limited edition of 123 copies with handprinted silkscreen artwork (labels & cover). grey marbled vinyl pressing.

launching in november of 2009, subb-an & adam shelton present one records. cultivated directly from four years experience at the helm of below, one of the uks most upfront and authentic underground parties, the label aims to encapsulate the energy and dexterity of artists and crowds the night has connected with most.

nice price deal !!! mehr northern soul-raritäten auf 7 inch vinyl!

soul jazz records are releasing this latest studio one compilation which features non-step 100% stone-cold classic studio one killers! spanning 40 years of the legendary label, this album is a fitting tribute to clement >sir coxsone< dodd and is a who is who of jamaicaan reggae.

remixes delivered by aki bergen and ross caiden.

coeter one shows two tracks in perfect style of the label. nutempo vinyl records means high-quality of minimal techno. sounds clean, modern and dark. repetitiveness that joins cadenced rhythms, perfect for the dancefloor. never boring and always something unexpected. the remix of >dreesch< signed by veteran mike wall (der hut, aspekt, eins plus, etc.) is decidedly more techno, sounds coming from deep, riffs that seem to remember an old school .. but fresh and strong. the version of >lankow< signed dubit (eminor) is essential and deliberately directed to the dancefloor in the darkest moments.

brand new album featuring non-stop killer studio one cuts from the skatalites, heptones, lone ranger, horace andy and loads more. album comes in jewel case with slipcase style cd, limited edition gatefold heavyweight double vinyl and exclusive digital download from here. this is the first new studio one/soul jazz release in over 3 years and is being released to coincide with our forthcoming monster new deluxe hardback 12x12inch 200 page full colour book featuring hundreds of super classic and rare studio one sleeves.

limited to 250 numbered copies, vinyl only - no digital release!
the first rose records release presents tracks by luvless, m.ono and martin hayes. while luvless >surrender< is playing shiny chords, adding vocals promising love and a restless groove, m.onos >love pass u by< combines a modern beat structure with some oldschool funk flavor. martin hayes rearranged and slowed down some 80s cheese and added chunky drums and filtered vocals.

london based dj and producer brackles makes his debut as a rinse artist with his new 12 inch release, released on august 8. brackles has steadily built a name for himself as a dj and producer to watch after he started djing at 15 years old, going on to be a regular at londons world famous fwd>> club night and with his own weekly show on rinse fm.
as a producer he has released several highly sought-after releases for some of the best labels around - planet mu, appleblims apple pips label, berkane sol and numerous releases on his own blunted robots imprint with co-owner shortstuff.
brackles dj sets are renowned party starters, energetic and elastic, effortlessly taking in funky, grime, vintage 2-step and bassline. this 12 inch, a taster from his upcoming rinse presents full length release, encompassing all of that without losing that unique brackles production sound. catch brackles every thursday 3pm-5pm on rinse fm 106.8 fm london and www.rinse.fm

and once gain we are back. after a welcome pause dumb unit returns with an energetic four tracker from our man in nyc : elon. a long time label mate elon strips it all back to create a bumping and infectious groove that while resolutely dumb unit is uncharacteristic in its nakedness! no decor here, only pure syncopated and pushing rhythms to notch it up a tad. perfect for leading the lions back to the warehouse and off the beach into the cooler months. >put those shades away son we going inside<. the energetic pacers of elon are complemented by a deeper excursion, a superb exercise one remix that takes the original and works it into a pulsing main floor late night jam.

john daly continues his search for the beauty on house music. his own one track records label delivers number 6. and its another stunning release with an amazing emotive house track in the vein of larry heard and some early chicago masters that been exploring the more fragile side of house music. john delivers tracks that are emotive yet strong and even some jacking vibes in it and a fierce bassline that keeps the pressure on. the chant comes in two parts and are among the most beautiful tracks we ve heard in a while... part 1 is the original version with full on vocal chants, where part two is a sort of dub mix with amazing melodies. another stunner by mr john daly.

brandon johnson, the artist known as tridact, has been putting together his mix of analog electronics and beats for some time. growing up in and around santa barbara, california, he has recently traded the beaches and foothills of southern california to move to the forests and mountains of southern oregon. after participating in various bands and other musical projects in santa barbara, he bought a simple setup consisting of a midi sequencer, a sampler and a couple of vintage synthesizers and began creating his own electronic music. over time he built up a small studio and added some live instrumentation into the mix. in the late 2000s, he began posting some of his tracks online, eventually leading to his first release, >light minute<, on the synchronicity suite compilation on moodgadget records, alongside artists such as wisp and mux mool. the track was later re-released on ghostly internationals nocturnal suite compilation. on tridact’s debut album on prins thomas internasjonal label, he creates an eclectic blend of densely layered, melodic, song-oriented instrumental tracks which combine analog synthesizers, guitars and programmed beats. the album draws from influences ranging from 60s pop to disco, house, techno and breakbeat to make a sound that reflects a distinctly pacific coast experience. from the new tridact album (intcd0002) we have cherry picked these tracks for a exclusive vinyl edition spread over 1 12 inch and a 7 inch.

following on from the success of the 100% dynamite series, here we enter the vaults of the most important reggae label of all time, studio one. owned and founded by clement coxsone dodd, studio ones output serves as a comprehensive guide to the history of reggae music. the music on studio one rockers covers all areas of reggae such as ska, rocksteady, roots and dancehall, all areas in which studio one led the field. studio one rockers features many legendary studio one tracks brought together for the first time by soul jazz records.

played by ricardo villalobos ... a vinyl only release on bang bang! by 2000 and one. 90ties feeling what can you expect.. this time its an ode to two of houses alltime legends, two banging house-tracks to jack the dancefloors and move every crowd! 90ties techno-house feeling

once upon a time there was a girl called matilda, she loved to sing and dance and play music. one day she was making her way through the big dark treptow wood when she came across a magic electronic harp standing in a shaft of sunlight by the lake. she sat down to play and it sounded like summer... exone boss exercise one provides a tougher extended remix that retains the deep flatness of the original, while deadbeat keeps the full harp arrangement with his own frenetic bass arrangement

needwant is proud to present a truly unique package of >interpretations< featuring the chicago legend robert owens brand new >one body< vocal as individually sound tracked by four of house musics most exciting producers and needwant friends and family, kaine, mario basanov, nicholas and no regular play

>passion<, einer der clubhits aus dem aktuellen album des italienischen nu-disco-trios phreek plus one, erscheint nun noch einmal als 12 inch mit killer-remixen von dj t. (get physical), toby tobias (rekids) und dem russischen talent sportloto, der gerade vom uk-label tirk gesignt worden ist. an den vocals: mr. white (the sun cant compare).

disco deviance get into the spirit of summer and welcomes istanbul dj & producer onur engin for his debut release on the imprint.on this release onur once again focuses on the lighter, more musical side of the disco sound and captures perfectly the terrace, beach and sunset vibes of summertime. both tracks are lovingly edited and beautifully re-mastered for your absolute dj delight. enjoy the music! ! !

hardline boss paulblackout returns with two heavy dnb/hardcore crossover tracks, to follow on from the broken, deep beats of the previous leepshec release. >curse on one self< features tough sounding vampire samples and builds up to a crazy drop which will have you throwing shapes and playing air drums like a madman (or woman) on the flip is >all you mfs< which makes use of an amusing cartoon sample and stomps along to a halftime breakdown with double kickdrums to activate fist pumping mode. vinyl release also includes an evil illustration by camila carmody, with dj support from dj hidden, dj producer, simon underground, mark n and more. this is how we are kickin it!

kris wadsworth with an ep for one records, burnski & jozif on the remixes. pressed on green vinyl.

for our 68th release we welcome back the collaborative genius of chart-topping duo doomwork (alex catalani and claudio maura). with their last 100% pure release >andromeda< making the dj likes of adam beyer, dubfire, karotte, paco osuna, riva starr, butch very happy, we are delighted they have returned with two expansive and excursive space-inspired tunes complimented with stellar remixes from christian smith and 2000 and one.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

ltd backstock

fresh from the success of >clock out<, need for mirrors make a quick return to inneractive music with one of its most awaited releases. originally released in 2001 on phantom audio, ten years later and the duo bring spirits >three in one< to a new generation, keeping that irresistibly funky flow while toughening up the groove with some killer bass work and thumping beats, already gracing the sets of dj hype, goldie, storm, raiden, tc1 and a host of others. spirit himself gets deep and dirty on >juggernaut< with its sparse drums, deep subs and growling synths, creating a groove that just cant be stopped.
dj mag 9/10

john dalys meltdown gets the remix treatment! 2 awesome remixes from 2 awesome producers. on the a side qrn aka quarion turns out a pure deep house mpc jam, while on the aa echologist aka brendon moeller takes things down the dub techno road with a right club banger. both of these remixes were constructed from sampling the b side tools of the original, direct from vinyl ... no parts here, just straight up raw shit, re-edit style.

aldo cadiz is back! he is without a doubt one of the leading producers of the electronic underground in chile.his productions have been published worldwide on international labels like, off, hoehenregler, desolat, regular, safari electronique. and again mr. adriano filippucci who started his musical career at the age of 6 and releases on labels like highgrade, musik gewinnt freunde, monique speciale

former paper recordings 041 re-mastered from 1999!

sheffield trio standard fare had a great 2010 that saw the release of debut album >the noyelle beat< festival appearances at latitude, indietracks, in the city and swn and two us tours, including playing at sxsw. it was on their us travels that they met pop soul mates one happy island.
hailing from boston, massachusetts, one happy island also had a stellar 2010, releasing their own eponymous debut album, an lp filled with a sense of wonder, fun and everything from autumnal, orchestral ruminations to farfisa-fired garage-pop.
2011 kicks off for both bands with a joint release. its a simple proposition: each covers one track from their counterparts album and each introduces a new original, all packaged as a 4 track ep, with glorious indiepop results!
comes with code for digital download.

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

january 2011 marks the 5th anniversary of the label and to celebrate there will be two very special releases, the first of which brings together new killer remixes of tsuba classics. the one and only sebo k remixes nina kraviz & okain creating a true peak time house bomb. arto mwambe deliver an atmospheric acid mix of label boss kevin griffiths and art department live up to the hype with a synth driven mix of dyed soundorom. all in all a fitting package to celebrate part one of a very special birthday!,

new artist document one debuting for bogores label. backed up with a heist remix.

this is one of a limited run of unique prints to commemorate the release of the new badly drawn boy single *too many miracles*. each print has an individual image of badly drawn boy on the front, taken on a reportage style photo shoot in august 2010. the album version of *too many miracles* is on the album *it s what i m thinking part one - photographing snowflakes*, released on damons own new label, one last fruit.
please visit www.toomanymiracles.co.uk/olf002tmm and enter your details to pick up a download including the single and an exclusive bonus track of *shake the rollercoaster (2010 recording)*. the original version of the bonus track appeared on *ep1*. the new version was recorded during the sessions for the new album.

three solid slab of heavy techno

again a new fresh talents lands on be as one. italys sehou is indeed a well promising artist and the israeli imprint surely has a careful ear when it come to signing its artists. >to who love< is as simple as it is beautiful, a true house masterpiece with a classic touch, to stand the test of times. >dark side of the sun< turns things darker and deeper, phat bass, phat grooves, sure effect. to complete the package gel abril strikes back again on be as one after bein gmissed for long on the imprint. keeping things basic but effective, the israeli brings funk to the floor in his own unmistakable style

m.in , alex d elia & nihil young, david keno, alexander aurel on this first great various artists vinyl! classy house-tech and minimal house on this one! supported by: radioslave, slam, saeed younan, richie hawtin, roger sanchez, monika kruse, el mundo en satori, oliver klein, andre galluzzi, sebastian lutz, tim xavier, audio fly, david west, tim green, paco osuna, monika kruse, cari lekebusch and many others!

2 electrifying disco weapons from the mighty mouse.

one – nein, nicht ein jahr sondern die 005 ist da, die hand ist voll. zum jubiläum ist auf der satr005 großes familientreffen mit befreundeten künstlern angesagt. und keine himmelsrichtung wird dabei ausgelassen. auf der a seite begrüßen wir das italienische duo lula circus, die schon mit releases auf acker und resopal aufhorchen ließen. dazu gesellen sich carsten rausch & ferdinand laurin, die dynamischen herren aus trier.auf der b seite eröffnen die beiden sympathischen jungs soukie & windish aus hamburg, zuletzt mit wundervollen releases auf seenplatte, herz ist trumpf und hi freaks. abrunden wird das ganze mit dem titel ayo vom kollektiv ost, der zuvor auf der gleichnamigen single erschien. hier in einem knackigen remix der herren marcus carp vs. deo & z-man. alles in allem vier herrliche und qualitativ hochwertige tracks für körper und seele! supported by someone else, daniel sanchez, axel bartsch, gel abril, re-up, andre kronert, niko schwind, scsi-9, oliver schories u.v.m

with vernissage one on trapez ltd amir kicks off a beat which could have been written by herbert. as amir says himself his beats are ongoing a constant change, nothing stays the same. >cadaques< indeed highlights a spiritual quality that is expressed by ethno sounds, constantly shifting dynamics and a feeling for deepness

john daly is delivering one killer chicago influenced house tracks after another. obviously getting inspiration from his favorite larry heard and marshall jefferson songs, turning that into those long smooth john daly tracks with soulful basslines, lush melodies, intense strings and euphoric breakdowns that take things to another level. not tracks for every moment on every dancefloor, but tools for the real house connaisseurs who understand special records for special moments and who treasure them like the crown jewels!

upfront whitelabels of this heavy-hitting double a-side by youngman!

following on from his critically acclaimed third album basho basho, kidkanevil is back with a selection of remixes from his forthcoming basho basho remixed album. first up is a long-time friend of fw in the shape of eliphino. he provides a stunning sub-heavy mix of >the floating world<, fans of floating points, joy orbison & bukem need to check this out. next up is manchesters illum sphere, fresh from the release of his titan ep on martyns 3024 imprint (becoming only the second producer aside from 2562 to have a solo 12 inch on the label). his rebounce of >when doves bounce< does exactly that, adding spooky electronics and tougher drums to the original.

bosco delrey is at once a thick combination of influences and a totally unique voice in current music. diplo describes him as >a sort of garbage can elvis from new jersey... teaspoon craziness, a pinch of rockabilly, and full cup of soul dressed in a leather jacket. he cant be topped as far as song writing... hes doin the music i wish i could if i had bought a guitar<, the fader called his song >round n round hillbillyhall, and boscos own myspace says >jerry lee lewis carol king of pop<. but whatever you call him, bosco delrey is making music that is instantly accessible, totally cool, and unlike anything else on our wide-sweeping mad decent radar.