all four remixes are pretty different among them, but they all manage to maintain the distinctive spirit of the original songs in their own way. marc pinol takes fiction to the good ol days of chicago house, laying the original vocals on top of analog drum-machines and a rubbery bassline to that suggest an imaginary collaboration between adonis and oliver sim. the elusive mistakes are ok maintains the tropical vibe of reunion but provides a warped atmosphere combining breezy chimes with static haze and a propulsive bass that boosts the song towards the second part of the remix. hiverns latest signee round transforms the fragility of missing into a soothing house cut through uplifting organ chords and vigorous rhythms fulfilling dancefloor demands without loosing its melancholic character. finally, new jackson proves once again his knack with nocturnal ambiences flipping swept away into a sensuous deep-house gem guided by an absorbing piano and a slow but steady groove. the release comes in an embossed sleeve with artwork designed by arnau pi. hvnxx is a co-release with young turks.

limited edition, 100 copies. release presented exclusively on vinyl. no digital copies!
kolokol production opens for you a new moscow project inner square, which presents its debut vinyl release. the single was produced and recorded by mikhail tisik in collaboration with guitarist dennis suddenly. it represents the novel view on modern electro through the prism of harmony and depth of music ideas. stylistically the record is an attempt on one side to combine deep-house and space-disco, and ambient and progressive rock on the other side.

drei lange jahre sind vergangen seit kaitos letztem regulaeren release and that was the way (kompakt 208), zu lang fuer fans des altgedienten produzenten. nachdem die hungrige meute bereits mit der vorab-12inch behind my life (kompakt 284) angefixt wurde, präsentiert kompakt nun ein neues album mit dem titel until the end of time. das doppel-vinyl erscheint inklusive cd-version des albums.

the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...