after the well received dvk remixes subsitenz thought its only fitting to pair up one of dnbs hardest and bulgarias biggest export cooh with the two south london stow aways dvk. there fruits of their labor as you would expect is fooking insane. off the leash is not for the faint hearted or pregnant a relentless driver of a track with beats that mutate and evolve constantly over subs fatter than dawn frenchs ass. with the signature dvk rolling percs and pumping side chained filth matched with coohs lethal arrangements and movement of beats off the leash is one pissed pit bull in a poodle parlor. once bitten twice shy is a techy affair still relentless to the core with all the twist and turns that are synonymous to the likes of cooh and dvk. filthy stabs and hits are thrown manically around like a poltergeist having an epileptic fit in a china shop adding chaos to the already frantic bass and grooves. the main heart to his puppy is banged home half way through of its unnatural life were it warps from chilled pads to a nodders delight. dvk and cooh have started the fire and will be back to fuel it very soon!

debuting with >i believe< on the monumental (10 records) compilation >techno 2: the next generation< (alongside carl craig, marc kinchen, and jay denham) in 1990. octave one is the brainchild of the phenomenal native sons of detroit, mi (usa), the burden brothers. the band, (made up of lenny burden and lawrence burden), have had the privilege of touring live and djing throughout the world, including the countries of germany, spain, greece, belgium, vienna, the netherlands, the uk, ireland, scotland, malaysia, japan, the us, and russia, among many other places. throughout their careers they have worked with such artists as derrick may, underground resistance, juan atkins, anthony shake shakir, among others. they have remixed tracks for such artists as massive attack, akabu (joey negro), dj rolando (jaguar), steve bug, john thomas, the trampps, rhythim is rhythim, and inner city. two years of live touring and three years of recording come together for the brothers latest musical offering. reaching back and rejuvenating their pure electronic detroit sound, o1 produce a dance floor heavy techno journey. >summers on jupiter< showcases the burdens signature rough and tumble production style. several tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. to celebrate their first studio album in four years, octave one take the electronic beat down on the road through 2009.

september 2008, nima gorji is spending 1 month at the house of his friend babalow baba ifa leri oma in ibiza. in cuban santeria, a babalow is the father of secrets, a shaman, a spiritual guide. the philosophy of ifa was brought by the slaves from afrika, especially nigeria, to the caribbean islands. it became santeria in cuba, vodoo in haiti, condomble in brasil. the yoruba language is used in the santerias books and the ceremonies as chants. nima assisted to some ceremonies where the babalow is cleaning somones soul, energy, or aura, and establish a direct conection with a special energy called orisha. each orisha has specific attributes like a color, tools, beads, and various patterns of percussion rhythm. nima is listening to all these beats coming directly from cuba, he samples some parts, and produces a new ep : azul y verde. we are blue is a tribute to yemaya, the mother of the sea. she represents maternity, fertility, and life on earth in general. her color is blue and her number 7. the chant is performed by lazaro ross a cuban artist who died in 2005. lazaro was a legendary akpwon, or lead singer in the yoruba tradition. warriors is a tribute to oggun, another main orisha. he represents the force and the work of human kind. he is working with metal, and he always carry a knife. his color is green and his number is 3.

leo anibaldi was born in 1972 and at the age of 15 discovers his passion for electronic music. thanks to the advent of the first computers like commodore vic 20 and 64, he begins to create his first loops. after one year leo start to play in outskints clubs under the pseudonym dj mc, when was impossibile to find in rome any trace of electronic beat. he becomes a big analogics synths collector and he decide to spend his daily life into the creation of beat groove. in 1990 leo begins his recordings career at acv records where he will make more then 20 albums like: attack random, riders of the future, noise generation, muta, cannibald and aeon. in 1991 leo meets lory d and in a small garage located in the north of rome, they start the alternative music movement universally known as the sound of rome, who spread the techno music in rome and whole italy. in those years leo is concentrated to bring his analogic live set around the world, he plays in the best techno parties like one the first love parade edition in berlin. in 1995 leo decides to cut the relation whit acv records and moves to rephlex, label of his friend aphex twin where he will make the album void. 2008. cannibald record was born, leos personal record label, and he is back with a 4 track ep. feed1 is a hypnotic techno sound, feed2 a deep, spaced out techno track and feed 3 modern minimal acid. leos older hit >attack random< got remixed by francesco pierguidi.

we re starting off the new year with a brilliant theatrical ep from an artist that rhythmically knows how to pluck the sinewy line between music and art. hailing from the mountains of hungary, laurine frost delivers a body of work that is deep, energetic and full of life. like the nocturnal depths of his landscape these songs conjure stunning and perplexing scenes of mystery and the unknown. through his composition and sound manipulations laurine s tracks resonate the dialectic between cultures and traditions and possesses an inventiveness and mysticism that spawns a maelstrom of turbulence and mirth.

rezkars fascination with music began with his parents record collection. listening to local radio stations as a child, he heard 80s tracks. as an adult he discovered the magic of 60s and 70s jazz and funk. one day, his cousin played a track that he immediately fell in love with. he later learned that this was house music. he discovered the fruity loops sequencer software and thought, why not try to make my own tracks, after all, it cant really be that hard? deep house can sound deceptively simple. its a bit like japanese anime, rezkar says. it looks so cute and easy to draw, but try to actually draw it, and you will discover its even harder than realistic drawings. the thing about house is that if you try too hard it can come across as being very cheesy, but then again, if you dont do enough it can sound incomplete. finding the balance is not easy, rezkar admits. after hearing his music, one finds that he is learning this lesson quite well.

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

gerard hanson hails from the unlikely environments of dallas, texas usa. his music has influences from derrick may, stefan robbers, red planet and carl craig.. he released his first 12inch in 1995 on matrix / detroit. after that he released on labels like tektite recordings, down low, ai records, frustrated funk, frantic flowers and aw recordings. he is very careful about sharing his music with the rest of the world. in the last decade he only used the aliases convextion and e.r.p. (event related potential). e.r.p is an electro-edged moniker....

transmitting from the heart of the american midwest, skoozbot has rapidly gained a reputation for insightful techno futurism. his main preoccupation focuses on the interaction between humans and technology, especially the ability to capture split second emotions, recreate them using electronic sounds and then play them out over a six minute track, letting them evolve naturally albeit in sometimes unexpected directions. the rising sap contains a selection of tracks written during the transition from winter to spring as life returns to the surface of the planet bringing with it the most vibrant sensory experiences. in a sense these colours, fragrances and forms allow us to transcend time through memories and association and skoozbot is driven to capture these precious fragments and examine them from all angles in the suspended animation that the minimal techno environment so perfectly creates.

sexplosion, the new ep from lenfant terrible of sophisticated techno, seth troxler-here recording under his debauched alter ego sex trothler-is a complex, multifaceted, and yet decidedly horny affair. these are the sounds of doing unspeakable and anonymous things to girls in dark backrooms and being too confident to regret it the next day…the sounds of your favorite sexual memory transformed by your overactive fantasy life into scenes of utter perversion. the first track, jusyour, combines troxlers signature use of the classic, organic sounds of detroit house and techno with an avant-garde, fragmented, almost mournful sensibility. its a contemporary jack track as appropriate for a dark, seedy club as it is for an afterparty orgy on your friends broken futon. its almost as if music could yearn and sweat and think all at once. its followed by a brief vocal internude to remind you that being a good lover always means having enough of a sense of humor to laugh at other people laughing at yourself. think tinkertoys meets the wu-tang clans black shampoo. humor aside, the final track, face, utilizes airy percussion and deep, almost cinematic chords (reminiscent of troxlers remix for another precious youth, nicolaas jar on new yorks wolf+lamb label). its masterful and restrained use of processed vocals manages to leave behind so much of the pointless darkness that has plagued techno, whether minimal or otherwise. it builds slowly yet aggressively, like a hard, focused grind with someone you cant actually even really stand. this is music for people whose time at art school was spent getting naked and not hating themselves for it.

its all about housemusic its a spiritual thing! this statement from a former classic house recording fits perfectly to yves murasca and his attitude towards housemusic. his entire life had been constantly spinning around that uplifting housegroove from 120 to 130 beats per minute. although the munich based dj and producer is standing right at the beginning of his musical career he is already looking back at a number of well noticed projects. besides far more than 20 remixes only in the last two years for top artists like bob sinclar, barbara tucker, milk & sugar, jean claude ades or lee cabrera he became also a recommended radio dj with his own casa nostra radio show and due to the increasing demand on his club dj skills also more and more international bookings are taking place in the meantime.

the munich resident florian senfter aka zombie nation or john starlight is well-known as the creator of tracks like kernkraft 400, souls at zero, space marines and last not least blood angels, which can also be found on the sound of the third season, and is thus a reliable choice for sweaty, energetic eruptions up to the fringe of demolition. this doesnt change significantly on road rage, which was originally released by ukw in a limited number of copies and is now the first sign of life from senfters studio, after three years of abstinence. with timehonoured plus 8 references and acid elements, the original recollects an almost gone quality of techno: to blow away your skullcap with the unashamed joy of telling stories, many breaks, some funky dirtyness and experimental noise playfulness. exclusively made for cocoon was the remix by parisian turbo producer popof who gives the track an even more intense gross-grained feeling. one does not have to be a prophet at all to tell that both versions are facing a great future in club autumn 2008 and beyond

lcd soundsystem returns with a song written for the soundtrack to the sony pictures film 21. james murphy’s concept of what a big rock song made for a movie could sound like more than a balls-out big rock song, the track delivers in unexpected ways, from the edgy opening two minutes that alone could serve as the score to a car chase, to the sudden explosion of choirs, blissful harmonies, and larger-than-life chorus. babytalk, who has created quite a buzz with two top-notch releases and is currently the toast of underground dance music and disco heads, remixes the track into something seemingly slower and definitely more sinister

incl boris brejcha remix, busy time of the year continues for the jesus loved you label as two artists join forces to put out the release no.012. the original song was produced by somewhat mysterious space explorers duo. not much is known about this guys, their music, however, seems to have a distinct oriental flavour. in the southwestern parts of europe , >kaffana< is a traditional type of barroom where male customers like to spend their spare time. the track is like a short movie, describing the life of such place. the highly percussive first segment seems to correspond to the busy evening hours with their lively music and dancing. the exotic oriental theme that follows leads you to the misty afterhours when everything becomes possible. and just like in a good movie, the last part is the most exiting, making you feel as if you were involved in a car chase..,

like a proper immigrant family enjoying the life of culturally greener pastures, the vakant family continues to grow in berlin. closely following the exponential trend of mergers and acquisitions in the multi national corpo borg, vakant heavy industries signs the third in a series of new talent to the team. berlins dewalta a.k.a. david koch, long time friend of vakant, has completed assimilation into the freaky fold. a side salgaro is about as obese as a track can get. its happy, its huge, its pan ethnic, its sensitive, its irreverent. its so good it was immediately used for onur ozers up coming club dj mix cd. on the aa side farina lives. its freakier, its smoother, its quirkier, its cup runs massively over. we are talking insulin shock plump. we cant even identify which genres it spans. it sounds like the amalgamation of everything currently succulent and lots more that will be

three years after his debut album basement soul kid returns in september 2008 with his darkest release to date. expect hip hop, sublime style, with guest appearances by camp lo, frank n dank, illa j, defari among others. until then, lets warm things up with this twelve! on the title track kid finds himself in his own world on a beat which was started out life as remix for the brazilian/dutch super group zuco 103. as a result - kid rhymes on the beat himself leaving you exposed to his world. the soulful pityful times appears as an (short) skit on the album while the extended cut is only available on the b side of this twelve inch. besides kid sublime this track features amsterdams finest vocal weapon, ninthe on the hook. kid sublime toured with zuco 103 and guru as a dj, and co founded the rednose distrikt collective, which he left to focus on his debut album basement soul. after that he put out records with frank n dank, les deal, wouda and did remixes for the likes of harry swinger, rob scott, recloose, j davey...

no matter what, an artistic work most likely results in the amalgamation of a whole bunch of different parameters such as what, where and how a creator may live at a specific period of his/her life... this being for much on the undeniable dimension taken by music on our existences and of course jays one... a man who, in addition to his numerous bookings, does currently like 24/7-ing production wise with this 3 tracker obviously conceived in the very depth of the nite...rubber face sounds as of those unlikely early morning deep bleeping dives into some wakin up city life. whereas deepen your mind seems like a never ending abstract frenetic journey to the heart of synthetized phonk melted with a drop of acid house inherited fx...dancers vibes€,�bring us into the deep territory with some hammond style keys and tough brooklyn beats.

the deathset go international jetset on your ass with a spanking new ep that balances niceness and nastiness like only they know how. fresh from bringing joy, madness and foolishness to europes gig venues, the deathset burst out with around the world, the next stop on their worldwide escapade. featuring two tracks not heard on the upcoming full length (paranoia and boys than girls), plus killer remixes from etan and bonde do role, this is an absolute must for anyone who understands the value of going fucking nuts. around the world is a dance floor anthem to take on the planet to. bostonian scene shaker etan takes impossible and turns it into the most glorious, life affirming, hands in the air high. paranoia is like being stuck on a whirligig eating candyfloss powdered with speed. boys than girls is the sound of the wildest gig you ve never been to. bonde do role round things out by turning the death set into the baile beasties. a good look.

thank you have played with the likes of beach house, dan deacon, daniel higgs, celebration, wzt hearts and ponytail. thank you is an athletic rhythm/action unit, made up of jeffrey mcgrath, michael bouyoucas and elke wardlaw. michael was a member of the baltimore band more dogs who released an album on monitor records. the members of thank you are longtime friends and musical collaborators, working hard to bring to life their wholly original compositions. musical ideas are introduced and have conversations with one another, each track filled with new articulation and insight. the basics of drums, organ, and guitar build the foundation, but are augmented by whistles, cowbell, hobo harmonica, snappy loops, car horns, and whatever else might be at hand. the album terrible two was engineered by j. robbins (yeasayer, mary timony, jets to brazil) in baltimore and was produced and mixed by chris coady (tv on the radio, yeah yeah yeahs, celebration) in new york city.

for the third time adam proll has released a 12 for cocoon recordings. and just like in the two predecessors, >hummel< and >adamantido<, the native pole is at the pulse of time and, with >flight 407<, creates a beautiful and dreamy summer tech house track, which seems to be made for the forthcoming open air season. warm, soft beats are as skillfully and elegantly used as trippy half time snares and thus make the a side sparkle of life. in contrast to this, >abbadon< is more something for the neverending after hours of this summer. the warm and deep detroit sound reminds of sunsets at the beach and is bringing back this special feeling to the dance floor - may it be in frankfurt, berlin or everywhere else.

nice price deal !!! four different interpretations of crazed computer funk!! bumps along like a heavier daft punk house track with a heavy dose of boogie in its blood... heavily supported by play paul,adam freeland, john digweed, greg churchill, ante perry,acii.disko, azzido da bass, beats international, dada life, moston, malente, mario rogowski, robosonic, disco boys, daniel dexter, danny bonnici, tapesh, timo di roy, tom wax, gus gus, xenia beliayeva and many more

two legends in music like john acquaviva and ramon zenker, routiniers in their work and skills as producers, they manage to tame agressive basslines and get the heart of the track from start to the end. rhythm is the main element and the grooving bassline stays ahead of any other element focused on one intention only: tearing apart floors worldwide

how many people of the same generation the producer frederik belongs to, did not spend part of their life playing the videogame which inspired the production of this new single? it sounds like a very original track containing an highly explosive idea in it!!

supported by: miss kittin, dj hell, gabriel ananda , butch.... afu limited sub-label called afulab/afu laboratory !! the first release on afulab is hitting like a bomb with the more than well known kiko from france ! after his releases on datapunk, turbo, pias, gigolo, good life, confused and his own hot banana, he starts the new label with a big bang ! three fatt dancefloor burners that only he could deliver in his own unique style !

luscious, epic and british are not words you would usually associate with an emo band. but i was a cub scout are not your ordinary emo outfit - they re two hardcore souls with passion and emotion dripping out of every pore. and its this passion that has captivated audiences up and down the country. the duo, made up of todd marriott and william bowerman, have come a long way in the 18 months they ve been together. they ve supported bands like babyshambles, panic at the disco, editors and forward russia, played to packed out audiences at download and the carling reading and leeds festivals and made one of the most life affirming albums of 2008, i want you to know that there is always hope, which has been produced by hugh padgham . in a climate of indie band soup, i was a cub scout stand apart. a very british band raised on a diet of american music. a duo who manage the feat of being both indie and rock, punk and prog, small yet big...

ultraphat marek hemmann remix !! support comes from anthony collins, italoboyz, karotte, dj misk, mark henning and many more.. on a1 marcus meinhardt is telling the story of jerry lee in passionate dark sounds. he’s painting pictures from the dark side of town in which he was torn into. in the dense frames he hunted the adventure. a visionary, whose hair followed in electric line shape the power of his movements. when he runs - he runs for his life. marek hemmann how ever highlights jerry lee to a sunny place, to pick and count some daisys, in which the rough guy revives like a tame light being.

the faints dapose drops zombie aesthetics, the debut album of electronic madness from his metal alter ego vverevvolf grehv. zombie aesthetics is a 21st century synthesis of idm, sinister vocals, and visceral metal guitar. without question, vverevvolf grehv is unlike anything you have ever heard or experienced. vverevvolf grehv is the debut of the twisted metal project of the faints dapose! vverevvolf grehv have played with the likes of yeah yeah yeahs, lightning bolt, cephalic carnage, a life once lost and more. the vinyl is limited to a pressing of 1.000 copies only! for fans of: fantomas, lightning bolt, agoraphobic nosebleed, genghis tron, melt banana, blood brothers, boredoms.

although berlin based dj woody has long been a member of the gigolo crew, having the honor to play at some legendary gigolo nights, this is woodys first solo release for gigolo. and what a fine entry onto the gigolo-scene it is: sure to get people in the know talking... and dancing! woody is the original sonic funkateer whose life is completely focussed on music and his very own definition of funk. hes a genuine kind of a guy, needing nothing more than two turntables, a mixer and an audience to know hes alive. for him djing and making music is not just a job, its his destiny. just one listen to a track like august and you know how much painstaking attention to detail, and love, has been poured into the production of these tracks. august is a cerebral sounding track that will lift you to another level. a version of august is featured on the double cd 10 years anniversary compilation gigolos cd 10 (gigolo210) selected by gigolo boss hell. booty bar is another pumping and raunchy tune thats guaranteed to get that ass shakin. its and slammin beats and funky, almost jazzy, synths licks plus the sexy vocal samples gives this number a succinctly gigolo feel to it. with songs like this, its no wonder that woody is one of the most respected german djs on the international scene

played by karotte , reynold... style of eye has delivered one of the most creative dirtybird releases to date. this is a totally fresh sound coming straight out of stockholm, sweden. >the big kazoo< is an epic tech-funk masterpiece that achieves ultimate ass shaking glory while also innovating at the same time. yes, in the past dirtybird has brought you animals, fart noises, bass blips, and strange breakdowns and now a kazoo??? well, all we have to say is that the big kazoo goes a step beyond any gimmicks and brings you the real shit. the beat is solid driving funk just how we like it and the track is destined to be a dirtybird classic. the b-side >hide< aint no slouch either. it mixes in really well with anything you got with congos or any kind of latin shuffle. but hide also has a really hot techno element that makes it very versatile. the beat is rock solid with a strong syncopated pattern and cool synth dropouts that will even bring the socialites and wallflowers to life. check it

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

phat peaktime rollin techno mover !!hailing from the uk and run by pedro delgardo, yin yang has established world fame. due to the labels party minded image and full throttle dancefloor smashers - it catalog can be found in the bags of jocks like dj preach, michel de hey, carl cox, cave and elton d! after the success on similar labels like dolls, adult and fly life, bosnian talent mladen tomic makes his appearance on yin yang. funk driven, peak time material is what you get!

unsoaked girl (a1) is probably one of the deepest and best works that rush ever delivered. soulful strings and a bassline that sounds a lot like early saunderson makes it hard to believe that mr. snare-and-bass has been working here. wonder why he didnt keep up like that… one time 300 unit repress only !

limited vinyl edition from the young kids bands album.

greenhouse is back in full swing with this 4 track monster. win for life is a funky driving bass, skippy beats, subtle pads and stabs, saa solo & urban sound fx track. cant knock it features tasty sax licks, smooth chords, head nodding bass, sound fx, tight beats and summertime nyc playground crowd noise. anyos win for life rmx: solid beats and percussion, filtered sax, deep bass and cool vocal elements. something for the the likes of jason hodges, mark farina and dj heather. rounding off the ep is john larners win for life remix. a deeper house joint with plenty of jazz & funk, tasty stabs, skippy beats and hats, featuring tasty rhodes licks, a variety of vocal elements and deep bass.

mark henning is back with a release on played by mike monday, paco osuna, karotte, tom clark, markus kafka, mike shannon, jeremy p.caulfield, seph !! einmaleins musik and the label is happy to have marks funkyness pressed on vinyl! a side track is rich of sounds, funky n groovy, changing all the time and giving life at the dancefloor. b side track is a more stripped down techno track with voices and background sounds that make a adventure sound landscape!the track keeps evolving and get the funk back in after the second half of it!special different release just like mark knows to do

cloud 9 dance will relaunch combined forces legendary clubhouse label walnut records with an impressive first release from producers duo h.i.p. since their commercial adventure with dj alpha life goes on, they finally started a new project with a slammin first release that has written anthem all over it. opposites is a fresh mix between clubhouse and electro which doesnt sound like all those other d. ramirez copycats. with a 3/4 beat, its got the same vibe like t.raumschmieres monster truck driver & hypetraxxs the darkside. the galloping beats together withthe deep & dark vocal makes this track an absolute winner.

12 unreleased tracks from the legendary singer/songwriter/producer recorded in late 70s/early 80s.some are the original demos of tracks he wrote for others like its so easy (you can do it dino terell), moment of my life (inner life), fly girl (intrique) and youre my number one (change) which all stand up well against the released versions because leroys voice is so good. of the 7 new songs the best are the classic burgess boogie tracks like scandal, midnight in the streets, keepin on, under da radar and hold up whilst all into you is am id tempo groover. the live cover of the isleys hello its me is also interesting. this brilliant project is unmissable if you are into burgess, boogie or early 80s uptempo soul.

loco dice undertakes the remixing of the ibadan classic son of raw in the first of a series of remixes of ferrer works originally out on ibadan. with some of the most soulful and original techno productions on the market, he does not disappoint. an epic ten minute slice of modern house music that falls, like the original, somewhere between genres, loco dice creates a tunnel of atmosphere combining key elements for the original and adding fly life type efx that build throughout.

i get lifted is a version of the track harry wayne casey (k.c.) and richard finch (later known in life as kc and the sunshine band) produced for george mccrae. los angeles vocalist fanny franklin shines on vocals riding an irresistible cosmic flavored tune that settles nicely somewhere between live disco and spacey soul. franklin has appeared on recordings by dakah and sang alongside macy gray. she is the de facto orgone vocalist to appear on tours and as the main vocalist on the upcoming album. on the flip is an instrumental inspired as much by roy ayers as fela kuti. its what you do will appeal to fans of the bands previous recordings like hambone and funky nassau

nice price deal !!! after a string of releases from various labels like tommie sunshines >xjr<, jaimie is now set to make his debut with the >certified e.p.< on funktion recordings. featuring four blistering tracks ranging from switch styled-hip-hop/house madness on >k9 twist<, to the peak-time electro-house stomper of >meet you at six< and rounding things of with a dose of melodic, synth-pop infused house on >a new day< & >a new life<. jaimie fanatic delivers a well rounded e.p. being hammered across the board and one thats sure to be >certified< by the punters. dj suppport : john acquaviva, laidback luke

the year 2007 is beginning with turbulences for ruede hagelstein. real life, clubbing and the life of his beloved twist and turn through out the night. spooky appears the >ghostdriver< and with the drive by the needle of the compass circulates. change of direction. clarity is extinguished by the searchlight at the horizon. pictures change to sketches and the dark reveals the >pig< biting itself in the tail and one cant look away while it´s mouth is wriggling like a funny muscle. a ruede roadmovie

pokerflat welcomes aril brikha with a dose of hi-end melodic detroit deep techno soul !!

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

on this second volume you ll find a new remastered version of the much sought after i sure do like, the ghetto house track fight club, duriez classic of the classics the warm up and the secret of life

after releases on labels like zet records, tsunami or recycled sounds, the spain duo exium delivers 4 strange, atmospheric, spatial, dark and driving techno tracks on gayle sans equador !!!

ben sims ingoma label is now springing into life again after a break of a few months with a string of releases over the next few months. this new 4 tracker is the first of them being produced by new london based artist fase. the tracks are all in bens undeniable individual style with the a1 being the pick of the bunch with its carefully building groove and superb old school detroit influences being introduced gradually throughout the track. the a2 continues the theme with its off kick tribal rhythm with b1 really taking up the mantle with its mills influenced rolling groove before the b2 closes matters very expertly with a brilliant melodic tinged groover...

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

a new drift is emerging from america and she s in the middle of it: kate iwanowicz aka miskate is not only co-founder of the highly respected foundsound-label from philadelphia, but also a high-definition producer in its own right. after several ep s on her s and others labels like microcosm records she now pays a visit to karloff to expand her boundaries and fuelling the eclectic cut-up-funk she s already known for with solid, defined beats, boosting the focus on the dancefloor as another target to be aimed at. however the steady drive obtains the required substance through interspersed well-crafted distractions like filleted choirs and hymnal strings, constantly winding through the structure and blazing it up. brilliantly reflective and ecstatic at the same time this record gives you more than just a seasonal tempest in a teapot

ivana alexandrovic aka ivee was born in 1984. since ivee was 6 years old, music became her life. she started playing violin in a specialized school for musical talents. at this moment she is on master studies of violin and works like promoter for most respected and active booking agency in serbia and music and for club akademija which cherish techno parties. recently, she released her first lp for bazooka 10 (cosmophilia distribution) under name aureole and a 12inch for artillery records (crowbar). this release on sven wittekinds imprint is now the next step in her young career