another topical 12inch from the familiar sv brand, for your stylish yet sweaty boogie nights... side a: riccio remarks his own true remixing abilities with this first track on side b. distant sounds of a glittery era blend perfectly with the tricks of nowadays in a track that is as ever stopping as explosive on the floor. side b1: perfect strings and horns crescendos do the job. this should equally appeal to both straight and gay crowds... pure paradise garage in spirit. side b2: hold tight for the final surprise. yes, this 3rd track in the 12inch knocks in a rather unexpected, slightly latin flavoured intro.

1995 classic by louie balo, ray roc hard, isaac ize and brian m.!!!

after two highly acclaimed releases, enclave recordings return with an outstanding debut ep from irish dj/producer conor rogan. cogan delivers an impressive well rounded package which stands head and shoulders above most of the generic house music thats been flooding the scene these days. the title track >78<, is an infectious, hypnotic number with its roots firmly grounded in the golden era of funk and soul. expect mayhem at the disco when the groove kicks in towards the end where the slapped bass, chopped guitar, and flute take the track to another level.
next up is channels where rogan shows his deep techno influences by weaving layers of rhodes chords in and out of the mix. a low slung funky bassline and tight rhythm section, make this a top notch people mover guaranteed to electrify dancefloors from dublin to detroit.
soulville is a stripped down percussion driven house workout, while option completes the journey on a deep, moving tip perfect for early evening or late night selections. all in all, an essential tool for the versatile house dj.

encer kincy was giant in chicagos house music revival - part of the second wave of younger djs and producers that took the music of the early 1980s, rubbed it up and dropped it in places like 500 west cermak, medusa’s and the vault. a lot of people who are now superstars of the scene - mark farina, sneak, derrick carter, and dozens of others - were a part of that movement, too. spencer released a number of tracks on relief, planet e, cajual, peace frog - labels representing the classics of that era - and he usually recorded under the name gemini. as a dj, he operated in his own space - i’m sure he could play for a room, and sometimes did, but the unrestrained madness of a spencer kincy dj set had to be heard over several hours to appreciate. he could blend a sleazy disco track into hard acid, downtempo into a punishing armani track, jazz into detroit techno and so on. it wasn’t technically brilliant or tricky, but the selection was exquisite. a number of figures from his era still list him as an influence. his productions, viewed as a whole, are so much like his sets: going softer than many dared to go, and going much harder than just about any dared to go. simple jack tracks! respected by the standards of the industry of the time, and you certainly couldn’t go anywhere in chicago without hearing derrick, sneak, mark, lego, gene, jevon, diz, johnny or the other djs beating them. and so many of them have a timelessness - a little piece of eternity stuck like some bit of wax between the grooves

its been three years since uffie took the underground by storm with her killer electro crunk anthems hot chick, ready to uff and pop the glock. 17 million my space plays later, the 22 year old star of parisian club culture is ready to release her new single mcs can kiss. produced by mr oizo, its an old school soundclash of heavy beats and sharp rhymes, a pass the dutchie for the modern era. remixes come from some new kids on the block, zombie disco squad and starkey. zombie disco squad have delivered the perfect big room remix, while starkey has given it a dirty philly street feel with his dubstep rework.

siopis is not setting out to change the entire landscape of dance music, but he is doing his part to keep routine samples, repetitive vocals and redictable formulas at bay. his reinvention of seasoned veteran producer silversurfer, is a reincarnation that exudes development, maturity and experimentation. stemming from the roots of an era spent making many a club ready killers that touted him as a promising talent in the early 00s. his latest get physical release, >really love ya<, reveals even more flashes of brilliance of his production artistry.
big with: sasse, kabale & liebe, layo, lauhaus, paolo mojo, konrad black, brothers vibe, konrad black, ewan pearson, sis, timo maas, john selway, samuel l session, dop, gabriel ananda, catz n dogz, simon baker, tiefschwarz, john digweed, cassius, ben watt, nick curly, slam …

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

flapjack records is super stoked to present its 4th vinyl edition. in this episode we have flapjack front man frankie j, who has recently earned himself honorable mention in the completely made up breakfast foods quarterly for his solid recipes during the sound republic era alongside solo releases and remixes on spatula city & flapjack. this release also features adelaide iron chef sonny fodera, fresh off his two smash releases from drop & guesthouse wasting no time in the kitchen with his slammin joints. together these two somalies of syrup bring you a maple syrup conglomerate of dynamite proportions.

pawel aka dial cofounder paul kominek aka turner just finished his debut album to be released in january 2010. >berkeley< introduces the upcoming longplayer inspired by almost two decades of detroits planet e - era and another 10years dial records. pawels music can be regarded as the essence of the labels work: deeply outstanding pearls for a dancefloor in love.

released in conjunction with john tejadas lucid dream: recovered data 95 full-length album as part of the phthalo origins series, reworked data is two singles and eps featuring (as the release name implies) updated remixes, reworkings, and versions of john tejadas original electronic compositions by his contemporary peers in techno and house production.
reworked data vol. 1 features bodycode applying the house and techno sensibility of his recent immune album for spectral sound to tejadas production, followed by labelmate broker/dealers sophisticated melding of the source materials nearly fifteen-year-old anvil vapre-era sense of melancholy to an insistent 4/4 rhythm. traum schallplattens dominik eulberg continues his tradition of developing elaborate, drawn-out explorations of the ebb and flow of techno dynamics by adapting the asymmetrical idm sounds of tejadas source into a persistently propulsive techno narrative. finally, ninja tune and plug researchs daedelus applies the accessible synthpop template of last years love to make music to to tejadas melodies — almost crafting another >fair weather friends< in the process.
reworked data vol. 1 is available in a limited edition, hand-numbered run of 300 12 inch eps.

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

four cuts of deepest party music maintaining the high standards we ve come to expect from meanwhile since their label debut back in 2004. transfesa recalls the vibes of golden era detroit techno. a laid back 4/4 groove for late night journeys into urban wilderness.

the third in struts inspiration information studio collaboration series brings together an intriguing pairing between one of africas great bandleaders, mulatu astatke, with the next level musicianship of the heliocentrics collective from the mighty roster of stones throw / now again. known primarily through the successful ethiopiques album series and the film soundtrack to jim jarmuschs ?broken flowers, mulatu astatke is one of ethiopias foremost musical ambassadors. his selfstyled ethio-jazz sound flourished during the swinging addisÑ era of the late 60s as he successfully fused western jazz and funk with traditional ethiopian folk melodies. the heliocentrics have become known as one of the uks foremost free-thinking collectives of musicians, inspired by a wide palette covering sun ra, james brown, david axelrod and all manner of psych, afro and eastern sounds. the collective have featured on records by madlib and dj shadow. now a fixture within the stones throw / now again roster, they forged their own genre-breaking directions in the astral analogue groove on their 2007 debut album, out there. a number of tour dates around the release and headline slots at festivals throughout 2009 have been confirmed.

we are exited that a nerve wrecking period of careful selection and an anxious search for the most sublime collection of modern day techno has come to an end. with every end comes a new beginning and this masterpiece sets the marker for something new and raises the bar to incredible heights!in the footsteps of previous albums from pioneers like adam beyer and headroom, planet rhythm now unleashed another collection with todays major players and a sound that will make your head spin 360 degrees and warps you into a new era in 4 skull-crushing blows, by takaaki itoh, space djz, oliver kucera and carlos rios featuring the extender and last but definitely nog least gunjack!

repress of the 1966 groundbreaking pre punk era album!!!

heres the greatly expected album from edbangers wizard krazy baldhead. in 2009, krazy baldhead gives us his first album, >the b-suite<, four movements and 49minutes of music. we find tes again on a track, and outlines on the single >sweet night<. more than ever, krazy baldhead proves that ed banger records isnt only the label of a sound, butwell and truly the label of an era, is it an electro album? a hip hop album? up to you to estimate.

disconet was created as subscription program service, which professionally selected and mixed disco music for discotheque djs, mobile discos and radio stations. disconet is called as the granddaddy of all remix services and provided mixed/segued dj dance sets, not only to make the djs job a little bit easier, but to expose club goers to new music. the djs spinning at the height of the disco era were given access to a new creative tool - a different interpretation of current dance tunes to wow club goers. originally, the disconet records were to be issued on a monthly basis which were limited to 1000 - 1500 copies of each volume. the first disconet record was released in october 1977. disconet team at that time was: tom savarese, bobby dj guttadaro and kevin guilmet as well as mike wilkinson. tom, bobby and kevin were dj legends, who had already been awarded with the dj of the year title by billboard. these greatest hits volumes contain their finest work, the original licensed disco edits of all the floor fillers of the time that have been re issued for your listening pleasure. expect many more volumes in the near future.

the second single from jamie jones’ forthcoming album is a dancefloor destroyer from the outer realms. featuring live vocals from egyptian lover, ‘galactic space bar’ pre-empts the release of one of the most anticipated debut albums for the current house music era.

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviÞve gauckler, his new 12 is illustrated by french artist andre.

after mondkopf and 33hz, here is the fool house third ep : deloreans ayrton senna, somewhere between phoenix, the though alliance and air france, coming with a remix by john talabot, the latest revelation on the excellent permanent vacation label. delorean is an unheard scenario in popular music. 4 barcelonans, free as air, high on o2. gradually moving away from a more hardcore scene they are now ready to embrace a kind of techno that youd play with guitars. they did just that with their 3rd ep into the plateau which was well received in a cross-over underground scene- well before the electro-something ideas and the 80s references became the clichÚs of an overcoded era. in 2008, delorean got stuck into in the remix business working on tracks for mystery jets, big pink and glasser. for now delorean are focused on developing a new type of indie pop and judging by the early support from pitchfork, fader or xl8r this band are ones to watch. its with the greatest pride that fool house welcomes them, for a length of 4 songs, just like a holiday

crimea x is the coming together of two offbeat, disparate characters, dj rocca (ajello, super sonic lovers, maffia sound system) and jukka reverberi from 90s italian glam cult rockers, giardini di mir, who have often have been compared with the sound of mogwai, arab strap, godspeed you! black emperor. hailing from the far flung cosmos of reggio emilia, italys coolest post rock, cosmic disco outfit, crimea x launch a stellar ep of musical gems titled, phoros, get ready for pure, spaced out balearic bliss as the italo duo take you on a round trip journey to the electro cosmos and back. dj rocca and jukka were brought together by the common passion for cosmic imaginary soundscapes, where kraut rock fuses with the predilection for marxist thought and political stories of last century. the end product is a tantalising myriad of musical styles and tongue in cheek ethos, satirising the sociopolitical climate of our modern era.

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

again and again, promo gold strikes a third hit with the unmistakable early hardcore sound. this re issue of beat ya brain and partner in crime beat ya brain again delivers the 90s era tracks with 2009 mastering. kick ass gabberbass drums and catchy synths to rhythmically beat you through any rave. more to follow with bring it raw and ya gangsta music. two highlights from the glory days of the old thunderdome vibe, and still ever present with followers of the style.

deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you want to be a member?

well known on the dnb and dubstep scene for his fiendishly twisted artwork, uk creative genius monsta is also a beast of a producer. in this, his third release for subtrakt he teams up with >mr key< to bring us >space raiders<, a vocal dubstep demon of truly gargantuan proportions, so huge, in fact that it threatens to bring down mankind itself. or maybe its just a packet of crisps? dean rodell bravely attempts to contain the threat on his remix, but an army of space raiders march up out of their packet and flatten the whole city using a supernatural arsenal of sonic weapons that pull down skyscrapers with rasping bass and fry a million brains with shrieking sirens that can be heard in even the far corners of the galaxy. on the second remix dnb hero >raiden< stands up, and the guerilla war begins. taking his inspiration from the paranoid b-movies of the cold war era he morphs the original lead sounds into something so spooky and bizarre the space raiders have no choice but to pack their flying saucers and piss off back to zetareticuli. phew, that was close. supported by maryanne hobbs (bbc radio1)

part 1 of 2!! dna special transparent vinyl most wanted series!! tracks by e noid, negative a and darkcontroller!

deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you want to be a member?

the debut record of ritmolider kaleidoscope is a traditional studio work with live performance and classic analog sound. being in the era of nu disco and re edits the author has tried to find his own way of making music based on traditional methods of performance. and hes got a beautiful symbiosis of instrumental improvisations and electronic melodiousness. at the begining of the record theres a superb remix by the beat broker - deep, groovy synth disco, highly recomended for dancefloor! the second track is a journey into obscure psychedelic funk with lots of improvisations and atmospheric tunes....a pity so sweet percussions are added so late. b2 tonight at the discotheque will carry you away by the real soviet disco vibe. a beautiful arp solo softly flowing through amazing effects and acoustic drums focused on free played funky basslines. the original version of kaleidoscope is also a very interesting one. a mood of this composition is changed all the time. the first seconds of the track you hear a tender melodic solo which makes you feel calm and relaxed, then you get the groove coming from an agressive arpeggio and dinamic percussion. soon this feeling gets interrupted with a sudden slap bass impromtu playing together with a synthy accompaniment, and it turns into another feeling, and so on... this really reminds of kaleidoscope effect!

rinder & lewis: anger - considered one of the most abstract production teams of the disco era, this cut was taken from their >seven deadly sins< album (very rare!). never released on 12inch inch, this cut was a music box fave! not much to edit, just give it a dj friendlier drum intro. a great cut for a disco or a deep house set!mighty clouds of joy: time - one of my favorite edits! taken from their >its time< album. even thought this song was produced by dave crawford, the philly sound played a big part in it (thanks to norman harris on guitar & earl young on drums). the song was originally recorded in 2 parts, so i combined them with a little bit of dub. yes, you can give praise and boogie at the same time!

dj sneak is back on robsoul with a classic release.the original filter man takes us back to the era of his famous polyester ep .add to this a phil weeks remix and you got an essential release. dancefloor music with soul and feelings

hot phunky futuristic mini tech trax !! born in 1981, boris brejcha started his musical education in his childhood. he was educate playing drums and keyboard which had been a perfect schooling for the follwing chapter – producing and performing electronic dance music. boris brejcha began producing and dj-ing in november 2006 and with his first online mp3 debut >monster ep< and the following ep named >yellow kitchen<, boris brejcha reached on many download platforms place 1 and became the new techno shooting star playing gigs not only in his home country germany. and so, boris brejcha was called >special talent of the year 2007< in the magazine raveline. he inaugurates a new era in >high tech minimalism<

this track continues with their trademark combination of deep club grooves and great live musicianship as guitarist hideki ikeuchi glides over dj uchikawas driving beats while makoto kuriya adds his inimitable keyboard. in addition to the smooth main mix, rhythm of elements also provide a classic electronic dub for the deeper dance floors, getting techie while firmly rooted in the disco soul heritage. as if that wasnt enough, this 12inch is completed with an incredible cover version of grover washington jrs mr. magic with roe updating this classic to a midtempo soulful jazz burner. dj uchikawa has been a pioneer in japanese dance culture for decades, and is known for representing quality dance music from the classic boogie era to present day deep house scene. he owns the loft club in nagoya, japan. internationally renowned makato kuriya has played with some of the finest jazz musicians of the last century including nathan davis, chuck mangione, billy cobham, donald byrd to name a few. he has recorded numerous albums and performed worldwide. they decided to unite jazz with the electro dance music, and soon after rhythm of elements were created...

new material from label boss rob pearson, tech house heavyweight nathan coles (fabric/ wiggle /is this), and yann solo (new era/ 4 kenzo) as well as the first feature on wax of cubisms lunacy sound division (mark gwinnett) who delivers a slick rework of question mark

uncle o is someone we have an unlimited respect for, here at im a clich. a restless record digger with an insane record collection, a resident dj at the mythical bains douches club in paris at its golden era (82-85), a graphic designer for james white, omd, the cure, a certain ratio as they were touring in france, and later part of the emerging french hip hop scene (he even appeared on vocals on the seminal french hit h.i.p h.o.p, french people will know what it s about!). he produced occasionnal instrumentals for french hip hop bands like assassin, released a few cult records as jackos and organised some of the best parties in paris, the toxic nights.

incl remixes by dj assault, trevor lovers, pig & dan !! swedens next big thing the touch was recently titled >one of 2008 >gonna bes<< by one of swedens biggest newspapers. without a single release out they have already conquered sweden s club scene from north to south, performed alongside justice,ozzy osbourne, pet shop boys, dizzee rascal, boys noize and uffie on swedens biggest festival and have managed to cross over with both a strong indie, dance and major audience. with influences from early factory and hacienda era manchester and acid house and electronic music scene from 80/90s detroit the trio has added an extra dimension with futuristic sounds that has a crossover appeal

rounding off the emperor machines vertical tones and horizontal noise era before ushering in new material - this new 12inch returns to the sordid pop genius that is no sale no i.d. and here singled out for a remix by none other than simian mobile disco.

as we found this fabolous track from bruce lenkei, we couldnt believe that this was not an original from the cosmic era, instead it is a new production. this track immediately came on to us very strong with its magic sounds and the great atmosphere, which describes the title best. after we included the moonlightzombiedance into our mix for the d.i.r.t.y soundsystem from paris, we got crazy feedback from around the globe and so we decided to put it on wax. on the remix duties we have the hot talented michoacan, who earned himself a very good reputation with 12inches on labels like bear enterainment, grayhound recordings, tiny sticks and lektroluv under his belt. most recently he also got remixed by the almighty dj harvey and the glimmers. he speeded the tempo of the original way up and transformes it into a crazy krautrock stepper in the vain of goblin. it makes the people dance like zombies on speed - we experienced :). if you dig the zombiezombie stuff you will love this one.

the ron hardy tribute juggernaut rolls on with two more flashes of enlightenment. a slice of salsoul scorcher is paired with the cooler vibe from chris & cosey. >i remember ron hardy dropping nitzer ebb (hard industrial band) in between records by marshall jefferson and adonis.< says scott k. (more club, los angeles >in urb magazine theres an article on felix da housecat where he mentions frankie knuckles dropping cuts from bands like new order. he then credits (rightfully so) ron hardy for starting that.< >ron was more adventurous that frankie knuckles. frankie would play straight disco but ron would play all kinds of stuff. hed play eurythmics, he play man parrish, hed play shannon, right along with the disco. and man, he just stole all of frankie knuckles crowd.< - marshall jefferson deep underground chicago staple of music played by the chose few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you want to be a member?

just touched down on the runway and pulling straight into the music response exec s arrivals is a brand new label, imprint music. founded in early 2007 by dj and producer joshua hewitt. based in manchester, england, the label has been set up with the aim of injecting a new life into the underground house scene and to keep the house music we all know and love alive. imprints music policy is to put out the freshest house tracks ranging from the deep sounds of the undergound, to more straight up jackin music. the underlying sound will always be driven towards deep, jazzy, tracky and funky house music. imprint music is concentrating on only bringing you quality house music from both renowned and up and coming artists from around the globe.

back in the box is a brand new series from leading uk house label, nrk. taking the worlds leading and longest serving dj legends, b.i.t.b. invites them to plunder deep into their collections to those old house records that rocked the party time and time again, records that have since been left dormant on the shelves, waiting for the right moment to be dusted off (and this is that moment!). we re talking about those records that shaped and influenced a whole music scene, from that golden era of house music from the late 80s to mid 90s. a mix that will evoke great memories of lost nights on the dancefloor, b.i.t.b is the trip back in time you ve been waiting for.

arne weinberg returns on his own label with a new release. parabolum contains three tracks in different styles. parabol, the main track, is a dub infected hypnotic techno piece that shows arnes vision of so called dubtechno that works on the floor and in your mind aswell. omega rising is a detroitesque dancefloor track with the aw-recordings trademarks, melodies, timeless soul and groove - let your mind dance! microscopic closes the record with a very athmospheric offbeat rhythm underneath deepest melodies in the vein of the so called uk electronica era

this 2 disq masterpiece planet rhtyhm album sets the marker for something new and raises the bar to incredible heights! in the footsteps of previous albums from pioneers like adam beyer (decoded / recoded) and headroom (shades of shape), planet rhythm now unleashed another collection with todays major players and a sound that will make your head spin 360 degrees and warps you into a new era in 8 skull-crushing blows

dead soul brothers is that man herve again, along with production partner seba. the eight track double pack opens with a four cuts of dancefloor hysteria - the type you would expect from the man herve. it also includes a killer rerub from phones too. the ep then turns into a blissed out, dreamy electronic psyche album reminiscent of rubber soul era beatles not what youd be expecting at all! its very much in that chemical brothers vein one minute bangin, the other all fluffy and deep. limited to 500 copies and totally needed.

as hard as it might be to believe, there was a time when the word trance did not mean dutch guys dressed in white wearing oakleys.. it also didn t mean israeli pre-military dragon-stick wielding reefer addicts.. actually, there was a glorious era where trance was a verb rather than a noun.. im talking about when you got in a trance, at lets say for example: the golden eagle in munich in 81, in a white-tiled sauna-motif discotec, grooving to a 17 minute reel-to reel version of knights in white satin on your 2nd bottle of poppers while some guy named >wolfie< takes his modern ballet skills to the >next level<. if that sounds appealing.. and i know it does.. then allow me to introduce you to compuphonic and kolombo.. a throwback to the days of romance-trance of the highest order. deep, sensual (yes, i used the word sensual) electronic grooves so potent that we were forced by a coalition of competitors labels to only release some of them digitally to restrict their awesome power to trip people out. these tracks make other tracks seem like mindless shallow shit. that includes some of turbos other releases.